multivariate information, composite data Life in Los Angeles rather than raw variables are shown. Thus, an index or ratio between a number of variables may be computed prior to mapping and then shown by a single symbol. It is here that map reading becomes especially tricky, for these multivariate symbols look exactly like single-variable ones. Only the nature of the information symbolized, not the form of the symbols, has been changed. More than ever, therefore, it is essential to check the JSJi^ -^^t^ricr legend as your initial step in map reading. Multivariate symbols, like single-variable ones, may show either qualitative or quan- H-J x~ "" titative information. Let us look at the characteristics of each. Qualitative Information Map makers use qualitative symbols to present multivariate information in raw form by combining different dimensions !\\\ HIGH I LOW .- r LOW I HIGH (shape and hue, say) or by using multiples of the same dimension (two different shapes, for instance, such as a square within a circle). As with single-variable qualitative symbols, I t \LGW/ HIGH d6 HIGH
differences in shape, arrangement, orienta-
tion, and hue contribute to the best map designs. But multivariate symbols are often 4.23 This multivariate map of Los Angeles shows four so elaborate that cartographers do not rigor- social status factors, each divided into three classes ously adhere to the intuitive visual dimen- (low, medium, high) (courtesy of G. Turner). sions during the design process. Some multivariate symbols are picto- graphic, but most are geometric. Point and and blue symbols overlap to form a green area symbols are the most common. Point symbol, the coding may go unrecognized symbols are popular because they make it unless specifically defined in the legend. fairly easy to pack information into several Qualitative multivariate line symbols are dimensions at once. In Figure 4.23, for not as well liked by mappers as are point and example, four Variables depicting social area symbols. First of all, these line symbols status have been used to create different are not as easily extended into different facial expressions. The shape of the face dimensions as are point symbols. Second, in shows levels of affluence; the mouth indi- order to use the overlapping technique of cates unemployment rate; the eyes represent area symbols, the lines have to be so wide urban stress; and the tone of the symbol that they take up an inordinate amount of represents the proportion of the population space. Map makers would rather make which is white. The combined effect is so separate maps of the individual variables striking that you can almost sense how people than clutter a single map with fat line in different sections of the city feel. symbols which distract from the rest of the It is also relatively easy to overlap two map information. area symbols to form a third. This overlap- ping technique may be quite effective, as Quantitative Information when water and grass merge to form a With quantitative multivariate symbols, as marsh.-But in other cases, as when yellow with single-variable ones, the best map