an outstanding exhibition or other presentation of their work in the previous year. It’s also designed to promote public discussion about contemporary art. Widely recognised as one of the most important and prestigious awards for the visual arts, the Turner Prize is notoriously controversial, from the works themselves to the awards ceremony. This was consummated in 2001, when Madonna, glamorous in a Stella McCartney designed trouser-suit, used an equally unglamorous expletive as she announced the winner. Martin Creed took out the award for his similarly controversial “Work No. 127, the lights going on and off”, involving a space where the light went on and off at regular intervals. Creed’s Above MARK TICHNER Top TOMMA ABTS The Memory Of Our Will Will Wash The Dirt From Your Feet, 2003 Mehm, 2005 Lightboxes, carved wood, metal, concrete, amplifier, microphone, water, speakers acrylic & oil on canvas 185 x 351 x 30 cm 48cm x 38cm Courtesy the artist and Vilma Gold, London Courtesy greengrassi MARK TICHNER If You Can Dream It, You Must Do It, 2003 Transparency in lightbox 180 x 120 x 20 cm Courtesy Joaquin diez Cascon, Barcelona REBECCA WARREN Donald Young Gallery, Installation view Courtesy of the artist, Donald Young and Maureen Paley
piece was not the first winner to spark a flurry in
the press as to whether such abstract and conceptual work could even be considered ‘art’, with Tracey Emin and her unmade bed and Damien Hirst’s cow in formaldehyde getting the nod in previous years. Such is the Prize’s reputation for honoring the puzzling that last year’s roll of nominees contained a shock – one of the shortlisted artists was Gillian Carnegie, a conventional painter of still life, landscape, and the nude. Work by this year’s shortlisted artists will be shown in an exhibition at Tate Britain beginning on 3 October 2006. The winner will be announced at Tate Britain on 4 December 2006 during a live broadcast by Channel 4.
Turner Prize 2006 – Shortlisted Artists:
REBECCA WARREN, TOMMA ABTS, PHIL COLLINS, MARK TICHNER. Tate Britain Supported by Gordon’s gin PHIL COLLINS baghdad screentests 2002 Single–channel video projection with audio, 47 min. 56 Courtesy Kerlin Gallery