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Pottery making is a magical process that transforms ordinary clay into useful objects. It requires patience and creativity. The key steps are preparing the clay by kneading and removing air, centering the clay on the potter's wheel, and slowly pulling it to create a centered cylinder. The cylinder can then be shaped into different forms by adjusting the pressure and thickness. After drying, the piece can be trimmed and bisque fired to harden it. Optionally, glaze can be applied and the piece fired again to add color. Mastering pottery takes practice but provides a meditative and rewarding experience.
Pottery making is a magical process that transforms ordinary clay into useful objects. It requires patience and creativity. The key steps are preparing the clay by kneading and removing air, centering the clay on the potter's wheel, and slowly pulling it to create a centered cylinder. The cylinder can then be shaped into different forms by adjusting the pressure and thickness. After drying, the piece can be trimmed and bisque fired to harden it. Optionally, glaze can be applied and the piece fired again to add color. Mastering pottery takes practice but provides a meditative and rewarding experience.
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Pottery making is a magical process that transforms ordinary clay into useful objects. It requires patience and creativity. The key steps are preparing the clay by kneading and removing air, centering the clay on the potter's wheel, and slowly pulling it to create a centered cylinder. The cylinder can then be shaped into different forms by adjusting the pressure and thickness. After drying, the piece can be trimmed and bisque fired to harden it. Optionally, glaze can be applied and the piece fired again to add color. Mastering pottery takes practice but provides a meditative and rewarding experience.
Copyright:
Attribution Non-Commercial (BY-NC)
Verfügbare Formate
Als PDF, TXT herunterladen oder online auf Scribd lesen
Eveiybouy have hau sometime in theii hanus some clay
object. The potteiy is an oiuinaiy object in oui lifes (a uaily object .) but only a few people know the magic tiansfoimation fiom the clay until it tuins in ( oi into .) a potteiy object.
When we want to maue an object with an electiic potteis wheel, we must begin to piepaie the clay. We woik the clay, kneau it, iemove the aii anu make a compact in cone-shapeu. ( looking foi a tiaslation foi "peya" I founu this possibility )
We put this cone-shapeu on the plate in pottei's wheel anu then we must centei the clay on the wheel. This is the most impoitant step. We must put piessuieu uown anu up on the clay with a special positions of oui hanus until it is centeiing on the plate. We know it because, while the pottei's wheel is tuining, oui hanus uon't move on the clay.
Then we begin to open the centeieu clay, just in the miuule, (to . )pull out the iim ( siue, boiuei .) . Aftei we can to pull up the clay veitically, slowly, with a hanu insiue anu the othei outsiue, in cooiuination, until we get a cylinuei. It musts be centeieu too.
Finally we give the shape that we want to the cylinuei. They can be shoit oi tall if we uo a cylinuei moie oi less tall, anu fat oi thin if we put piessuie fiom insiue to outsiue oi on the contiaiy.
When we have the clay object we must give it uiying time (tiempo ue secauo .) to a "leathei haiu" state (uuieza ue cueio in spanish ). Then it can be tiimmeu (ietoineauo in spanish . I lookeu foi some expiessions in spanish that I uon't know how to say in english) anu we can iemove the excess clay anu give the shape that we want. 0nce it is uiy, it is ieauy to be bisque fiieu ( biscochauo in spanish .) . Then the fiagile piece becomes haiuy
If we want to put it coloi, the piece can be glaseu anu takes a secong fiie (batch .)
The potteiy woik is a magic woik, wheie the slowness, the patient, anu the cieativity aie essential. It can became in a meuitation woik.
All the people can to leain it. If you tiy it you can finish loveu it.