INOVELLOS ORIGINAL OCTAVO | DDO < MENDELSSOHN’S SY RUTORISE G53 -| “inom ia = > ivy S = = is a i aay ae E A Sah % D a sIChek XMOZART eres S:KEELGTHE HYMNARY A BOOK OF CHURCH SONG; EDITED BY THE REV. WILLIAM COOKE, HON. CANON OF CHESTER; AND THE REV. BENJAMIN WEBB, VICAR OF S. ANDREW'S, WELLS STREET. THE MUSIC EDITED BY JOSEPH BARNBY. THE FOLLOWING EDITIONS ARE NOW READY — ad . 1. Hymns only. Royal 24mo. Bourgeois Antique. Cloth, red edges : i 5 5 : 6 10 2, Hymns only. Royal 24mo. Nonpareil Antique. Double ‘Columns. Cloth, red edges : : : ° 9 3. Hymns with Tunes, Demy 8vo. Cloth : 400 Hymns with Tunes. Demy 8vo. Cloth, bevelled boards, gilt lettered, red edges . . . . ° 5. Tunes only. Demy 8vo. Cloth : : . 30 6. Tunes only. Demy 8vo. Cloth, bevelled boards, gilt lettered, red edges : : . : 40 Will be shortly issued : 7. Hymns with Tunes. Treble part only. Other editions are in preparation. Edition No. 2 (white edges), in quantities of not less than 25, will be supplied to the rgy at 6d. each, on direct application to the Publishers. A Dwscount of 20 per Cent. will be allowed to the Clergy, for Cash, when not Jess 1 six copies of one edition are taken. for permission to print the Hymns and Tunes for Choral Festivals the Publishers. “RCO, t, BERNE Jb PE: S STREET (W.], AND 35, POULTRY (E. 590, BROADIVAY.NOVELLO’S ORIGINAL OCTAVO EDITION. NOT UNTO US, O LORD (NON NOBIS DOMINE) The 115th Psalm SET TO MUSIC BY F. MENDELSSOHN-BARTHOLDY. Or. 31. THE ENGLISH VERSION ADAPTED BY J. ALFRED NOVELLO. Ent. Sta, Hall, Price One Shilling. LONDON: NOVELLO, EWER & CO., 3, BERNERS STREET (W.), AND $0 & 8, QUEEN STREET (E.C) BOSTON, NEW YORK, AND PHILADELPHIA: DITSON & CO. Full Score, 45. Orchestral Parts, 48. 6d. Chorus Parts, 28Nose ws \\v \ Wisthden - ( vu volalas =~ ee + von SHELF mean beet: 1, Cuonvs.—* NOT UNTO Us, 0 LORD.” ‘Oboes, Clarionste, Bassoons, Horns and String Allegro con fuoco. Not un-to us, OLord, but un-toThy Name . .givethe glo - Non no -bis Do~ mi-ne, "sed no-mi-ne tu - "0 da glo - I * The Metronome tines were alded by the Composer in Loudon, in 1815.un-to us, 0 Lord, no-bis Do - mi-ne, + ry, the glo us, not un-to ri-am, da glo i¢ Do-mi-ne, nom — — SS 2S S z un-toThyName . .givetheglo - ~ ry,theglo- - + - - - = ~- no-mien’ tw ~~ 0 da glo - ri-amda glo - = + + + 2 = — — 5 + wats = = 7 —<——— Lord, nottn - - to us . . . - Te, non no + bineed woe ee = == x i: SS aa = us, but toThyNamegivethe glo- - + - = no + mien’ tu-o0 da go. + + + = —— Sos pa = the glo - - ry, the glo - - tu - 0 da glo - ri-am, da glo - ri - | se. = -- ss wrt re —— CEST e—. ~ 1 r == = a = og ra eee ee Tt ‘Mendelssohn's 15th Psalm —Novello, Ewer snd Co's Oetavo Baition.— te a gH i = eH ea FE go - = my not un-to us, OLord, but glo - = am, non no-bis Do - mi-ne, non um-to us, OLord, but no- bis Do-mi-ne, non ry, the glo = - am, da glo =~ te hae etsy SSS un - toThyNamegive the glo - ry,theglo-ry, the glo - + ry, the no = bis, sed mo ~ mi-mi tu- 0, mon mo - = iy tom a =: E SSS SS Se c yoo oo 0 = mink, = ton Nobis, non no aer ' ey fe city isipo ny Se lS = = un-to us, OlLord, but un - - to Thy Name givethe glo- ry, the ———————— = Te oo ee ered sae = — ‘Mendelssohn's 115th Pualm.—Novello, Ewer and Co’s Octavo Kdition.—_} = SS ra ae SE E but un-toThyNeme.. ted no-micni tu ~~ — oe pe Es a8 — + %, — notunto us, O Lord, butun-toThyName..givetheglo- - - = - = bi, nom nobiz Do’ mi- ne, sed no-mini te - - 0 da glo- - = 7 glo- - ry, but un- - toThyName givetho eet ews aed eee acta acres oe 7 = = ere = es a 5 - oy but un- - toThyNamo givethe Bete ee feat eee acai cs = . egivethe glo - 2c ar tho glo - xy Sma © 8 8 nce non no - bis, 7 spe —— ies elt ty, the glo - ry, : da glo = ri-am, non no = bis, to—— = “ste = -—_ts Ts 2 z —- z —- =E (pe ee fo CO oo oe the glo - ry, fos +s -am ds glo = rieam, bis, a =o paz s glo- - give the glo- - xy, the glo- - riam, ‘Mondelssolin's 15th Psalm. Novello, 1 und Co.'s Octave Biition,== SS Se Zz = = ry, but un - to ThyNamogivethe glo - - = SS SS St ry, but un - to ‘Thy Name give the glo a 2 ES * = =F = = ory, but un - to ThyNamegivethe gio - - a te ee ea * a LoNN 3 — eS E E Se - ory, but. un - to Thy Namegive the glo - ry, tho = = eestoesteey sage id rH Oy ‘Mendelssohn's 115th Psalm.—Novello, Ewer and Co.'s Oetayo Haition,6 == ae ‘Yea, for Thy mer- y's sake, Thy mer-cy's sake, and for'Thy truth's Su-per mi - se-ri-cor-di-a ct ve-ri-ta-te tu - Z ee SSS ‘Yea, for Thy mer-cy’s sake, Thy mer-cy’s sake, and (ez = Super mi se -ri-cor-di- a et ve -ri- SSS ‘Yea, for Thy mer -cy's sake, Thy mer-cy’s sake,and for Thy truth’s : ie bey 0p et ge ho ores = ‘Yea, for Thy mer- ey's sake, Thy mor-oy's enke,and for Thy truth’s Su- per mi- se-ri-cor-di-a et ve-ri-ta-te tu - n ¥ sake, why should the henthen say, Where, where is now, ia’now thelr God? why should = ay Ne quan-do di-cant gen - tes uw ~ di estDe-us e-0 rum, ne quan 3p ‘Why should the heathen say, Nequan-do di-cant gen + sake, ‘Mendelssohn's 115th Psalm.—Novello, Ewer and Co's Octavo Eaition,a4 6 E be ee tthe oA. —— es se ee = z\ ee lg By ene te — ‘Where, where it nowyis now their God? why should «the hen = = = ee = tee’ we bietDeuse-o - - rum? = nequan —————s aaa Ge = ye $ ‘Why should the hea-then say, Where, where is now, is “now their Ne quan-do di-cant gen - tes, u-biestDewe-o - ~ S352 = = = = E eu = SS Set why shouldthe hea = = thensay, where is nowtvsir God? where, wherois nequan- = + + + + dodi- cant gen - tex, ne quando = = 2 = = a! = = SS = + thensay, where is now aa 6 God? whyshould =the -—hea-then say, an? neguan = = do aicemnt pew +. ee 28RD: == 5 $e ‘Why should the hea-then say, ‘Where, where is now, is now their God? where is now, is now their 0 cots Somian = ar wees sy aM ee Be ee tr gare zi SSS E parr 3 SSS ‘Mendclecohin's 115th Paalm.—Novelio, Ewer and Co.'s Octavo Baition, B ea Sas Sa aAAs = a E == why should the heathen say, ne quan- do. diccant gen now, is now their God? dieant gen - tes, SSeS: = 4 E Ze ae a4 7 — G $ — Goat whyshouldthe heathen say, where, where is now, “now 6 + their = tes, ne quando diccant gen - ter webienDewe-os 2 2 2 ee ee = "Se Ss == i+ stor wy. . thouldthe hae ee ee ee wl. hat Dee eae te == ‘why should the heathen say, wherenow is their God? where ne quan-do di-cant gen-tes u = = bt eat De ~ where, where is now, is nowtheir “ God? whyshouldthehen - - + + then say, + tee weDieetDenuse-0 + rum, wb est De : — aN : s- 7 ae = a si tee ‘whyshouldthehenhed say, where i now thei God? wy Wet at Dewero s+ es runt ne sé Se oa ‘why should thehea-then gay, “Mendetssohn's 115th Psalm—Novello, Ewer and Cos Octayo Raition,SN es +++ where is nowtheirGod? -whyshould theheathen say, where, whoro is now, is ‘nowtheix + = Me - 0 = rum? — me quando di-cant gen - tee — u-DiestDeweo = + a —s should the hea-then say, quan-do di-cant gen - - Fgh > = ei ze where, whore is now, is nowtheir God? . . whyshould the —hea-then say, where . sue u-BiewDeweo + Snequan - do divcant gen = = ter. SS —— 5, God? where is now . . . . their God? where sorumt “we diet De eee ty oo. Ns = 5 = es a a ed gene now their God? why should the heathen say, where, where is now, As? now eee oa! ne quando dleant gen - tet, w-biestDewws ¢-0 = where is Bi ext ‘Mendelssokn's 150i Paalm.—Novello, Ewer and Co's Oetavo Edition.now Doo - God, where, aT Sree their No Gol where is ni hr God? De- ur ¢-0 - runt why should the heathen say, ne quan-do di-cant gen =~ ne SS a a ‘now thelr God? why shouldthe hea-thon say, where SSeS De- = wt ne quando di - cont gen - - 7 ’ » e+ , te OS 3 for ‘Thy truth and mer - - oy's sake, : SS tes u-biest Deus e-0 - = now, tovilci God? as + cant gen = tes? = = St <— Se = a BB ag a — a EF Sree ir God? where is .. now, is «now their ea : 2 EE ——— * 1 —+ ‘why should the heathen say, where, whore is. now, tne quan -do di-eant gen + tes us diet De - ote ts = SSS we Se - eT ‘Mendelssohn's 115th Psalun.Novello, Ewer und Co’s Oetavo Waition.their God? why should thehea - then, whyshouldthehea-then say, where, where is = rum? ne quando di - cant, ne quavido divcant gen - tes -u- biest Nae as Se Oo ————————————— = tim? neguando dis cmt ge = = tee ws Hesl De -weeo s+ = 7 OR es o_o —— pte do ms = a SS FE Lr for Thy troth and mer - cy’s sake, fer. ta ~ te aa ba God? uw? z whyshouldthe hea- then say, where is now their God? why shouldthe wo et Deru, Deeus eros = rut fw gunn do — 5 — ee See aa E God, where is now . . . + . their God ? why should the hea-then say, Br er ee 2 2 ee erraiee coer aot era) Mendelssohn's 15th Psalm.—Novello, Ewer and Cos Octavo Baltion.12 = Paa35f ee == Ss Ty Oe L ” SS hy should the hea-then say, where, gay, wheres now, is ine quan-do di-cant gen ~ tet ne quan do di- cant a SS ees —* = He why should thehes-then say, where, say, whereis now, ine quan- do di-cant gen = tes ne quan- do di- cant eres eo : === ‘hea-then say, where, say, where is now, is now their God? why should the heathen say, divcant gen - tes, ine quan do di-cant gen - tes, ne quan- do di-eant gen ~ a SS ate = ee Es ae =s ae where, sayywhereis now, is nowtheir God? say, where is now, is now their God? = tes, ne quan-do di-cant gen ~ 2, ne quan -do di-cant gen - tes, pn = Se = -givethe glo = 0 dago- - SSS Se SS un-to us, O Lord, but un-to ‘Thy Name give the 0 Jie,’ non nonbis, sed moe m= = nd be un - to no + vis us, Do- ‘Mendelssohn's 115th Paalm.—Novello, Ewer and Co.’ Octaro Faition,‘Thy Name give the = mini eas, um - toThyName give the glo no - mi - ni da glo — — ( aie ee 7 for Thy trathand mer -cy’ssake, | yea, for Thy truth and mer-cy's sake. < per omi- see rie cor diva @ wens > te mw ee aw 3 F = z= Se * $e for Thy truth and mer-cy's sake, yea, for ‘Thy truth and mer-cy's sake. = per mi- ce -ri- cor-&- a veep ris to - fe mH =. ew SSS SS Se for Thy trath and mer-cy’s sake, yea, for Thy per mi- se -ri- cor-di - a ave erie apo eo SS for Thy truth and mor -ey’s sake, yea, for Thy + per mi- se - ri cor - di-a tue ee === Ss = sa 837 ‘Mendelssohn's 115th Psalm.—Novello, Ewer and Co's Octaro Faition. ©No. 2. Dvev wert Cuorvs.—“ HOUSE OF ISRAEL, 0 TRUST IN THE LORD.” Flutes, ves, Carionete, Bassoons, Horns, and Strings. Con moto. a pais pe ee ie ,_, Tevor Soro. O trusts. in the Lord . . your God; Ny. + spe ras = vit in Do - mi no, 2 ee eat =p = Toast yee Ce me aa] sue -cour,theirde - fend - er and help * er, 0 rum, et pro- tee - - tor e- 0 = rumest, ca ee = ‘Mendelssohn's 115th Psalm.—Novello, Ewer and Co’s Octavo Faition (16)17 : ° —= = = are SS Tat eet ex and help - ex, O trust in the Lord your God, their de - fore. 0 - rum et ade ji rum eat, et prow “= a SSS ee — ‘Trenix Soro. et House... of da - mus Aa - viend-erand elp’- et House. . of ‘Is ~~ rad, 2 taster. 0 rim est Do = «mus Israel om Sa a — 7 SS i =e in the Lord. your oo Be ciey pee eae 7. E = = J ts SS SS SSS SS Saat trust in ‘the ord yourGod, © rust. . in the Lod. . Oe ey ee ge ee ee are aoieyy rome doc fondly ee aad - = tore - 0 - rut et pro-tec- ~~ - tor e- oN == zr] ‘sue - cour, their rum, et pro= Jp ote SSeS Mendelstobm'y 115th Psalm.—Novel.o, Ever and Co's Oetavo Eaition,a= ——S——=4 v + a help = er, ther de - fod - - + - er and help - = + 0 = rumest, @ pros te 7 = Sf ff to eso + rum eee their de - “= rum est, = is — 4 Pp. = = = = =e — ler Ss PSS = er, O trustin the Lord your God, theirde-fender and help. - — e oe — = £- == — te =~ 0 #: E cae # 7% SF + fend-erand help - - er, their de-fend-er andhelp - - - - - = er. House. . . . of Aa - et, Do +" = *-" mus da - ‘Tenor Soro. Is - rael, house of asel.. spe the Lora, put you i ape-ra wv. z- “Mendotssouh’s 115th Pithn,—Novello, Ewer and Co’s Octavo Baition.———=— —— oI E $ 2 eS in the Lord your God, ‘S trust in the rte oly epee na Olt in a = Is - rael, O trast in the Lord, tho Lord. ra vit, we-ra vit’ in. Do + Lord. . your Deets pe = Lord. . your 5 NH = SS ft $e BH for He . . . istheir sne-cour, their do-fend - er and ad- ju "+ 2 wre = 0+ rum, +ue + tre SSS Si tor e@ +0 + rum, a their de-fond-or and pro-tec-tor € ~ a — = Sas + is their suo - cour, their do - hip en + tor @ + 0 - rum et pro oo + Pum est, eae - Soe pte ~ tetheir mue~ cour, their do ~ find - erand help - on + tore = 0 - Tum, ef pro- tee - tor e+ "0 = rumett, ‘Mondelssohn’e 115th Paalm.—Novello, Ewer and Cos Oetavo Edition,AW i 1 ‘He istheirsue - ductor e-0 5 = SSS VA for He is their ad-ju-tor ¢ SS 7 ve i t= E = cour, theirde-fond-or andhelp - cr, theirhelp - er. , > rum, et pro-tec-tor @-0 - = rum @-0_=_rum ei SS es: SSS SSS Ef : 2 ‘their de-fend-er andhelp - - - - or eit, pro-tcstor @-0 = = = Tum est = oo peer trust in theLord your God, their de-fond-er andhelp - er = ju-tor e-0 = rum est, et pro-tec-tor ¢-0 = rum at = ——— aa) = s ee Sr - sae =— the Lord your God, andhelp - er @-0 = rum e-0 - rum et. Pin animate, @ «= 69. comme <= ‘Mendelssohn's 115th Pealm,—-Novello, Ewer and Co/s Octave Edition.21 Cuonvs. Trent. - Goa hath been mind - ful, mind - fal of Do - mi - nus me + mor fe fo 6 4 Cxonus, Auto, God hath been mind - ful, mind - ful. . of . « Do + mi - mus me > mor re rs Cnorus, TENOR dre. lower. God hath been mind - ful, Do + mi = nus me = — mor Guorvs. Bass. mind - ful. . of. 2 2 e a Goa hath been mind - ful, Do - mi - nus me - mor fu tt noe - + ee —_ ro ee z a z = 5, and He . . shall bless, shall —_—bloss wr ote + + meediz' - it ee —— = E shall bless, shall ne-diz| + it - <= a $ shail bless, shall bless. Pec o moe es ee - : rep E shall bless, shall bless ne-diz + it Ro — — ‘Mendelssohn's 115th Paalim.—Novello, Ewer and Co’s Octavo Haition,‘Ho shall bless the house of Be-ne - div - it do ~ mui 2 ‘Ho shall bless the house of Be-ne~ diz - it do - mut ‘Ho shall bless Be-ne - diz Ho shall bless the house of Is - ra-el,Heshall bless Be-ne diz - it do - mui Is - ra-cl, Be-ne - diz eS. a ‘Mendelssohn's 116th Psalm.—Novello, Ewer and Co’'s Octavo Raition,once those that fear the that fear the Lord, that om - nibs qui 7 ment Do - "m= num,’ qui th = ment ee = S ee bo See es 2 SSS less, - . shall bless. . all those thatfoar tho Lord, the edie at om ee snk tue qué ment = yt Lord their God, shall bless all those that fear thoLord their Do - mi-num, pu sib lis cum ma jo - ri bus, pu Lord theirGod, shallbless ... . all thoso.. that. . fear... Do ~ minum pu - sil Sipe oapee = = = : ——- Fa ¢ - Lord their God, fear. 6 e Do = mi - num Ppa es a ——= = e pe Lord their God, Do = mi - num fear the Lord, the Jo + rt bus, pu Mondela:obn's 15th Psalm —Novello, Ewer and Co.'s Oetavo Raition+ lis + both small and great, . cum ma + jo + poe Lord their God, both emall and great, « te Ui cum ma joe ee a rhe busy... cum ma _—— as God, both small and great, bus... cum” ma - joe = = A Goa, both small and great, both ts, pus + gil. - tis cum mae shall less both small and great qui ti ~ ment Do - mi- num, i = FF E shall bless both small and great qui ti ment Do ~ mi- mun, bless both small qui ti ~ ment Do ~ a = shall bless both small and great that qui ti = ment Do - mi- num, pu oss ‘undetséohn’s 113th Pgalm.—Novetlo, Bwer and Co’s Octavo Faition.25 oer 2 w fear the Lord their = ail = tig cum gs ma + = ail - tis cum ee the Lord their — ie aie = sil = lis cum ae =| the Lord their ma > God, + ail ~ tis cum Se ao fear the Lord their ma ~ Lord their God. lie cum mas jot rh bas 2 “ SS = F ——_a . the Lord, the Lord ‘their God. =) tie cum ma joe rie hus, ‘Mendelssohn's 15th Psalm.—Novello, Hwer anid Co's Octavo Baition.No.3. Am.— THE LORD SHALL INCREASE YOU MORE AND MORE.” Clartonets, Basoons, Horne and strings. Adagio nom lento, Your. Sere == Adagio non lento, Pp ee — lox g vn, (Ord aie sapere Page mtg dua, 3] sect =, , so f a al rc oe: — ptt A tea, ee = Spe + Lord shall in-crease both you and your chil-dren, the Lord shall os, mu-per vor et super fi lion ves tron” ad -jt- chat, =e 1. Buen, @ dint, ~ = erease you, Lordshall in -ereaso yor = more and ji -ci-at, sfi- ci at, Do mi + mus eu per ‘Meuidelssolin's USth Psalm —Novello, Rwer and Co's Octavo Edition —(26)ce —— ee fe @ = ep — = =e E pa = ee E more, both you + . +» andyour chil-dren, both you and your! = vor et : fils liso - 2 * a ae = aren, you, both you and your chil - - aren, yom, + tron, euper vos et fl Hoe ves~= try ad bless - - - + ed of tho jo sof oe ft ae — = = : a Lord, who made. . -heav'nand earth, . .who mado heay’n and - at, ad- ji - + cf -at Do - mis nus ou + per ‘Mendelssolu's 1151h Psalin,—Novello, Ewer and Co.'s Octavo Haition,earth, heav'nandearth, ye arethe bless - - - - ed of the forte fr feed cane (of me yer et eon eee Lord, who made the heav'n + + tres, ad - ji - + ci - at, His, sustain N a =—— heav'in., and the earth. fi- -W- - on = aaem aa sae at ‘Menelssohn's 115th Psaln.—Novello, Ewer and Co's Octavo Haition.No. 4. Tet ‘Tuer, 2ud ‘Trevue. ist ALro. 2nd Auto. Ist Texor Gieower) Qua, TexoR (Geesower) Int Bass. 2nd Bass. “THE DEAD PRAISE NOT THEE, 0 LORD.” lates, Oboes, Clarionets, Basoons, Horns and Strings. eS == icad, the dead proise not ees ‘mor - tu - i lau - da - bunt re a —s: - Lt — dead, the dead praise not ‘mer = tu - law - = me ~ que f= se nei - ther = mor st flaw fig ee ead, the dead eg ee 2 = praise the 343 == qui dew = eend - unt in in that go down” in - to Praise the Lord, | wa Leol E —— secnd = unt in in— =e ‘wo will praise the “Lord, prateo . eS 2S So ere = te i“ Lord, praise. ‘Mendelssohn's 115th Psalm.—Noretto, Ewer and Co's Octavo Raition,BL Gon mote a: Spee ape _ == rr > bm. ee ee Syl |r 4 x | Non 0 - bis Not tn - to Non no ~ dis BSS =H 3 > ae eee eee oS bo 2 = ‘Mendelssohn's 115th Psu!m.—Novello, Ewer and Co's Octavo Raition, bee?um - to Thy no = mi - ni ora SE 1 $ ft te te 2 pies ented 1 an Nove, eran 6 Otay Fon. wimer - cy's sake, and Thy — truth’s sake, yea, for ‘Thy se + rs cor di - tw. a vee ee et az = — be cy'’s sake, and Thy truth’s sako, yea, for Thy We = E sake, and Thy truth’s sake, yea, for Thy = — i =F ey’s sake, and Thy truth’s sako, yea, for Thy Go 5150 tw. a, aoe ‘Mendelssohn's 115th Psalm.—Novello, Ewer and Co.'s Octavo Faition.4 Tutt, ¥ t = ‘Mendelssohn's 115th Psalm.—Novello, Ewer and Co,'s Octavo EAition.not un : Name give the non m+ ole ae oe Name give tho tu - 0 da.. SSE Name give the Geo faa SS Thy Name give = glo - xy, the eee aa = ory, un-to ns, ° mo-bis Do ~ = mi ‘Mendelssohn's 115th Psalm.Novello, Ever und Co’ Oetaro Baition,386 un - toThy Name . . - give the glo we = mivni tu = 0 da glo Mendelssohn's 115th Peatm.—Novello, Ewer and Co’'s Octavo Haition-37 give the glo - non om = + + = bit ‘Mondolscohn's 115th Psalm.—Novello, Ber and Co.'s Octaro Edition.ef ae ‘Mendelssohu's 115th Pss'm—Novollo, Ewer and Co.'s Ostavo Haition,NOVELLO'S ORIGINAL OCTAVO EDITIONS OF THE tories, Cantatas, Odes, Basses, kc. THE USE OF THE AUDIENCE WHO ASSIST AT THEIR PERFORMANCES. Complete—In Vocal Score—are already published — R. Sepa. tee SIES . 20 G. Japa. ON 3 P: os Bach, SSION (S. MATTHEW) 3 0 G JOHN) 20 3. Barby. H ° ero gz. Benodict.” is a gO Cherubini. M MASS (in © Minor) atin and English words 2 0 Hiels W. Gude. LKING'S DAUGHTER 1 6 . $ MESSAGE 0 8 Gounod. SOLENNELLE, Latin aly a ww 16 SION. 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Romberg. THE LAY OF THE BELL ... 1 6 30 Rossini. STABAT MATER, with the Latin words, and an English adaptation by Wittam Balt 6) 38 Spohr. CALVARY ce 26 40 THE FALL OF BABYLON .. 3.0 5 0 LAST JUDGMENT. 20 40 THE CHRISTIAN’S PRAYER 1 6 30 GOD, THOU ART GREAT xo A. S. Sullitan. FESTIVAL TE DEUM ogo. 136) Weber, MASS IN G, with Latin and Eng- lish words ve nro 2 6 MASS INE FLAT, Ditto. 1 6 3 0 Mozart, Baydn, and Peethoven. MOZART’S TWELFTH MASS 20 3 6 HAYDN'S THIRD, or IMPERIAL MASS 20 36 BEETHOVEN'S MASS inC ... 20 3 6 The above Three Mattes, bound in one volume, whole scarlet Satan MOZART'S REQUIEM MASS 200 3 6 MOZART'S FIRST MASS... 1 6 3.0 HAYDN’S FIRST MASS: 20 3 6 ‘To these Masses are added Mr. E. Houuzs' Critical Essays, extracted from the Musical Times, MOZART’S LITANIA DI VENE- RABILE ALTARIS (in E flat) 1 6 5 0 MOZART'S LITANIA DIVENE- RABILE SACRAMENTUM (in B flat)". ve BEETHOVEN'S MASS in D BEETHOVEN'S ENGEDI; or, David in the Wilderness (Mount of Olives) ooOriginal Octabo Corton ot wperas. Baited, Corrected according to the Original Scores, and Translated into English, by NATALIA MACFARREN, Price 2s. 6d. each; or in scarlet cloth, 4s. NOW READY. BEETHOVEN'S FIDELIO. (German and English words.) With the two great Overtures as usually performed; being the only Piano Score that has been published agreeing with the Original Score as to the notes and signs for phrasing. AUBER’S FRA DIAVOLO. (With French and English words.) Various portions of this Opera are now printed for the first time in England, making this the only English Pianoforte Score which agrees with the Composer's Original Score. MOZART’S DON GIOVANNI. (Italian and English words.) ‘This Edition contains all the Recitatives, and is the only Pianoforte Score which agrees with the Author's MS., as to the notes, signs for phrasing and expression, and the stage direc- tions: in every one of these particulars there are many new and important lights thrown upon the work, BELLINI'S NORMA. (With Italian and English words.) VERDI’S IL TROVATORE. (With Italian and English words.) DONIZETTI'S LUCIA DI LAMMERMOOR. (With Italian and English words.) WEBER’S OBERON. With the English words by J. R. Praxcuf,, and Italian words as sung at Her Majesty's Opera. ROSSINI’S IL BARBIERE. (With Italian and English words.) Containing the Music of the Recitatives, being the only complete Cheap Edition. DONIZETTIS LUCREZIA BORGIA. (With Italian and English words.) MOZART'’S LE NOZZE DI FIGARO. (With Italian and English words.) Containing the Music of the Recitatives, being the only complete Cheap Edition, VERDI'S RIGOLETTO. (With Italian and English words.) BELLINI’S LA SONNAMBULA. (With Italian and English words.) WEBER’S DER FREISCHUTZ. (With German and English words.) WAGNER’S TANNHAUSER, (With German and English words.) AUBER’S MASANIELLO. (With French and English words.) Price 3s, 6d.; bound, 58. BELLINI’S I PURITANI. (With Italian and English words.) WAGNER'S LOHENGRIN. (With German and English words.) DONIZETTI’S LA FIGLIA DEL REGGIMENTO. (With Italian and English Words.) ON JANUARY 1, 1873. ROSSINI'S GUILLAUME TELL. (With French and English Words.) 0, EWER AND CO., 1, Ba York ; or by ail Music anc Subscribers’ Names will be received by the Publishers, NOVE and 35, Poultry, London; J. L. PETERS, 599, Broadway, in the Country