BIBLIO THQUE-LED UC H 6

i
Proprit rserve pour tous les p.i) s
^v PRI X : 6
IB LI TH QUE-LE D UC
Paris, le 16 dcembre 1877
MON CHER PESSARD,
Je viens de lire avec beaucoup d'intrt le recueil de 25 Pices
pour le piano que vous m'avez demand de regarder. Je vous en
fais mon sincre compliment. Il y a l des qualits de grce,
d'esprit, de fracheur, qui ne manqueront pas de frapper l'attention des
artistes, et je-souhaite que cette charmante publication ait le succs
quelle mrite. J'ai surtout remarqu les n
os
6, 7, 8, 9; puis le n 10,
qui serait intressant l'orchestre; puis le 14., fin et dlicat;
enfin le 19 et le 23.
Recevez, mon cher ami, mes compliments et l'assurance
de ma sincre affection.
CHARLES G O U N O D .
T AB L E
Pages
1 _ Petit Entr'acte *
2 Choral 4
3 _ Malaguea 6
4 Le petit Lever (xviw svecu) s
5 _ Menuet . Ve
6 __ Valse-rveuse
7 _ L e s Peureuses ie
8 _ Andalouse is
a
9 _ Dialogue . 20
10Ronde de nuit . 23
11 _ Hongroise
N
26
12 _ Prlude 28
13 _ Rigodon . 30
14 _ Le Papillon 32
15 _ Mlodie romantique . . . : s *
16 _ Rallade 36
17 _ Pantomime 39
18 Souvenir de Rome (VU A LA MADONE) 42
19 _ Courante l'italienne . 44
2 0 _ Mazurka-Rallet 47
21 _ Pastorale '. . . 50
22 Regrets 52
23__Nuit d't :
24 Marche Funbre se
25 _ Fanfare de Chasse
EMILE PESSARD.-VINGT-CINQ PIECES
Mademoiselle. LAURE UDEL
PETI T ENTR'ACTE
I
i 2. Ir U i P 1*
J ~ 1>
;
1 s _ M
L ^ I I
pp
nrt
m
m
* f
#-*
- p-
2
Monsieur EUGNE AMHIOME
CHORAL
Largo. (o = 76) J.
2 # *
mjt.
g g
g 7 - 1 4i l^f^
^ Ped * P e d * P e d * Ped * p
c
d *
h -fc _ h I b h
i - J 7 > 2^=t
3=*
P P ~
Ped * Ped. * Ped
* Ped * Ped
* Ped *

39E 1 7 {j|
1
3
Ped * Pe d. *Pe d. * p J J ^
lit
Ped *
Ped * Ped.
Ped *
h
h
I 7 jt
3=*
P ~ P
3 S
Ped. * P e d *Ped. * P e d *
Ped * Ped. * Ped. * Ped *
}
3
fei
f f gl 0
fit
Ped
Ped
_ c o n S
0
^
* P e d * P e d *
P
JJ
^ ^ Ped
* Pe d . * * Ped. *
B E I
I S
Pcd. * Pe d . * Ped. *
Ped.
FT
Ped.
.
B
32= 1 ?
w
3
* Ped.
9-
Ped
Ped. * Ped. * Ped. *
gf I a
-fr-fr 9- ^
Ped. *Ped. *Pe d. . *Pe d. *
* g . ft f t
Ped. * Pe d . * Ped.
* Pe d . * Pe d .
1 Tempo.
3
a #
*

r
* Pe d. * J d * M * P e d . * f c d *
ft fr
BE
4 9 -
Ritard.
ir:
Ped.
Ped. * Ped. *Pe d. *Ped. *Ped. *Ped. #Ped.
l - f -
molto
E l
Ped.
* P e d * Pe d . * Pe d . * Pe d.
*Ped. *
Ped,*Ped.*Ped.*Ped. *
P e d
a Monsieur <1. JIACllMANN
MALAGUEA
3
I
Adagio. ( . ( J . = r,6:
PP
7
2 b a s a r
Monsieur THODORE LACK
LE PETI T LEVER
N" 4
Moderai
0 . (W
=
16t ))
"7*"% 1
' f~~ 7
J "m "
F ~ 1
4 *f *r *f *r
v
-T
m t t
r?T f i
J 1
\l
9
7
L i /
7
i
' 8 ' 1
7
j
7
3J
tr ?l
4 ^
* 1 l
r - ^ j : 7 *
i
I*-* U
Vif
p
-^7-
pj J J J ^LB
m r m
mf
s o
p
M

t
f
a Tempo.
m
m 0 f = 5 = ^
' -
m f
molto.
PP
A. L . 5964 .
f 7 f 7 P 7=p=
9
r , f , >
U '
p
7 7
-pZ- ftp 7 7 F
i r r ~
' 7 \-L-m
7
1

1
T-
_ 0 m
m
T F
p e l i -
*> *i i
f- t
I V
4*
min::--
7 p
^ i l T
J L J-0-J-
u
7
9
7
*
T - H
7
- 7
A tf ' - 1 1 ^ ' l-^-
' T R I
=
f
p-1
3p~~ . ^
^ ]
9
E *r
J *
i f
1-7-
_ J II ' 7 7
r f r f
7
-
P 7
7
-
7
*>
:i
1 m 1 f
J J . _ .

*f <
Cresce
? f m > *~
m
ndo.
f * f - % r * * j
r
VJ \
7 P 7
| f f f > S > l
1 f y 1
r . f Ih
B
4P
Dim.
bhSi 1
t 0-
jLvz:- \~~
molto.
-^0~
Una corda.
> ' : > -
v
= ^ . . >.
il
* * s . * * * *
ta

f
1
7 7 7 7 7 7
7 J 7
7
i> Mi

-
*
f f
"f f f
ff
i
=U=U=
$4=
ff
[
ff
-L. i J a -
ff
ffff
fi di
pp
TEI
7 f 7 T
Di
S I
7 F 7
PP
Pfed.
>-
I
1
1
=4^
1
R., J
a
S
- J - -
> >

9 i
9 - i
9-
0
m-
-f <
P
h
j
7
1 J
4
Vi R

r
^
fi *
J *
*
m
V 1
7
J V-L -J
> i
>
*
Mademoiselle EVGEME DHAVERNAS
VALSE RVEUSE
13
. 6
Tempo di val za. (J - = 6 s
, j . j ' i = 1 = 1
1 T
j r hi
empo.
*> *
p
i h g
*
r
* " j
- EE EE
*
h ?
7 1

g
.
L
* H 1
1
J T T
1

^ 99
*
-m
Rail.
1 Tempo.
If*
5
^ #
1 ^
f f - f -
1
*! 1


<-01
*
-J-
- E E
-
i
m
m
m
m
Ped.
f w 4
TTrf II
4 ^ J J ^
=F=J
l i f e 9 1 1-
^ ,
mf
*- 9-
V * J
= ^
- 1
9
1
V *
J' l p.l
- M J T T
= - s . i
thHsHI
-
*
9-
E-
~ ~ 1 1
- J -
' A _.
1 i -


m-
t
i

9
- 4 T *
w
*
- 1
f-
m f
*
- j-
Ped. * Ped. * Ped. * Ped. * Ped. * Ped. *
i l i i
w
T1 t T i ,
-VjH
2
^ -
*):J> T >1
p
r i
t *
-
r
r > rf
_

s b r *
L 1
1
* *
= f =

#
9~
m
P
Lf
|l>ttf *f :
m
Vi?
1
1
;
f r
m m

*
-r
7 1
0-
-4
0-
m
0
J-
1
- J11 '
1
- # - W w
-J-
-
5
4
V
p
Rail.
I#
1 Tempo
s s
* m
i
Dlicatement.
Ped. *
ti
Ped. * Ped.
i \}p ht
' f l l'i^f * I*
1
? '*f
, t f f
1

pp>
Tew.
V
r
T^t t T i
M* 1
N 4
- U
u

- 4
1
>-

- T
* *
]
9-
Ped. *
\lb - 1
tiw- F=f=F
m.
. r
P=FF
iir f > 1
U.ii r f f
y r '
>
1=1

*
r f

0
1

F % f
9 -
>-
0
1 *

p
-B
Tei !.
W
f f Y r
-+
= H
i
-
t
0
f 1

t
0
y.
E
J|9 .
f
:
M
UJ _
-
Ped.
1 5
m
p
*, I fag g 0~

m gm

I f

-
0

W w
1
'0111-
W W
Jm-|-]
1
h
- P P
, p
m
m
W:

0
m
m
m
- l P g
bm m
- t * f -
* V
m*
i
. 1
m
- f
r f
_ i
% W-^ W
-0
W 1
-01 1
L
J T T i
- # *~
p-
-0-

#
- f 0-r
w
r i
*=]
Pe

i *
=l
0
1


1F
Pi
p-

m i
-0
0

p
J L J -
V
pr
w
-
1
^
=
*
-0
f
-p ^
f

1
I. * *
S i
Ped. *Pe d. * Pe d.
.. m..S.
\ 0
* Ped. * P e d
4
* Ped. * Ped. *
s ;


" 7
0 - 0
3
1*
Ped.
Rail.
* Pe d. * Ped.
I
o
Tempo.
_ = z a

0 - m
* = p t
mm
i l i , i
= j = = ]
i" Tempo y
i l ..h
p
m "
-0
_ j
g V-
:
W^- i r S- S
|l>tt*f 0
.p p
p g I
4
?
i

m

< -0
1

L
1
1
p-
Y-
1 1
L
p p
IIi
- p p

0-
1 1 P
r
1
P
' 1
Ped. * Ped
11

, 0
1 6
Madame. E. TARPET ne LECLERC
LES PEUREUSES
N " 7
Vif. ( J
y 1
= 9 2 )

41 * * . m
PP^J
Una cor
7 -
- I
7 7
i -
W 7 7
7 . 7 7 7
Z*i 7 7 S
i tv
PP^J
Una cor
7 -
- I
7 7
i -
- r
fe#r ' fe -
7 7
Z*i 7 7 S
i tv
^ " 7 7
7
- '
7
1 1
7 . 1 7 7
1^ J " ? 7
w. 7 7 > - ? 7 7
h
f >
%
f
* 7 7 ^

? U
7 - 7 LJ 7
7
^ 4
m 0
- 7 - / - -
7 f J 7
0 t f
L * 7 7 ~
L 7 7 _ : 7 7 .1 ; 7 7 \ - * 7 7 * ~ i y , 1
s i
7
7
L

7

. 7
m m
V . A tw
- 1 7 7 p _
V 7
/ l 7 Hf f _7_
7
ff 7
7 7 7
41
^ *< 1
hfl *f f
7 7
> *t U -
7 /
fe fe Ii ^
^
7 I
.k
J7
1 7 M
-0 0
-H
7

7 7
7
j
7
* 7
-#-

0
7
i l l 1 7 7 g f i E , ,
IL
U S *- fe e
/ 7
a -
hJ 1 *i m
(fot> j 7 7
O: , feltr 7
i 7 7 p
-
*
1
* *
7 7 m
*f
0
\
fe
I l m
. qg 7 7 g*
L. d u* l 7 - 7'
7 7
- 7 7 -
7 "~ 7
kj 7 7l,be_ <

""^ /
1
7 7 8
e

7
-
- - J I
7 7 1 u - -
7 7
m 7 7 *
S
1
?
7 T
f f =
m 1 ) m
? t?
g| 7 7| _^
- 7 - ^ - 7 -
i
7 7 T
r
._7_JL 7 _
=Sz
17
-r-r
pp
7 7 E
g
"r f *C E *t 1 S
"
* % ^*
g
I f * , _
i Tempo.
e > > g
r
7 7
N
pp
^ 7
T L
mf
pp
f I 7 7 *jj
^ PP
- 7 L J 7
1 7 7 H g 7 7 f -4 7 7 .g 7 7
f rS
7 7
-f g
f
1
- ^ E= F
J
1 -
iig g
^ J t 9
1^ ji 7 7 ^
. . 1
- . f i , :
-E 7 7 E
-g-f
h 7
4, fl e
f t
- 7 7
J
L
vr~s~zwfc
-
L Hf r -
1, 7 fa'Tz^ 7 7 ? LJ f - -7 -* 7 7
1
7
'A 7 t J 7
7 U 7
D imiti.
7 ^ 7 -W 7 -
g 7 7ftj g 7 m g 7
Perdendo
7 7
7 7
7 7
18 Madame E. RATISBONNE
A NDA L O U S E
8

t
Dedicatemeli t. (J = 9 2 )
i
p
pp

13
f f * .
-)=
:
\p*fbff

* P
f
S 3
m " r
1
1
1 \L3
ff g t
J

* *f *m 1
J _ J _ J L__
" 7 E i f *i
m * I |) 7
i
4
2

U E
7
]>
7
=
7
m
9
. w 1
- U -
*
'
Ped. * Ped. * Ped. * Ped. *
i s a
a Tempo.
P Rit
- b p p f
1
3
Ped.
* Ped. * Ped.
r - 3
a Tempo. Pi lento.
hMff > r T U -
2
a ^1
(9 T i
v
m 0
*-^fi*?-"
7
ex
Dolce.
< . 8 1 f
J
L-_

ILLS
_p p . h
] 7 7
1 : U P J
3
7
5-
p 7 7
0
r r n i
A , J P 0 9 m. - m * * ' 0
^f-f*
1
= H
V % P
J * " -
* h
#
S f t P
f 0
m 1 *f
* * * h
-
| n
j 0
/ j > L
-4
) " i
. . . . . J _
*
l 7 7
^ 7 i l
!:
r
i 7
1 7
j 1...
I T
7 I 7
i f 3
1&-
Perdendo, e ritard. molto.
t r e ! :
- : " n r
-J-
Ped *
20
Madame ALPHONSE LEDUC
DI ALOGUE
9
Adagio. (J-=o)
at> j 1 1 1 1
L f i,J / r .
> 1
J J <
i j h *
V
i 1
A ^
ff-i
^ g ^ g f
K^yfiJ J-
0
9 _.
-M- 4 d
W W W
P
1
WW
# 4
9
M.e. ^ J . M.G. ^
J
Ped.
#-
a Tempo.

Dolce.
m
:tzfz
11 l 1 l 1-
[ n i 7 7
P - P
1 " J1
P- W- =
Ped."
1 _
L, , , , t t t t t f t j r
a^,-
* i
t t t l
t
"i*" l\ f
l 1
%
/ LU LU'IT
Ped. * Ped. * Ped.
*Ped.
z2i
S C S
PH#-P PH*
* Ped.
* Ped.
Ped.
-]9-
P
t
***** ***
~9^^
Ped.
*********
i p p p
Ped. Ped.
f a s
te*
# f f f f f f f
"tt:
31
Ped
* Ped. * Ped.
^ * ^ ? ^ ~ >/
3 = ^
vi
Jl Jl 1 M.M.M.
i
Din
0 * 0 0 0 0 0 0 0 0 0 0 0 0
Ped.
a Tempo

r Pari?
Rit. mollo.
I t t t t t t t
- e *
Ped.
et*
* Ped.

0 0
0 J
7 M.D.
9~9~9-
J
0-0
:Z
0
:
Ped. * Ped.
9-9
Ped. * Ped.
1 % j ^T^^
0 0 ~p~
Ped
7 7 * 7
:
(E
Ped. Ped.
S 1. ^1
Ped. *
Ped.
ttft
Ped.
I)7 7 jl 7
2
1 J ^ j - >J . . . 1
rrf
i - p- f -
- 7 i 7 * 7
(^^b Ti]
Jiittfft <
\}
T
-fri.
=#
fi."- ^

*
m
*^
PLUT
a
EJJ[ ]>r

4
* i ff*
4 - 5 -
J t
*
1 a Toni
i_J ti
po.
m
r
1 b
f

m 1
. fl
-
1 * v ' '
4 5 - 4 i

1
7 * 7 7 ^
W
" P - r
r PLL J l>
P 7 . ; *
* 7 * 7
lilard.
hb P i . f
a.Tempo.
^1 * =
a
Una corda.
*********
Ped. * Ped.
te
<2-
nrmz
*********
Ped. * Ped. * Ped.
L
r
3


Tre corde
rf
**% l
>-*-
38:38:
i l
L_ ,
i f f l
'erden fio.
IH
4
M A M M M A A
f f
w-w
r t t
S S
Pct
1
1
L
I I
*
-
i
f f
Ped.
V rr
* P (
* 38:
d.
(8: 3t 38
www
; I
1*-
1
1 - * -
Madame M.de PiZARRO
RONDE DE NUI T
29
IO
Tempo di marcia ( J =i 2 6
pp Una corda.
te
c r e i '
fta 71 S7 * S E E 7 | J)7 S S 3
:

:
* -
:
-
:
* #
2 ^
a : 7 :
1 l J - i t. 1 4, J
*i : , l i L l > L
h
> -
- f i t
s *f
h 1
n
Vi
hi
i
s
%
a
1
Sf J r
i m i
Hi J V H
7
J* H * -
^7_i
_ i . _

7
4
7
J. _
- -?
7
. J
7
f
7 ) 7 -# 7
4 .

m-
^ 7 * 7
p 7 f
: = =
"~ / ) / !
"~TPf~
1
in.
~rf
/
j 7
f L
ml Y l w
I T r -
9 1 9
7* 7 7
V v
'\>, h7 r)7h7f)7
9
pp
f - 0 ?
7 P V P T 7 3
P
te
3
- r 7 - y 7 - - ^ P
i :
K 5
0-
=
fi
P P
7 P
Tre coi'(l.
! PP
1\
)
\ *f L *f
I r
^ i H - " ? 7 r 7
*
- f T > >
) 7 K7
\i / ^
0 ml
m
% f ,
' 7 7
r * - * p
^ - J - ^ L
; 7 ; 7
M
1
Ped.
Crescendo poco a poco
1 . > K I I 4
^ J 7 j 7 J *
V f j > J ^ 7 1 ^ 1 ) 7 ^ 7 ^
- \ m 0m ^ ' 1 <
J J J -
' 4 j -
V
Ped. * P Ped.
K
*
Ped.
f
3 1
T ^V l 7
I
5 f e
Ped. f hi
i h
Ped. * p
e d
. * 1
p e d
^
p e d
^
p e d
7 | r F 7
F
7n 7l r * k
7^^n^| r *
m m
7* k7 a
*
Ped. * Ped.
Ped. Ped.
JB _ 2 0 _
] J> , i

>-
s
1 7

7 7
IV-
8
J-
_
1 m 7 1 f 7 a 7
i 7 4
'* Ik
7
<
^ n
m
-
7
r
i
i
-^
3
5
i 7 * 7 17
? * 9
/

ft
7 j 7.
S Sec .
f 7
f 7tjf 7 [ X ^ T f 7 r
7
fe
3 .#e
S e c
-
Ped.
Ped.
a
Marcato il canto.
i t e
I L I
lina corda
Jiia corna.
F
ito j t ; ^ j r 3
te
:at
7
" 5 T
^ * 7
l
5
^
^ 1 ^ 7 b i k
^7-,
i l
fi
^
" r
P
m
/
\ < . *
Tre corde.
\ *i \1
r P
T
1
k f \ r s. f
s r
la cor
v
1
H
la.
V 7
y
Mi
7
kr^
1
- ) " ) ~
. *
4- 24- 2
a.
)
7
)
7
4 - Z
4 a. j . a
4-7-
J
4 l
a
4-2
M
- 4- 2
J

a i
J L 7 ^ r^J ^
7
J L 7 ^
7
W ^ 7 ^ 7
1 f r ~ I J J = ^ S > 7 7TT
R
, 7
PP Una corda.
4f
Tre corde.
PP
7 N 7 ^ g = 4 ^
fc4^
3EEES
4 ^
ai at a t a t t ma t M *a r
? 7 B 7 1 [) 7 P=7_
s a
^ H >
7
H ^ F F
aj. aa: a: a:
Dim.
"a: a: a: ti :
^ * * * *
Jt ai
1^ l i i ^ i S V - 7 T " "S7i '

^=f4
I
n > > -
7 F 7 f 7
A
fc
:,l>L B-f
ti
" f
n
I l 7 -
; > p *y -
-
7
*
/
Tre
""
) _
7
_
)
corde.
Y 7 *
il % -
7 F 7 f 7
A
fc
:,l>L B-f
ti
" f

- F -4
I l 7 -
; > p *y -
-
7
*
/
Tre
""
) _
7
_
)
corde.
Y 7 *
il % -
*
' 7
/ 7 r 7 ' 7
/ 7 * j
7
*
f
Ped. * ^ ^
Ped. *
il Madame LAU A PFEIFFEH
RI GODON
N" 13
ff f >> * -
Jlf
t>-,l> > i
S-
. f m
" 1^
)
f 1
m.
m
i f
- f i
-Mr*-*

7
4 4
1
w
-ft- V
I
r
mf
i I !
l L r u i
J m
* * * J J
pi.
' | |
I :. - 3

J U J J
T1

3

1 " iT

3 -3 J
J

' m
W
T
(
-0 -M -0 R>-
f = N = f
^ - f - f
^#
r *
^
hg- f r
-J-
f r + -0-
M
--I 1-
4 1
4 i - i - e -
*
bmi
J - J h j 4 , ) . e
a
r f = F
f *
~
u
1

1
- 4
7

19-
1
+4 - f *
3 1
t
pSmf:
- i
9 : 1
Cresc.
SS
Ped. ' *
il > J1J
1 - .
r
r " "
ff
M
0
E
- g bf
1
I I I 4
P
P-0-0 -i
1
l>
JU 0
SS

L-
- 0 1
0
w
W -
r r
*
1

>
* #
a
H -
1

~0

0
0
B
p
*V^V*b
-*
taf
J])J hi-
f f f r
m
t .
- 0 -
^-H
f-j
L 5 . . *
. 5-
J J 0 0
Sii m i 1 > -
3MMM=
[ ffffffl
f=f=
0- ' <
T r
- d -
l 1
_ fcM
- U - 1
0 0 0 0
pi-1
0~m 0
9
J
=
gm W M M
*^
-t;
if r r r
4 i #
=t=M r r r r 1
-t *m\
m
.0\ 1 -
il
li H
\ B B B
# 4
-
= i = a -
~-fc
E
rr r r ig?
1
mi
* m
- 9 ' bit :
9"
r
1
JB 0
f M
ti.

L | p L1
^ f f

3
^==
*B=?9
0 -0 f
-
>-
Rali
*-
'm J * J
Tr

32
14
Mademoiselle JEANNE VA H NE Y (de Bordeaux/C.
LE PAPILLON
Pas vi t e. ( >=M6)
firn 7 f [_
-p
% 9 "\
VP
t
) *r *r
p_

>
5
,
1
i .
%
^ V h
7 7 / ~ 1 7 ) 7 * 7 7 9 / 1
)
9 7
J 7 4
F ^
3
3g
7 7
Jfc
? 7
" P
- 1
P * U
m * f~' 1
P~^V-
ftp""
1
--
>.
~fr~-P 1 P
M
r
7 * 7
* P
7
y
. - 7, . . . . . .
r
7 \) 7 7 j
u
1
- 7 -
_
r
- ^77-
i t C J j

Pressez.
zzi
7 W p 7 p
7 * 7
:=
? ?
? ?
? i
Rit. 1 Tempo. Pressez,
* 7 5 B
ta*
f
7 t 7
3 =
=
=7
3
1 Tempo
T^p- 5
4S
7
r r 7<>r
7
. i f .
- K 7 7 k y
4
-7 7 jt 7
33
Pressez.
m f f -
_ z g | J
7

-iZS
m m
un
' j , 7 p 7 < = E 7 7 1 7 3 = 7 d
a Tempo.
? r 7 f P
1 t P
^ 7 J
PP
h
J% 1 $ 1 1 = 7 =
9E
^
7
=ji =
Se 3
7 J .7 ' #-
^ 2 =
3
* 7 7 g=f
7 - . 7 7 b"
3=7-
> 7 * r a
i 7 '
Pi
7 7
j = = ; 7 7 i g
Pressez.
7 " \ * ' * p 7 jT N
f 7 f r ^ i f"
v r ^
fe
H
.
1

J

7 ^ 7 1 7 1
mf

a mf
7 ft 7 7 , - 7 -
= ; 7 7 1
y i i jv

7 7 > 7
PP
-
-*r-
34
15
Monsieur le Capitaine VOYER
MLODI E ROMANTI QUE
Andante. (J=ioo)
P
m-
W m>
-m-
Ped.
i M > / p i

F > - l i , t i.
*f F f
(m* P *
i = = ' -
i
1 1
7
p
m
t S>
= =
% K %
j : . . .. p " T . L
Ped. *
7 )7

4 M
-2--
7 j ) 7
I
Sostenuto il canto
1 . 4
t3
sto-
P
Cresc.
J' 7 N7 . ^7=4
7 1 7 J ' 7
J F p
1
F
3 *
p
4 4. . *
a i
6=
P h 7 g
f
3 1
a* * -

mm
3
:
7=K7
Z
=)7 k7
fe
ftW"
- 3
f
f
Ten
T T j J 1
V

ri
1
1
" M " ' ~
wat
tn
J p Una
fe .
= 4 =
-
M
0
fl
" K
1
J
4 . 5*3*
1
0 *
p
a s
corda.
mi
Tre cordel
y _^
r
r
r
1 TJX =t o
4, _ 4
t
m
7 K 7 j ) 7 s,7
* ap
Ten.
SE!
r f -
^ /> Una
7V.
P BP 3 t
i
4 * _ 4
4 - 4
f i
4
J J J C J
corda.
Tre corde.
3 ?
l4 4 ^ 1K f
r
-M"0~-
rPf"
Una corda.
Pei *
36 Monsieur . M. COLO M E l /
BALLADE
l6
Mystrieux. ( J - = 6 s )
V f i \
f . {
f f t f f
*

_ ^37
-=


r TI
RiHfz. Dim
m l i i i l i - - - , 1 1 1 = r F r i
"L l 3 :
. . PhJpJ. P-
0 _ ^ ^ 5
F ^
p - f - #
l i
RESE.
0- ' #
Ped.
* P i *
fi:
* Ped. * Ped. *
K ^ 1 , A
IO ' -0
p
ter
*_jP
ter-
PP
Ped.
Ped.
P
P P-
# #
* Ped.
ih
3 5 t u
-p
pp
*
P e d
* Ped.
17
Madame CH. LE BOUC
PANTOMI ME
PERSONNAGES
COLOMBI NE ARLE QUI N P I E R R O T - CASSANDRE
39
Pendant que Pi errot fait le ga e t ,
Arl equi n parl e Col ombi ne.
Ce qu'il lui di t , on le devine !
Mais Cassandre, que l'on narguai t ,
Revi ent de la vi l l e voi s i ne.
Il aperoi t sa Col ombi ne. . . .
Pendant que Pi errot fait le gue t :
- J e vous y prends, pupil l e i ngrat e!
Il va l 'ent ra ner, mai s soudai n,
Pi errot empoigne son gourdi n,
Arl equi n de'gane sa bat t e .
Le barbon s'enfui t prudemment ,
Pi errot , brave, aprs lui s'e'lance.
Le pri nt emps, l a nui t , l e s i l ence,
Ont conspi re' sournoi sement .
Arl equi n, avec Col ombi ne,
Reprend sa conversat i on
Et , bl a nc de s t upfact i on,
Un vi s age, sur la c ol l i ne,
Ecl ai re l 'herbe et le muguet :
C'est la lune fai sant le gue t .
Pas vite ( J =84)
f r
1 ! ^3-
ly p F f -
p
j t
HH&
1 t
V
U
*=
r- J -
*=
F=fl=l
-Mm
Rinfz.
*
-p
= ^ ( =
*
9
\ >
!
1
m
-J-
V-

^===
, J JjiftJ -1
i
fr-
H
1
-for
^*#-F
M.
Crese
f 0
1
-p
t j
p
9.
-p
m*-
. e 9.
p
W
E
p
m=
0-
0
w
1

w W
w X
V-
J
/ 1 1
Ped.
'-i P * S -
a
r
reii
9
F i
V
m
f
r
r
^
f

ti
I
P
1 m
. JL
f >
1
7* 1

'
9
# 9 7
P
)
P
+v-
I
^ ^
~r
Ped. *
^ f 4
pp-m--*f-m
W 1
%-
- p - f -
-1 M 1 ra=:
f
7
f j
M
-1
Nft -7 -
f
-
*^
r "r
- * -
Ped
7 _ ^ _ J
* ] >ed * Pe d * ] fed * rPed. *
m f-m
Lourdement.
WP-B-P-
>-
_ _
* vi JJ^
L , / j -
>-
4 # t J J
i
-
J ^ i i j-i *
1 1
1
1 Tempo.
Staccato.
m F F F E f f 1
ir


J i
l m <
>L
p
J
IP"
Saws ralentir.
op
^
<
f N
J
J L
gpj
I *
75
*
w
0
7 ) - 0
Ped. *
Pres s ez.
1 / LHI u "u - f
Cresc.
Ped. * Ped * Ped.
1. Tempo.
Elgant.
42 a Monsieur EUGENE DELAPLANCHE, Sculpteur.
SOUVENI R DE ROME
jyjo (VOEU LA MADONE)
Gai . ( J - = 9 2 )
r f r f f
ffCTfTrrri
4
- M
* 7

7
L
V -L J J
^ -p
i i i j j .
1
(*) En rai son d rythme t ernai re non i nt errompu la main droi t e, l 'aut eur, pour faci l i t er la l ect ure de ce morceau.
a cru devoir indiquer la mesure 12.
#=
-0-
t 0
if- g-
TT
P
P
==
Dim.
-m-
0 f 1
p
=!=*==
4
* * 1
-(
t

-i
- -i
, . 7 7 -
J
i
) 7. 7

e
4
M
0 0
Madame HENRI RAVINA
47
2 0
MAZ URK A- BALLET
Pas vi t e ( J=i 32)
v
% )} ^ i"
3 - ^ - -
1 v 7 g
= ? = E
Ped
Ped.
r i *

=N=1
te
0
J
0-i
1
B H F _ . .
pi
i
- . 0
m



m
1
*
P e d '
i
7
* P
* "#. "
ed. *
1
1
Ped.
1
- 2 -
2
7

*
18
#1
f
*-^ S *
3-
S.f
m
m
i P 4
Ped Ped. * Ped.
' - 5

s
m
n r t
/ /
1* *
3 ^
44*
-'
^Ti
F , I
^
1J-* ^4=
* = 2 r
# _.
48
ff
7
P
7
fe
I
i >
3
4f * > Marcalo
efe*
7 7 '? 7
Ped. # Ped. *
, . a Tempo.
Ped.
4 ^
te
Mf, 7 HT 7 1 7 ^ 7l j
V
p
=1
E S
Ped.
^
i * 1


^ V , 7 #
I *
f i ) 7
f f
- J
1
* H
7

7
P
7
r
#
f 1

m.
-
* -
-
1 f
P
P
7


y
h d.
7
J-
-*
7
7
7
i
W
*7
1 -
I? *fr
fa
t

7 Vf. 7
tt
*C 7
te *
W
f
7 7
) Ped. * Ped,
Ped.
Ped. *
1-
PE
h- -
P i
te
S 3
Ped.
Ped.
Ped
Ped
49


ss
Ped.
\PP
1
Ped. *


j J r < r j pi :
#---#-#-
i* i
l t .
Ped.
te
* Ped.
iti 1 JF
P Marcato.
Ped. * Ped.
. . i i : a Tempo.
3 ir -jt^. * l
1
-#

> Jr > i
H H ,K fr

=6
3 =
Ped. * Ped.
1
Ped.
H h h , H 4 . fe
^ k . L ^ Accelerando.
- - " M Brillante
s
p i
U S
pp
* * i I . i i I . i - r : 3 .
*Ped * Ped
5
*Ped * Ped
LI' tg*t 7 g 7 7
f r r
\
9
--p-c-Py-
.s"
51
- m m P
(" 9 9 9
K I . p f ' f
r
p
p p p p
f 7 f 7 f 7 f r
p i f f i
P
a
,
m
1
U L I P
.
-a

-6
-PH
5
-
*p
9
P 1 * *
m
~~
-' mj7 .
-fil g-
I f . f . :

-Jp- -
- 1 4
(

m-
V
I #Li
r f
-4m-
- Hi f
- f -
f f


7 7
9
7 7 -G
Z
/
-6
9"
7 /
9
P f - - -
f
1~p
-"TTIp
*
"TTI > -
Rin/z.
^
-P ^

-9 ,-
J
t.
9 . . , .
9- "1
1
KrJ -
p-
1

i
--JimL-
P*^_
m

b
J -
1
1 b
J
7
J
7
-
*P P
Kb

7 - - 6
77
- " 7 P 7
-j^jp ' -
- 9-
77 ^ 9
e
9 ^
pJ- p- 5-
- P If f
m 4
T
f f
*_JpT
g

1
1 >p
*

fp
f
S b 6
H
*
TT
*p0j -
TT
p
7
p
7
-
- i S
i '
-p-2- P" '
6
Z'
p-Z-
I
P 7 p7
p
Ped.
77
Ped.

' J J J i -
L
J J J - - |
^rb
FF
f*P f
f
J
- r
p
1
f
- t- 4r
m
f
f -
*
_ .
P
# #
Ppsri
- 1
4 - f -
^erdeiidn,
I b# .pg
'
p p
tr~W t~W y
b 6


*
^
!
77
i

V
7 7
9
7 - s
7
2-
9"
- 7 f p - i - =
TT
M.G.
J > - 1
-
:
_Un;i e
ff
orda.
r
p
W
i
9
- i
~f~
1
f
t f "~ >~=
M.D
- p
M.D.
I
b
75
r
7
p 7
p
7 - s
z

' 7
p 7 -
* - -
V
4
Ped
.
J *
S 2
Monsieur CHARLES PALMER
N" 11
REGRETS
Agitato. ( J . = t i 4 )
Le: chant bien sonore.
Ped
E
4
5 *
P J P TJ TJ J J M .
Ped * Ped * Ped * Ped * Ped * Ped * Ped *
3 p
3F
S
p
p *
^ ^ ^ P F J P 5J _
Ped * Ped, * Ped * Ped * Ped * m . * p e *f * p^f * rfd * P fe d ^ *
3 3 :
3*5
**
p

W
fed *
* P e d # P e d * P e d *P e d
Ped *
P e d
*
P e d
*
P w i
* Ped *
Ped
k k
Et
I
I f
11
M.D
-
* 7 Iff t - ? ^ 3
f
Ped * Ped
Ped *
P e d
*
m
* ^ *
P e d
*
m
*
P
A * Ped *

k k
m
7 I p
I L
M.D.
3E 5 E E
Pd Ped * Ped * Ped * Ped * Ped. * Ped. * Ped. * Ped * Ped * Ped *
7 P7 1 7
7 , 3 7 7
u n P
I L
3 1
F "
i F
f^ 7 '
F
^
, 4 ^ Ped * Ped * Ped * p^d ^ Ped * Ped. * Ped
7 P 7 7
* Ped *
53
-J?-$Ys Ve-"iVs ;Ys sV=-
, ! , . \ k . 7
7 ' 7 7 ' 7 7 7
J i p i

-
Z * 4L0~
^ 1 7- 7 - 4 7 4 7 U 7-
Ped. * Ped. * Ped. * Ped. * Ped. *
, Q a 1 i |*7> _ f<1 7 --^
s^~7 -^-J
1 X 7 1 l 7 1 H P
g
* 1 z=d
Ped * Ped. * M F "f "
Ped * Ped. * p
e d
*
._I_J._^_3lfJ
JFJ Jff J Ici \^\
-y-
R f
Ly...ff. P :
1 1 1 = i 1

Ped. *

* P e d . *
p e d
^

^
S} -t " j 7 = *f 7 T " "
- 1
^
Ped * P e d . * * e d . * U - ^
t 7 I t 7 I J 7 I 7 .i
* M . . J J J - *
) r p p *
:
:
' f
. Z J l ,
2 2 2
OJ* D J * TI o
1
Ped. * Ped. * Ped. * Ped. * Ped.
i f - L. i t FTK F^FRFLRFI "
pM ^ ^
"6 ti ^
U * ^ ^ Ped. * Ped. *
* Ped * Ped. *
3 e FIL E FLLIO 1 ,
fly J p J n Upi - J * V

) ' -

s "
^ ^
Ped. * Ped. * Ped. * Ped. *
p
_ _ p _ ,

2 2 2 2
ed. * Ped. * Ped. * Ped. * Ped. *
- - 7 " - T
1

=
- - 7 - 7 - - ^ 7 -
m
9

- J-*-m m^-m
I I _ i _
~mL m * a 0 0 0 a m a a
' * - %
j 7 7 :
f
7 7
' 7
Ped. * Ped. * Ped. * J . ^

P e d
* Ped. *
rflL ^ "1 7 771 r *r i 7
^ 7 ^ 7 ^ 7 jt; ^
Ped. *Pe d. *
P e d
.
--^--j
2
- *J
^ ^ Una corda. PP N
7 7 7 * 7 7 7 * 7
v a -J iisJ ^*J .
- i _ ^
;
7 T '
J
s 7- 7-
1
H 7 -
7 7
M * Ped * Ped * Ped # P<
Pedp #
7 7 :=
:d * Ped. * r
n
, - ^
P e d ; *

*
Ped * Ped. * Ped.
Accelerando.
# 7 7 7 p
Jicceieranao. i , I
j i J J J iJ ~i I k.
rr r er T. er >f *F IMF fr' ^ffr#=l
=z r= c z Z. :zg K = : Z = = =r ZZZ
Crescendo.
p - r= d
*4
1 s *
7T3
P P
F
Ped.
1
motto.
1:
d ip
Ped.
L
a Tempo.
S i
a t *
7 p 7 p 7 p
:
*j*^^9 ^ *T
orrrri
WTZ
PP
* i p
* Ped
f
* Pe d * Ped.
*-mz
9
-9z
9
wz
mr- 9 m 9 Hi 9~~
p r p g p g l
^~ 9T 9~
f WP g
fllh
5
I
p p "f"f"r
W E_ E_ E
- Ritara . e perdendo.
-* k
i
?
1
Una corda.
Ped
56
24
A la mmoire de mon Ami HENRI REGNAULT
MARCHE FUNBRE
Contenu. ( J=o

"Hp
. . . . . , .
t ~r " -t
-*J-
*H
41
r
m - i
9-9- f f ?
f=f=
i
J
i
r-
1
p
rf^f
P I
p
- 4
f f
J
j

-m 1J
1

p
J
I. .
= ; "
F
i 1 -
11' j J1
-fr
f p |
*
J J J Ji
1- 1-
^ -
+
F==
f =
p p*p
Dim.
"J
p p-p
r * < s i r
m.m >-
f
3
+
f =
p p*p
Dim.
"J
p p-p
r * < s i r
m.m >-
f
3
\ '
v
r U\
Ped.
?
1
r

- 9 L.

Ped.
5
| r
-

-
-
p-
r - f :
I l
-
pm

1

SS
1

p
i :

9-
f


f
*-
a

*
:
Ped.
m-

Ped *
1
Ped.
f
*
J - -m
K n
I
z*
v
ed.
-J- J
] Ped. Ped. *
Dolce.
r 1 n i i
8 ^
S i
j i *
M -
I
f f *
Ped. J
Ped.
% Ped. *
P e d
P, f Q. f >
* Ped. * P e d
a Tempo.
- 1 Lffhj
fi 7.
1
f f f
Ped * Ped.
^. Ped. * P e d * P e d *Ped. *
Ped. * P e d
* Ped * Ped. * Ped. *
Ped *
0^0}

ed. LA Ped. * # Ped.
P
P
0 0-0
r
T
PC
0^0
Ped. * Ped. * Ped, *
\l> J Ml -f
pT7 .
9-
i
ft 1 ^
- *
N4

"4T
?
t i
m i

9-
>-
5
M
1
J
1M
J 1
*
3

*

pp
_]
Con a
-M
-
<
'o/o
^
1
re.
91
* f9"
Ped #
Ped. * Ped. * Ped *
Ped.
Ped.
1 L I f Ifr ar- 0 m
-(9
- [
-| FT
= f= rff
Smmm
\
. |
I F
MS

' T>
i
Li 1 '
-

ir . i
~4
1 ' IR- ?
1
"p-
:
"p"- *
i r V I '
a Tempo.
mo/to e perdendo.
Ped.*Ped *
58
a Madame J. CHERON
FANFARE DE CHASSE
25
Al l egro n on troppo. (J = 108)
1 J 1
Ritard.
1
^ a Te in
1 ) * r
|M.
ss
i
)
:
Mb
l
\ *tmm
-p-p-
--ih
f 7
1
9- '
Una core
> pp
*f m m
f 7 7
a.
m S t i i t
= M 4
R hard.
6 ~ '
1
3E3:
j \ - Li
Tre cordej
-0
0\
3 =
I
~ * 0 JH?
7 3 * 7 7"
4t
i-
H i
SS
Tre corde
m
00i0
P
p
0i0
* Ped.
e. -
| I I I
L J .
fff r f r t r
i 1 h
r p i
* Ped. * Ped.
-V J,f
L
.J .
1

1s
\
tWi r- f- -
i -
)

1
"? i
:
F
=
1H H
- M -
0*-
1
M"
//
fif
1
H
- H
Ped. V *
w w
-r
* Ped.
\V
H
e Tre
M
2
-
1
corde

-=
V
_ 5 5 :
~ 1 f *!

i m
- -*
J J
t r i
^ mg -
f #
_
4f=
r*=F
W
f " r
S" Tre
corde.
K>ift
Pe

V
1
Una
- J h
corda.
-H ==
i
p Ped
Al phonse Leduc, ^diteur, 3., rue de Grammont, Paris.
OEUVRES
D E
EMILE PESSARD
M U S I Q U E P O U R P I A N O
Prix nets.
( E u t , i Mditation i 70
2 Grande Marche, transcrite d' aprs l ' orchestre 2 5o
3 i
r e
Mazurka, en r mi neu r 2
4 Confidence. Romance sans parol es 1. 70
5 I
e r
Nocturne 2
6 bis Quintette transcrit 2
7 2
e
Mazurka en sol 2
8 Contemplation. Romance sans parol es 2
9 a
c
Nocturne, en mi mi neu r 2
10 Deux Romances sans parol es.
Pastorale 1 70
A Travers bois . . . 2
11 bis Premi re suite d' orchestre, transcrite.
N- 1 Pavane 2
2 A ir de ballet 1 7 0
3 Intermde 1 70
4 Polonaise 2
12 Impromptu _ , 2
13 Grande Valse en mi bmol 3
14 3
e
Mazurka en la b mol 2
17 Galop de concert 2
18 Boutade 2
19 Trio en si bmol pour pi ano, vi ol on et vi ol oncel l e 6
20 25 Pices. N' 1 de la BIBLIOTHQUE-LEDUC 6
22 10 Pices 4 mains. 5 de la BIBLIOTHQUE-LEDUC 8
Le Char. Op r a- com. Parti ti on pi ano s e u l . 12 de laBIBL.-LEDUC. 4
Ouverture 2
Ouverture 4 mains 2 5o
La Cruche casse. Op r a- comi qu e. Parti ti on piano seul . di t i on-bi j ou. . 1 5o
Ouverture 2
Ouverture 4 mains , 2 5o
M U S I Q U E V O C A L E
Prix nets
Le Char. Op ra-comi que. Partition chant e t pi a no . N' 12 del BI BLI OTH. - LEDUC. 8
La Cruche casse. Op ra- comi que. Partition chant et piano S
u v. 21 Petite Messe solennelle en fa maj eur, deux voi x gal es, avec tnor et
basse (ad. lib.) et accompagnement d' orgue ou har moni u m. 9
de la BIBLIOTHQUE-LEDUC 3
Chaque partie spare 3o
r
M E L O D I E S , etc., avec accompagnement de piano
Nota. Ces mlodies existent en diffrents tons.
L'Adieu du matin
1

A Saint Biaise. Chanson
1
"
A une fleur. Mlodie ' 7
Ave Maria (avec accompagnement d' orgue, vi ol on et violoncelle) 2
Berceuse 1 70
Bonsoir la compagnie. Chanson
1
7
Dites, lajeune belle. Barcarol l e (franais et italien)
1
7
L'ventail de Sujette 1 70
Les Fleurs du Souvenir
1
7
Ma mie Annette. Chanson rusti que i 70
Mditation religieuse {Mater Salvatoris) 1 7
Mon ami vient de s'en aller. Chanson bretonne 1
Ne la rveillons pas! Mlodie (avec chur trois voi x gales, ad. lib.) . . 1
Les Papillons. Mlodie
1

Les prs sont fleuris. Ml odie 1 70
Printemps, tu peux venir 1 70
Rverie
1

Srnade 1 70
Si vous n'ave rien me dire 1 70
Sonnet d' Arvers 1
Sous les grands tilleuls. Mlodie 1
Vieille Chanson du jeune temps 1 70
La Vierge la Crche t 70
JOYEUSETS DE BONNE COMPAGNIE 5
exempl ai res sur papier de Hol l ande. i 5
D U O S
Les Deux Normands. Duo bouffe 2 5o
Duo des Souvenirs. Duo XVIII
e
sicle (baryton et soprano) . 3
Oreste et Pylade. Duo bouffe (baryton et tnor) 2 5o
Pendant le bal. Duo-val se (tnor et soprano) . . . 3
5750 Imp, Jouaust