Signature and Name of Invigilator

Answer Sheet No. : ......................................................

(To be filled by the Candidate)

1. (Signature)

Roll No.

(Name)

(In figures as per admission card)

Roll No.

2. (Signature)

(In words)

(Name)

Test Booklet No.

D1 6 0 7

PAPERII

MUSIC

Time : 1 hours]
Number of Pages in this Booklet : 48

[Maximum Marks : 100

Number of Questions in this Booklet : 50

Instructions for the Candidates

1.

Write your roll number in the space provided on the top of this
page.

1. U DU U S U UU U

2.

This paper consists of fifty multiple-choice type of questions.

3. U U U, -S U U U

3.

At the commencement of examination, the question booklet

will be given to you. In the first 5 minutes, you are requested
to open the booklet and compulsorily examine it as below :

4.

(i)

To have access to the Question Booklet, tear off the paper

seal on the edge of this cover page. Do not accept a
booklet without sticker-seal and do not accept an open
booklet.

(ii)

Tally the number of pages and number of questions in

the booklet with the information printed on the cover
page. Faulty booklets due to pages/questions missing
or duplicate or not in serial order or any other
discrepancy should be got replaced immediately by a
correct booklet from the invigilator within the period of
5 minutes. Afterwards, neither the question booklet
will be replaced nor any extra time will be given.

(iii)

After this verification is over, the Serial No. of the booklet

should be entered in the Answer-sheets and the Serial
No. of Answer Sheet should be entered on this Booklet.

2. -

-S
U
(i) -S U U
U U SUU-U S
SU U
(ii) U DU U U U -S DU

U U U U U U S
DU / U UU
U U S SU U
UUU S U U -S
U U
-S U
UQ

(iii) -S R U- U

U UU U- R -S U U

4. U U (A), (B), (C) (D)

U UU U

Each item has four alternative responses marked (A), (B), (C)
and (D). You have to darken the oval as indicated below on the
correct response against each item.
Example :

where (C) is the correct response.

5.

Your responses to the items are to be indicated in the Answer

Sheet given inside the Paper I booklet only. If you mark at
any place other than in the ovals in the Answer Sheet, it will
not be evaluated.

5.

6.

Read instructions given inside carefully.

7.

Rough Work is to be done in the end of this booklet.

7.

8.

If you write your name or put any mark on any part of the test
booklet, except for the space allotted for the relevant entries,
which may disclose your identity, you will render yourself
liable to disqualification.

9.

6.
8.

9.

You have to return the test question booklet to the invigilators

at the end of the examination compulsorily and must not carry
it with you outside the Examination Hall.

10.

U (UU) U U

12. U U

10. Use only Blue/Black Ball point pen.

11.

11. Use of any calculator or log table etc., is prohibited.

12. There is NO negative marking.

See Page No. 2 and 3 for Special Instructions /

D1607

(C) U
U U I U U- U
U U U
S U U U , U
U U
(Rough Work) S DU U U
U-S U
, U U U
U
U # U U-S U UU
U U # U U
U
/ U ZU S U

P.T.O.

MUSIC
PAPERII
Hindustani / Karnataki / Rabindra Sangeet / Percussion
(Vocal and Instrumental)
SPECIAL INSTRUCTIONS
Note :

Candidates are required to answer all the 25 questions in PART - I,

which are compulsory. They should select any one of the groups
PART-II, PART-III, PART-IV, PART-V and answer all the 25 questions
in that PART. Each question carries two (2) marks.
PART - I
Common to Hindustani / Karnataki / Rabindra Sangeet / Percussion

1.

2.

3.

4.

Which instrument has got frets ?

(A)

Violin

(B)

Sarangi

(C)

Sitar

(D)

Tanpura

Who is writer of Sangeet Ratnakar ?

(A)

Kallinath

(B)

Lochan

(C)

Sharangdev

(D)

Mammat

Who is not from Maiher Gharana ?

(A)

Allauddin Khan

(B)

Nikhil Banerjee

(C)

Ravi Shankar

(D)

Halim Zafer Khan

Which Folk dance is from Gujarat ?

(A)

Giddha

(B)

Garva

(C)

Ras

(D)

Nachni

D1607


II
S/ /
(, S) h l
U

-I 25 -II,
-III, -IV, -V 25
(2)

PART - I

S / / h l

1.

2.

3.

4.

l UQ ?
(A)

(B)

(C)

(D)

UU U ?
(A)

(B)

(C)

(D)

U U ?
(A)

(B)

(C)

U U

(D)

$U

U ?
(A)

(B)

(C)

(D)

D1607

P.T.O.

5.

6.

7.

8.

9.

10.

Who is not a Thumri Singer ?

(A)

Girija Devi

(B)

Sharan Rani

(C)

Siddheswari Devi

(D)

Shobha Gurtu

How many main classes of Musical Instruments ?

(A)

Three

(B)

Four

(C)

Five

(D)

Six

Who is not a Sitar player ?

(A)

Ravi Shankar

(B)

Shivkumar Sharma

(C)

Buddhaditya Mukherjee

(D)

Rahim Khan

Who is not a mainly Dhrupad singer ?

(A)

Bhimsen Joshi

(B)

Fahimuddin Dagar

(C)

Gundecha Bandhu

(D)

A. Rahimuddin Dagar

Which treaties has mentioned the word Raga for the first time ?
(A)

Sangeet Ratnakar

(B)

Rag Tarangini

(C)

Natya Shastra

(D)

Brihaddeshi

Write the name of person who has contributed utmost in the field of Music Aesthetic.
(A)

S.K. Saxena

(B)

Ashok Ranade

(C)

B.C. Deva

(D)

K.C.D. Brihaspati

D1607

5.

6.

7.

8.

9.

10.

UU ?
(A)

(B)

U U

(C)

hU

(D)

l ?
(A)

(B)

(C)

(D)

U ?
(A)

. U U

(B)

(C)

(D)

?
(A)

(B)

g UU

(C)

(D)

. Ug UU

(A)

UU

(B)

U U

(C)

KS

(D)

U U ?
(A)

U. ..

(B)

. U. UU

(C)

..

(D)

..U. S

D1607

P.T.O.

11.

Match the following :

List - I

List - II

(a)

Sitar Player

(i)

Briz Bhushan Kabra

(b)

Guitar Player

(ii)

Shivkumar Sharma

(c)

Sarod Player

(iii)

Nikhil Banerjee

(d)

Santoor Player

(iv)

Amjad Ali Khan

Code :

12.

13.

14.

15.

(a)

(b)

(c)

(d)

(A)

(ii)

(i)

(iii)

(iv)

(B)

(iv)

(iii)

(i)

(ii)

(C)

(i)

(ii)

(iv)

(iii)

(D)

(iii)

(i)

(iv)

(ii)

Who mastered all the four main styles of Tabla ?

(A)

Ahmad Jan Thirakwa

(B)

Samta Prasad

(C)

Kishan Maharaja

(D)

Munne Khan

How many Matras in Basant Tal ?

(A)

(B)

(C)

(D)

11

A famous karnatak percussionist :

(A)

Palghat Mani Iyer

(B)

T.R. Mahalingam

(C)

Madurai Mani Iyer

(D)

Chembai Vaidyanatha Bhagavatar

A vocalist of the 20th century :

(A)

Chembai Vaidyanatha Iyer

(B)

Muthuswami Dikshitar

(C)

Tyagaraja

(D)

Subramanya Bharati

D1607

11.

II

(a)

(i)

. U

(b)

UU

(ii)

. U

(c)

(iii)

(d)

(iv)

12.

13.

14.

15.

(a)

(b)

(c)

(d)

(A)

(ii)

(i)

(iii)

(iv)

(B)

(iv)

(iii)

(i)

(ii)

(C)

(i)

(ii)

(iv)

(iii)

(D)

(iii)

(i)

(iv)

(ii)

U U h U?
(A)

(B)

(C)

(D)

?
(A)

(B)

(C)

(D)

11

U l U L
(A)

U U

(B)

U.U.

(C)

U U

(D)

l U

20
(A)

l U

(B)

S U

(C)

(D)

r U

D1607

P.T.O.

16.

17.

18.

19.

20.

Raga Puranira figures in :

(A)

Kathakali

(B)

Odissi

(C)

Kuchipudi

(D)

Bharatanatyam

The Lady who established Kalakshetra ?

(A)

Rukminidevi Arundale

(B)

Saraswathi Bai

(C)

M.S. Subhalakshmi

(D)

D.K. Pattammal

The 9th Melakartha :

(A)

Dhenuka

(B)

Natakapriya

(C)

Keeravani

(D)

Natabhairavi

The great singer of Hindustani Classical Music Tagore has remembered whole life :
(A)

Faiaz Khan

(B)

Bishm Chakravarty

(C)

Jagannath Bhattachariya

(D)

Kesharbai Kerkar

The book consisting Tagores concept of Music is :

(A)

Sangeet-o-Bhav

(B)

Sangitor Dharma

(C)

Sangitor Mukti

(D)

Sangit Chinta

Questions 21 to 25 : Para Phrasing or Linked Items :

Read the passage below and answer each question.
Among all the Oriental Music, Indian Music is artistically fully developed, has a
strong theoretical basis, richest in repertoire and has a glorious history, extending over
a span of 2000 years. It also possesses all the varieties, viz. Art Music, Sacred or
Devotional Music, Dance Music and Folk Music. India has some hundreds of Musical
Instruments, from the beginning of its history. Indian Music is melody music, but it
performs all the subtleties of musical expression, using all tonal shades, nuances and
curves.
Indian classical music has developed melodic forms into ragas, every raga having
a particular mood, theme and aesthetic personality, giving full scope to the artist for
developing systematic improvisations in accordance with his particular style.
D1607

16.

17.

18.

19.

20.

U UU
(A)

(B)

(C)

(D)

UK

S ?
(A)

L LU

(B)

US

(C)

..

(D)

U.. ^

(A)

(B)

(C)

(D)

S S UU U U?
(A)

(B)

c R

(C)

(D)

U UU

UU U S ?
(A)

(B)

(C)

U Q

(D)

21

25 :

U SU

U U

U U M ,
h U , UU h , 2000 Z
U U , , ,
U U U l U
D1607

P.T.O.

The era of ancient music begins in the age of Vedas and ends in the 13th century
after which the mediaeval period of music became fully evolved and ultimately was
bifurcated into two systems, namely Hindustani and Karnatic.

21.

22.

23.

24.

25.

(A)

Indian music is involved by religious and devotional music.

(B)

Indian music is the contribution of modern age.

(C)

Indian music is also called Karnataka music.

(D)

Indian music is not necessarily melodious.

(A)

Ancient music was started in mediaeval period.

(B)

Ancient music was started from vedas.

(C)

Indian music does not include Hindustani music.

(D)

Swara is not important in Indian music.

(A)

The ancient period of Indian music was from vedas to 13th century.

(B)

Indian music is not melodious.

(C)

Melody and Taalas are not needed in Indian music.

(D)

Swara and Taalas both are not necessary in Indian music.

(A)

Devotional music and dance are given by Indian music.

(B)

Indian music is not Raag prominent.

(C)

Taal and Vaadya are not used in Indian music.

(D)

Indian music is also called Folk music.

(A)

Taal and Vaadya are not used in Indian music.

(B)

Folk music and devotional music are not Indian music.

(C)

Hindustani and Karnataka music are not Indian music.

(D)

Indian music is not enriched.

D1607

10

SU U U U SUU, UU R U
Q S cU U
U 13 U
S U h m
21. (A)

22.

23.

24.

25.

U Q Q

(B)

(C)

U U

(D)

U U

(A)

(B)

(C)

U S U

(D)

U SU

(A)

U , 13 U

(B)

U U

(C)

SU U U

(D)

SU U U

(A)

Q U

(B)

U U

(C)

S l

(D)

(A)

U l

(B)

, Q U

(C)

S U U

(D)

U h

D1607

11

P.T.O.

PART - II
Hindustani Sangeet (Vocal / Instrumental)
26.

The distance from Meru to Madhyam on the string of Veena :

(A)

27.

31.

12"

(B)

10

(C)

11

(D)

12

Ahir Bhairav

(B)

Todi

(C)

Marva

(D)

Bhairavi

Dhrupad

(B)

Tappa

(C)

Lavani

(D)

Sam

Gandharva Sangeet Vidyalaya

(B)

University

(C)

Sangeet Natak Akademi

(D)

I.C.C.R.

Frequency of notes of Gandhara :

240

(B)

270

(C)

320

(D)

360

(C)

Western

(D)

Karnatak

(C)

Dhundubi

(D)

Pakhwaj

Chords are used in which Sangeet ?

Rabindra

(B)

Hindustani

Which musical instrument is more modern ?

(A)

34.

(D)

(A)

(A)
33.

9"

Commercial music teaching centres :

(A)
32.

(C)

Udgata is concerned with which Gan ?

(A)

30.

8"

Dha, Ni, Re, Sa Swara is of which Raga ?

(A)

29.

(B)

Matra of initial Swara of Masitkhani Gat :

(A)

28.

6"

Tabla

(B)

Bheri

Which one of the following is a western musicologist ?

(A)

B.C. Dev

(B)

A.N. Jairazbhoi

(C)

A. Denelue

(D)

Leela Omchiri

D1607

12

 - II
S ( / )
26.

U U L U
(A)

27.

31.

12"

(B)

10

(C)

11

(D)

12

U U

(B)

(C)

(D)

(B)

(C)

(D)

(B)

(C)

(D)

...U.

U
240

(B)

270

(C)

320

(D)

360

U ?
U

(B)

(C)

(D)

(B)

(C)

(D)

l ?
(A)

34.

(D)

(A)

(A)
33.

9"

(A)
32.

(C)

?
(A)

30.

8"

$ $ U SU U ?
(A)

29.

(B)

U SU
(A)

28.

6"

S ?
(A)

..

(B)

.. U

(C)

. U

(D)

D1607

13

P.T.O.

35.

Dr. Lalmani Mishra played which instrument ?

(A)

36.

37.

38.

39.

Veena

(B)

Sarod

(C)

Guitar

(D)

Tabla

Which of the following is Sangeet Vishvavidyalaya ?

(A)

Rajasthan University

(B)

Indra Kala Sangeet Vishwavidhyalaya

(C)

Agra University

(D)

B.H.U.

Arrange the Angas of Dhrupad in required form :

(A)

Sthai, Sanchari, Aabhog, Antara

(B)

Aabhog, Sanchari, Antara, Sthai

(C)

Antara, Sanchari, Aabhog, Sthai

(D)

Sthai, Antara, Sanchari, Aabhog

Arrange Re, Ga, Ma, Pa, Ni on string of Veena in descending order :

(A)

4", 6", 9", 12", 20"

(B)

6", 4", 12", 9", 20"

(C)

20", 12", 9", 6", 4"

(D)

12", 9", 6", 4", 20"

Matching type question :

Two types of statements are given below. Match the statement of first list with the
statement of second list and mark the correct answer.
List - I

List - II

(a)

Ga Komal Ma Tivra

(i)

Maru Vihag

(b)

Use of both Ma

(ii)

Multani

(c)

Re-Pa prohibited

(iii)

Madhuwanti

(d)

Re-Dha prohibited in Aaroha

(iv)

Malkaus

Code :
(a)

(b)

(c)

(d)

(A)

(iii)

(i)

(iv)

(ii)

(B)

(ii)

(iii)

(i)

(iv)

(C)

(i)

(iii)

(ii)

(iv)

(D)

(iv)

(ii)

(i)

(iii)

D1607

14

35.

U. ?
(A)

36.

37.

38.

39.

(B)

(C)

UU

(D)

l ?
(A)

US U

(B)

(C)

U l

(D)

...

M Rh
(A)

S, U, , U

(B)

, U, U, S

(C)

U, U, , S

(D)

S, U, U,

U U U, , , , U R Rh
(A)

4", 6", 9", 12", 20"

(B)

6", 4", 12", 9", 20"

(C)

20", 12", 9", 6", 4"

(D)

12", 9", 6", 4", 20"

U
U U , U U U

-

II

(a)

(i)

(b)

(ii)

(c)

U-

(iii)

(d)

U U-

(iv)

(a)

(b)

(c)

(d)

(A)

(iii)

(i)

(iv)

(ii)

(B)

(ii)

(iii)

(i)

(iv)

(C)

(i)

(iii)

(ii)

(iv)

(D)

(iv)

(ii)

(i)

(iii)

D1607

15

P.T.O.

40.

41.

Which instrument was played by Akbar, the great ?

(A)

DHOLAK

(B)

MRIDANG

(C)

NAKKARA

(D)

DHOL

On which SHRUTI does PANCHAM fall in MADHYAMA-GRAM ?

(A)

42.

16th

(C)

17th

(D)

18th

4324324

(B)

4243234

(C)

3244243

(D)

4324432

(D)

Mark Legi

Name the western musicologist who adopted Hindu religion :

(A)

44.

(B)

Which is the correct series of Shruties of Shuddy Swaras ?

(A)

43.

15th

Martin Klinton (B)

Alen Danelue

(C)

Mooplore

Match the following :

List - I

List - II

(a)

Natya Shastra

(i)

Matanga

(b)

Brihaddeshi

(ii)

Ahobala

(c)

Sangeet Parijat

(iii)

Bharat

(d)

Sangeet Makarand

(iv)

Narad

Code :

45.

(a)

(b)

(c)

(d)

(A)

(ii)

(i)

(iii)

(iv)

(B)

(iii)

(i)

(ii)

(iv)

(C)

(iv)

(iii)

(ii)

(i)

(D)

(i)

(iv)

(iii)

(ii)

Name the GUITARIST of Hindustani music :

(A)

Pt. Shivkumar Sharma

(B)

Hariprasad Chaurasiya

(C)

Buddhaditya Mukharjee

(D)

Pt. Brij Bhushan Kabra

D1607

16

40.

41.

U l ?
(A)

(B)

(C)

(D)

U S ?
(A)

42.

16

(C)

17

(D)

18

4324324

(B)

4243234

(C)

3244243

(D)

4324432

(C)

(D)

S ?
(A)

44.

(B)

h SU U ?
(A)

43.

15

U U

(B)

(a)

KS

(i)

(b)

(ii)

(c)

(iii)

(d)

(iv)

II

45.

(a)

(b)

(c)

(d)

(A)

(ii)

(i)

(iii)

(iv)

(B)

(iii)

(i)

(ii)

(iv)

(C)

(iv)

(iii)

(ii)

(i)

(D)

(i)

(iv)

(iii)

(ii)

S UU ?
(A)

. U

(B)

U U

(C)

(D)

. U

D1607

17

P.T.O.

46.

47.

48.

49.

50.

Assertion (A)

Acharya K.C.D. Brihaspati was well versed in Sanskrit, wrote

so many books which explored the mysterious of history etc,
was a good singer, writer and a teacher.

Reason (R)

Acharya Brihaspati worked a lot in the field of aesthetics and

philosophy.

(A)

(A) right (R) wrong

(B)

(A) wrong (R) wrong

(C)

(A) right (R) right

(D)

(A) wrong (R) right

Assertion (A)

A vocalist who is an expert in Dhrupad he can also sing Khayal

well.

Reason (R)

Dhrupad singer who is an expert in Laykari his voice is made

very mejastic.

(A)

(A) true (R) false

(B)

(A) false (R) true

(C)

(A) and (R) both false

(D)

(A) true (R) true

In which Gharana of Tabla, Quades of Aadi Laya are mostly played :

(A)

Delhi

(B)

Punjab

(C)

Ajarada

(D)

Farukhabad

Which Gharana is famous for GATEN ?

(A)

Delhi

(B)

Punjab

(C)

Ajarada

(D)

Farukhabad

The Taal having 11 Matras :

(A)

Laxmi Taal

(B)

Ganesh Taal

(C)

Rudra Taal

(D)

Parvati Taal

D1607

18

46.

47.

48.

49.

50.

(A) :

S S S U
mU U US U
cU , U L

(R)

S S U

(A)

(A) (R)

(B)

(A) U (R)

(C)

(A) U (R)

(D)

(A) (R)

(A) :

U ,

(R)

h U U SU U U C

(A)

(A) (R)

(B)

(A) (R)

(C)

(A) U (R)

(D)

(A) (R)

U ?
(A)

(B)

(C)

(D)

, U U ?
(A)

(B)

(C)

(D)

U
(A)

(B)

(C)

(D)

D1607

19

P.T.O.

PART - III
Karnatic Music (Vocal / Instrumental)

26.

27.

28.

29.

30.

31.

Janani Mamava is a :
(A)

Navavarna Kriti

(B)

Navagraha Kriti

(C)

Navaratri Kriti

(D)

Navaratna Malika Kriti

A Vivadi Mela :
(A)

Sarasangi

(B)

Varunapriya

(C)

Dhenuka

(D)

Gowrimanohari

Gopalakrishna Bharati was born in :

(A)

Tiruvarur

(B)

Chidambaram

(C)

Narimanam

(D)

Madurai

A Margi Tala :
(A)

Dhruva

(B)

Simhanandana

(C)

Sarabanandana

(D)

Sampatveshtaka

A Tevaram song :
(A)

Todudaiya Seviyan

(B)

Sadhinchene

(C)

Saranam Aiyappa

(D)

Varuhalamo

A Marathi metrical form in Harikatha :

(A)

Utpalamala

(B)

Dindi

(C)

Cindu

(D)

Viruttam

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20

 - III
(, )

26.

27.

28.

29.

30.

31.

__________
(A)

(B)

(C)

(D)

(A)

(B)

(C)

(D)

UU

c U S
(A)

LMU

(B)

(C)

(D)

(A)

(B)

(C)

(D)

cU

U
(A)

UU

(B)

(C)

(D)

U UU U M
(A)

(B)

(C)

(D)

D1607

21

P.T.O.

32.

33.

34.

35.

36.

37.

38.

A song set to Misra Chapu Tala :

(A)

Marivere - Anandabhairavi

(B)

Chakkaniraja - Kharaharapriya

(C)

Minakshi Memudam - Purvikalyani

(D)

Anupama Gunambudhi - Atana

The name of the 12th Chakra in the 72 Mela scheme :

(A)

Bana

(B)

Rutu

(C)

Aditya

(D)

Disi

A famous violinist :
(A)

S. Balachandar

(B)

Lalgudi Jayaraman

(C)

Karaikkudi Mani

(D)

O.S. Tyagarajan

The South Indian Raga equivalent to Bilaval That :

(A)

Kiravani

(B)

Sankarabharana

(C)

Kalyani

(D)

Kambhoji

A Tala with Khanda Jati Laghu used in Sapta Tala Alankara :

(A)

Ata

(B)

Rupaka

(C)

Matya

(D)

Dhruva

A Lady violinist :
(A)

M.L. Vasanthakumari

(B)

Aruna Sairam

(C)

T. Rukmini

(D)

T. Brinda

The Prati Madhyama Audava Raga :

(A)

Hamsadhvani

(B)

Abhogi

(C)

Madhyamavati

(D)

Amritavarshini

D1607

22

32.

33.

34.

35.

36.

37.

38.

(A)

UU - U

(B)

U - UU

(C)

(D)

h - U

72 12 R
(A)

(B)

(C)

(D)

h
(A)

. U

(B)

(C)

UU

(D)

.. U

U U U
(A)

(B)

UU

(C)

(D)

U U U
(A)

(B)

(C)

(D)

(A)

.. U

(B)

L U

(C)

U. L

(D)

U.

U U
(A)

(B)

(C)

(D)

D1607

23

P.T.O.

39.

40.

41.

42.

A Javali composer :
(A)

Arunagirinatha

(B)

Dharmapuri Subbarayar

(C)

Kshetrajna

(D)

Narayana Tirtha

Bhajana Invocation songs :

(A)

Abhanga

(B)

Dhruvapada

(C)

Todaya Mangalam

(D)

Panchapadi

Viloma Chapu Tala was introduced by :

(A)

Patnam Subramanya Iyer

(B)

Tyagaraja

(C)

Syama Sastri

(D)

Mysore Vasudevachar

Match the following :

List - I

List - II

(a)

Tyagaraja

(i)

Venkatesa

(b)

Muthuswami Dikshitar

(ii)

Tyagarajanuta

(c)

Syama Sastri

(iii)

Syamakrishna

(d)

Patnam Subramanya Iyer

(iv)

Guruguha

Code :
(a)

(b)

(c)

(d)

(A)

(ii)

(iv)

(iii)

(i)

(B)

(iv)

(ii)

(i)

(iii)

(C)

(i)

(iii)

(ii)

(iv)

(D)

(iii)

(i)

(iv)

(ii)

D1607

24

39.

40.

41.

42.

U
(A)

L U

(B)

U UU

(C)

(D)

S
(A)

(B)

(C)

(D)

?
(A)

^ r U

(B)

(C)

(D)

U U

II

(a)

(i)

(b)

S U

(ii)

(c)

(iii)

(d)

^ r U

(iv)

(a)

(b)

(c)

(d)

(A)

(ii)

(iv)

(iii)

(i)

(B)

(iv)

(ii)

(i)

(iii)

(C)

(i)

(iii)

(ii)

(iv)

(D)

(iii)

(i)

(iv)

(ii)

D1607

25

P.T.O.

43.

Match the following :

List - I

List - II

(a)

Audava

(i)

Vachaspati

(b)

Shadava

(ii)

Ritigaula

(c)

Vakra

(iii)

Malayamarutam

(d)

Sampurna

(iv)

Suddha Dhanyasi

Code :

44.

(a)

(b)

(c)

(d)

(A)

(i)

(ii)

(iii)

(iv)

(B)

(iii)

(iv)

(ii)

(i)

(C)

(ii)

(i)

(iv)

(iii)

(D)

(iv)

(iii)

(ii)

(i)

Match the following :

List - I

List - II

(a)

(i)

Guru

(b)

8'

(ii)

Laghu

(c)

(iii)

Plutam

(d)

(iv)

Kakapadam

Code :
(a)

(b)

(c)

(d)

(A)

(ii)

(iii)

(iv)

(i)

(B)

(i)

(ii)

(iii)

(iv)

(C)

(iv)

(i)

(ii)

(iii)

(D)

(iii)

(iv)

(i)

(ii)

D1607

26

43.

II

(a)

(i)

(b)

(ii)

(c)

(iii)

(d)

(iv)

44.

(a)

(b)

(c)

(d)

(A)

(i)

(ii)

(iii)

(iv)

(B)

(iii)

(iv)

(ii)

(i)

(C)

(ii)

(i)

(iv)

(iii)

(D)

(iv)

(iii)

(ii)

(i)

II

(a)

(i)

(b)

8'

(ii)

(c)

(iii)

(d)

(iv)

(a)

(b)

(c)

(d)

(A)

(ii)

(iii)

(iv)

(i)

(B)

(i)

(ii)

(iii)

(iv)

(C)

(iv)

(i)

(ii)

(iii)

(D)

(iii)

(iv)

(i)

(ii)

D1607

27

P.T.O.

45.

Match the following :

List - I

List - II

(a)

Tambura

(i)

Pegs

(b)

Gottuvadyam

(ii)

Key

(c)

Violin

(iii)

Sympathetic Strings

(d)

Piano

(iv)

Finger Board

Code :

46.

47.

(a)

(b)

(c)

(d)

(A)

(iii)

(ii)

(i)

(iv)

(B)

(ii)

(iv)

(iii)

(i)

(C)

(i)

(iii)

(iv)

(ii)

(D)

(iv)

(i)

(ii)

(iii)

Assertion and Reasoning :

Assertion (A)

Tyagaraja wrote the Gita Govinda.

Reason (R)

He wrote the Nowka Charitra.

(A)

(A) true (R) false

(B)

(A) false (R) false

(C)

(A) true (R) true

(D)

(A) false (R) true

Assertion and Reasoning :

Assertion (A)

The Yazh had many types.

Reason (R)

There are no Yazh players today.

(A)

(A) is true (R) is true

(B)

(A) is false (R) is true

(C)

(A) and (R) are false

(D)

(A) is true and (R) is false

D1607

28

45.

II

(a)

(i)

(b)

Ul

(ii)

(c)

(iii)

U U

(d)

(iv)

U U

46.

47.

(a)

(b)

(c)

(d)

(A)

(iii)

(ii)

(i)

(iv)

(B)

(ii)

(iv)

(iii)

(i)

(C)

(i)

(iii)

(iv)

(ii)

(D)

(iv)

(i)

(ii)

(iii)

U U

(A) :

U U

U (R) :

(A)

(A) U (R)

(B)

(A) U (R)

(C)

(A) U (R)

(D)

(A) U (R)

U U

(A) :

U (R) :

(A)

(A) (R)

(B)

(A) (R)

(C)

(A) U (R)

(D)

(A) U (R)

D1607

29

P.T.O.

Sequencing type :
48.

49.

Write the correct sequence of the following texts of their origin.

(A)

Sama Gana, Natya Sastra, Sangita Ratnakara, Ragavibodha

(B)

Natya Sastra, Samaveda, Ragavibodha, Sangita Ratnakara

(C)

Sangita Ratnakara, Natya Sastra, Ragavibodha, Sama Gana

(D)

Ragavibodha, Sama Gana, Natya Sastra, Sangita Ratnakara

Arrange the following in the order of 72 melakarta scheme.

(i)

Natabhairavi

(ii)

Dhenuka

(iii)

Natakapriya

(iv)

Ganamurthy

Code :

50.

(A)

(ii)

(i)

(iii)

(iv)

(B)

(iv)

(ii)

(iii)

(i)

(C)

(iii)

(ii)

(iv)

(i)

(D)

(i)

(iii)

(iv)

(ii)

Arrange the following Janya Ragas in the order of their Parent Scales :
(i)

Hamsadvani

(ii)

Kambhoji

(iii)

Bhairavi

(iv)

Malahari

Code :
(A)

(iv)

(iii)

(ii)

(i)

(B)

(i)

(ii)

(iii)

(iv)

(C)

(ii)

(iv)

(i)

(iii)

(D)

(iii)

(i)

(ii)

(iv)

D1607

30

R U
48.

49.

U R
(A)

, KS, UU, U

(B)

KS, , U, UU

(C)

UU, KS U,

(D)

U, , KS, UU

72 R U
(i)

UU

(ii)

(iii)

(iv)

50.

(A)

(ii)

(i)

(iii)

(iv)

(B)

(iv)

(ii)

(iii)

(i)

(C)

(iii)

(ii)

(iv)

(i)

(D)

(i)

(iii)

(iv)

(ii)

U R U
(i)

(ii)

(iii)

(iv)

(A)

(iv)

(iii)

(ii)

(i)

(B)

(i)

(ii)

(iii)

(iv)

(C)

(ii)

(iv)

(i)

(iii)

(D)

(iii)

(i)

(ii)

(iv)

D1607

31

P.T.O.

PART - IV
RABINDRA SANGEET

26.

27.

28.

29.

30.

31.

Which is Rinsodh (shortened) form of drama ?

(A)

Mukta dhara

(B)

Saradotsav

(C)

Rakta Karabi

(D)

Visarjan

Rabindranath composed the song O Aamar deshar mati when his age was :
(A)

15 years

(B)

35 years

(C)

45 years

(D)

75 years

The tune of the song Ohe Jibana Bhallabha is :

(A)

Dhrupad

(B)

Baul

(C)

Kirtan

(D)

Khayal

Identify the rag of the song Bahe Nirantara Ananta Anandadhara :

(A)

Nisasaq

(B)

Bilawal

(C)

Bhirav

(D)

Ashawari

The song Jage nath Jochana Rate is in Tal :

(A)

Surphakta

(B)

Kharva

(C)

Dadra

(D)

Dhamar

What is the last dance drama composed by Tagore ?

(A)

Mayar Khela

(B)

Kalmrigaya

(C)

Chandalik

(D)

Chitrangada

D1607

32

 - IV

26.

27.

28.

29.

30.

31.

() U ?

(A)

Q U

(B)

(C)

UQ U

(D)

U UU

U U U

(A)

15

(B)

35

(C)

45

(D)

75

l ?

(A)

(B)

(C)

(D)

UU U

U U U ?

(A)

(B)

(C)

(D)

(A)

(B)

(C)

(D)

UU -K ?
(A)

(B)

(C)

(D)

D1607

33

P.T.O.

32.

33.

34.

35.

36.

37.

The language of the lyrics of Rabindranaths Bhanusinher Padavali is :

(A)

Hindi

(B)

Sanskrit

(C)

Maithili

(D)

Bengali

What string instrument is mainly used as accompaniment in Tagores music ?

(A)

Sitar

(B)

Veena

(C)

Esraj

(D)

Violin

The song Jaya Taba Vichitra Ananda is composed in the rag :

(A)

Alahia Bilawal

(B)

Bhirav

(C)

Sarang

(D)

Ramkeli

Which song Tagore included in his Drama Visarjan ?

(A)

Ami Ekla Chalachi ye Bhabe

(B)

Pinakete Lage Tankar

(C)

Ami Marer Sagor

(D)

Tumi Dak Die Cho Kon Sakale

Rabindranaths Sangit O Bhav is :

(A)

A Poem

(B)

Song

(C)

A Book

(D)

An Article

Rabindranaths father Debendranath Tagore gave his son a five hundred rupees cheque
for his singing :
(A)

Nayan Tomare Pay na Dekhite

(B)

Prathama Adi Taba Shakti

(C)

Tumi Bina Ke Prabhu

(D)

Hrydaya Nandana Bone

D1607

34

32.

33.

34.

35.

36.

37.

UU

(A)

(B)

(C)

(D)

UU l M ?
(A)

(B)

(C)

(D)

U U ?

(A)

(B)

(C)

(D)

UU ?

(A)

(B)

UU

(C)

UU U

(D)

U U

U ?
(A)

(B)

(C)

(D)

U U L. 500/- ?
(A)

(B)

(C)

(D)

D1607

35

P.T.O.

38.

39.

40.

41.

42.

43.

44.

Identify the raga and tala of the song Sunno Hate Phiri Hey :
(A)

Bibhas/Chowtal

(B)

Hemkhem/Tewra

(C)

kaphi/Surfaktal

(D)

Behag/Dadra

The character Uttya is in the Rabindranaths dance drama :

(A)

Shyama

(B)

Chandalika

(C)

Chitrangada

(D)

Mayarkhela

The famous essay The Origin and Function of Music is written by :

(A)

C.F. Andrus

(B)

Ajit Kumar Chakravarti

(C)

Herbert Spencer

(D)

Rabindranath Tagore

Who wrote the song Vimala Prabhate Mili ?

(A)

Debendranath Tagore

(B)

Satyendranath Tagore

(C)

Jyotindranath Tagore

(D)

Hemendranath Tagore

In which song Tagore use Taalpherta ?

(A)

Modhu Gandhe Bhora

(B)

Mona more meghero sangi

(C)

Kabe Aami Bakir Holem

(D)

Gan Amar Jaye Bheshe Jay

Which Rag Rabindranath Tagore has not used in his composition ?

(A)

Aahir Bhairon

(B)

Kamaj

(C)

Basanta

(D)

Bhupali

Who other than Tagore has written Patriotic songs in Bengal ?

(A)

Kangalicharan Sen

(B)

Balendranath Tagore

(C)

Satyendranath Tagore

(D)

Soudamini Devi

D1607

36

38.

39.

40.

41.

42.

43.

44.

(A)

(B)

/U

(C)

(D)

/U

U ?
(A)

(B)

(C)

(D)

(The Origin and Function of Music) h ?

(A)

.. U$

(B)

U R

(C)

UU SU

(D)

U UU

U ?

(A)

UU

(B)

UU

(C)

UU

(D)

UU

U ?

(A)

(B)

U U

(C)

(D)

U U U ?
(A)

U U

(B)

(C)

(D)

U UQ U ?
(A)

(B)

UU

(C)

UU

(D)

D1607

37

P.T.O.

45.

46.

47.

48.

49.

50.

Tagores two songs are the National Anthem of two countries. Except India which is
the other country ?
(A)

Pakistan

(B)

Nepal

(C)

Bhutan

(D)

Bangladesh

Which is Rabindras Patriotic song of his early life ?

(A)

A Bharate Rakho

(B)

Amor Deshar Mati

(C)

Nishidin Barsha Rakhis

(D)

Bidhir Bandhan Katbe Tumi

The title of anthology of Rabindranaths congregation addresses is :

(A)

Manusher Dharma

(B)

Atmakatha

(C)

Shabutor Sankat

(D)

Santiniketan

Which Tagore song is based on Baul ?

(A)

Aamar Praner Manush

(B)

Moha Viswe Muhakashe

(C)

Vani Tobe Dhada Anonta

(D)

Prem Prane Gane Gandho

Who appreciated first Tagores poems of Gitanjali in England ?

(A)

C.F. Andrews

(B)

Rothanstain

(C)

A. Bake

(D)

Yeats

The Song Aamar Praner Pare Chale Gyelo belongs to thematic category called :
(A)

Puja

(B)

Vichitra

(C)

Prema

(D)

Swadesh

D1607

38

45.

46.

47.

48.

49.

50.

U UU U U UC UQ U UC ?
(A)

(B)

(C)

(D)

U U U ?
(A)

U U

(B)

U U U

(C)

(D)

U mU U ?
(A)

(B)

(C)

U U

(D)

U UU U U ?
(A)

U U

(B)

(C)

(D)

U U UU U?
(A)

.. U$

(B)

USU

(C)

(D)

U U U

(A)

(B)

(C)

(D)

D1607

39

P.T.O.

PART - V
PERCUSSION INSTRUMENTS
26.

Beats in Gajjhampa :
(A)

27.

28.

30.

32.

13

(C)

15

(A)

Tatvadya

(B)

Ghanvadya

(C)

Sushirvadya

(D)

Avanaddhvadya

(D)

17

(D)

10

(D)

Nakkara

Khali is on which beat in Sawari Tal ?

7

(B)

(C)

Siddhar Khan was pioneer of which Gharana ?

(A)

Dilli

(B)

Punjab

(C)

Ajrada

(D)

Farukhabad

Dilawar Khan was artiste of which Talvadya ?

(A)

31.

(B)

Durdur falls under which class of instruments ?

(A)
29.

11

Tabla

(B)

Pakhwaj

(C)

Dholak

Who mastered four major Baag of Tabla ?

(A)

Munne Khan

(B)

Ahmad Jan Thirkua

(C)

Kale Khan

(D)

Masit Khan

Arrange following Musicologists in chronological sequence :

(i)

Sharangdev

(ii)

Bharat

(iii)

Bhatkhande

(iv)

Matang

Codes :
(A)

(i)

(ii)

(iii)

(iv)

(B)

(ii)

(i)

(iv)

(iii)

(C)

(ii)

(iv)

(i)

(iii)

(D)

(iv)

(ii)

(i)

(iii)

D1607

40

 - V
h l
26.

27.

28.

(A)

11

l ?

(A)

(B)

(C)

U l

(D)

h l

30.

32.

(C)

15

(D)

17

(B)

(C)

(D)

10

hU U S ?
(A)

(B)

(C)

(D)

U l U ?
(A)

31.

13

U U ?
(A)

29.

(B)

(B)

(C)

(D)

U h ?
(A)

(B)

(C)

(D)

S U Rh
(i)

(ii)

(iii)

(iv)

(A)

(i)

(ii)

(iii)

(iv)

(B)

(ii)

(i)

(iv)

(iii)

(C)

(ii)

(iv)

(i)

(iii)

(D)

(iv)

(ii)

(i)

(iii)

D1607

41

P.T.O.

33.

34.

35.

Who has written the book titled Tabla ka Udgam, Vikas Aur Vadanshailian ?
(A)

Aban E. Mistry

(B)

Yogmaya Shukla

(C)

Anuradha Pal

(D)

Shobha Kudesia

Ustad Hazi Vilayat Ali established which of the following Gharanas ?

(A)

Dilli

(B)

Punjab

(C)

Banaras

(D)

Farukhabad

How many beats are there in Basant Tal ?

(A)

36.

(B)

(C)

11

(D)

13

In which year Samta Prasad (Gudai Maharaj) was awarded Padmabhushan ?

(A)

37.

1972

(B)

1982

(C)

1992

Match the following :

(a)

Karamtulla Khan

(i)

Farukhabad Gharana

(b)

Masit Khan

(ii)

Banaras

(c)

Kishan Maharaj

(iii)

Punjab

(d)

Alla Rakkha Khan

(iv)

Dilli

Code :
(a)

(b)

(c)

(d)

(A)

(ii)

(iii)

(iv)

(i)

(B)

(i)

(ii)

(iii)

(iv)

(C)

(iv)

(iii)

(ii)

(i)

(D)

(i)

(iv)

(ii)

(iii)

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(D)

1998

33.

34.

35.

, U

(A)

. S

(B)

(C)

(D)

S U S ?
(A)

(B)

(C)

(D)

?
(A)

36.

(B)

(C)

11

(D)

13

(D)

1998

( U) k ?
(A)

37.

S ?

1972

(B)

1982

(C)

1992

(a)

(i)

M U

(b)

(ii)

(c)

(iii)

(d)

(iv)

(a)

(b)

(c)

(d)

(A)

(ii)

(iii)

(iv)

(i)

(B)

(i)

(ii)

(iii)

(iv)

(C)

(iv)

(iii)

(ii)

(i)

(D)

(i)

(iv)

(ii)

(iii)

D1607

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P.T.O.

38.

Match the following :

(a)

Alla Rakkha Khan

(i)

Nayan

(b)

Gudai Maharaj

(ii)

Kumar Lal

(c)

Karamtulla Khan

(iii)

Zakir Hussain

(d)

Nikhil Ghosh

(iv)

Sabir Khan

Code :

39.

40.

(a)

(b)

(c)

(d)

(A)

(iii)

(ii)

(iv)

(i)

(B)

(ii)

(iii)

(iv)

(i)

(C)

(i)

(ii)

(iii)

(iv)

(D)

(iv)

(iii)

(ii)

(i)

In Tabla/Pakhwaj SYAHI is made of what on PUDI ?

(A)

Coal powder

(B)

Wood powder

(C)

Iron ore powder

(D)

None of these

Number of Margi Tals :

(A)

41.

(C)

(D)

(C)

5
4

(D)

7
4

The meaning of Layakari of Sawagun :

1
4

(A)

42.

(B)

(B)

3
4

Match the following :

(a)

Game Khan

(i)

Farukhabad Gharana

(b)

Zakir Hussain

(ii)

Lucknow Gharana

(c)

Sapan Chaudhari

(iii)

Punjab Gharana

(d)

Sabir Khan

(iv)

Dilli Gharana

Code :
(a)

(b)

(c)

(d)

(A)

(i)

(iii)

(iv)

(ii)

(B)

(ii)

(i)

(iv)

(iii)

(C)

(iv)

(iii)

(ii)

(i)

(D)

(iv)

(i)

(ii)

(iii)

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38.

(a)

(i)

(b)

(ii)

(c)

(iii)

$U

(d)

(iv)

39.

40.

(a)

(b)

(c)

(d)

(A)

(iii)

(ii)

(iv)

(i)

(B)

(ii)

(iii)

(iv)

(i)

(C)

(i)

(ii)

(iii)

(iv)

(D)

(iv)

(iii)

(ii)

(i)

/ U S ?
(A)

(B)

(C)

(D)

(A)

41.

(B)

(C)

(D)

(B)

3
4

(C)

5
4

(D)

7
4

U
(A)

42.

1
4

(a)

(i)

M U

(b)

$U

(ii)

(c)

(iii)

(d)

(iv)

(a)

(b)

(c)

(d)

(A)

(i)

(iii)

(iv)

(ii)

(B)

(ii)

(i)

(iv)

(iii)

(C)

(iv)

(iii)

(ii)

(i)

(D)

(iv)

(i)

(ii)

(iii)

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P.T.O.

43.

44.

45.

46.

The author of the book Bhartiya Sangeet Vadya :

(A)

Acharya Vrihaspati

(B)

B.C. Dev

(C)

Lalmani Mishra

(D)

Girish Chandra Srivastava

The author of the book Talkosh :

(A)

Harishchandra Srivastava

(B)

Girishchandra Srivastava

(C)

Satish Chandra Srivastava

(D)

Lalji Srivastava

Which Tal is normally used in Tappa Gayaki ?

(A)

Trital

(B)

Punjabi

(C)

Tilwada

(D)

Deepchandi

Jhoomra Tal is played with which of the following ?

(A)

47.

Dhrut Khyal

(D)

Thumri

(B)

(C)

12

(D)

16

(B)

10

(C)

101

(D)

1100

(C)

Nakkara

(D)

Dholak

Nana Panse played which instrument ?

(A)

50.

Vilambit Khyal (C)

What is the form of Karnatak Tal Aath Tal ?

(A)

49.

(B)

How many Beats are there in Ek Tal (Chatashra Jati) of Karnataka Tal Paddhati ?
(A)

48.

Dhrupad

Pakhwaj

(B)

Tabla

Assertion (A)

Maximum expansion of Peshkar is possible.

Reason (R)

Because other Boles can be used in addition to the Boles used

in original work.

(A)

(A) is true (R) is false

(B)

(A) is false (R) is true

(C)

(A) is true (R) is true

(D)

(A) is false (R) is false

-oOoD1607

46

43.

44.

45.

46.

U l

(A)

(B)

..

(C)

(D)

U S

U S

(B)

U S

(C)

(D)

U ?
(A)

(B)

(C)

(D)

U ?

(B)

(B)

(A)
50.

(B)

(C)

(D)

UU

(C)

12

(D)

16

10

(C)

101

(D)

1100

(C)

(D)

U U SM ?
(A)

49.

U h (S ) ?
(A)

48.

(A)

(A)
47.

(B)

(A) :

U SU

(R)

U Q UQ

(A)

(A) (R) $

(B)

(A) $ (R)

(C)

(A) (R)

(D)

(A) $ (R) $

-oOoD1607

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P.T.O.

Space For Rough Work

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