THE MANUAL
PHOTOGRAP
Forget the retro filters on your camera phone. Instead, why not pick
up a film camera and create the dreamy colours, effects and flaws
that can only truly be captured with analogue-photography?
This will depend on the type of camera you're using
— check camera markings if you're unsure,
35mm 25x 36mm cu I} 36
6x4.5cm : 16 32
a : “ (20rot) per @2Dro) |
: per(120 rol) per(220ral) \ a
ee condita MOU
\ format
6x 6cm 56 x 56mm 2 a A
per (120 roll) per(220rol) (420 oF
220 film)
i 10 20
6x 7cm 56 x 72mm
per (120 roll) per (220roll) ;
4x5" 10x 125mm Sheet
. a \ Large
5x7 127 x 178mm ee \ format
8x10" 203 x 254mm Sheet
a 7
35mm
Different ISO film speeds are used
for different light conditions.
50} 100, = |200] + |400| -[s00| 1600) _—_—fs200
ane] an) S me] nm]: Ton) = ra Tn
Very bright | Bright | Sunlight Sunlight, Overcast, ° Nighttime, Night time,
sunlight : sunlight : (some : overcast. | dusk: indoors indoors
(whitesand : (sunny day) shade) |
orsnow)
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Once you have your tools and equipment, it’s
time to play around with the settings.
This controls the diameter of the lens opening,
which then controls the amount of light that is let in.
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Changing the aperture also changes the depth of field (DOF).
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This controls how fast the shutter opens
and closes, which, alongside aperture,
controls how much light is let in.
eats: Light painting
30"
” Car trail lights
. at night
8°
4 _.... City lights
at night
2
Y
sd ~» Waterfall
1/4 -
18 -
1/15» ~ Landscape
1/30 -
Portrait
60 bene
ues sty it with panning to
1/250
1/500 -
vy
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Stop image of
“a bird in flight
1/2000
1/1000 Stop image
ofa race car
Your camera's light meter will indicate if
your aperture and shutter speed settings
are too dark or too bright.
If you camera is missing a light meter, or it is broken,
there's still a way to properly expose your photos:
bright conditions:
RPE ORCC CN TU+ig
ISO
50 100 200
1/8 for overcast
MRR RN Coa
Uh ts use:
STS CaN Pd or ci
Some golden rules are as follows — but remember;
photography is an art form, so don’t be afraid to break them
all
Cut your frame into thirds using : Space around an object can give
horizontal and vertical lines. Compose the = it room to breathe.
photo so that there's a point of interest on
the lines and/or intersections.
‘Use lines in your frame to draw : Don't cut off body parts except at the
the eye towards a focal point : mid chest, waist or mid thigh region.
Fill your frame up with a pattern.
The key will be to zoom in close
enough so the pattern is continuous.
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makes it all the more fun. Just carry that camera everywhere
and keep snapping away. Practice makes perfect (pictures).
Sources
Large Format Film Photogre Saad
path )
Here ee NA
Focus Press.
www.zippi.co.uk/thestudio