AFI CIN 621 with Michael Negrin, ASC

12/17/13 at Mole Richardson Stage

Working with Multi Cameras
Camera & Lighting Notes
by Kee Kyung

4x4 Bead Board

5K Fresnel

Exposure Index: 800

1K Focus Flood
+2 Dbls
+1 Sgl

Image 80, top/bottom bobbles off

w/ 129 Diff & 90 degree crate

1K Focus Flood
w/ 1/4 CTB
+1 Dbl

Cameras:
2x Sony F3s in HD HQ, REC709
Color Temp. 4000K
A Cam - Arri Ultra Primes
B Cam - Angenieux HR Zoom

Topper for 20K

2K Focus Flood
On backdrop
2K Fresnel
w/ 216 Diff
+1 Dbl
Image 80, w/ 90 degree crate

Shots A1A & B1A:

A Cam - 32mm, T2.8, 1/8 B. Frost
B Cam - 90mm, T3.5, 1/8 C. Soft

4x8 Bead Board

Vertical, right beneath light

4x4 Floppy

2 4b Kino
w/ 251 Diff

20K Fresnel
Full flood
Above backdrop

4x4 Full Grid

Incident Readings:
20K back light on men - 11 1/2
Key on men towards cam - 4 1/2
Key on Ben when sat - 2 1/2
Key on Ben at B3 position - 2.8 1/2

B CAMERA
5K Sky Pan
On backdrop

2x4 Topper

Backdrop

A CAMERA

Reflected Readings:
A1A

A. 4 1/2 B. 5.6 1/2 C. 1.4 1/3 D. 2.8 1/2

A. 2.8 1/2
E. 22~22 1/2 F. 2.8 G. 2 1/2
F. 5.6
*Door shut - 11 2/3~16 1/2 (white) 2.8 1/2 (shadows)

B. 2.8

C. 1.4 1/2

D. 1.4 1/2

E. 2

A. 4 1/2
F. 2 1/2

B. 2.8

C. 1.4

D. 16

E. 22 1/2
Page 1/3

AFI CIN 621 with Michael Negrin, ASC

12/17/13 at Mole Richardson Stage
Working with Multi Cameras
Camera & Lighting Notes
by Kee Kyung

4x4 Bead Board

4x8 Bead Board

Vertical, right beneath light

10K Fresnel

5K Fresnel

4x4 Full Grid

Exposure Index: 800

1K Focus Flood
+2 Dbls
+1 Sgl

1K Focus Flood
w/ 1/4 CTB
+1 Dbl

Cameras:
2x Sony F3s in HD HQ, REC709
Color Temp. 4000K
A Cam - Arri Ultra Primes
B Cam - Angenieux HR Zoom

Topper for 20K

2K Focus Flood
On backdrop

2 4b Kino
w/ 251 Diff

Shots A1B & B1B:

A Cam - 50mm, T2.8 1/2, 1/8 B. Frost
B Cam - 90mm, T3.5, 1/8 C. Soft

2K Fresnel
w/ 216 Diff
+1 Dbl

20K Fresnel
Full flood
Above backdrop

2x3 Topper

B CAMERA

Incident Readings:
Key on woman towards cam - 4

5K Sky Pan
On backdrop

2x4 Topper
A CAMERA
Backdrop

4x4 Dbl + Sgl nets for 20K key on C

4x4 250 Diff for 20K key on C

Reflected Readings:
A1B

B1A (continued from previous page)

A. 4 1/2 C. 2
*MCU on Ben

D. 2 1/2

E. 2 1/2

F. 16 1/2

A. 2.8 C. 2 D. 1.4
*MCU on Gabriel.

E. 2 1/2

A. 5.6 1/2 B. 4 C. 4
*MCU on Christine.

D. 2.8

E. 2.8
Page 2/3

AFI CIN 621 with Michael Negrin, ASC

12/17/13 at Mole Richardson Stage
Working with Multi Cameras
Camera & Lighting Notes
by Kee Kyung

10K Fresnel

4x4 Bead Board

4x8 Bead Board

Vertical, right beneath light

5K Fresnel

5K Fresnel

Exposure Index: 800

4 Tracing paper drape

4x4 250 Diff

Cameras:
2x Sony F3s in HD HQ, REC709
Color Temp. 4000K
A Cam - Arri Ultra Primes
B Cam - Angenieux HR Zoom

1K Focus Flood
+2 Dbls
+1 Sgl

1K Focus Flood
w/ 1/4 CTB
Image 80, w/ 90 degree crate +1 Dbl

4x4 Full Grid

Shots A1C & B1C:

A Cam - 50mm, T2.8 1/2, 1/8 B. Frost
B Cam - 65mm, T3.5, 1/8 C. Soft

2K Fresnel
w/ 216 Diff
+1 Dbl

B CAMERA

Incident Readings:
Key on woman towards cam - 2 1/2

A CAMERA
Celeb 200, 10%, 2800K
w/ 90 degree crate +250 Diff
Backdrop

Reflected Readings:
B1C

A1C

A. 2.8 1/2 B. 1.4 1/2 C. 11 1/3

E. 1 1/2 F. 1.4 1/2
*MCU on Christine over Ben

D. 2.8 1/2

A. 2.8 1/2 B. 5.6 C. 2 D. 2 E. 2

*MCU on Christine over Gabriel.

F. 1.4
Page 3/3