WHO HAS RESOURCES: Structure and Improvisation in Creative Teaching - R. Keith Sawyer ed.: Creative Intelligence, Bruce Nussbaum: Bringing Innovation to School, Suzie Boss: Nurturing Creativity in the Classroom, Ronald A. Beghetto and James C. Kaufman eds.: A Whack on the Side of the Head, Roger von Oech: Creating Innovators, Tony Wagner: Teaching 21st Century Skills, Sue Z. Beers: Literacy in Not Enough, Lee Crockett, Ian Jukes, and Andrew Churches
The essential question that each group will decide is: How can creativity help to improve student learning in my class/subject/division/at ASB?
WHY: Notes on Three big ideas
Learning Collaboration Results
WHAT: article on PLCs: What is a Professional Learning Community?
Creative thinking is both the capacity to combine or synthesize existing ideas, images, or expertise in original ways and the experience of thinking, reacting, and working in an imaginative way characterized by a high degree of innovation, divergent thinking, and risk taking. ASB HS creativity docs:https://docs.google.com/a/asbindia.org/file/d/0B2lmgUyLYIcfVGZVYkFrdG5SOEk/edit
WHEN: PLCs will meet on the following Tuesdays through the year. August 27th September 24th November 19th December 10th January 28th February 18th March 25th April 22nd May 20th - Sharing learning
WHERE: (Decide on a meeting room/place for the above Tuesdays and record here)
HOW will we work together? a. Please record Group Norms here and review at the beginning of each session together.
Paraphrasing Posing Questions (if you wonder, ask) Putting Ideas on the Table Providing Data Paying Attention to Self and Others Presuming Positive Intentions Punctuality (begin and end on time, agenda)
b. How will we work together to research and answer the EQ? (some possibilities - bring in work for tuning using identified protocols, research/book study, online course)
c. How will we share our learning on how the practice discussed helped to improve student learning in our areas (May 20th)?
WHO will facilitate each meeting?
1. Creativity and Innovation (ASB) Creativity refers to the act of recognizing or producing new ideas, approaches, actions, or objects that are meaningful and valuable to an individual or a wider community for a broad range of problem solving. Innovation is the process of acting on the creative ideas to make some specific and tangible differences in a specific context.
Components Idea Generation Use a wide range of idea-creation techniques (such as brainstorming) Create new and worthwhile ideas (both incremental and radical concepts)
Idea Development and Revision
Elaborate upon, refine, analyze, evaluate and implement ideas in order to improve and maximize creative efforts
Be open and responsive to new and diverse perspectives; incorporate group input and feedback into the work
View failure as an opportunity to learn; understand that creativity and innovation is a long-term, cyclical process of small successes and frequent mistakes
Evocative, Unique Results
Demonstrate originality and inventiveness in work and understand the real-world limits to adopting new ideas
Communicate new ideas to others effectively
Meeting Facilitator and what the group will do
September 24th
What is creativity (define)? Creativity is: The process of having original ideas that have value - Sir Ken Robinson
Value = consider the context of the situation, understanding your students is necessary
How do we create environments for creativity (each teacher individually in their field) asses creativity? A classroom culture that allows for risk taking and failure. Affirmation that its ok to not get it right. Encourage (reward?) those who are willing to put themselves out there.
What does it look like in different situations/settings?
Creativity must come out of some deeper understanding of the content/concepts.
November 19th
Bring in a product - video, paper, lesson, something to share with others to critique for creativity of process or product or approach to making/doing.
Can creativity be pushed? Can everyone be a spark? At what point does the new thing that is being added on to cease to be new and unique and start being the same as what has already been done.
Ways we see creativity - dance, music, weddings/birthday parties, how do things like Pinterest (and other social media) spark our creativity? Are we tapping into a wider wealth of knowledge with technology?
Nov - 19 Heeru - Samples to identify creative products - are these products creative or not
1. Red Eyed Tree Frog - Grade 5 2. Shakespeare - grade 5
Jayshrees Art project doing an artist study on Eric Carle where children have taken the style of E.C. and made imaginary animals made up of two or more parts of real animals. December 10th
Focus on developing a rubric that shows creativity for the EC A sample for rubric : http://doug- johnson.squarespace.com/storage/rubric%20for%20creativity.jpg?__SQ UARESPACE_CACHEVERSION=1360944740445
Grant Wiggins Rubric
As only 3 members were present due to illness and other meeting commitments, we decided to table the rubric discussion for next meeting on Jan 28th.
We still need Kim and Dax to bring in their samples so we can compare the work to the rubrics we select. January 28th
A continuum of adaptive creative behaviors A developmental continuum is proposed to span the creativity of childhood to the creativity found in adults. The range of adaptive behaviors along this continuum are related by the common element of discontinuity, but differ in adaptation, purpose, novelty, value, speed, and structure. Seven levels are proposed: Learning something new; universal novelty; making connections that are rare compared to peers; developing talents; developing heuristics; producing information; creating by extending a field; and creating by revolutionizing a field. The last two levels are characteristic of mature creators. How educators currently deal with creativity, different developmental trajectories that relate to child rearing and schooling practices, and a call for supporting creativity as a goal for education. ftp://download.intel.com/education/Common/in/Resources/AP/librar y/creativity_fluency_elementary.pdf
For next time - synthesize the parts of the rubric we want to keep or not. Finalize the rubric, and think of projects we can use to apply the rubirc for to test it out. February 18th
Creative Teaching - What Why When and How
March 25th
http://www.ted.com/talks/david_kelley_how_to_build_yo ur_creative_confidence (cant divide people into creative and not creative, promoting self-efficacy helps develop creativity). 1. What did we individually and as a group accomplish? (Use your PLC group planning document to reflect on what was done at each meeting and in between meetings, but dont feel limited in trying to name success specific to your goals. You may have changed course after trying something and having it work [or not work] as anticipated). We realized that each age group needed a different rubric. What would fit early childhood would not fit middle and high school and even upper elementary.Keeping that in mind we have come up with three different rubrics to assess creativity.
2. What was a challenge? (Consider things that were in your control to determine challenges) Our PLC group was too homogeneous. We had a hard time defining creativity in the first place - wondering if we should even be putting a value on (or defining) creativity at all. We decided that Sir Ken Robinsons definition of creativity was one we could agree on, "The process of having original ideas that have value." but then we still struggled with what is "value" as it could and does mean many different things for many different people. 3. As we reflect on our learning and group goals, did we determine clear and realistic indicators of achievement? Did we know what success would look like? Yes, we did determine realistic indicator. We agreed to come up with rubrics to provide indicators for the levels of creativity. Although, we did have difficulty arriving at this position. 4. And most importantly, what impact did we individually and as group have on student learning and success and how did we measure this? (We learn as much from what didnt have an impact as from what did and sharing this is important information for other colleagues considering trying new strategies) It affected the way teachers viewed students approach and product. EC Rubric (EC 3 - KG) http://doug- johnson.squarespace.com/storage/rubric%20for%20creativity.jpg?__SQ UARESPACE_CACHEVERSION=1360944740445
ES Rubric (1 - 5) - http://download.intel.com/education/Common/in/Resources/AP/library/cr eativity_fluency_elementary.pdf
Assessment for Grade 9 Digitial Dinner Party (Enlightenment Unit) -Represents the ideas of different Enlightenment thinkers philosophies https://www.youtube.com/watch?v=LEQbkAZKQhM&feature=youtu. be
Assessment for Grade 10 Podcast (Nazi Rise Unit) -Represents links between Nazi Germany abusing national security to NSA/Snowden modern day connection https://docs.google.com/a/asbindia.org/file/d/0BxAi3PvI6zLkZGdYT U5uRFlmTGc/edit
April 22nd
Presentation - made!
To Do: Dax to put in EC sample of Emelia. Sri - print off rubrics. Everyone - return books/resources
May 20th
Share action and learning with the school community/open session of the board meeting.(Science Fair type sharing session)
Resources:
1. Teaching 21st Century Skills by Sue Z. Beers - DAX 2. Literacy is not enough by Lee Crockett ( Drishti) 3. Nurturing Creativity in the Classroom by Ronald Beghetto (Sridevi) A\4. A Whack in the side of the head ( Payal) 5. Creating Innovators by (Erica)Tony Wagner 6. Creative Intelligence by Brusce Nussbaum 7. Bringing Innovation to School by suzie Boss 8. Structure and improvisation in Creative Teaching by R Keith Sawyer (Heeru)