Beruflich Dokumente
Kultur Dokumente
Contrary to popular
NOT
[1,2,3,4] Bb / F-Bb-D
[1,2] F / C-F-A
[3,4] F-Eb / Bb-Eb-G *added an Eb major chord to make an Fm11
[1,2,3,4] Bb / F-Bb-D
[1,2,3,4] F / C-F-A
[3,4] F-Eb / A-D-Gb *added a b9 and a 13 to make an F7 b9/13
[1,2,3,4] Bb / F-Bb-D
[1,2] F / C-F-A
[3,4] A / C-F-A *1 chord, with 3 in the bass
[1,2,3,4] Bb / F-Bb-D
[1,2] F / C-F-A
[3,4] B / A-Db-Eb-F *chord 1/2 step higher, B9 b5
[1,2,3,4] Bb / F-Bb-D
[1,2] F / C-F-A
[3,4] B / A-Db-Eb-G *chord 1/2 step higher, B9 #5
[1,2,3,4] Bb / F-Bb-D
Look at that, u got 7 options right there. And u can even vary the rhythm in
which u play those chords. U can bring the passing chord in on beat 2 or
beat 3 which gives u 14 more options, for a total of 21 passing chord options
right here.
Something else u can do is see if u can add in a passing chord "move",
meaning playing more than one chord. Knowing theory here is good. The
ZIP CODE IS: (7)-3-6-2-5-1-(4)
Now, using the 1st two chords of this progression example, u have a 1 going
to a 4. But, right before u get to 1, u have a 5, a 2-5, a 6-5, a 6-2-5, a
3-6-2-5, and a 7-3-6-2-5. Judging by how much time u have in between
chords, u can choose either one of those options to play with your 1 chord
then go to 4:
Options Set #2
[1,2] F / C-F-A
[3] C / Bb-Eb-G *5 chord, Cm7
[4] F / A-Eb-G *1 chord, F9
[1,2,3,4] Bb / F-Bb-D
[1] F / C-F-A
[2] G / B-F-A *2 chord, G9
[3] C / Bb-Eb-G *5 chord, Cm7
[4] F / A-Eb-G *1 chord, F9
[1,2,3,4] Bb / F-Bb-D
[1] F / C-F-A
[2] D / C-F-A *6 chord, Dm7
[3] C / Bb-Eb-G *5 chord, Cm7
[4] F / A-Eb-G *1 chord, F9
[1,2,3,4] Bb / F-Bb-D
And the list goes on and on. Like I said ealier, u can experiement with the
rhythm on these chords to make even mor options. U can come in on the in
between beats as well:
[1,2] F / C-F-A
[an] G / B-F-A *2 chord, G9
[3] C / Bb-Eb-G *5 chord, Cm7
[4] F / A-Eb-G *1 chord, F9
[1,2,3,4] Bb / F-Bb-D
Now, after u have found a passing chord or passing chord move that u like,
Yes, you can have the "cello" *TREMELOS* and half-steps (minor
seconds) in "Jaws" to create tension (the fully dim. chord creates
FOUR half step possibilities), but you also have:
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