Beruflich Dokumente
Kultur Dokumente
Adagio (q = 50 - 54)
CHAMBER MUSIC
mvt. I (poem XVII)
?c
6
. bJ
III II
b b J
Katarzyna Brochocka
10
O I ? J J &O F
# n n J J J J O #O . b . O
III II
. b r b . b j .. n n . # . # J R R p cresc. P p b b.
. n r p
# n n J J cresc. p
15
6 b j & # # J 4 O P F II # B # J J P
# . . # # b P diminuendo p crescendo
#
? (P)
19
. b J p
j j B c # n b # . P p diminuendo
j # # # F
pizz. IV
n b n # # # J J
II
23
?> b . g n 6 O J g 8 J J g gg J gg g p P
(echo)
(F)
&
#O O # F O ## p
punta d'arco
O O #
rit.
28
&
j O O .. # P diminuendo
O ##
O..
al niente
NOTES: The piece is written for double bass in orchestral tuning. Roman numerals indicate the string on which a note should be played (i.e. I-G, IV-E). Natural harmonics with an o indication are notated where they sound. Natural harmonics with a diamond notehead are notated where they should be played (resulting pitch is different from notated pitch). There are two types of artificial harmonics used: a fourth and a third. They should be fingered while simultaneously fingering the diamond notehead harmonic on the same string. In the double stops with harmonics the note stems are positioned in opposite directions.
. # pizz. . . pizz. arco . . b . . . . . . b . . b n . # . # J . ?3 . r r # # 8 J # J . . . . f P f f F cantabile (echo) . 6 arco . . . pizz. arco . . .. . . # j . . . . . ? & j r # b # ? . . . F F p f P S P pizz. arco 13 . . . . . . . j j j . ? & # j j . b b # # # R R . . . . .. . pp sub. P cresc. F S P F decresc.
pizz. arco secco
22
j - b
. # F decresc. b
30
33
# . j JJ P dim. P .
41
j j j j bJ b
decresc.
b . . J
(F)
51
crescendo
. U J
diminuendo
. U J
IIIII
b . &J
(P)
13
? b n . n.
IV
bb O O .. O J F
II
j O O nn
b b j b b b. b n J b J p
&
17
&
j j j # n #
- # - # U # 6 8 R p I j . B # . J F P
pi mosso {e = c 100}
, b . . J # n J J
crescendo
26
&
. b b n
meno mosso
B .
III
j j # # J J #. . R IV p R .
31
- nU # B J
b . b J J
smorzando