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Daniel P Quinn's acclaimed production of Sophocles' rarely performed THE WOMEN OF TRACHIS premiered at the Newfoundland Theatre, was invited to the Performing Arts Series and revived at Burlington County College, and at the Harold Clurman Theatre.
THE WOMEN OF TRACHIS is available for revival or a guest production in the USA, Europe or Asia at Festival's to suit your upcoming season schedule. English translation by by Michael Jameson.
Daniel P Quinn's acclaimed production of Sophocles' rarely performed THE WOMEN OF TRACHIS premiered at the Newfoundland Theatre, was invited to the Performing Arts Series and revived at Burlington County College, and at the Harold Clurman Theatre.
THE WOMEN OF TRACHIS is available for revival or a guest production in the USA, Europe or Asia at Festival's to suit your upcoming season schedule. English translation by by Michael Jameson.
Copyright:
Attribution Non-Commercial (BY-NC)
Verfügbare Formate
Als TIF, PDF herunterladen oder online auf Scribd lesen
Daniel P Quinn's acclaimed production of Sophocles' rarely performed THE WOMEN OF TRACHIS premiered at the Newfoundland Theatre, was invited to the Performing Arts Series and revived at Burlington County College, and at the Harold Clurman Theatre.
THE WOMEN OF TRACHIS is available for revival or a guest production in the USA, Europe or Asia at Festival's to suit your upcoming season schedule. English translation by by Michael Jameson.
Copyright:
Attribution Non-Commercial (BY-NC)
Verfügbare Formate
Als TIF, PDF herunterladen oder online auf Scribd lesen
The New Stagecraft Company
presents
The Women of Trachis
by
Sophocles
with
Ellen Lanese
Production Design by
Jennifer Long
Directed by
Daniel P. Quinn
A note from the director. ..
The Women of Trachis is a tragedy focusing on the love and longing of
Deianira for her absent husband Heracles. In Deianira’s desire to secure
the return of her husband, she brings ruin and death upon herself and
their household.
Rarely performed, Trachis is an unjustly neglected work. The choice
of presenting the play for solo performer was influenced in part by my
recollections of Euripides The Bacchae in productions by Peter Arnott
and Luca Ronconi. Arnott utilized marionettes to physicalize the
characters but he himself was the only live presence visible above the
proscenium arch of his miniature puppet stage. Ronconi manipulated
performance space (rooms, hallways, a lecture hall) to encompass the
course of the tragedy as Marisa Fabbri executed all of the parts amidst
light and shadow.
Our “woman” of Trachis is a further journey along the same road.
The Women of Trachis in the Michael Jameson translation edited by
David Grene and Richard Lattimore, presented by arrangement with The
University of Chicago Press.