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112 CARTOGRAPHIC REPRESENTATION

With the second method of symbolizing


multivariate information, composite data Life in Los Angeles
rather than raw variables are shown. Thus,
an index or ratio between a number of
variables may be computed prior to mapping
and then shown by a single symbol. It is here
that map reading becomes especially tricky,
for these multivariate symbols look exactly
like single-variable ones. Only the nature of
the information symbolized, not the form of
the symbols, has been changed. More than
ever, therefore, it is essential to check the
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-^^t^ricr
legend as your initial step in map reading.
Multivariate symbols, like single-variable
ones, may show either qualitative or quan-
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titative information. Let us look at the
characteristics of each.
Qualitative Information
Map makers use qualitative symbols to
present multivariate information in raw
form by combining different dimensions
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HIGH I LOW
.- r
LOW I HIGH
(shape and hue, say) or by using multiples of
the same dimension (two different shapes,
for instance, such as a square within a circle).
As with single-variable qualitative symbols, I t
\LGW/ HIGH
d6
HIGH

differences in shape, arrangement, orienta-


tion, and hue contribute to the best map
designs. But multivariate symbols are often 4.23 This multivariate map of Los Angeles shows four
so elaborate that cartographers do not rigor- social status factors, each divided into three classes
ously adhere to the intuitive visual dimen- (low, medium, high) (courtesy of G. Turner).
sions during the design process.
Some multivariate symbols are picto-
graphic, but most are geometric. Point and and blue symbols overlap to form a green
area symbols are the most common. Point symbol, the coding may go unrecognized
symbols are popular because they make it unless specifically defined in the legend.
fairly easy to pack information into several Qualitative multivariate line symbols are
dimensions at once. In Figure 4.23, for not as well liked by mappers as are point and
example, four Variables depicting social area symbols. First of all, these line symbols
status have been used to create different are not as easily extended into different
facial expressions. The shape of the face dimensions as are point symbols. Second, in
shows levels of affluence; the mouth indi- order to use the overlapping technique of
cates unemployment rate; the eyes represent area symbols, the lines have to be so wide
urban stress; and the tone of the symbol that they take up an inordinate amount of
represents the proportion of the population space. Map makers would rather make
which is white. The combined effect is so separate maps of the individual variables
striking that you can almost sense how people than clutter a single map with fat line
in different sections of the city feel. symbols which distract from the rest of the
It is also relatively easy to overlap two map information.
area symbols to form a third. This overlap-
ping technique may be quite effective, as Quantitative Information
when water and grass merge to form a With quantitative multivariate symbols, as
marsh.-But in other cases, as when yellow with single-variable ones, the best map

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