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1053792 number: Order

lndian Concertino GeorgePerlman Violin& PianoAccompaniment

fsBN90-431-2161-4 NUR472

CD number:DHR 13.958-3 CD recorded by: De HaskeSound Sqvices BV ExecutiveProducer. Gunter VanRompy Violin:Jo Vercruysse

@ Copyright 2005 by De Haske Fublications BV AS Heerenveen, Holland Postbus 74,NL-840 BetgiumBVBA, 8-1860 Meise VoorBetgi/ Pourta Belgique: De Haske (Deutschland) GmbH,Postfach51, D-79427Eschbach De Haske Fr Deutschland: F-68180 Horbourg-Wihr B.P 69, : De Haske France, Pourla France (Ml) Palazzo E/3, l-20090Assago Milanofiori, Centro Direonale ltalias.r.l., PerI'ltatia:De Haske A-6884 Damls Haske GmbH, Musikverlag De Fiir sterreich: (lntemational) AG, Postfach60, CH-6332Hagendom Fiir die SchweizI Pourla Sulsse; De Haske NNl7 4SN,England Corby,Nofthants Music(UK)Ltd, FlemingRoad,Earlstrees, For the IJK:De Haske Hottand BU Postbus744,NL-8440AS Heerenveen, De HaskePubtications Altother countries;
All rights reserved.No part of this book may be reproducedin any form, by print, photocopy, microfilm,or any other means without written permi$sionof the publisher. Alle Rechte vorbehalten. Vervielfltigungund/oder Verffentlichungdieses Buches, auch einzelner eile, mittels Druck, Fotokopie, Mikrofilm etc. ohne schriftlicheEinwilligungdes Herausgebersverboten. Tous droits rservs pour tous pays. Aucune partie de ce livre ne peut tre reproduite sous aucune forme : imprime, photocopie, microfilmeou par tout autre moyen sans I'autorisationde l'diteur. Ttrtti i diritti riservati.Nessunaparte di questo libro puo' essereriprodotta sotto alcuna forma, stampata, fotocopiata, scritta dell'editore, miclofilmata, etc., senza I'autorizzazione Alle rchten vooetrouden. Niets van deze uitgave mag worden verveelvoudigd en/of openbaar gemaakt door middel van druh fotokopie, microfilm ot op welke andere wilze dan ook zonder voorafgaandeschriftelijketoestemming van de uitgevr. Prted h l-lokld-

Fo r e w or d
S t u d y & P l a yi s i d ea lfo r d e ve l o p i n g yo u r playingin an enjoyable and musically soundway . Eac h ed it io nw i t h i n t h i s co n ce p fe t a tu re s a (D to add som ething extr ato your studyr outine. When you play lndian Concertino the (D allowsyou to practise at a slowerstudytempo,as well as t he n o r m a lt e m p o ,so th a t yo u ca n w o rk o n your violin playingin a mor e concentr ated w ay w hi l s t y o u r i n si g h ti n to th e mu si c. i m p ro v i n g Y o u can continue to study in this goal- or ientated way unti l yo u hav ea c h i e v e d th e d e si re d re su l t.R e a d the infor m ation about the ( D car efully in or de rto ful l y unitise t h i sc o n c e p t . Th e t it le o f t h i s p i e cesu g g e sts playing a co n ce rtsituation, a solo par t with accom panim ent. T her e s f s u chw o rksfo r th e vi o l i n but m anyof thesecannotbe tackled ar e t hou s a n d o until you hav ebeen pla y ingf o r a c o n si d e ra b lti eme . T h i s ca r efully you to gain n ec es s ar y chosenconcer tino enables experie n cfe o r t h i st yp e o f p l a yi n ga , llowing you to havesufficient musical andtechnical con tr olov er yo ur inst r u m e nw t hi l st h a vi n gth e su p p o rtof an accom panist dur ingper for m ance. lt will als oenr i c h your repertoire.

About the cD The CD i s a n e x c e ll e n me t a n sto h e l p yo u achieve per for m ance. a polished Fir styou will hear the tu nin g n o t e s f , o l l o we db y th e d e motra cksothat you get an ideaof how the piece should so und.T he pla y -a l o n g p a r t ( f i r st i n th e n o rma lte mp o,then in studytempo) has beensubdivided into v ar i ous tracl<s which havebeenindicated in the score. They startjust beforea characteristic or new passage - this way you don't haveto search everytime you want to study a certainsection. The (D hasbeen se t u p a s f o l l o w s :

. tuning notes t, r a c k1 s - + ( O = A ,O = D , O = G , O = E )
@, etc.) - studytempo,tracl<s . pfay-along ( @ ,@ , etc.) 11-15; >S-zg . d emov e r s i o nt,r a ckS ,i 6 , r9 ( @ e tc.) - normaltempo,tracks6-to,'r7-'r8; . play-along zo->+(O,

G e o r g eP e r l m a n


Pe r l m a n Ceor g e ta u g h tth e vi o l i nfo r a substantial par t of the zoth centur y. Hisexactyearof bi r th i s u n k n o w n- h e w asq u i te se cre ti ve a b o u tit - but he was pr obably bor nar oundr 898 in l( iev ,U k r ai ne. As a y o u n g c h i l d h e mo ve dto C h i ca g o wher e his pr incipal violin teacher s included LeonSam ati ni , Adol p hW e i d i ga n d L e o p o l d A u e r,w i th whom he studied for a year . In addition to dozens of arrangements, editions and collections George Perlman wrote several original pieces for violin,manyof whichareof a pedagogical nature. The /sraeli (gll), whichis perhaps Concertino r mp o si ti o n hism o s tp o p u l aco i s,a symb oof l hispr ide in hisJewish andinter est faithandheri tage. The lndian Concertino of lg1+ is an excellentstudy worl<for young violinists. lt was obviously ins p i r e d b y t h e r h yth msa n d h a rmo n i e of s nativeAm er ican m usicbut the wor l<' s inspir ati on, oddl y e n o u g h(,a m et o t h e c o m p o s ew r h i l eh e w a ss i t t i n gi n s y n a g o g u e . George Pe r l m a n di e di n 2 o o o .

G e o r g eP e r l m a n


Ce o r g ePe r l m a n u n te rri ch te te d e n g r BtenTeil des zo. Jahr hunder ts lang Violine.Sei n genaues -t e r w a r se h r - aberver mutlich 6ebu r t s j a h ir s t u n b e ka n n ver schwiegen diesbezglich wur deer um r BgB g e b o re n . l s kl e i n es in l(ie wi n d e r U k ra i n e A l( indzoger nachChicago, wo er haupts<hlic h Lehr er n von wie L e o nS a m a n ti nA i ,d o l p hWe i d i gu n deinJahrauchvon Leopold AuerViolinunter r icht erhi el t. Ne b e n dutzenden vo n B e a rb e i tu n g eA n usgaben , und 5amm lungen, schr ieb Geor ge Per lm an m ehr er e o rigin a l eKo m p o si ti o n e fi n j r d i e V i o l i ne,von denen viele pdagogischer Natur sind. D as l s r ael i Co n c e r t i nv oo n ' t9 7 3 i st vi e l l e i chse t ine b ekannteste Komposition; es manifestier t Stol zund das den j i j d i sch e n I nt er e s sa en s e i ne m Clauben u nd Er be. Da s l n d i a n C o n ce rti n ovo n ryS + i st ein ausgezeichnetes Ubungswer l< fr junge V i ol i ni s ten. i n s p i r i e r tv o n d e n R h y t h m e nu n d H a r m o n i e nd e r M u s i k d e r a m e r i k a n i s c h e n Offensichtlich Ure in w o h n e r k,a m d e m K o mp o n i sted ne r lmpuls zu diesem W er kjedoch seltsamer weis e, al ser i n der 5y na g o g e saB. Perlman George sta rbi m Ja h r2 o o o .

l n d i a nC o n c e r t i n o
An Indian Story
Allegro moderato

6 e o r g eP e r l m a n

Allegro moderato

Indian drums

CopYr ght g 1931 by Cart Frsctrer,lnc. Copynght renewed, All rights assignd to Carl Frsclpr. LIC This arrarerrut copyrti* e 2+ by Crt FEcher. LLC. Published ny arr-arqenrent with Cal Fiscfrer" U-C. ts|!rred coFyrtrt sred- Al rigfrs rer.ved"


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Gradually faster

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Indian War Dance

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:053792 . Indian Cc(ertino