Beruflich Dokumente
Kultur Dokumente
Feb 9, 2015
-listening (7yo girl and man (harmony), guitar: using head voice vs throat voice)
-intro to proper mic use
-conducting (5 mins)
Sing at First Sight (book)
-Pg. 1 Rhythm exercises: clap, hands apart on rests, say rhythms first using ta and
rest, then saying 1234
-pg. 1 # 7-10: sing do, re: say do, re or note names
-last 10 mins of class: decide what they will perform on Friday, independent work
time
Mrs. Jobin:
-discussion, announcements
-solfege warm up (do-do, do/re/dodo/re/mi/re/do, do/me/re/fa, etc.)
-solfege sheet (#1-10)
Me:
-intro, a bit about myself
-breathing: explanation, in for 4 out for 4, in for 3 out for 3 exercise, hissing exercise
-posture: sitting and standing
-Sing At First Sight: pg. 2, #7-10
What worked:
-breathing exercises
-posture
-building rapport: students seem to be accepting of me
What didn't:
-delivery: know what I am going to say before I say it, know what key
points/concepts I want to cover
-conducting: be clear with when I want the students to breathe.
Next time:
-tell students to breathe on beats 3 and 4 during intro bar
-breathing contest: who can sing "la" the longest?
-review what I want to play on the piano (don't sight read!)
-Tomorrow: theory: note names, rhythms, give time to work on theory sheets and
walk around and offer help
Tomorrow:
Sing O Canada
Rhythm tree
Say/clap rhythms
Rhythmic dictation
Mrs. Jobin took the more advanced students (6 of them) and worked on more
advanced theory
Rhythm tree
I should prepare a few examples for each theory concept ahead of time
Teaching dotted notes ended up being more difficult than I expected. I wasn't
clear enough when explaining and demonstrating dotted notes.
After I teach each note and it's value, I need to teach how to count that note.
For example, "A quarter note receives one beat. When counting it, we say 1
and."
Take examples from their worksheets and follow the layout of their
worksheets. Or, give them a separate worksheet for each concept rather than a
bulk package
Student performances:
Students had to choose a song and sing it in front of the class (with
accompaniment)
Warm-up
On Friday, do a test on individual lines from the solfege sight reading sheet
(#1-10?)
Key signatures
-Listening activity: choose a song, have students respond to it using the elements of
music
-loaded up the truck with everything necessary for the Steak Dinner
-after this, I taught a lesson on key signatures
Scaffolded the lesson: I started out with what is a key signature, where it is
placed on the staff, how to find sharp keys, order of sharps on the staff. I then
moved on to flats and followed the same process
I also taught how to find the relative minor using the keyboard and the minor
third (down 3 semitones) model
-My lesson was very successful. All students seemed to comprehend the lesson
-Next time: make the lesson more fun
Chromatic on do
-Mrs. Jobin talked a little about the steak dinner, and the play rehearsal last night
-I took over, started out with a warm-up
-finished testing the last 3 people for the solfege sight singing
Handed out a sheet that describes the elements of music and what to listen
for when analyzing music
I'm not sure if this was successful. Many of the students did not
contribute to the conversation afterwards. Next time, I should go
student by student and ask them to contribute a thought about the
song
This activity took up most of the class time
-For the last 5 minutes of class, I explained what dictation is, and how to do it. I also
did a couple examples
Tomorrow: warm up, music analysis, rhythmic and melodic dictation, intervals
Played the song and started discussing, then the grade 9's returned so I
played the song again
Asked every student to contribute an idea. They are not thinking deep
enough into the song and are mostly giving surface answers (eg.
Instrumentation, her voice was smooth, etc.)
-Started explaining rhythmic dictation (again) and steps/strategies to being
successful
Hala and Kayla gave me a thank you card that they wrote
-Rhythmic dictation:
Mini quiz: 4 parts, each 1 measure long, 4/4 time, half/quarter/eighth notes
Handed out one sheet that explains what an interval is, and how to write
them
Handed out another sheet that has song examples for each interval,
ascending and descending
Went student by student asking them to identify the interval that I play (only
up to a major 3rd)
-Played my jazz bands performance of No More Blues
-Played my jazz bands performance of Feeling Good
-Thanked the class for being so welcoming and allowing me to teach them