Beruflich Dokumente
Kultur Dokumente
It is illegal
to copy, distribute, or create derivative works from this course
in whole or in part or to contribute to the copying, distribution,
or creating of derivative works of this book. When you purchased this course, you agreed to the following statement:
2013, All Rights Reserved. You understand that the information contained in this course is an opinion, and it
should be used for personal entertainment purposes only.
You are responsible for your own behavior, and none of
this book is to be considered legal or personal advice.
2013, All Rights Reserved First edition by Bobby Rio (TSB Magazine)
and Rob Judge (Date Hotter Girls, LLC) 2013, All Right Reserved
TABLE OF CONTENTS
Introducution to Seductive Storytelling
................................
.................................
11
TABLE OF CONTENTS
PART
fect
Descriptions
INTRODUCUTI ON TO
SEDUCTIVE STORYTEL L I NG
hink back to your school days, back when you had that
dreadfully boring teacher for that horribly tortious class
(yeah, THAT one). Now remember the time that teacher
walked into class and annonced, Today well be watching
a movie that relates to our lesson. And
INTRODUCTION
interacting with women. Rather than give women the luxury
of relaxing and being entertained by who we are, we do what
every other guy does: report the facts of who we are to her.
I work for such-and-such company, went to blah-blah-blah
school, like this-and-that activity. Sound familiar? For most attractive women, its worse than familiarits dreadfully boring and not memorable. Just as you probably dont remember
much from that horribly tortious class, guys who convey their
identity by reporting facts are quickly forgotten, as well.
INTRODUCTION
That is just so not true. The FIRST step to becoming a seductive storyteller is to forget whatever preconceived notions
you may have about storytelling as being some lofty
endeavor that requires divine inspiration. At its core, every
great story answers one of two simple questions:
1. What changed?
2. If nothing changed, why not?
If you think of books youve read, movies youve seen, or stories youve heard, heres what they ALL have in common: it
in-volved either HOW the main character CHANGED or WHY
the main character DID NOT CHANGE. If youve ever heard
some-one tell a story in which nothing changed nor was
there an explanation WHY nothing changed, then you didnt
really hear a story at allyou either listened to someones
reporting (at best) or rambling (at worst).
Change does not necessarily mean a Kafkaesque metamorphosis that alters a characters entire being. Seductive stories
often involve subtle changes, like learning a lesson or reversing an opinion. Of course, you may have stories that are more
significant such as why you changed career paths or what inspired you to get serious about your fitness. The beauty of becoming a seductive storytelling is that YOU have the freedom
to decide what stories you want to tell, stories that best convey YOUR identity to the woman youre getting to know!
INTRODUCTION
tify two other immutable storytelling elements: 1.) a characters motivation and 2.) the conflict that ensues when that
motivation is pursued. These elements are covered in depth
in this book, particularly in Part 3, but for the purpose of this
introduction its important you understand the significance
of these two elements in almost EVERY story.
A characters motivation and the resulting conflict are often
what makes or breaks a story. Think of it in terms of this
basic formula:
Every day (character) did _______(1)_______ until the
day (character) wanted _________(2)________. Because of that, _______(3)________ happened, which
led to____(4)______. And thats when/why/how (character) ______(5)______.
1.
2.
3.
4.
5.
INTRODUCTION
Were not, however, advocating you lie or invent character
motivations. NEVER do we advise that you to lie to women
or tell fake stories. This is NOT a course on fiction. Moreover,
the purpose of telling a woman your stories is to express
your TRUE identity, which creates rapport. Nothing destroys
rap-port and violates a womans trust faster than a liar
That being said, getting in the habit of digging a layer deeper,
so you delve beyond the predictable and the obvious, is a skill
that will benefit you well beyond storytelling. When you REALLY examine peoples behavior with the intention of deciphering the NON-OBVIOUS MOTIVATION behind a decision or
action, you begin to understand people on a very deep level.
INTRODUCTION
should guide your quest in becoming a seductive storyteller.
Lets get started.
10