Beruflich Dokumente
Kultur Dokumente
Contents
Address by PAS President
Professor Micha Kleiber ........................... 3
Educational and
Promotional Activity ............................... 103
Mathematical, Physical,
and Chemical Sciences .............................. 45
Scientific Council:
Marek C. Chmielewski Editor-in-Chief
Stanisaw Filipowicz
Andrzej Jerzmanowski
Marek Grad
Marian Kamierkowski
Sawomir Majewski
Published by:
Office of Science Promotion
Edited by:
Elbieta Jamroz
Katarzyna Rydzewska
Copyright 2011
Polish Academy of Sciences
Office of Science Promotion
PKiN, Pl. Defilad 1, 00-901 Warsaw, Poland
www.pan.pl
ISSN 1640-3754
On the cover:
The I Was Born in Warsaw mural dedicated to
Maria Skodowska-Curie was commissioned by the Capital
City of Warsaw and painted by Good Looking Studio
on the wall of the public library in Lipowa Street in Warsaw.
Medical and Surgery Academy, Warsaw (now: the Polish
Academy of Sciences, Staszic Palace) by F.H. Rber after
L.Kapliski, woodcut engraving. Reproduction from the
Archives of the Photographical Documentation Archives
of the Institute of Arts, PAS.
Graphic design:
Robert Dobrzyski
Computer setting:
Dariusz Grski, Elbieta Malik
words, the indispensable indexes, and an introduction added as preliminary reading to render the piece
more familiar to the reader, identify its position in
the history of culture and in the context of early
Polish writings. While satisfying the requirements
for scholarly editions, the series volumes are also
targeted at non-specialist readers, college/university
students, as well as lovers of old-Polish literature.
Over the fifteen years since the series inception, an active community of students of Polish,
including philologists, representing a majority of
Polands research hubs, has emerged around the
series. Another remarkable factor is the outstanding
contribution of young scholars who have gained
valuable experience and first bits of professional
expertise in the art of producing scholarly editions of
old-Polish works.
The BPS series publishes quite diverse works
including early-Renaissance pieces (Kupiec by
Mikoaj Rej) through to eighteenth-century works
dating to the Saxon-rule era (Refleksyje duchowne by
Karol Mikoaj Juniewicz); lyrical verse (Roxolanki
by Szymon Zimorowic) appear along with epic
works (Samuel Twardowskis Przewana legacyja)
and plays (Corneilles Le Cid in Jan Andrzej Morsztyns translation as Cyd) as well as extensive prose
works (Rozmowy Artaksesa iEwandra by Stanisaw
Herakliusz Lubomirski). The series publishes illus-
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homogeneous and very likely comes from one temple. The idea was to check the possibility of identifying and, perhaps, reconstructing the building in
question. After four days of hard work, the first
selection was made and the most diagnostic fragments were collected to be drawn and photographed.
Agreat adventure of fitting the pieces of the puzzle
together began.
Almost immediately it became clear that these
fragments belonged to the temple discovered by Abu
el-Ayun Barakat in 1971, described by him as the
Kha-akhet temple (He-Who-Appears-on-the-Horizon): afragment of astatue base reported by Barakat
in an article concerning this discovery was found
standing at the door of the storeroom (Fig. 2). The
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very rare for the period. There is also the first representation in the New Kingdom (1539-1075 BC)
of afestival calendar depicted on an external wall
of abuilding. The almost black colour of the wall
decorations background is also unparalleled, and
cannot be explained by the state of preservation or
storing conditions because it covers the surfaces of
almost all the preserved fragments of blocks. Contrary to prevailing standards, aunique type of architrave decoration was used: the sunken relief was
painted with different colours instead of being left
yellow, which is hard to explain. An intriguing feature was also observed: as the temple was constructed and used before the Amarna times, one should
expect the representations of gods to have been
hammered by King Ekhnatons iconoclasts and restored by the artists of subsequent kings. However,
some gods in the temple of Thutmose Iremained
intact. This implies that this particular part of the
building was no longer in use during the Amarna
period or that some rooms were closed off and therefore out of use at that time. All these questions remain unanswered, but the coming seasons may
bring further data and solutions.
It seems very likely that the temple was not commissioned by the king himself but rather by his
royal daughter, Hatshepsut. There are many indications which suggest that even if she was not the only
builder, the decoration of the walls was finished
during her reign. The cult of Thutmose Iwas practiced in the temple until Ramesses IX or perhaps
even later. The temple was mentioned for the last
time in the list of temples preserved in the tomb of
Imiseba, the head of the temple-scribes of the estate
of Amun during the reign of Ramesses IX. After
this reign, the temple met its sad fate and was totally destroyed and cut into pieces to obtain material for stone vessels that were produced on site. The
only remains of this procedure found to date are the
fragments of blocks stored in the so-called Metropolitan House Storeroom.
References
Abu el-Ayun Barakat (1981). The temple of KhaAkhet in Western Thebes. Mitteilungen des Deutschen Archologischen Instituts, Abteilung Kairo 37,
29-33, pls 4-5.
Abu El Youn El Barakt (1980). Apreliminary description of a new temple of Queen Hatshepsut in
Institute of Mediterranean
and Oriental Cultures
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