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WHAT IS SAMPLING?

WHAT IS SAMPLING?
EXTRACTING, SEQUENCING AND MANIPULATING PRE-RECORDED SOUND

WHAT IS SAMPLING?
EXTRACTING, SEQUENCING AND MANIPULATING PRE-RECORDED SOUND

SUCH AS?

A DRUMBEAT

A DRUMBEAT A BASSLINE

A DRUMBEAT A BASSLINE A VOCAL

A DRUMBEAT A BASSLINE A VOCAL A WHOLE TRACK

A DRUMBEAT A BASSLINE A VOCAL A WHOLE TRACK A LAMP

WHO WERE THE PIONEERS OF SAMPLING?

WHO WERE THE PIONEERS OF SAMPLING?


KANYE?

WHO WERE THE PIONEERS OF SAMPLING?


KANYE? PUBLIC ENEMY?

WHO WERE THE PIONEERS OF SAMPLING?


KANYE? PUBLIC ENEMY?

AFRICA BAMBATA?

WHO WERE THE PIONEERS OF SAMPLING?


KANYE? PUBLIC ENEMY?

AFRICA BAMBATA?
A BUNCH OF FRENCH DUDES IN THE 1940S?

WHO WERE THE PIONEERS OF SAMPLING?


KANYE? PUBLIC ENEMY?

AFRICA BAMBATA?
A BUNCH OF FRENCH DUDES IN THE 1940S?

The French guys who started the Musique Concrete movement

WHAT WAS MUSIQUE CONCRETE

WHAT WAS MUSIQUE CONCRETE


FIRST RECORDED SOUND (EDISON) 1878

WHAT WAS MUSIQUE CONCRETE


FIRST RECORDED SOUND (EDISON) 1878 FIRST PUBLICALLY AVAILABLE MAGNETIC TAPE RECORDERS 1920

WHAT WAS MUSIQUE CONCRETE


FIRST RECORDED SOUND (EDISON) 1878 FIRST PUBLICALLY AVAILABLE MAGNETIC TAPE RECORDERS 1920 MUSIQUE CONCRETE 1942

WHAT WAS MUSIQUE CONCRETE


FIRST RECORDED SOUND (EDISON) 1878 FIRST PUBLICALLY AVAILABLE MAGNETIC TAPE RECORDERS 1920 MUSIQUE CONCRETE 1942 THE FIRST MUSICAL MOVEMENT THAT USED TAPE AS A MEANS TO CREATE MUSIC, RATHER THAN SIMPLY AS A MEANS TO LISTEN TO IT.

WHAT WAS MUSIQUE CONCRETE


FIRST RECORDED SOUND (EDISON) 1878 FIRST PUBLICALLY AVAILABLE MAGNETIC TAPE RECORDERS 1920 MUSIQUE CONCRETE 1942 THE FIRST MUSICAL MOVEMENT THAT USED TAPE AS A MEANS TO CREATE MUSIC, RATHER THAN SIMPLY AS A MEANS TO LISTEN TO IT. THE FIRST PRODUCERS?

ONE OF THE KEY INNOVATIONS OF THE MUSIQUE CONCRETE GROUP WAS TO EDIT TAPE.

ONE OF THE KEY INNOVATIONS OF THE MUSIQUE CONCRETE GROUP WAS TO EDIT TAPE. TO CREATE LOOPS BY STICKING BITS OF TAPE TOGETHER.

ONE OF THE KEY INNOVATIONS OF THE MUSIQUE CONCRETE GROUP WAS TO EDIT TAPE. TO CREATE LOOPS BY STICKING BITS OF TAPE TOGETHER. THEY ALSO PIONEERED THE USE OF FOUND SOUND IE; MAKING MUSIC FROM ANY SOUND THEY COULD RECORD, RATHER THAN JUST INSTRUMENTS..

THE BBC RADIOPHONIC WORKSHOP

THE BBC RADIOPHONIC WORKSHOP


SONIC MANIPULATORS EXTRAORDINAIRE

THE BBC RADIOPHONIC WORKSHOP


SONIC MANIPULATORS EXTRAORDINAIRE STARTED IN THE EARLY 1950S

THE BBC RADIOPHONIC WORKSHOP


SONIC MANIPULATORS EXTRAORDINAIRE STARTED IN THE EARLY 1950S A COLLECTION OF PRODUCTION GENIUSS WHO USED THE IDEAS OF MUSIQUE CONCRETE AND FOUND SOUND TO CREATE THE SOUND AND MUSIC FOR BBC TV AND RADIO.

ALCHEMISTS OF SOUND

PART 2

AMAZING..!!!!

AMAZING..!!!! BUT A BIT LONG.

AMAZING..!!!! BUT A BIT LONG. FORTUNATELY, WE HAVE COMPUTERS!

WHAT IS A SAMPLER?

WHAT IS A SAMPLER?
IT ENABLES US TO SEQUENCE AND MANIPULATE PRE-RECORDED SOUND SEQUENCE?

WHAT IS A SAMPLER?
IT ENABLES US TO SEQUENCE AND MANIPULATE PRE-RECORDED SOUND SEQUENCE? TO PLACE AND REPEAT SOUNDS ON A VIRTUAL GRID IN ANY ORDER WE PLEASE. AT ANY TEMPO WE PLEASE.

LOGIC IS A SEQUENCER..

LOGIC IS A SEQUENCER..
AND THE EXS24 IS THE SAMPLER.

LOGIC IS A SEQUENCER..
AND THE EXS24 IS THE SAMPLER. WE CAN USE THE EXS24 INSTEAD OF TAPE.

LOGIC IS A SEQUENCER..
AND THE EXS24 IS THE SAMPLER. WE CAN USE THE EXS24 INSTEAD OF TAPE. WE CAN SPEED UP, SLOW DOWN, REVERSE OR SOUNDS.

LOGIC IS A SEQUENCER..
AND THE EXS24 IS THE SAMPLER. WE CAN USE THE EXS24 INSTEAD OF TAPE. WE CAN SPEED UP, SLOW DOWN, REVERSE OR SOUNDS. LIKE A TAPE.

LOGIC IS A SEQUENCER..
AND THE EXS24 IS THE SAMPLER. WE CAN USE THE EXS24 INSTEAD OF TAPE. WE CAN SPEED UP, SLOW DOWN, REVERSE OR SOUNDS. LIKE A TAPE. AND INSTEAD OF CUTTING UP THE TAPE AND STICKING IT TOGETHER AGAIN. WE USE LOGIC TO SEQUENCE OUR SOUNDS.