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A montage is an editing technique in which shots are juxtaposed in an often fast-paced fashion. It was introduced to cinema primarily by Eisenstein, and early Soviet directors used it as a synonym for creative editing. From the 1930s to the 1950s, montage sequences often combined numerous short shots with special optical effects.
A montage is an editing technique in which shots are juxtaposed in an often fast-paced fashion. It was introduced to cinema primarily by Eisenstein, and early Soviet directors used it as a synonym for creative editing. From the 1930s to the 1950s, montage sequences often combined numerous short shots with special optical effects.
A montage is an editing technique in which shots are juxtaposed in an often fast-paced fashion. It was introduced to cinema primarily by Eisenstein, and early Soviet directors used it as a synonym for creative editing. From the 1930s to the 1950s, montage sequences often combined numerous short shots with special optical effects.
In filmmaking, a montage is an editing technique in which shots
are juxtaposed in an often fast-paced fashion that compresses time and conveys a lot of information in a short period. It was introduced to cinema primarily by Eisenstein, and early Soviet directors used it as a synonym for creative editing. From the 1930s to the 1950s, montage sequences often combined numerous short shots with special optical effects, consisting of blur, fades, double exposures, dissolves, and music. This has developed from the first photograph taken in 1827 by a man called Claude Niepce, and can hardly be noticed in modern day Hollywood today. Montages has changed greatly over the years from political, to more entertainment from the early 1800. It firstly started off with a photograph, something you were able to see through a circling disk. That soon transformed into a mini movie clip of many different photographs from different angles and changing positions, showing very quickly and moving onto the next. The first ever movie created was on October 15 1888, a silent movie consisting of three characters with no edits involved. In 1903 Edwin Porter was the first to show editing techniques in filming. The Great Train Robbery used cutting by involving an actual slicing machine to create a better image for the audience. In 1915 D.W. Griffith was the first person to use a range of different shots in a film after he used shots such as close ups in his movie Birth of a nation. This changed film in a major way, as the techniques are still used in todays world, Griffiths realised that emotions could be portrayed through different camera angles and pace of editing. Then came in the Kuleshov effect (see some work above on weebly) Thekuleshov effect was Soviet director and film theorist. It is described as a montage effect on a film which Lev believed the audience would respond to more; creating bigger ideas from the average film. Alfred Hitchcock then caught onto the idea that montages can be pushed to the extreme, and show the audience something that is impossible to achieve and unrealistic. That shows the change from political viewing to entertainment because filmers now want to make the audience laugh, rather than a psychological reasoning. Editing has allowed films now days to grow and become more interesting for audience through aspects such as camera angles, narrative and actors. An example of this would be 1960 Psycho. A psychological thrillerhorror film. The shower scene of her getting harshly murdered has the kuleshov effect involved, using 80 different action shots to make it look as realistic as possible. Moving the camera to not actually be able to see the knife hit her body but sounds, and blood pouring from her body to demonstrate that. (https://www.youtube.com/watch?v=0WtDmbr9xyY)
In the years between the Russian Revolution and the rise of
Stalin, filmmakers in the Soviet Union invented a new language of film. Most modern films follow the continuity system so that viewers get caught up in the story and dont notice the filmmaking. Soviet montage is completely different and offers lots of ways of giving your films impact and making the viewer think about your ideas. After the revolution, there was a large shortage of equipment, meaning that filmers had to create products with more imaginations and experiments, The Russian Revolution meant that there was a huge demand for propaganda, the ideal form to get revolutionary ideas across t those who couldn't read. Eisenstein was a big theorist of montage, writing books like "film form", where he looked at how things such as changing the duration of a shot, and its emotional content would affect the quality of work and Filmmakers like Sergei Eisenstein and Dziga Vertov thought the continuity system was bourgeois because it faked reality. Passing on from this, Hollywood has slightly continued this idea of the montage time passing. Clips that are shown above (weebly) that is demonstrating how time is influencing the actions of the characters and their life style. The camera shots are better quality than before, and have the ability to have different effects and music added to it to make more of an illusion for the viewers. A famous example of this would be rocky. This is a clip of him training over months, to see how his body improves and his fitness levels rising. the music is done to the beat to be in time, and brings the narrative along forward by compressing heavyweight champion from all this training. The movie was shot in 28 days, and became the highest grossing film of 1976. From this they've interpreted this idea in filming to make films better and improve the story line. To conclude this has a strong impact on the audience, and has made filming more of an offer from all different countries because of the publicity. The development started from a single photo shot with limited quality; to be able to have a 2 hour movie that makes us as viewers think its alive and get strongly involved in it! If there wasn't this big change in shots, hardly anyone would be interested in films, and it wouldn't be able to keep our entertainment up for a large quantity of time.