Beruflich Dokumente
Kultur Dokumente
THEMALL''
DREAM
THEATER
As heard on SIX DEGREES OF I NNER T URBU LENCE (ELEKTRA)
Words and Music by John Petrucci, Mike Portnoy , Jo hn Myung and Jordan Rudess
Transcribed by J eff Perrin
. 5fr
05
GS
14
14
[Al I n tro
ES
85
CS
11
14
14
F#S
NC#
AS
14
(0:01)
AS
Asus2
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e = 320
Fast
N.C.
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18
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17
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3---------------------------------------------,
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17
16 -
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18
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15
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17
18 -
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18
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15
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19 - 17
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===
6-striog Bass (arr. for 5-string)
16 - 14
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(C#5)
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4
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P.M . ......................................
(re "J
eat pr ev ious b ar)
Oass
[IDVe rses
(0:47. 1:52)
Standing
2. Curled up
1.
in
in
the darkness
the darkness
waiting
searching
of pure adrenaline
burning
of stale sweat and shit steaming
in
the night
through the night
E5
16
Gtr. I
P.M.
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5 -s -tH
::f:j
Random
Random
bli nding
urine
flashes
testing
aiming
Pills
red
at
pink
the stage
and blue
85
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, .. ..................
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Bass
l-------
7- 8- 5------
Intro
tape
Counseling
begins
and therapy
---------1------
to
roll
9 ---+--+--+----<>---+-
ignit ing
providing
sonic
not
C5
E5
[g
-+--+--+---+----<--+--<
rage
clue
85
E5
they keep
NC#
me
between
these hollow
25
G5
F~5
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--------
walls
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85
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LU LJ bLJ~ I I LU ps=1
- tr r- ,- rr r I L I~
to
find
in
me
the
answers
to
the
cs
A!C~
ES
test
that stumped
F~S
GS
them
AS
31
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seem
just
to
simply
find
the
crazy
answers
(He
(suffering
seemedsuch
from
clear-cut
delusions)
case)
We
We
a---
Gtr.2
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(1:27, 2:32)
boy's
can't
N.C.(B)
35
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honestly
think that maybe (he might needan institution) He li ves in a world of fi ction
(andreally could usesome help)
cannot Justlet him leavehere(and put all this work to waste)Whydon'twetryshock
treatment (it really might do some help)
(Am)
(B)
We
We
37
Bass
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r- tJ=hEJ I
have just
have Just
(Am)
the
the
place
tools
to
to
~
4_1-------------------
fix
fix
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him to
him to
save
save
(B)
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him
him
P_
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_.______
from
from
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himsell
himself
97-
8-----1
106-----1
8-
9
7
ff- 11-~
11-<'~
"THETEST THATSTUMPEDTHEMALL''
[!]
(1:42. 2:47)
ES
43
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N.C.(B)
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(85)
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"THETEST THATSTUMPEDTHEMALL"
2.
81
IRJ (3:55)
N.C.
Gtr. I
1
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16- 14
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Bass plays Bass Fill 1 (see previous page) Bass plays Bass Fig. 5 (see bar 63)
84
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86
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