LAD QUE Come tHe Wolves Plus feRANC | ORELET’S GOTranscribed CARL CULPEPPER ve mCONTENTS ZUSeae Bl As Wicked EB Avenues & Alleyways HB Daly City Train EZ Disorder and Disarray IB The 11th Hour §B Journey to the End of the East Bay EB Junkie Man EB Listed M.I.A. BB Lock, Step & Gone H Maxwell Murder Hl Old Friend HZ Olympia Wa. IB Roots Radicals HH Ruby Soho EE She's Automatic Hil Time Bomb GB The Wars End EB The Way I Feel BB You Don't Care Nothin’ GH The Ballad of Jimmy & Johnny EE Nihilisn FE Radio HEB Salvation Eb Side Kick WBst. Mary (EB curme Notation Leozu> Pages 2-6 designed by Jesse Fischer and Tim Armstrong, ISBN 0-7935-7242-8 HAL*LEONARD® CORPORATION For all works contain herein: Unauthorized copying, aranging, adapting, recording oF bie perormanes isan infngment of copyright Tnfengers are labo Unda te a. wrhalleonsrd.comne mun uid ee aa o | NS _ Ye hon ill a i ; 71 ei ty aed zr . \. | [=| a 4 ay yy , ve Ey a ne x : Fe i a Pie sa Tee ae ‘and af at Ameer\ Y THERES bk WHOLE Lot of wotiwG *Maxwell Murder Word nel Nac by Ti Armatrong, Mat Freeman and Lars Frederisan Fs! A Ar rer a & Fast d = 155 (998 {stick cticks) ps — = SS SS bet = — 2 Max — well — got — = by - bs cs os eee jt wantsyou te vst him thee. Sume_oMl pe tht b's ply ley a never he Knows ha yuse iw Git pln, Chupie eck be fre ou Dught fk) Sickens, Manel Knows you cag Pre-Chorus Qtigpier per eeee a ety — p pop ay soho Copyright © 1995 | Want To Go Where The Acton Is Musi (BMI) Al Fights Administered by Wixen Music Publishing, Inc ‘ntematonal Copyaight Seoured "Al Rights loserved 7ere cs SSS pe Wier's the fel-on the chag-i-abe felon te name fhe cook whocom-ni-iol etme? oS C= a = gee .eeeffP $$ $4 . f9eel pe? SS p44 Seer tse — Fe $§ chores Fe As bs o = == | y J — + Fitii F Fils + eo7 7/7 : e f SS = Wine tn vi 1 yey we whi oe oe a er —— — fs as bs f f ? f 7 4 / 4 ? a a A ? ? 4a ? 7 4s 4 ) eS sie vie nine yu em = i tow Me os sp e Pog ¢LT CAAT Am mim can ine Max wll Mur - der for you = ——— ==] =— 4 =] z ss ¢ = rT _ = = it + $ — ¢ Bass Solo DS. al Coda ) Coda bs ae bs J) kos po —. 6 = = ——- Dia 6 mia Pe i” Tun ek pha vole eo fk lor Tobie pin inden thn,The 11th Hour Words and Music by Tim Armstrong, Matt Freeman, Lars Frederiksen and Erie Din rt Ry. Fig ¢ F Ry. Fle 2 (Oe 2) {a t (2 wy Fig? c Ry Ba Find Rhy Pi 1 pg === a ee eee ‘Copyright © 1995 | Want To Go Where The Acton Is Music (BM) ‘Al Fights Administered by Woxen Music Publishing, Inc 10 Intemational Copyright Secured Ai Fights Rasoivedthey des mend aan swe, and they demand it *Bore = dom is for ake ow, and help fess ness you feck © os © c os ————— = : : —* ——— = gue eee [Por ——— ‘Or the questions fade__—and then the wast ed days come We |S wounded dove fd the hawks are @ = hove Blood "Fs nrm)i nnn) an Na Do you know where the pow = er lies?”Bridge nd Ry Fi S|Verse ‘i Ry. ig tne GELTRy he Stam Ge ¢ c F = = SS jn - es aod tough the silence Tulfo c F c os coat ECE gee - ———_} — ——— PE SSS _ aed TN) walk on trough these DS. al Coda . ssid Coda c An os Pe pe nba, J)? /TT) Se eS to SSS = a Ab sad tt sane med ends with yourRoots Radicals Words and Music by Tim Armstrong, Matt Freeman and Lars Frederiksen Bb5 F5 GS C5 x xX xxx xxX x xx Seg F H 134 iad 134 134 Verse Fast ¢ = 160 Gtr. 2: w/ Rhy. Fig. 2, 2 times, 2nd time *C5 FS 1.Took the Six - ty bus out of down - town Camp - bell Ben Za ra - di - o was play - in’, Des-mon Dek - ker was sing - in’ on the Gtr.1 Rhy. Fig. 1 (dist.) f PM.- ~~ 4 PM. 2 Le 4 PM. 4 PM 2 = 4 PM. _ _ simile on repeat cE 5 5-5 5 + 2 5 5 5 5 3 3 +83 3 3—_3—_3 3 3 3 3 3 3 3 3 3 | 3 3 3 3 a 3 3 + 4 + + 4 4 + -t 4 4 3 c C5 = —————— ar — = = He was wait - in’ for me. Well, as we climb sup the hill. a velom 4 oo « 4 s 4 oe ea ¢as ¢€ oe > YY PM 4 PM. ~~ 4 PM, — — t 3 3 5 4 $- > 5 - + + 5 3 3 3 35 3 3 3 3 3 3 3 3 33 3 3 3 4+ 4 4 + 473 C5 FS * & —f © ff ¥ - | = = = - ¥ —- == = = all the punk rock - efs and the moon stomp - ers are No - thin’ in - com - ing but the reg - gae drum - ming and we es ee 4 = : j — ~ a « @ e a + # oe oe s 2 $ +s + : 3 oe oe o e 7 e oe 2 PM._ __ 4 PM. 2 Le 7 PM. 2 2 Le 4 > PM. 2 4 > PM... - 5 5 5 5 5 3 3 3 3 3 3 3 3 3- 3 3 3 ¥ 3 3 3 3 3 3 3 3 3 3 4 + 4 + 4 + 4 + + 3 Copyright © 1995 | Want To Go Where The Action Is Music (BMI) All Rights Administered by Wixen Music Publishing, Inc. International Copyright Secured All Rights Reserved 15Fs mem. ber iv er please SESS two much let these SSS of that dy, peo ple on nd Ry Fig? pyig eee di rare == te pao eeVid tti dd (Contin ton (182 w/ Ry. Fg 3.2 12 es 3 FS as cs - mn S = — E f= = ee Giv "em the boot, nC Giv - "em the boat, the Bs os cs Org per cr = iF = oC Pee ep ff roots, the eg gee ON my stereo. 2The 7cs , of = ee SS Yeah yeah yeah, yeah, yeah, yeah, yeas , naman) an = = = aL ot ep ote Sp Cf Pifsii ysids oa 4 it a ir mmrannnanimna) 3) 7. a yeah,Verse Gtr. 1: w/ Rhy. Fig. 1 Gtr. 2 tacet cS F5 G3 FS 3.Took the Six - ty bus out of down-town Camp-bell Ben Za - nat - to, he was on there. He was wait - in’ for me. ___ Well, all the punk rock - ers and the moon stomp - ers are G5 F5 C5 cs Rhy. Fig. 4 TTT 7 out on the cor - ners where they’re spar-ring for change. _ And the ra - di - o was play - in’, Des- mon F5 G5 FS CS End Rhy. Fig. 4 Paar Dek - ker was sing-in’ on the For - ty Three _ bus as we climb up the hill. __ D.S. al Coda Gtrs. 1 & 2: w/ Rhy. Fig. 4 cS F5 G5 F5 C5 Rude girl Car-ol was a =min-i skirt — girl. My blur - ry vi -_ sion saw no - thing wrong._ With the rt) Coda Outro-Chorus Gtr. 2: w/ Rhy. Fig. 3, 3 1/2 times GS C5 - TTDI? the 19fs os —— ee epee | —— + SESE ve, te adsl ea, Giver the. took you tow moa di el eS 4 : Epp EE et pep é Cite : he | ay Tan mck pap vote 290 ck ‘pupa pee hamTime Bomb Words and Music by Tim Armstrong, Matt Freeman and Lars Frederiksen Bm BBs ks 7 EE FE nro Fast = 166 tn Bm 5 fa a = ——— SSSI LIF you sons) es = ee - — 3 - =H a ~ vg asin Ek 4 ee ————— = 7 + 6:1 cr 216) $% Verse 7 Ry nd Ry Fata coms ts wetter Action Is Music (BMI) Mls Admired Winer Music abt, in ‘Copyright Secured Al Fights aay 8 2 mF Rhy Fes 1A sn Es Bs SSS == EEF ‘ ‘ - - _ === 2 FI aa SS ooo 7? m 2) ?) a a 2 ope s IQ tre eo : fs brit oF Se re ay Fi? nd ny. ig 2 a (e135 5/y Figs 282A Tocoda(y 1 bad Ds ES ‘Ds i : : : -~ = GEL pf bps tb ppb et gies Tete Black co white yes, Yack ta GOTH te. Ye te boys 2 Sine SonB. BWA i]Guitar Solo Gtrs. | & 2: w/ Rhy. Figs. 1 & LA, 4 times Gtr. 3 BS ES BS ES (cont. in slash) Organ Solo Gtrs. 1 & 2: w/ Rhy. Figs. 2 & 2A, 1 1/2 times Gtr. 3 tacet D.S. al Coda E DS ES DS AS DS E D/A ofr Gtr. 3 Gtrs. ° 1a2 £ L ——— > > rth) Coda Outro-Chorus Gtrs. | & 2: w/ Rhy. Fig. 2, 2 times boy’s a time bomb. Black coat, white shoes, black hat, Cad - il - ES DS AS -H- ® oe - ¢ y @ o o - ot z —s — {- fo | = > lac. Yeah, the boy’s a time bomb, Black coat, white shoes, black hat, Cad - il - lac. Yeah, __ the boy’s a time bomb. E A AS Gtrs. | & 2 23Olympia Wa. Words and Music by Tim Armstrong, Matt Freeman and Lars Frederiksen Intro Fast J = 167 cs cs Ds as bs Rig Pet ee v oe) Tih oe) Sts Vii a ee) Vit gp yy pe pe yp ge pe eg ® ee ee Ee f= Se af % Se FE Copyright © 1996 | Want To Go Where The Action Is Music (BMI) ‘Al Fights Administered by Wixen Muse Publishing, Inc 24 International Copynght Secured. AI Rights Reserveds Verse *Gu. 3 tacet, 3rd time ” Gtr. | tacet G5 CS «ey J) TI7) FITTV TI TRI IDI) T7, out with Lars ____ down on Sixth _____ Street. hav-ing a _ hard i un - der - stand -_ ing. man - y times ___ will it take ae Ist time only “Tt WRIT) WT J7)7) 4) 7% knew that was in trou - . feel - ing much____ like the dev - — gets too de - mand - ing. She’s all gone____ and _I’m _ strand - be - fore go cra - be - fore I lose 254 a aS = = - Serene aes go mi yet fade ee sreaemm es SS noe ae E = = —— — Ss —— es aks SS SS Ft = Sad bsseadasddi e222 399959920 $09 = SSS ; oe eS ee ae ee ee FAR a - ant ead 3 Tie sas PM. PM 4 PM 84 aa = 7 —j = : i = ee eriee ori ee are eee oe eee:cs DS G5 cS Hang-in’ on the cor-ner Fif - ty Sec-ond and Broad - way. Gtrs. . 2&3 Rhy. Fig. 2 7 * Lead voc. doubled next 12 meas. Gtrs, 2 & 3: w/ Rhy. Fig. 2, 2 times C5 DS GS — » # 2 3 — y * -—? ge ¢ a — a = oT The cars pass - in by, but none of them seem_ to go my way. C5 DS cs ‘_ —— tp & Se fo ” = V — New York Cit - y! Well, 1 wish [| was on the high - way To Coda Gtr. 1: w/ Fill 2, 3rd time oN @ Gtrs. 2 & 3 (cont. in slash, 2nd time} Guitar Solo Gtr. 1: w/ Fill 1, 2nd time G5 C5 GS C5 F5 DS ss) fede) F¥h) Fda) Fear FITT IT T 2&3 > > > > > >ie DS. al Coda MTT TTT TT fLtftett seers teLock, Step & Gone Words and Music by Tim Armstrong, Matt Freeman and Lars Frederiksen ru ie Fastd = 160 Daas DA s Roy Fe Jobe se MO pbs et BD Noo bh owas fpf aera Cae rset s 4 ST) Pt MTT pooh Pre MIT, pro) (res Ee eee OO OO 1 ee St Sis Fe = eo Se FE Fe Conyognt 10951 Want Te Go where The Actions Muse (MM) I igh Adnanstered by Wiken Must Publishing, Inc ‘mctational Copyrgnt Secured Al Fights Resavved 29267 Ry. gt 2m ie 261 Ry. FA ed ome ships com in in Where there once was a ships com - int in ‘Where there once was T tock, step, Pm gone, There'sDIA G5 DIA pod ) J be 3 2 Im) d : — “eo +e 9a =p 9 = Tune zw | | 7 a 1 It’s just tell - ing you to move. There’s a There’s a whole lot of no- thing. The There’s a whole lot of no- thing. There’s a _ —— some - thing wrong. I lock, step, I’m gone.) End Rhy. Fig. 2 Rice ee Se eee = lo i \o- o- 7 i Sree Ses 838-8 8 3— e—8 f dh 7} 7 7 77} 7 7? 7 Q 5 5 5 + 7 F F F 5 5 5 5 5— + —-- 5 §-—__5 5 5 Chorus *D5 F5 AS G5 DS F5 fire on the cor- ner and _ it’s nev - er gon-na_ stop. Kill - er in the neigh-bor-hood, nev - stop __sign’s brok-en and the me-ter’s go - in’ down Wild dogs are run-nin’ them - selves_ Rhy. Fig. 3 Gtrs. 2 & 3 * Chord symbols reflect basic tonality. AS G5 DS F5 AS G5 - er got caught. I lock up my door, step out and I’m —— ~~ in - to the ground. Ev - *ry - thing was clear for that mo-ment in Verse Gtr. 2: w/ Rhy. Fig. 1, simile D5 G5 A G D/A cay ———™ ae o ——— ee =e Fe z a —- + = Wait -in’ for the bus - es, but the bus - es won’t come. 2. All the . If I don’t come back, well, throw. me a line. 3.Well, the end-ing is - n't here, End Rhy. Fig. 3 — — l | Gtr. 4 (dist.) » oO ee he SS z 2 iA “ $ $ ¥ ss 4 : 5 : 5 : , (Gtr. 3 cont, in slash) mp * 3 x 3 xX 2 2 $ 2 x 9 ¢- x 2 2 § 44 §- ¥* 4} §- * 9 2 2 § () {4 a cu % + % §- 0 x 3 X + * Flick selector switch in specified rhythm. 313 ce os Dia. Gs Da feeling isn't fear i's just tell = ing you to move, —_ Got pe Phin aces ing ATsusdrset Ds Bs As cs bs PVIATTIASTTINTT) bt = (er 2 cone anton) (ir Som tater) vane hors i285 Fine Es 8 as os bs ts as os 5 a —— ] o*Ler ys = into te pom BV ying was dear for tat moment in time 1 Ds. Coda s ow A s Oita Se = _—— cS 7 oo S——— = = = 33@ Coda (3 Ry. Fi 187 mea, (e012 A : rt ——— Whole lot of no thingJunkie Man Words and Music by Tim Armstrong, Matt Freeman, Lars Frederiksen and Jim Carroll AS DS ATsus$. AS DSA DIA Jo. 240) ‘Conyggn.o 1095 want Te Genrer Aton Mu OM “ll Fighis Administered by Wixen Musk: Publishing, Inc. Intemational Copyright Secured. Al Rights Rese’ved 35a Atoust yet Bod ty Fg ous BIT TTD FT TD TE as rs MTVVITT TIT) TTA ) Tp Tis bette tet tts ase vere i Ori ee eee eee te ear as aay eS fey. =a | = r hy Pidsai ie dagige lb tis EE saa eet bs Sp ee ee Pee og OE SORE te a, = SSS PAE pRlp Sedeedliidag 7m A i SS BSbs Atast ASP ony / TT?) eS ase ppp cee ed Tw onthe vers of Baby = om OK boi ap and shootin! up and oeih-bor-bood il wach Since a Sma wat foneone ot MS er le @ ipipgdWedessrl GGTH = = t ns es ——— es ee ee rs tty Pbof tt i = ao z PEP PP po me eee) 1 7717770 vad (rere er er are! a SSS SS S355 bring on the bright — ness. See the tell) me that he's. era - 7y, but he's God is com- in’ up and 1 see alike ~ ness. me they know that. They can't get him, he's not ra 79 Pe is ‘ | on, os, vy oa, vu + wl un a a an a an an wai Ll feet DvA DIA / 7 Jiti ti )4)177) 4 / FSS SSS ; } » Gr tg - ters nad ae the 1a = na cy, the misery is_ showin’. When you're Drought up, _you'recaught up ina Beat Him, Tock Wim, knock him, take a way ik a= thoe = Ht vem, ship “em chub Tem, sab 131A AAA ies + gPre-Chorus Fas (ee ein) No. one answers, no one takes. that iy. Fe.3 care Fas from you! 7 a ey PSS eee SSS e ee "3a figae Gin 1 do es Gi, Sone iy Fe 3 Arist a = | =m eet Sf ee St ——seakle mun, tele etpour sors Junie man, fei me whanjur sows is ceswryre: - De = onl SS Set Seo pakcle man, lle Whayour oer-y okie man, lle wimyour emery leInterlude “wy (143 wot ss Nias) 0» epee - Spoken: My hand went blind. You were in the van, clairvoyant. as o» as) é You were in the vin clairayon. My hand went bind. =the lowe 10 my tance ser, my trance. sie. 0» as) t = = = = — Andy trace parents see fom the balcony. 1 Tooled ot om the bi fel (nthe big fi, 1 Ry Fi 3 Fis ———- paws erampling the snow, the alphabet. 1 Spo er ee Se sgn Pt ‘tnd on my hea wach W all go ow. DS. al Coda (dst tries) iy. FTListed M.LA. ‘Words and Music by Tim Armstrong, Matt Freeman and Lars Frederiksen Intro Fast d = 168 BS geek =e = Pride! ‘where The Acton Is Music (BM) 'Wxen Musie Publishing, ne ured All Rights Reserved “i fians hemes imoratonal CopyVerse (ie 1 wy Fig. 28. ies Soe Bs ES Bs BS 1. Goa damnit ma Lad = most had Stuck — 2. God damnit man Tal most had it Threw 3. God damnit man, Tals most had ik Wells yi a Ry Fi2| ing a way 10 get oot___of these dit West Oak land isthe place where I'm Tm less than ze ro. when you Ry. Fig 2 ori a4Get wy Pe 12m 5 Di Bs z mS = rm check-in’ out. rm Guitar Solo (2 w Rhy Fp 2, 2s Bs zB Bs E Bs E 7 ¢ 9 ¢ - — —z a Saar vate ss ns wos as 8 oss <_< = = St é = nn on im, 142DS. al Coda 1 Bs PHS BS as bs FIs NC. Coda 1 te ywan re dame Sree ety 8s Eos BBs e bs e ; = eo gr ot eer Tmchock-n ou, yeh‘ ant debe, yah, Cout-sipbui foman-ger_ sha a mou oe 3) Piatt tsa petit oath = 7 DSS. al Coda2 (1 wR 284m E BS gE ere te eee re sr lose, man, 1 aicmost had itt “at see RR ST § ge Bs F Hs m3 ae ~ —— a —_ rapeee csein tae po Tm (e226 28 B FES FE Bs BS BSRuby Soho Words and Music by Tim Armstrong, Matt Freeman and Lars Frederiksen cs” Intro Fast = 160 °6 GB caus2 Gs GB cue Gs 2.1160) * Chad jl ee combine nly. ce GD casts on cuz Gs 6 (com insta Copyright © 1985 | Want To Go Where The Acton Is Music (MI) Fights Administered by Wxen Musie Pubishing, Ine 44 International Copyright Secured AI Fights Reservedtan oo or —ppi et Pepos > owt D # oa —— — ——- 3 6 == is ee AU Te et 4 th tat am oma Sap cee a ee ee Rows a ae ne Ben OT ie iy. Fe : =~ $$ @Lfe te Fe Peery es a tp pe — = = # 4 s = - 2 2 - <=> « = Sa 6s Bs os gs Toda == = SSS SS SS o korn mo eR Rey te (ox tom many wa —}—@ Coda am a os : - oy : _ 4 — Op — é ee SS SS SS oe ce a cit ta ee eee eeeDaly City Train Words and Music by Tim Armstrong, Matt Freeman and Lars Frederiksen 1 p02 anda frien | what about the kid Who nev-erleamed the rules? : EE=FER Copyright © 1995 | Want To Go Where The Action le Music (BM) “Al Rights Administeres by Wen Music Publishing, Ine 48 International Copyright Secured Al Rights Reso.vod© a T a a low he goes, _ it just de - pends. look back it’s just a flick-er of time. Rhy. Fill 1 End Rhy. Fill t Be 6 SE Gee a Len! Peet oes Lo \aeoeete + 3 3 3 3 3 3 3 ¥—_5—_X—_5- 5—%-— 5-—%—5 5—*%¥__5—__ KX _3-_*—3 3 —*—3 3—_xX —3- 3—_X—3 X¥—_5_X%—$ 5—*—§ 5—*%—4 5—_X¥—_5-_ + * 4-4 4—_X— 4 4—_*-—4 4—_%—4 x 5 —*k—5 5-K—4 5—X—-5 5 —X— 5, K-35 5—k&—$ 5 —*-5 5—*K--5 * Gtrs. 1 & 2: w/ Rhy. Fig. 1 G F Gtr.3 Rhy: Fig.2 (ast) 7 i f f mp ae! Sea — } He’s _ shoot- ing dope —__ in the men’s__ room at the sta - Jack - yl was one of the ones — _ that per - ished. Yeah, __ he was * Gtr. 2 (slight dist.) Gtrs. | & 2:.w/ Rhy. Fill ! Cc G ae oe i o L L SS Se pa a! - = - tion, Da - ly Cit - y Train. one of the ones that was al - read-y saved. Gtrs. 1 & 2: w/ Rhy. Fig. 1 F ae ee f L f Zo ——3-—- 4 _— pr ee ee pe ee | : ce — Le - fet ——— 7 - - - ~ - Have you ev - er seen an an - gel? Well I know I__ have. _ See_____ they’ Through all this e - vil and wreck - age yeah, Gtrs. 1 & 2: w/ Rhy. Fill 1 Cc G End Rhy. Fig. 2 ae ee f / f f 3 7 [- : - 2 SS . - ao lane stay here for a while, - then they fly a - way. he main - tained a sense of him - self, yeah! 49Ry. rie 3 a hy Fig 38 ripe = === Jock-y1 bad a beer in his hand astime 1 seen him Wel when be (par. ‘Bed Rit A. a nT io eS eae = aes rear an us Cr Gere _ = =e pie Voc obi et es (en Sm Ry Fis 3 8 34, 3s (Ge wT A Same mie ce F 6 a _ PF d == rolled the dice you-know he nev - er thought twice,(Gey 2 Ry FN Ge. 2 Ry QS Verse ‘as. 4 2 w/ Ry Fle 3.2 Ge 3 fier me py ID) Jd he - ——=—— ————— stJourney to the End of the East Bay Words and Music by Tim Armstrong, Matt Freeman and Lars Frederiksen cs as gs BSE csXY d-1 Mt i) 1h oy) iy) Th re HIE EE ERE £Ett iseegeces ff =fARSRS EERE EPP PPE gl pppp gg di ae Copyr 5 | Want ToGo Where The atin Is Wao OM) ministorod by Wien Music Pubishing ral Copyright Secured Al Fights Reserved)) TR) ) aR) anne (cont. in notation) > the be - lief, end - ed in a - way. ** composite arrangement we'll play an - to the East __ Bay. End Rhy. Fig. 1 Gtrs. 2 & 3: w/ Rhy. Fig. 1, 3 times, simile C5 GS AS : oa — 7 oe eee f : — -_—- e - i 2 “ oe = =| - — rv r —— — There was - n’t al - ways a place to go, but there was al - ways an ur - gent need It was just the four of us, yeah man, the core of us. Too much at - ten-tion un - a - He _ said, “This is a Mec-ca.” I said, “This ain’t mo Mec-ca, man, F5 C5 G5 é —* Taf be = = pe a 7 = — — a to be - long, yeah. All these bands, and all these peo - ple, void - ab - ly de - stroyed us. Four kids____ on_ tour, three thou - sand miles, this place is _ fucked!” Three months go by, he had no home.as rs cs é a er ee * cee aan Sones vat you gm - ma do ina foudooe ext nt nw - ing wins gu itn You ‘set 7a il - bon years He tad no foe al aloe. Mat) ai Foot me os as rs : Gt ps 2 2 = =| cca enc with out yur voor ing oot tke fie Helo, so. pre-mo-nivtion coud have seen this {To the end nce, shame on yous id — at fol me twice! He went back New Or Teams. | chorus cs os" ast Fs! Pe? et. ey ? 4017 / wr fh ret 7 0 the end, mM fi aera é e fg os = f — —3 I p84 ty Fe.2424 stone = a as _ a ee ‘othe en, Tl jour oy tothe end. To the end end as 7 Tocota () Interlude cspretires a ¥. I | Tt YN ere ot it 2 He ey, i cs dae | a & il it ue H i oil @ i ue i 4 *She’s Automatic Words and Music by Tim Armstrong, Matt Freeman and Lars Frederiksen Cc G5 F C5 F5 A5 Bb5 co TAG eee + H +H 32 1 2 33 13421 134 134 11 134 Verse Fast ¢ = 168 Cc G5 Cc G5 F G5 Gir. 2 (dist.) } ) > > > > > > I 1.The way that she moves, _ well, I was a - roused. _ Em - pow-ered, im - pas - sioned by wast-ed some jerks,_ yeah I was feel-in’ so proud._ The bass and the drums, — the Gtr. 1 (dist.) G5 pd) i nm Yu a Vv“ VNL_”A Ae ——— " . |, - - - os | e 7-7. = Fr - eae — a = a — i ev -er- y move. _ It’s so cold out - side__. ss we_:sneed «so a place to hide. __ Go in mu - sic’s so loud. _ She asked me if I would stand. at her — side. __ Like 1 4 4 = _ I —— | ee, — ee fh Roeper fe spon gh egg ———E————__=- | bre SSeS 5 oe t ¢ e« # ¢ ¢ + $ > > ve > s - 5 5 3 5 5 5 +5. 5 9 o 5 ' 5 5 > + + 5 5 5 5 5- 5-—__4 5 5 5 5 5 3 i— 3 3 3 3 +3 3 5 5 5 5 3 3. 5——5-—_4§ 5 3 §- 3 3 3 3 3 3 3 + > Chorus F GS Cc F . | ia to the club___— to’”—— thaw out for the night — glue that I would _ to the end of the night. _ She's aut - 0 - mat - ic, ao. e ¢ aes > > — E 2 2 4 6 §- 5 5 5: 2 2 2 2 2 2 2 \ 3 3 5 5 5 4 5 5 5 5 5 5 6 3 3 3 3 3 3 3 r 3 3 5 5 5 5 3 3 3 3 3 3 3 3 3 3 3 + a + 4 3 3 3 4 4 4 + + 4 * Vocal doubled next 8 meas. Copyright © 1995 | Want To Go Where The Action Is Music (BMI) All Rights Administered by Wixen Music Publishing, Inc. 56 International Copyright Secured All Rights Reserved—_— —— Se S4hthtthtyst ts / 44 hd 44th th the =, = oe = 4 — — (SSS "SSSS Se === / V)Ti4 TTT) i yx fpr She's auto mat — ie oS 1 Tis) ti tidx = | = | i = 4 BR z oF = Sess PHP aa — = HA Pee eee eS 587FS AS bbs cs Bs A Bb OCS /M)1) AAW) A) am e3 2 = fiptiiiiti Hite | | Ge - ae | SS SS ee | chance Twas tak in’, T get anxious a - sound herSheput her ead on my shoul - der, T = 4 fo. oa Hebi ob sided pied pt ot a Pa Seed a :Old Friend Words and Music by Tim Armstrong, Matt Freeman and Lars Frederiksen E sig pESEe arts ER ee ee Jett Reggae d= 17 oom t)- eel Erez - — —_ a os fs pp —— —————— “} i) Y)-) t)-) t]-- Go See alr pEESHES pcpeii fet ffSartttottt Ye Pee a ee a ae DAP 4 SS SES EES Se = I Copyright © 1988 | Want To Go Where The Aci Is Music (BM) ‘a Fights Administered by Wixen Musie Publishing, Ine. 60 International Copytight Secured All Rights ResstvedChores s Es FORE FE Fs OF oF ono TTI ITT TT ITT er 3 yoy? Pity dy ere Peres Goal mom-ing, heat - she. —~=~C‘Youve iw an old fen Cone ii A ger itt DER Pe ey EEE = | gay pee ee : = eer = SS RSS SSS eee sett a am om 5 (SSeS Se ite OO * Chose efor tay ens 5 meres ¥ - x a oe ele i a ‘earkita ioe Fim > A e Fim bey: 7 aS Me ge SS SS (so Ad te that ever ends got sles tatu never be eve And 1 7 SR ey nso sine ‘ Soden 8 == TT {FS pe know 1 wear i wear it on my seve 2a mat some i at ety my owe for - w -'nate get preyed on byyou that 1 tiked bat right here inthe ain, you Know it just don't seem righ 1 tor and it runs deep” ough your “body. 90. Fromthe cold sul sue's Eighty six cons im these pock SOF mine. And you can a E Fim > a E é : 7 - - — = JepSy SaaS = ——— = = always go. ou 1 never hide. Bim Cleve = and, 1 should-"ve I atic ep the hot con - cree The old tin van, aint wake my money, You ean ake my time. But you can't take my hears i's inthe Chorus in 23 Rye 141A 20 Fem > a. gee pt Se ey + = - = he stayed in = side. so sect Good = mom ing, art = ache You've like an cit ye be hind + Voc bane mee Fim A DS. al Coda dake repeat) Moe a= You're like an ld frend. 9 Coda 1 us 2:47 see me a gain, soon. eS Rye 3, Sem aFHS DS A ES FH#5 D Ge ee _ To f= py =F} — yy} i Ss : H but = you know it was gon - na be al - ~—s right. __ Gtr. | ¢ et i = =_———— = = : = f wi dist. 5 5 5 + Guitar Solo Gtrs. 2 & 3: w/ Rhy. Figs. | & 1A, 2 times, simile A E Fém D Gtr. 1 “~ 48 -, eo 4 4 ~ Ort = Se f * ; f z= p- eo Be eg ose Pe ee ee ad $5 +s = Pe apo ak i ful fi full a " full full ull ull ul u full {__5 t+ 5 sais) gf 5 5 5 + 5 + 5 pp py 5 5 5 5- 5 ?#—# z- 5 [54 ee ee ee ee 5 t F F 1 t F ¢ | | ® Coda? A E5 FH5 DS A E FHS DS A “TTT TTT) Pp dhe play 3 times 63Disorder and Disarray ‘Words and Music by Tim Armstrong, Matt Freeman and Lars Frederiksen FS RSE fe SSS tnd show me num-bers that 1 = ———e gre m Porgy ae oS oS 3S under = stand You're candle, I'm your bum - ing wick. — to be seen So many ‘bands "tobe heard. — Copyright© 1995 | Want To Go Where The Action I Music (Ml) “A Pigms Adminstered by Whxen Muse Pubishing. Ine intematonal Copyragnt Secured. Al Fights oserved$6 Pre-Chorue Say good-bye when you chorus forse 1A F BS CS Bb BASS Bho Bhs cs = — f+ = fo — fe 22S aaae Sy ey ys ye yy mm Cw +a dee Sn time, To Coda 4 4h time, To Coda 2 Q) F oS 5B BbS CS Bh Bes : oa qh == Pe StS y y neei. se Sicko hee wpe a ey—0 CBr Get onthe bus andDS. al Coda 1 ty be fe ¥ r ee S555 se SB SST 8 —————— Ph : ~ Coda 1 Q cs bs Rye 38 dy. ie 38 ca) ??) / 4 / x f ? ? } a) / y 7 —=——_ 3. Busi no fo Rly. Fie3 ‘come and shake FS cs bs: Bs (ese i snd show me mum-hers hat Tun = der and You're my can de, tm your Ds. ot Coda 2 cs is abs SE] “Two. sides com ing, wo sides com - ing $0 quick aa BbS ‘FS t \ i 1 ulsien sem - $ i + Sat $ $ + =} Bs FS bs pee SS Sa = — SS ‘we dropped the bom, Hal time had ws py alla done Cu ck teppei aaa SPH * Vou de eed FS CSB} BBSThe Wars End Words and Music by Tim Armstrong, Matt Freeman and Lars Frederiksen G DS Gorn C5 B5 AS G5 xx x XX, xXxXOOOxK K xx x xx xo xx xxx tt - ary KX) 1342 34 34 WI 134 Intro Verse Fast ¢ = 172 Half-Time Feel * G D Csus2 G "G5 DS play 4 times Lit-tle Sam-my was a punk rock-er_ let ring throughout * Chord symbols reflect implied tonality. * Chord symbols reflect basic tonality. Csus2 G G5 D5 G Csus2 G GS costs ee oe o. @.. — —— _. o — = 9 + a é o—___— = | —_ You know his moth-er nev-er un - der-stand him. _ s—¢-3J 4 | = 2 [ at i» = = ———— 2 $= t oe se go RS = oo : we = ro OL 3 3—3 + 3 3—3 3 3 3-— 9 0 9 8 so [3 3 a9 | 8 9 8—-8 # 6-——6 $ 8 —3—_4 8 8 3 2 4 x 3 2 4 x Cc G5 D _ en eo oe » @ a — io _—_—a = ——— [ oe a a #5 = | —— ee ee mee Went in - to. his room andsmashedhis Bill - y Bragg re - cord. ue wnele ah Cae ae Llu one oS | 4 — e pb G G GE GG oO 3 3—9§ 9 2 2 2 3 3 § 4 4 4 4 3 3 3 3 @ 3 3 e §- 9 4 § 9 §—_4 9 9 a § 8 2 2 2 4 6 2 2 2 0 §- 6 9 8 § 4 8 ; 3 3 3 x x x 3 3 3 3 End Half-Time Feel band enters G5 Cc GS D5 = SS eS Did-n’t wanthim to hear —_ that com-mu-nist lec - ture. Gtrs. 1 & 2 (dist.) Copyright © 1995 | Want To Go Where The Action Is Music (BMI) All Rights Administered by Wixen Music Publishing, Inc. international Copyright Secured All Rights Reserved 69om cs Bs AS bs Vida Z fi titi ffi)D5 GS C5 G5 . . . . - co Q- @ . _ oe SSS - +H eae : = ” = - pt _ ver. War! Ah, Sam-my now we’re at the war’s | Tl ee | = ——— . . _ —- fe fh... + = — ae q is oe ree ee ee - p-pEey: sj it gis sss ois $2 dg > >, we oe oe > > Z }—_}—_ 4 _#-_#—__# 7#—_}—_1—_7_? 5 555+ _+—o- 8 4 7}—_}—_-¥_7+_4+_# 7—_} 7-74 t 5 5 5 —_5—_5- 5454 5 5 5—_5—_5_45_+# 4 §-—_5—5—__5—__ 5-5 5—5—__5-__5—_ 53 3 3—_3__3—_3_3 -# 5 5 5—5—_5—§ 3 3 3 3— 33-3 D5 G5 DS C5 BS AS GS Rhy. Fig. 1A End Rhy. Fig. 1A oe 2) } ¥ ¥ > > > > > > > . — . _ @_@..@ _@ __ . - - Go —— — oe ys rr ‘et end. _ We're at the war’s end! We're at the war’s Gtr.1 Rhy. Fig. 1 > —_~ > Bnd Rhy. Fig. 1 : —T— a : = a 9-3-3 $3 ss ees 2-3-3 = [os ee ee oS eed dev tet estes st 33 see ee 4 (Gtr. 2 cont. in slash) 7 oa 3 88-7 Ft 5 3 3 3 3 3 pe _8=t_7 5 F 7#—}?_?—_?—_7#_# J—_}-—_}—_}—__}_?_1_4 | §- 4 2 2 § 5_-§—_§ >< 44 2 ? 7-—__}—__7_}—__+--# 7}—__}—_7_7—__7—__7_7_4 8 §—_00-4 0 5 §_—5—_5—_45—_5_5 §—5—_5—_5_5—_5-_45_4 x To Coda €} Gtrs 1 & 2: w/ Rhy. Figs. 1 & 1A, 3 times GS D5 CS BS A5 G5 DS C5 BS A5 G5 D5 C5 B5 A5 G5 + SS F end. _ We're at the war’s end. We're at the war’s end. _ Go! Coda Interlud ® nferlude 4th time, D.S. al Coda AS G5 D5 C5 B5 A5 GS G5 on) } ny: ) on , > > > Gtr. 1 play 4 times Q a be = et Vv eRe ded 71You Don’t Care Nothin’ Words and Music by Tim Armstrong, Matt Freeman and Lars Frederiksen Bl gt er i aa ae ue “nd 6s ie ; whe = Gi, 1; wi Ry. Fig. my py Dd} ny, > / Ds "TT ) TTT (77) £07)*) ) S07) 6 =] = (EE ee SSS ——— = 7 BG | / fii) 4 4 ie ala ie Ua -ilTda oS (SS Sa ra Saint ag ieee ee at ees tp peed eee ¢]-_ fgyo p pitige ; He | Se se CCopytight © 1995 | Want To Go Where The Action Is Music (Ml) “At Rights Acminsered by When Mase Pubening, ne 72 Intemational Copyright Secured Al Fights Rosstved« reer 7 ceo oSos c i) ae eae) ae ae oe (comin tn) find out for your - self. Chorus cs . c &= f_fie 9 igor =— = § G — Jen = ny De = mi to, you don't care Vos dob ot 0 me 412. _ Interlude (2 hy, il 1 ie Gir swt hy Fig, Sete Ge 2 Rhy FN, 2s cs asm asm OBS BS “Mo dP YA “TIAN Malm Verse GL w/Riy- Fi 328m (60.2 W/Riy Be 2s Ger cet % ts “6s « Qa eet fees 5 a ‘Yeah, yeah a ~ bout me! — B.A ~ bout met A bout me! A bout —Chorus ee Seeumene tte CST agar ees eee eee eae a : e 5 yO? or SS ae = ——F = ee eo oe ee seme : a) ——— er = ; he cs aaa r for 1 said, you don'tAs Wicked Words and Music by Tim Armstrong, Matt Freeman and Lars Frederiksen 6s, gs ase fee rid) 2m Ay. ie od a. = DS “6s ‘DS, AS yo 4 == ' - -_ _ cs Ses ea NS Pelee peer rea ey Copyright © 1995 | Want To Go Where The Acton Is Music (BM) “Al Rights Administered Sy Whxen Musie Publishing, Inc International Copyright Secured Al Fights Reserved 7Gtr. 1: w/ Riff A G5 DS tS ee o—s . az 2 i a 7 —— a . TT : = = He moved so. slow, like a dy - in’ dream, _ like a ma - chin - ist who got She said she’s nev-er had a friend be - fore... ‘Ts said, “Hey girl, Ili be your friend, but xs Verse Gtr. 1: w/ Riff A, 2 times AS D5 G5 °Pen Rhy. Fig. 2 . Gtr. 2 L L > > . a . . | eeyeenemnsinreen mummsewmmmmmens | a a Ss " ee of ~ - 4 - - ~ 4 - é zo ea - a os = 72 os 2 eo t : caught in the ma - chine. 2.1 saw this la - dy, and she was cry - in’. who’s keep-in’ score?” 4.1 saw this oth - er lit - tle girl on the phone. _ 3.1 al - ways end up back on the hill, Gtr. 2: w/ Rhy. Fig. 2 D5 A5open DS End Rhy. Fig. 2 i L > > a ay Se C {— ao? = — — i 4 2. 2 se ee SD s ~ o_o oo : o 7 : : SS J She said, “It’s hard when some-one you love__—sis_— dy - in’!” 1 saw this kid who’s a-bout Her moth - er com-forts her from far, far____ from home. The lit - tle girl was ver - y look - in’ down atthe land - fill. Pil go there G5 DS AS 2 N = — == : : Ny —e oe : oe ee ae 2 five years old. ___ He was in a park all a - lone, he was cold. hes - i - tant. Her best friend lie dead on the pave - ment. when I can, _____ My friend Mart - y said, “Tim, you’re a luck - y man.” Pre-Chorus AS N.C.(A5) - e rt poe — 3 — 2 ie #—ps é e | Chorus Gtrs. 1 & 2: w/ Rhy. Figs. 1 & 1A, 2 times, simile D5 G5 DS G5 DS G5 AS ~ G5 * J © ff» —_ - 3 Cee ce oo —« 6 PR 7 fa — _emeees— aasnsseen ~ hansen! 7 As wick-ed as it may seem. _ As . wick-ed as an- y - thing — could_ be. * Vocal doubled next 8 meas. To Coda €} DS GS DS G5 DS GS AS ~ G5 pt pe = : ppt pe a rR fe : =| heey — wl - bese - beessemen! 4 - As wick-ed as it may seem. _ As wick-ed as an - y - thing_ could_ be. 78FT Bridge D5 G5 A5 G5 D5 Gir? ) a] y J YY Y J . > > > > Na, na, na, na, na, na, na, Na, na, na, na, na, na, na, * Ties apply to repeat only. [2. Guitar Solo Gtrs. 1 & 2: w/ Rhy. Figs. 1 & 1A, 2 times, simile DS G5 DS GS Gtr. 3 (dist.) ‘ ‘ s 4 - * 47 48 8 8 43 8 43 49 49- 40 4 48 40 48 i + 2 42491240 42 7 = 8S # 2 + 2 (12}—10— 4210 #24619 4042 42 4} Coda D.S. al Coda Gts. D5 79Avenues & Alleyways Words and Music by Tim Armstrong, Matt Freeman and Lars Frederiksen (ee aps Intro Fast d = 166 Gs ony © 1995 Went To Go vnare The Ac s Music (BM ’Al Rights Adminitored by Wixen Music Pubishin, 80 ‘ntrtonal Copy! Secured "Al Sights RooseDS C5 G5 _ vss _ 2x | Verse Gtr. | tacet GS C5 Rhy. Fig. 1A End Rhy. Fig. 1A ~~» oe @ o--- ~—b oo Ze o a ge te te ° » -_ So 4 — et temmermmmsasnaa = = ~~ fe — = aonb fig - ured out the prob - lem and the prob - lem is you. You 2. Ac - tions could e - — rase all the fear that we suf - fer. fig - ured out the prob - lem and the prob - lem is you. You vexee! xh ke ¢ e PM. ~~~ --e 4 4 + 8 8 9 9 + 0 9 @ 9 6 $- § 6- 2 2 2 2 x x x X X¥—-% 3 3 3 3 3 3 3 3 ¥ 3 3 3 3 3—3 3 3 % ¥ Gtrs. 2 & 3: w/ Rhy. Figs. 1 & 1A, 3 times G5 C5 G5 did - n't see us com- in’, now there’s no- thin’ you can__ do. Times are gon - na change. . Peo - ple seg - re - gat - ed, no one un - der-stands each o - ther. He’s a diff-’rent co - lor, but did - n't see us com-in’, now there’s no- thin’ you can do. He’s a diff -’rent co - lor, but 81SSeS j # eer * ° ——S| ot f 2 2 $ c FSS55 6 cs os a a eee gen - cr — 4 ion sland-ing, stand with an - ger in their eyes. No love inthe ct —_y “cause there's Bro ter “gain “brother should “be sing int with the group. The im ver cit» ys bum. ing, yeah i's Gi-a" pains @ pic te that sisal our eyes iS the dogs “again the cats Now who cs os cs ‘ : ol OS SS eS — mo con nee - ion Stick-on by dis - cae ama) in = fee tion Seream-ing—blac'abne, "The pow and te pas sion of 2 ml-lon youth, Seni respons abl? The power in the is ates The foe is un = atop) - pas be dna Fad Ry Fig 34 7) t))1b)00 == pos] battering ram Ray. Fie peers 82Gtrs. 2 & 3: w/ Rhy. Figs. 3 & 3A, simile 2nd time, D.C. Gtr. 1: w/ Fill 1, ist time DS C5 GS co t d J J a e_# —_ ee eo = = SE (2S SaaS a ev - "ry al- ley - way and ev-’ry av-e nue. (Hey, hey, hey!) [1. ||/2. Gtr. 1: w/ Fill 1, 2nd time D5 CS G5 ee nN Gtr. 3 7 b L v ZL > > > ao. __ toad Jo = p= —— a I'm a (Hey, hey, hey!) Gtr. 2 —————————_—=_=_"".. an 6 ee ie a = Eo ee =e — {ea ‘hoe — z — 2 8 SSS : — > > Oo Vo > 2 3 3 —3 + 3 2 4 8 Eo 3 x 3 x 3 Outro-Chorus Gtrs. 2 & 3: w/ Rhy. Fig. 3, 2 times DS CS G5 ee > > > (cont. in slash) divisi — 46 9 t 5 4 2 47-5 5 5 5—_5—_5 B 8 7} tC 3 2 6: i x-—-*-_* XX 475 5 5 —_4--5—_+5_5 27-3 3—_3—_3 27-3 3_3_2--23 —+3—_3 Double-Time Feel cS G5 Rhy. Fig. 1 2. asset seeeee REERERE SSRRRE Recs po 6 $88 Gtrs. | & 2: w/ Rhy. Fig. 1 C5 End Rhy. Fig. 1 TL Copyright © 1995 | Want To Go Where The Action Is Music (BMI) All Rights Administered by Wixen Music Publishing, Inc. International Copyright Secured All Rights Reserved$ diem Verse Ps Bs fe fap tee - 1. Pick me back up just t0 throw moved up the lad erat wary 0 back down, 1d speed cs Ah. s ts ep | a aes ae ete Be Moved methodic ad Fl | : = os 6 CE iigesees + as aot root Deals topPre-Chorus G5 CS GS End Rhy. Fig.2 —_ Rhy. Fig. 3 ! vos say that_ I’m diff - ’rent. say that_ I’m diff - ’rent. Chorus F5 Cs End Rhy. Fig.3 Rhy. Fig. 4A a | “| iM - ly thing diff - ’rent_ is the way I feel a - bout_ * Vocal doubled next 7 meas. End Rhy. Fig. 4A TATE RARP rae =o 2 StS Sey —— | ae 2. You (he 2 hy Fig? SSS ee what know now. That it would a4FS ——3 — ea o-—_9 eo o—--» o- ‘o - e Ct f # f af a oe a £ f- ff the on - ly thing diff - ‘rent is the way I _ feel a - bout __ you! Chorus Double-Time Feel Gtrs. 1 & 2: w/ Rhy. Figs. 4 & 4A C5 G5 2k Na, na, na, na, —té‘é‘“NNay na, na, na, na, na, na. * Vocal doubled till end. Gtrs. 1 & 2: w/ Rhy. Figs. 4 & 4A C5 G5 Gtrs. 3 & 4 tacet F5 E5 DS C5 BS AS G Gt 3 ae Gtr. 1 divisi Gtr. 4 dist.) tf Gtr. 2 divisi >Adina Words and Music by Tim Armstrong and Matt Freeman cs ri Iatro Free Time Fast Punk = 152 Doubt et Hismb sc cs Hismh Ese cs Senet sor 21 7) PSI SPIT ISNT 7 SITE LX LVI SAHt Lk oo — — = — — = | — ersGot Wey, hg! 4 BbSIBb RNC CS EDS FSC OG GS VTi) (4 ATH Tif 7h Td } Tht TH) LTT | TTT seer Ff Citasercssssezs SS Copyright © 1989 Rancid Music 90 Intemational Copysght Secured "A Righis Reservedo> Verse Gtr. 1 tacet Gtr. 2: w/ Rhy. Fig. 3, 3 1/2 times, 3rd time, simile cs FS/C by ties pee ey ? a 4 —— - — 7 = 1.,3. 1 want to go where the ac - tion is, I want to fly throughthe ur-ban - blight. _ 2. Beat up Chev-y with a trail - er in tow is what they call home now. — - *gain. loco Gtr. 2 Rhy. Fig. 2 End Rhy. Fig. 2 Oe 2 at = . oe oe see ~o SS | —§ 5 a a a 5 5—5-—_5—_$ 5 5-—5 §—_5—_+-5 5- §—_5—_ 5-5 4 5 5—_45—_4—_45—_+- $ $—_5--5_$ 3 3—3 3$—_3—_3—$ 5 5$—5—_§—_ 5 3 3 3—_3—__3-—_3_3 3 3—_3—_3-—3 3 33 3—_3-—_3—3 3 3$-—_3—_ 3-3 * Chorus Vocal on repeat. Gtr. 2: w/ Rhy. Fig. 2, 3 times, Ist & 2nd times, simile cs BC CS ye ae SS =o 2 I want to live like a shad-ow in the dark, and on - my move at van _ One more hill or riv-er to cross on the way toan - oth - er town. _ FIC C5 oe oo _ coe ce 7. Ht 7 ee J = = = a t FS5/CC5 — full full Free Time cs (cont. in notation) Eb5/Bb FS/C.C5 — full full Eb5/Bb FS/CNihilism Words and Music by Tim Arnstrong, Mat Freeman and Lars Frederiksen sist FS, Intro Moderately Fast = 132 (nom tit Apidos) BBS cs bs E es cs Ds + 7 By Be é —— z ¥ fs ; FS | ous 1 820) oe 6 —+ Hey! 1 14,.2.Come into theun ion district, ‘ive down on Shar-mon Palms. White gher-tos pain’ pie tre, Copyright © 1904 Rance Music 94 Interatonat Copyright Secured "Al Fights ReservedA7Tsus4 F5 C5 or . Saneennnennenteserevenrseetteetees, * don’t pick Sf PS. (cont. in notation) ——— — on ge > = Tn — f : —— ff = I was so full of scotch I could not __ stand up. Twas brok-en homes and brok-en bones. — | Walk - in’ a path of — self - de - struc - tion. 3 3—_3—_3-—_3 3 3—_3—3—_3-——_3 3—_ 3-33-33 9 §—_9___ 9-04 6—_0—_9—_—__4-"-# >_> 5 § §—_9—_9—_4—2 2—2_2__2_2_ 2 3 3—_3 3—3—__*-—$ 5-—_5-—_5—_3—_5—__-* x % 3 3—_3—3_3—__3-_3 3 3 3—_3—_3--3-_* 3 3—_3—__® 3 3 + + +—_* * flick selector switch G5 C5 F5 C5 " =o ee" BS OOO ~ - nme A — A — a a a a”, “fo a = ——— ———— os hit-tin’ the shots _ and I moved to a cup. Re - lease me from mor - al as - sump - tion. Not af - fect- ed by re - per-cus - sions. La-dy on the bill - board of-fered me a drink, == ; . — oo | a ~ _ 7 ee¢ =F SS [ eee ag S335 55 be ezé¢ e@exX > 8 §—_8—8 }——__?_# —-}-—__7#_?—--*_5 §—_5—_5 5—_5—_5—_5—_5 5 5—5 X—5 5—_5—+$_5—_5—\_5—__* 3 3—__3-—_3_3—__3-_*—--5 5—5—_5—_5—_5 x—3 3 3—3 x 3 3—_3-—__3__3-_+_*—3 3—_3—_3—3 % + +—__4 4 X x Pre-Chorus G5 CS F5 C5 To-tal re - jec - tion, to-tal de - struc - tion. said “Not right now I need time to think.” Ni-hil-is - tic feel - ings — > (Gtr. 2 cont. in slash) glightPM. = = = 4 P.M. — — — - 4os cs fs cs ral = = vt Titiihiiii / Tiled d cee ia {P| ty eat yar as ost! see right ‘em! through you Tl Sat i= TilTT7 PTL pe SSS = — = a 5 Eee et Chorus am 1 BSE BS Ds ESE ES Ds BSE ES DS ESE ES ps of) IM m=) OF Nw Wares 1) ti tit dee) sie itil att = fe: = ree tere — eh rt cet roy Niitis-m! iis Niilis-mt ee cnt eet = eg = 4 — - 7 # ® At eg? | is eae * e « i * Bridge BSE ES Gs” ‘BS CS FHS GS BSCS FS fi OTe! os = - rr oe ZIV TTT tT Vili Thi wr Tlie oe a = a aes ; —as Ae ERBHalf-time Feet os Bscs Fas Gs Bscs FS IIIS Vili iat FIITPA PANTS — E : fate vem So —E — oem 3 tas vett.res 1 dyer] : : : 3 7 Gehwity Me Stes (6-1 w/Rly- Fig 43s ne © oe 7 many.” ont | ) Bt pe z oe i fal oh wok eo) at Sand gp wm tits ta) he shew and 6 r c 6 c a Sa a pe . moved to a. ‘cup. ‘Well you come in the u - nion dis - trict, and you drive down Shar-mon Palms. White : ° F : 1 nd Hale-Tne Fee os ee ns oie ae SS ghet-tos paint pic - ture, ‘brok-en homes and brok-en bones. cah! ‘brok en bones! _ won 4 Rhy. E'S es bs EES cs ps E ES cS Ds E ES Cs ps ES gS roy cee SoS Hey!Radio Words and Music by Tim Armstrong, Matt Freeman and Bille Joe Armstrong Verse alf-Time Feel d = 126 bs D gies pos yo) ae are ¥ 1 L Never fell in dove tL Rell in ove with you. (Gtge D Dy D Dave? SSS SSS Never know what a good time was had a good time with you. Hf you D Bm os > 4, = = a SS 5 SS SS SS ae wanna. get the feel-in? and you wanna get it righ then hem sc’s gotta te oud. For when the e | Copyright © 1994 Rancid Music and Green Daze Music International Copyright Secured "Al Rights Reserved 98End Half-Time Feel D we. a a ae i 2 x = (SSS SSS i mu - sic hits, 1 feel no pain at “all. You know! eet “ Bm bs nd hy. Fig TT a ee ee — Z 2 Warm sum — mer ah Twas drink in! wth my Clash Mag — aif [oes ‘Sat | 7 2 PPT? 4 —teege Pe reps = “5 a SS eS Wes ead SSS = = fied love oof an th er Kindnd Ry 2 = ete ete s liitl D: fF Fs vt 5% Pre-Chorus (= — aye AR LL) , f=: it , i oO} | a ee eh so0 @ wwe ones 4 [= oyte oo. Fa 2 tye ft —— ¢ $ Ry Fie 28B5 G5 DS + . a a Lo Z ee _ _ . nn ye S62 SS - =] = rs aol a + __§__—- -___} When I’ve ots the:=—os mu - sic, well, I’ve ot - ta place to oO. g g Pp. g in 1/2. AS AS E Lo 7 mon = — Don’t ya know? Gtr. 1 4 ; / - Gtr. 1 7 7 7 | _ ae / 4 a7 - To Fo ~ _— : oO ~ : _——— _—— {| Se s Ss 2. > > (cont. in slash) —F X % 5 Guitar Solo Half-Time Feel DS AS DS AS DS AS DS AS Rhy. Fig. 3 End Rhy. Fig. 3 CPDITDMD TET TRIDIN TT TAA TT TAT Te Gtr. 3 (slight dist.) * loosely doubled, Gtr. 1 w/ heavy P.M. D.S. al Coda €} Coda End Half-Time Feel Gtr. 1: w/ Rhy. Fig. 3, 4 times, simile Gtr. 2: w/ Rhy. Fig. 3, 3 times, simile Gtr. 2: w/ Rhy. Fill 1 DS AS DS AS DS AS D5 AS AS ae Gtr. 2 f SL ee Gtr.1 7 : ——— | oe oe eee chokes Rhy. Fill 1 Gtr. 2 4 + - 101Verse i 2c bs Gs D / ae |S a.when rye — gor # SS — 4 i cs DrustD Das? D AL Bm Ss Pp ee well Fve got aplace t© go. peor TE e got aplace, well 've got a place, well SSS eee ee Ga, Vve got aplace 1 go. When 've gor the ma - sic, well I've got aplace 10 g0.— ep ee When I've got the mm sie, Te got a place to go. BS Gs Ds Bs get ea =] Wien Tye got tem - as) : - ot = +4 | cee = 102 ‘WARNING Ca cae damage esSide Kick Words and Music by Tim Armstrong and Matt Freeman AS C5 G5 F5 Cc E F G G5 E5 AT7sus4 xo XxX x xx xx Xt x oo oO oo eK x xXKX oO xxx KOOOXX Le ¢ ad # a 11 134 32 1 231 13421 13421 134 11 Intro Fast ¢ = 140 *Gus. AS C5 G5 AS C5 G5 AS C5 G5 AS5 C5 G5 AS5 cs G5 E 1 & 2 (dist.) (Gtr.1 cont. in slash) * composite arrangement % cro Ry. Fig. 1 End Rhy. Fig. f simile on repeats ¥ —— a os Io a o a a : ms = ae = =po = ow | I had a dream =I was a vig - i - lan - te’s side - kick. Gt.2 Rhy. Fig. 1A End Rhy. Fig. 1A simile on repeats Copyright © 1994 Rancid Music International Copyright Secured All Rights Reserved 103as cS PT) Thad a dieam 1 owas a — : ao et rs ceo eo To Coda () 6s oases as cs 6s Gis Fs aa ; — woe 7 | SS Se ee Wig i en ts side - iek Fihtlag cine in te sess to gh - ce . PS ian. on of Wen Grand the aban domed bil i ; Tat a Saint Jo Ws seph we ice to sleep op Pe = t =" i — — $ H t = 104F G © © 3fr SslightP.M. ~~ = Le LLL LLL 4 Help your fel Can’t (have)peo - ple —— ry a Jae To a sf - @ a e oe i , z oT Gov’ - ment a - gen - cy said, “Be a - fraid of | me. ri Here comes the swat team, and, and the M -_ six - teen, to oe ——— eo . ~ 7 2 . — if wi dist @- @ @ 8 8 § x¥—_k- 5 + + 4 ¥ 5 2 2 2 % 2 2 2 5—_3_4 § € your doors the walls 105cs E — — ——— =O Z citts Year ae Lt eT Po SS = = 1 Wor ver ine came through, eft the a ret foe dew, Wat vers ine war nad and it made him iad 5 = 4 | a eave = 7 2nd ime, DS. at Coda DRT ITT PITT TT ITT: a ° pened the doors—‘ack up, ev vy - one was. ; oe fy sin = gle cop ra bol = tet inthe head ass ALT) ee \ / wists Te y— ~é 7 1406Salvation Words and Music by Tim Armstrong and Matt Freeman AS/E AS D5 E ES OOXXxXx xo xx xXxxXO x °O OX °o XXX A a I 13 321 i Intro Up-Tempo Rock J = 143 AS/E AS Rhy. Fig. 1 Gtr. 1 dist.) 4 oY t) ; p thy 2 PW.) Fy PS. Comeon_ ba-by,won’tyou show me what you got? Yeah, _ I want _ your sal - va - Gu. 2 (dist.) Rhy. Fig. 1A P.S. don’t pick International Copyright Secured All Rights Reserved E AS > > PS._ 4 be Hitt. og Sop ef Eu ann nnn tt # —— t ie ~t ° ~ —— ow a 79? |*._# ws — en — 2 - tion, whoa. Come on ba - by, won’t you show me what you got? Yeah. _ # : anal a — 4—e * 2 x S Manaweeveweeeeeneeeenaseveteeeeeeneneeennenes, > PS. 9 9—9- 6 $ 8 o-—6 @ 8 | + 4 4 + t + 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 6 * 0 0 8 8 x Copyright © 1994 Rancid Music 1071 want your sal va ‘be - lieve these peo - ple where i = =: all the rich peo ple, ah, Tike Kings hide, — oe | 1 wax down on my tuck — work-in’ for Sal id den tates and vation Ar-my. The === = = SS = 3 7 ee SS a =e : bs / d 7 > ay? / 4,¢ 3 = >} =. aaa oe pepe | an ae eee — es SSS SSS ey 2 == eS —_— 3 } - x x E=- >= =ee EEE =— Gipickup the of - fer - ings. Mi - cro-waves,_ re - frig - er - a-tors for the suf - fer out on a mis - sion. I'm in your front. yard, un - der sus - pi Chorus Gtrs. | & 2: w/ Rhy. Figs. 1 & 1A, simile AS DS a ee SaaS = — a Come on ba - by, won’t you show me what you got? Yeah. _ I want your. sal - va - - tion, whoa. Come on ba - by, won’t you show me what you got? Yeah. _ I want___- your sal - va - tion, whoa. 2.1 - tion, whoa. Guitar Solo DS E5 DS ES Gtr 1 }}) }) PM Le Gtr. 2 109bs Bs bs : — Oo —— DOtt said dh thst TTiitdii tit) pee pepe toe Yeah 1 want your salva — tom, whoa — bs a. 2 ee Come on ta - by, won't you show me what you got? Yeth Ovtro-Chorus ssttime, DS. (take Ind ending) Con. 2:4! Ry. Fe 1A. as eee le ee a ——S tion, whoa. _ +» Come on ba - by, woH't you show me what you got? Yeah bs 2S oe ==: el show me what you go? Yeth,— Free Tine egin Fade Fade Out as Gin ————_——— J J malas _ fees i eecennnnntaeeetnsanne AnnesThe Ballad of Jimmy & Johnny Words and Music by Tim Armstrong and Matt Freeman F5 Bb5 C5 C5’ Bost Cc G5/A xx xXx A Sfr xx A fe xo 0 xKOOOXX ow i FS 134 134 34 1144 1144 32 1 Verse Moderately Up-Tempo =121 1. Jim-my and John - ny, two friends Gtr. 1 (clean) Out- side sim-i-lar-i-ties, but no they don’t feel the Cc F BbS E ® open Grr. 2 dist.) 4 ) t : iene eee mp ff PS. (cont. in notation) — Jim-my thinks John-ny’s a punk. _ Jim-my lis - tens to Ska, - and John-ny likes Last Re wi dist. * flick pickup selector Copyright © 1994 Rancid Music International Copyright Secured All Rights Reserved 111cs =—— f 2.dim-my and John-ny inthe wench — es wo, down 10 night 3. Jim-my bad isto. fone girl «back = of—his,—scont— et that night | ca He 3 38 8S i 3 j ee be SSS —— es —————— HORT, @o 4@o Rie EAE, PO TT oi bis ———— at St = San fig, stop ink = i What the fuck: ees think = in == S| vee eet 2% Chorus Bbs Jim-my and John-ny, tell __ me what you’re see-in’. * Vocal doubled next 7 meas. Jim-my and John-ny, tell__._ me what you’re see - in’. e velea elem XK. LK | XDXM., Veen a ene! | | aaae Kea vel ane | me anal @ ame! a y waa! a « | we. + 4 X—_%—_ 8 & k—k—_—¥* 3 3 3—_3—_3-—_3-—_3 3—_3--_3—_3 3- 3 X¥—_X%¥—_%—_*---2 2 Xk K—_*& 3 3 3-—_3—__3—_3—_3 3—_3—_3-—_3—_3 ; + ¥ ¢ ¥ ¥ 3 3 X—+_X-—_*-—_¥& + 4 + +—_+4 4 + +— 113e/g tees ToCate() Best™ a, 7771) ) tit 221 + xe + ae a i ; peat 4 == Iotertade HalTime Feel ¢ BOB BbS GSIA C Gg a ae | hoa youre ) ae }-/ ) } t } - 4 +t ee gatcan 5 In yt / : &3 my 3 4 Epi pbs ™ 114St. Mary Words and Music by Tim Armstrong, Matt Freeman and Lars Frederiksen G5 D/F# Cc D G D/A cere XOOXX °° X__OXxXx XxO X00 X00 X29 == t 2 3 T 132 32 132 2 4 132 32 1 Intro Fast Rock # = 144 G5 Gtr. 1 (dist.) 7 Gtr. 2 (dist.) 3—3-3-3—_3-3-3—_3-3-3—_33—__3-—_3-33—_ 3333.3 33-3333 33-33 33-3333, F- 3—3—3—3_33--3-—_3--3-3_3_3+ 3 —_3-3-_3_3-3-3"_ 3-3-3333 _3-3-3- 3-3-3 3-3-3-3 LA 9—_0_0_9-_4_0_0—_8_8_4-__0_4__9_8_6—_9-—__0-_0-_§_9-_4-_9-_0_0__0-—_0-_9-_9-—_9-_9- _0-_8-_9_9-_9--$_ 0-4 $-—9-—}-—8-—__-_9-_0-—_9-—_0-_9-_ 449-8 0_-_4-4-4 4-9-1 _6_6-_6-—_8_8-_40 4-4 4-8 0-_)--0""_ 4 UB- — E FEED D/Ft GS Cc G5 Cc GS © ©O@ open 4fr 2fr open TTL TT) PL TVET TIL DTT ETAT PL tT ‘iil on repeat A $=$-6-6-6-6-5-6 $6666 6-5-6764 oP orree cE EE E: poipecess ereee simile on repeat 9 99 9 9 9 9 9 9 9 9 9 9 9.9) 9 9 3 9 93 9 9 9 9 9 9 9 3 9 9.9.9 3 33-3 a ee eee a ee eee ee ee ee a 2 9 5525 59 >> FD >>> 5 >I > 565696065 5 94 65 5 80-4 446-9 6—o 0-6 6-9-5 6 6 6-6 6 6-5 611 im {0} C G5 FH E D D ©® © 4fr = 2fr open a Sete epee et es 2--3_3_3__2>733-3 s-3 3 3—_3—_3—_3 2 2—2—_2_2-_2-_2_2_2_2_2_2_+2+?2 2--3—_3_3__ 2-3 _3_3_2-+3_3_3__3_3"_3__3 $ $—3—_3—__ 3 3-3-3) 3) ¥*_ 3+ 333 3—-+3- 6 8—_4 u 6: 6 8—_ 8 2 2—_2—_2__2_2__2__2_2_2_2_2_2_2-+ 6 §—_8—_-8--8—_8—_-—_0-—__9—_-—_4-—_ 6 > Copyright © 1994 Rancid Music International Copyright Secured All Rights Reserved 115LVI YG . ees pee} Pe ee Eyc open > get used to life liv - in’ let - ter that she dropped out > > slightPM. = = = 4 slightPM, 2 2 2 2 2 4 slight PM. 2. 4 % Chorus Cc ® 3fr Poddeodcdddacddddacd dd ddddcdtvdidddee slightP.M. = = 2 LL Eee eee ee ee ee eee ee ee > slightP.M. = = ~~ = LL LLL Le “4 * Vocal doubled next 7 meas. copen .) )Tam } 117b c ® i} ST on ssa BoE +p pr = = - ——S = - SS Stoot - ing down the aw that sue oa te den et i yaida: ros r rererr. # eS | + 5 + 3 + SSS $ a ot E a es 3 PPP Pr eye To oda ntertode ccm cs cos . \ ce — —-—- = Lore Yer TT SIT LOLI (ti SITITIL STITT vena pp zTT 7 FES _ fii SIMS Wh if ia EEEteey Verse = SS [stot ino a cam posed. oh yeah b OP 4G py 4open mi min c open G Vv “ | v™N vu~ VN 9 pe = : — = eo 7 -@ @ - oe —e 5 t 5 5 3 3 5 $ 5 5 +5 5. s 5 5 =f 3 3 3 § 5 5 3 3 3 3 3 5 + 5 5 3 3 3 3 3 D.S. al Coda End Half-Time Feel Cc open G qn vans we, ui 7 7 5 5 7 5 5 ? 7 5 5 5 7 5 5 5 5 5 5 3 3 3 5 5 5 5 3 3 5 5 5 3 3 3 3 Coda G5 Cc G5 / li 11111 Livi?) / p)/74711 200141 ¢ ce eep ste $ 4 gee - $$ 2 e224 3— 3 ep per ° ° ete ppp eee or h rr? o 3—3 33 3 rs 3 3-333 3 3— 3 3 3—_3—_ 333-33 33 3—3—_3 3 3—3—_3—_3-—_ 333 a3 3—3—-3- —9 §—_9—-9 -§-—__4 8 §—_§—_0_4 o-—_4 -—_4 -—_9 > a oma o~ 2-3_3_3-2--3-_ 3-3-2--+3-3- 33-33 3 2 2 2-2 2 22-22 2~+3-3_3_2--3_3-_3_2--3-3-3-3-33-33 333 3-3-3333 3.333.773 8 4 § 0—6-—4 §—_)-—_9—_9—_0_4 2 2 2—2 222222 g % 3 119Guitar Notation Legend A D EG ‘Guitar Music can be notated three siferent ways: on a musical staff in tablature, and in rhythm slashes. @®® open Sir RAYTIM SLASHES a writen above te Stat Sum chs inte tytn nde. I ‘seine cara eagrams foun a op Ls, the st page ote wanna fr tbe orotate shod vlongs. ound Iteeats nd ge ole “THE MUSICAL STAFF shows pes and ‘ite ana ded y ba ees io teases. Pcs a are afer he est seven ater of teats, TABLATURE graphical opresans he (utr tngarowa Each orn ine Fepesers a ting, and ech number ‘epesers 3 et “ag Dade 118 Dad oS aoe, OponD St ved topes ALE-STEP BEND: Sri te noe ad bard WHOLESTEP BEND: Sirisha nate snd_ GRACE NOTE BEND: tke noe ar bend up a8 SLIGHT (MICROTONE) BEND: Sk the opasep. end up ose Indica The rst ote dvs nthe pany reo and bend up 4 tp. ceed sl {820 AND RELEASE: Srila enol and. PAE-BEND: Ben he te asin, ten VIBRATO: The ting bated by apy WIDE VIBRATO: Te pcs ae a 2 greater ‘bind up as nde, then reese tack ome Sele Bedig an releasing the oe wih the” Gage by wratng wih he ting hand ‘geal not he fst roe is stuck ‘tig an, ut 4 as, sa ———t t — —— = —$ aMME-OW: Sie st owe) ote win PULL-OFF: Pace om Singers onthe rots LEBATO SLIDE: Strike te ist note and SHIFT SLIDE: Same seit se, xcept ‘te fingerthn sud the higher hte (on he fo be sed Ske he fst nate and tense he same ean ner up oct Son Nate sc ‘Sie sting) hate ge by eg wou! hig. pul hefner of a sound awn the sicand nee Te econ ale wut picking. ‘he second (omer rte Bros ‘TAIL: Very rani arte between the TAPPING: Harr ("the ret incatd NATURAL HARMONEG: Ste he ote while PINCH HARMONIC: The noe is eto rete nce srtuniiRaminanng wh re pk and ndexo mal ger andre ead gh outes the ting noma a a harmonies pode by afdng ‘onan png ot Dilla one nse ated ty thee Nand.” dy over the ret inated, {heed othe humo ath ip ote nde Angora athena ick ack 5 S PI SORAPE: To woof Is [MUFFLED STRINGS: Ayers souls. PALM MUNG: The note arial mute RAKE Dap te lk across te sogs ‘aed dow (rw) he sting. prodscag produce yee et tan ass hey the ck hand facing tne Indexed win 3 sgl mon serch saute gi) wou cessing. and tng en shngs) st before te One ‘we pk an fae —— EMO PICKING: THe rte cid as VIBRATO BAR DIVE AND RETURVE Tw VIBRATO BAR SCOOP: Depress te barist_ VIBRATO BAR DF: Stine oad ten ‘ape and conuous 35 posse ptenotte poco eooed a ete striking he nt, ton gil Irmedatlydap 2 pec rumba et Sc ruber of tps (nin) ten elas a steps, eee bak othe crip ph, ‘tured oe gal eh, eo 8 ¥ veefa RANCID - MANO OUT COME THE WOLVES FLEA 2004 U.S. $22.95 Toe = 8) mn 73999 wl 5 HL00690179