Beruflich Dokumente
Kultur Dokumente
C. Clutton
Caryl Hilton
J. W. McClure Volume LXXXIX
A. C. Middleton
Number 314
G. R. Napier
R. Sheppard October 1977
W. C. Newbold, Esq.
Artist: W. F. Morris.
SCHOOL OFFICERS
Prefects: J. T. Keable
R. P. J. Robinson
THE EDITORIAL
J. C. Sym
When the new format of the magazine was introduced three
years ago, the Editorial asked that anyone who wished to criticise
Sacristan: C. J. C. Hilling and suggest improvements should write to us. The response was
overwhelming. Nil! (To the editors at least). We have maintained,
therefore, our original design. We would remind the more creative
LENT AND SUMMER TERMS 1977 and imaginative intellects of those who feel moved to put thoughts
Captain of School: J. T. Keable into words that the primary function of the magazine is to bring
factual reports. With this constraint in mind, should you feel that
beneficial changes are possible let us know.
Prefects: R. C. M. Ashworth All the events of the College year are well documented in the
G. P. Chambers Magazine so to detail them all in an editorial is unnecessary, but
D. C. Corp there is one item which is worthy of editorial comments and that is
T. F. Ellis the devoted career of N.R.A., Housemaster of Woodard for fifteen
P. H. Gilbert years. Nigel has given great service to the College and his help and
C. J. C. Hilling kindness have made the lives of many here so easy and enjoyable.
G. Jinks (A fuller tribute appears elsewhere in the magazine.)
R. C. Wynne-Griffith Last year's edition managed to curtail its size dramatically, but
so much more has been successful since the previous issue that we
Sacristan: J. W. McClure have another large chronicle.
Many of the articles within this cover have been typed, often
more than once, by Mrs. Eburne and yet again we give her our
thanks for all her efforts.
COMMON ROOM NOTES
The Common Room has a few changes this year for we say
goodbye and our good wishes to Richard Clay, Deryck Wareing
and Colin Pritchard. Our appreciation of DJHW and RAC appear at
greater length on this page, while that of CIP appears under the
heading of Chapel Notes. These well-known faces are replaced by
J. R. Clarke, BA; M. R. C. Henderson, ARCM; and the Revd. M.
R. Ruff.
R.A.C.
The increasing number of pupils in the College has meant that
Common Room has had to add to its members. Consequently we
Richard Clay came to Ellesmere seven years ago to take over
welcome this September D. R. Bates B.Ed.; C. S. T. Cant M.A.;
the Economics Department and he quickly made his mark both as a
and J. J. Morris B. A. To them we send our best wishes and hope
teacher and as a member of Common Room. The gifted he guided
that they enjoy their stay at Ellesmere.
to their proper destination and he gave freely of his time to cajole
and prompt the less able. He acted as a Tutor in Meynell and many
During the Lent Term W.H. Barnett took a sabbatical term will testify to the unobtrusive care which he took over his tutees.
to receive instruction in the latest audio-visual techniques. Richard also played a full part on the games field, coaching the 2nd
His place was taken by Colin Bleasdale, the son of an OE. XI for several years — never an easy task, but one to which he
Colin gave invaluable assistance to Rugby and started an brought a characteristic humour which was reflected in his sides.
enthusiasm for Karate for many bare feet were seen Latterly he helped coach the Under 14s with equal success. The
winter months saw him wielding a golf club with obvious skill. Not
padding through the mud and mire of the Lent Term.
only will the College miss his coaching but Common Room will also
It was a great pleasure to have him with us.
miss his contribution to cricket — both Indoor and Outdoor — and
golf.
For the last three years Richard has been Officer Commanding
D.J.H.W.
the C.C.F. He inherited a flourishing Contingent and he leaves it no
less so. It was not an office he sought, but one to which he brought
Deryck Wareing arrived in Shropshire just over two years ago
his enthusiasm and organising skills, which were far greater than
to run the string teaching at Ellesmere and quickly but quietly made
his own modest assessment would lead one to believe.
his mark with his pupils as a violinist of high standards, and with a
We shall miss him for all these reasons and also for his wit and
real and genuine concern for their well-being. Within six months he
the determined expression of his opinions. His ability to produce a
was at the helm of a flourishing string orchestra whose advancing
logically argued case will have left its mark on more boys than
development as a positive addition to the school's music caused
simply those of the Seven Club. We wish him, his wife Heather,
the admiration of many. Apart from his work at the College, which
and their family every success and happiness in the future.
also included tutorial responsibilities in Lambart, he had teaching
commitments at Moreton Hall and Prestfelde, and his work there J.C.W.
served as a vital link between the three schools. It was singularly
unfortunate that his last term should be ruined through ill health,
for he deserved a better end to his all too short career here. We
have lost a sympathetic and dedicated teacher, and, as he departs
for Oxford we wish him, and his fiancee Rosalie, all success.
A.E.D.D.
WOODARD HOUSE PRESENTATION TO NIGEL AINSCOW
Friday, 8th July 1977 at the Arts Centre
the !Tremarkable list of qualities; some inherited, others achieved by way of SIXTH
experience. If we examine them closely all those gained from experience can be Emberton P. C. L. (Economics)
easily instilled at Ellesmere save one. That which is lacking here is indeed Gilbert P. H. (Physics)
lacking in the majority of our schools; an environment and atmosphere that Jones S. (Chemistry*)
aives engineering status and respectability on a par with the more academic Redfern N. A. (Ancient History)
disciplines. For too long, engineering has been a dirty word associated with Robinson P. N. (Mathematics)
dungarees and spanners. I believe that this is something we must put right as Ward S. M. (Geography)
soon as possible, and in consultation with industry. That is why I have Thomas R. G. (Biology, Chemistry)
Proposed to the School Council, and they have agreed, that to honour our WestropS. A. (English, French, History)
centenary in 1984 a modern engineering and design centre should be built, Wongsanguan S. (Creative Design)
providing not only the space and equipment that industry considers necessary
LOWER SIXTH SHELL
FOURTH FORM
with limited resources. On the music side we are very sorry to lose
The year started with a bang and great enthusiasm with a
the services to the house of Mr Wareing who leaves after two years
sponsored walk to raise funds to refurbish the House Dayrooms.
as a tutor, and we wish him every success in his new post in
One fine September day almost the entire house walked along the
Oxford.
canal to Llangollen, a distance of 25 miles, thus raising over £500,
The annual Christmas party was held in the Arts Centre, which
which was used to refloor and carpet the New Dayroom, and to
provided a setting for a slightly more ambitious programme of
redecorate and carpet the TV Room. The billiard table was also
entertainment than hitherto. Almost every member of the house
recovered. contributed to the fun in a series of more or less dramatic or
There was little success on the Rugby field this year, but there
musical tableaux ranging from Elton John to the Goons. Pride of
were strong hopes for a fourth successive win in the Hockey. This
place went to the Captain of House, the Assistant Chaplain, and
was not to be, however, and the final was lost, thus bringing an
the Senior Persian in an original version of "Three Little Maids".
end to a long series of wins. There was consolation in the Lent
We are very grateful to Mrs Scorer and the Tutors' wives for once
Term in the form of Squash, for both Senior and Junior Teams
again providing beautifully prepared food.
won their respective competitions. In the Summer Term swimming
The House theatre outing was to the Ludlow Festival to see
was our forte. Led by Chris Hilling the Seniors carried all before and
Henry Vth, a production much enjoyed even if the seats were a
won their competition. The Colts for whom Rolf Ferreira was
little hard.
outstanding came second, as did the Juniors. With the addition of
During the Year House Colours have been awarded to C. J. C.
a rather disappointing second place in the Water Polo, we could
Hilling, D. C. Corp, M. R. Miri and A. M. Spittle. Junior House
justly claim to be the best House in the Swimming pool. In the
Colours have been awarded to M. R. Brammer, R. A. Shelley and
Athletic sports the Juniors showed promise by coming second in
S. J. Chandler.
their section. Both Senior and Junior Tennis teams reached their
We say good-bye at the end of the Summer Term to Chris
respective finals only to fall to Wakeman and Meynell.
Hilling, Dave Corp, Reza Miri, Andrew Spittle, Nigel Baker, Charles
The House Singing and Instrumental Competitions have been
Bartholomew, Nigel Corp, David Russell, and Mehrad Tavakoli. To
organised this year by Andrew Spittle, who has done a splendid job
all of these we say thank you for their services to the House, and
wish them every success in the future.
J.M.S.
MEYNELL HOUSE
The theatre attracted us too, and we visited Chester and Stoke for
Meynell has enjoyed a successful and prosperous year. On the comedies, thrillers and tense drama. Tuesday Coffee Evenings
games field the Juniors must take pride of place, winning the continued throughout the year and we ended the Summer Term
rUgger - against the odds - Cross-Country, Squash, Tennis and with what must become an annual event — a Strawberry and
Shell and Fourth Standards. The Colts also did well, taking the Champagne Party on the terraces for boys and their parents.
Swimming and Cross-Country Cups, and stimulated by the efforts Blessed with good weather, this was a triumph. The money raised,
of the younger members of the House, the Seniors surprised like the proceeds from the Sponsored Walk, Victorian Evening and
everybody by clinching the Hockey and Athletics. In Athletics Medieval Banquet of previous years, will go to the further
special mention must be made of R. C. M. Ashworth and A. development of Meynell.
Fahim-Dejban in taking the Victor Ludorum in their respective age It was a very full year! For making it such and for their contri
groups. Several members of the House also represented the bution to the enthusiastic and good humoured atmosphere in the
College in various sports and we were pleased to note that we gave House, I would like to thank J.C.W., his wife and C.D.F. on behalf
the College the Captains of Rugger, Hockey, Cricket and Athletics. of us all. They have put in much time and effort and we are grateful
We took especial pride in the achievements of J. C. Sym and his for it — and we wonder what they will dream up for us next year!
unbeaten XV, which is doubtless mentioned in the small print Our thanks too, to the other tutors for all they have done. One of
somewhere else. them, R.A.C., leaves us this summer: we wish him and his family
Lest it be thought that we only produced leaders of men on every success in the future.
the games field, we must hasten to add that Andrew Hammersley Finally, to all our leavers go our best wishes for their future
cajoled the House into winning the House Singing — no mean careers and our thanks to them for their several contributions.
achievement as we lay last after the solos. While clearly this was a Doubtless when they return they will find more changes as
House effort, the principal priase must go to him; our thanks to him redevelopment goes ahead — for Meynell doesn't stand still. I have
for all that he has done for House and College music. We should no doubt they will also find the House as in good order as it is now.
also like to congratulate F. W. A. Crouch on getting a place at Oriel Senior House Colours were awarded to: F. W. A. Crouch, A.
College, Oxford - this shows that some of us do some work as C. Bonell, A. P. R. Hammersley, St. J. C. W. Berisford, G.
well. Cooper.
At the social level we held our annual Christmas Party after the Junior House Colours were awarded to: S. J. E. Evans, C. T.
Carol Service and once again it was a great success. The Sixth Sharp, T. R. Cobbold, A. Fahim-Dejban.
Form Dining Club delved into the traditions of China and India as
well as England — the first two being a new experience for some. J. T. Keable
TALBOT HOUSE
Housemaster: N. R. Ainscow
Captain of House: T. F. Ellis
House Prefects: G. P. Chambers, G. J. Lushey, I. A. Clarke, A. N.
Jevon
12
CHAPEL NOTES ... C.I.P.
M.W.H.G.
13
dulci jubilo', and other choir carols included 'The truth from above'
At the start of the year a decision was made to reduce the
(arr. Vaughan Williams), 'Ding-dong merrily on high' in a new
rows on Cantoris from three to two, and this enabled the choir to
arrangement by David Willcocks, Philip Ledger's arrangement of
achieve a much better balanced sound than in previous years.
'Away in a manger', and the ever popular 'Shepherd's Pipe Carol',
However, the trebles were less experienced than their predecessors
while the Madrigal Society sang 'The Cherry Tree Carol' from the
and it seemed at first that music would have to be carefully chosen.
Lady Chapel. Congregational paricipation was as enthusiastic as
It is especially due to their hard work that it was possible to
ever, especially in 'The Carol of the Star' by Noble, another
complete the programme of activities, for, in many ways, this year
novelty.
was more varied tand interesting than before.
In the Summer Term at the Commemoration Service a new
Certainly 'away fixtures' were a prominent feature. Evensong
anthem by Elgar was given; the prologue from his oratorio 'The
was sung on two occasions in Chester Cathedral, a new venue; a
Apostles', 'The Spirit of the Lord is upon me'.
small group sang at the wedding of the daughter of the Divisional
Although tricky to bring off without the full resources Elgar
Bursar in Great Ness Church, and, at the end of the Lent Term, we
demands, the choir clearly enjoyed this new piece and rose well to
combined with Prestfelde choir to sing the Faure Requiem, first in
its challenges. The congregation gave vociferous support to a new
Chapel, and then in the Abbey Church, Shrewsbury, where we
canticle, a setting of the Benedicite in G by E. W. Naylor, as they
joined the Abbey Choir for Evensong. Thomas Jagoe and Mark
also did in Rex Lumley's arrangement of 'Ye watchers' when the
Messenger were the treble soloists, RWA sang the baritone solos
brass group, led by Andrew Hammersley, was on specially good
and Ted Donnelly played the organ. In our own chapel, RWA
form.
directed two Eucharists sung to plainstong, while a short recital
Other anthems sung during the year included 'Ascribe unto
was given to music masters attending the Ellis Committee meeting
the Lord' (Travers) with Philip Leech, Stephen Evans and Charles
for music in February.
Allen as soloists, 'Rejoice the Lord is King' (Bryan Kelly), '0 taste
'Going public' meant learning settings of the canticles and
and see' (Vaughan Williams), 'The strife is o'er' (Ley). After half
singing the psalms properly, and this we do not do nearly often
term in the Summer Term two new pieces were sung 'In God's
enough. At first the choir found chanting the psalms in the
word will I rejoice' (Purcell) and '0 Lord, I lift my heart to thee'
resonant yet favourable acoustic of Chester Cathedral a rather
(Gibbons) and the term ended with Vittoria's 'Jesu dulcis
daunting prospect, but by the time we returned for our second
memoria'.
visit, confidence had increased with familiarity. Settings of the
Again the choir were fortunate to be entertained to a barbeque
canticles were chosen from the repertoire of late 19th and early
by kind invitation of the Headmaster and Mrs. Skipper, an occasion
20th century church music. In Chester, Hylton Stewart in C and
much enjoyed by all. My thanks, as always, go to all those whose
Dyson in F were sung, the latter with Thomas Jagoe and Peter
efforts have contributed to the smooth running of the Chapel
Gilbert as soloists, Walmesley in D minor in Chapel with
music, from those who put out and collect up the congregational
congregational participation, and Stanford in B flat in the Abbey.
music, to those who supervise the robes and do the hymn boards.
The Carol Services again attracted large congregations of
All these small, often thankless, yet necessary tasks help to make
parents and friends and were especially memorable, for me at any
the more important job of singing the music well all the more
rate, for the outstanding solo singing of Thomas Jagoe, a standard
pleasurable.
by which all future treble soloists will surely be judged. He was ably
supported by Edward Cutting, Philip Leech and Charles Allen in 'In A.E.D.D.
14
BRAHMS' GERMAN REQUIEM
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The Madrigal Society sang arrangements of two Negro Spirituals: Swing
REQUIEM . . . GABRIEL FAURE
Low Sweet Chariot and Little David Play On Yo' Harp. They sang well and
demonstrated a fine command of tone and wide dynamic range.
Two performances of this work, one in the College Chapel and the other in
The String Orchestra was impressive in both size and sound. Their second
the Abbey Church, were given by the combined choirs of the College and piece, a March by Antony Le Fleming, was particularly interesting, calling for
Prestfelde School; the baritone soloist was Roger Allen, the treble soloists somewhat unconventional bowing technique.
were Thomas Jagoe and Mark Messenger, the organ was played by Edward
The finale came from the College Orchestra who played the Farandole
Donnelly, and the work conducted by Antony Dowlen. from Bizet's L'Arlesienne Suite. Unfortunately a slight error on the conductor's
Unlike most requiems of the great composers since Mozart this Requiem is part resulted in a false start, but this did not deter the orchestra and they
suited to liturgical use and does not really ask to be a concert work; thus in any provided a suitably rousing conclusion to the concert.
performance that catches its essential spirit the choir must convince us that it is
singing about death and also that it is aware of the composer's attitude to it. M.E.D.
This, I felt, they failed to do. For, above all things, Faure's Requiem is a
requiem without the Last Judgement. The terrors of the after-life are hardly
more than touched upon and, compared with Gerontius for example, there is SUBSCRIPTION CONCERTS 1976/77 SEASON
also the absence of any notion of Purgatory. Thus to Faure death comes as a
comforter rather than as a summoner, as a curtain descending at the close of The 1976/77 series of Subscription Concerts provided local patrons with a
life rather than a fulfilment of it, as a serene state "all passion spent" rather wide variety of high class professional music making. The opening evening of
than the strenuous activity of those who "rest not now day and night" - all the season featured the Opera Players in Mozart's operatic masterpiece, 'The
this is conveyed by its ethereal tranquillity. Magic Flute', composed immediately prior to his death in 1791. The skill with
Of the soloists Roger Allen conveyed this sense of mystical repose as to a which this company adapted their production to fit the narrow confines of the
lesser extent did Thomas Jagoe, but the performances as a whole, despite the Big School stage was most impressive, as was the musical execution which,
obvious hard work that had gone into their preparation, remained too firmly despite the lack of orchestral colour, was clear and lucid throughout.
earthbound to evoke magical glimpses of Paradise. November's concert was given by the Chilingirian String Quarter and this
fine young ensemble gave an evening's intimate chamber music in the best
M.W.H.G.
Eighteenth Century tradition. Not all the music was Eighteenth Century in
origin, however, and the best performance of the evening was of the Ravel
string quartet in which the players demonstrated their virtuosity and technical
command. The opening Mozart quartet suffered a little from insecure in
tonation, but the great G major quartet of Schubert was played with great
panache and showed an obvious grasp of the inner structure of this work.
The highlight of the season was undoubtedly the visit of the octogenarian
oboist Leon Goossens. All of us who came into contact with this great artist
that night will never forget the warmth and humanity of his personality and the
kindly benevolence with which he helped us shape the music according to his
requirements. The small string orchestra, conducted by Anthony Dowlen,
accompanied competently and unobtrusively and provided a suitable
INFORMAL CONCERT background to the liquid sound of Mr. Goossens' oboe. Truly a memorable
evening.
On Thursday 27th January, those of us with enough courage to brave the The final evening gave the audience a change from the usual style of
adverse weather conditions and make the journey to the Arts Centre, were concert. The artist was the well known radio personality, Antony Hopkins, and
rewarded by a most enjoyable evening's entertainment. I feel sure that the he delivered a delightfully informal lecture on music for the theatre, television
success of the concert was largely due to the relaxed atmosphere that prevailed and films. His wide knowledge and experience, together with his ready wit and
and to the apparent enthusiasm and willingness of the performers. rapport with the audience ensured a highly entertaining and enlightening
It is almost unfair to single out any particular performances from a concert occasion.
that displayed such a consistent standard, but nevertheless, there were soloists Once again these four concerts have been given to capacity audiences; a
whose contributions were especially pleasing. Stephen Evans sang "Silent situation which has been ensured by the annual regularity with which each
Worship" with confidence and poise far surpassing the norm for one of his concert has been given together with the enormous amount of good will built
age! He managed to captivate the audience within seconds of making his up over the past fifteen years by Rex Lumley and Anthony Dowlen. May the
entrance and was a joy to watch and to listen to. Philip Bellamy gave an new administration of these concerts be as successful as the old in providing a
assured and skilful performance of a movement from Bach's French Suite No. valuable link between the College and the local community.
3 for piano, and in contrast, Thomas Jagoe played a clarinet solo, a Romance
by Wolf-Ferrari, with great sensitivity and warmth. R.W.A.
17
JUBILEE SUMMER CONCERT had seemed a slightly prosaic orchestral opening; thereafter, both chorus and
orchestra (not forgetting their energetic conductor) seemed at one in the
The annual summer concert this year took place on 2nd June and, fervour of their approach, and this provided what was, in effect, an exciting
predictably enough, formed part of the College's Jubilee celebrations. climax to a most successful concert.
Accordingly, the evening was divided into two, although only the second half
Michael Messenger
of the programme reflected any very obvious concern with the 25th anniversary
of the Queen's accession. Perhaps this was no bad thing, for ceremonial and
the constraints implicit in composing "pieces d'occasion" can tend towards a
certain monotony whereas this was a nicely varied programme, with the RECITAL OF MUSIC IN THE CHAPEL
selection to the interval calculated to show the active and accomplished in
strumental and orchestral life of the College. A late-evening recital for Trumpet and Organ in the College Chapel on a
Saint-Saen's Romance, Op. 36, was played in the version for horn and warm summer evening could not fail to be appreciated by the audience which
orchestra, as distinct from the cello alternative. The quiet opening of this piece assembled on 8th July to hear Andrew Hammersley and Roger Allen.
is dangerously exposed, and absolute precision is necessary if it is to make its The trumpet is possibly the one instrument which can hold its own against
full effect; here there was a trace of uncertainty in the strings at the outset. the power of the organ. This was very evident in the resonant building in which
Occasionally, too, the balance between the orchestra and the soloist, Peter it was played, and with the player using a powerful trumpet of larger-than-
Gilbert, was not ideal, but both he and the orchestra were successful in cap usual-bore. The elevated position in the gallery from which it was played gave
turing the warmth of the main theme. additional clarity and weight, though it must have caused some problems for
John Gardner's overture 'Half Holiday' was given an extremely confident the player on this particularly warm evening, when one realises that the
performance by the College Orchestra under Roger Allen; they were par stratification of the air in the Chapel ensure that the temperature is always
ticularly successful in conveying the languor of some of the music, and in several degrees warmer in the gallery than it is down below!
projecting the humour of the piece. Humour, too, was much in evidence in the An impressive point about Andy's playing was his ability to strike a top G
contribution of the String Orchestra, conducted by Anthony Dowlen in the with great power and perfect pitch as the very first note of the recital in the
absence of Deryck Wareing. The three short pieces which comprise Anthony John Stanley Trumpet Tune (originally a keyboard piece) - a work for which I
Le Fleming's 'Suite for Strings' abound in some less conventional, almost have a particular affection in this transcription by Dr. Henry Coleman for
metronomic effects, but... "brevity is the soul of wit", and the performance Trumpet and Organ as I was 'in' on its first performance in 1944. By the way,
was pointed enough to produce chuckles from the audience. the first performance in this form in the College Chapel was when I ac
Giuseppe Torelli has been described as the originator of the concerto; his companied Robert Ashcroft playing it on 14th July 1958 (I hope that he, as an
'Sinfonia con tromba' points the way towards the later balancing and con O.E., may chance to read this!).
trasting of a solo instrument and an orchestra, but the seminal nature of this In both the John Stanley work and the very demanding Torelli 'Sinfonia
work was clear and it was fascinating to hear it. Andrew Hammersley 'blew his con Tromba' with which he ended the recital, Andy's well-tuned and powerful
own trumpet' with great confidence and considerable sense of the requisite top notes were much in evidence and his rhythm was never at fault. There were
style. The orchestra is of no less importance, though, and there was an ex some beautifully-controlled soft passages as well. If I were to be severely
cellent relationship between the trumpet and the remainder of the players, with critical I might have wished for rather more mezzo-forte playing in places; but,
the harpsichord prominent enough to remind us of its key role in Baroque in all fairness, one should add that the volume of sound one is producing is very
music of this type. It was a pity, though, that so few members of College were deceiving when one is playing in the gallery and when a not-full Chapel creates
included in the reduced orchestra which, for the most part, comprised visiting much reverberation.
players. Roger Allen's playing of the Mozart Fantasia in F minor and major was a
It is inevitable, I suppose, that Benjamin Britten's Coronation opera model of artistry — the most delightful choice of stops, together with the
'Gloriana' should receive some attention in this Jubilee year; the College's precision of the playing, adding immeasurably to Mozart's delightful jeu
choice was a performance by the Madrigal Society of five choral dances from d'esprit which, after all, was written for a purely mechanical instrument and
it. The Society's disciplined approach and precision are well-known to regular which seems to me to profit from 'tight' rhythms and 'perky' registration.
attenders at College concerts, and these qualities were as much in evidence as To have been asked to write about this recital has given me great pleasure
ever. If one of the Dances has to be singled out for special mention, it must be — first, because Andy has been the holder, since 1972, of the last music
the third, 'Time and Concord', where the harmonies were beautifully scholarships I was privileged to award whilst Director of Music, and it gives one
sustained. great joy to hear his fine playing as he is about to embark on what must surely
Handel's two anthems for the Coronation of King George II and Queen be a happy and successful musical career; and secondly to be able to pay
Caroline involved the massed forces of the Choral Society and the trebles of tribute to Roger Allen's superb playing on an instrument in which I have more
the College Choir as well as the Orchestra and four soloists from the College than a little interest, since its conception and birth-pangs filled a very busy two
itself: Thomas Jagoe, Edward Cutting, Philip Leech and Christopher Green. years of my musical life between 1967 and 1969. Ellesmere is indeed fortunate
The initial projection in 'My heart is inditing' was variable, but the protagonists to have the services of such an artist.
were never less than spirited and the result was suitably rousing. The Choir
were clearly on their mettle, for their first entry in 'Zadok the Priest' lifted what Rex Lumley
18
HOUSE MUSIC COMPETITION
The annual House Singing Competition was held as usual on the day
before half term in the Autumn Term and was adjudicated by Professor Basil
Smallman of Liverpool University. Much hard work had gone into the ASSOCIATED BOARD EXAMINATION RESULTS
preparation of all entries and all performers felt the event was going to be a
close run thing, as indeed it was. The solos were helped by being given in the
M. Talbot Grade II violin Pass
new studio theatre of the Arts Centre, where everyone taking part enjoyed the
W. Swinnerton Grade III violin Pass
pleasant acoustic and intimate surroundings. Among the more outstanding
Grade IV piano Pass
performances were Peter Gilbert with 'The Spanish Lady', Mark Hawyard The A. Carter
D. Riding Grade IV piano Pass
Plough Boy' (Britten), William Whitehead 'How soft upon the evening air
E. Cutting Grade IV cello Pass
(Dunhill) and Philip Leech 'Now sleeps the crimson petal' (Quilter). Some of
J. Drummond Grade VI violin Pass
the younger members of the school certainly make their mark as stars in the
ascendant especially John Howard with 'The lona Boatsong', Christopher
P. M. Messenger Grade V cello Pass**
Green 'Bright is the Ring of Words' (Vaughan Williams), and Thomas Jagoe
A. Fawcett Grade IV piano Pass**
'Mary of Allendale'. At tea Lambart were ahead with Woodard and Talbot
R. Muttitt Grade V piano Pass*
C °S In the evening some excellently disciplined singing from the House Choirs P. Leech Grade V singing Pass*
kept everyone guessing still further. Talbot impressed everyone with their T. Jagoe Grade V clarinet Pass*
A. Greenwood Grade I piano Pass
clarity and precision with an amusing song about the Pope, while Meynell and
M. Beach Grade I violin Pass
Wakeman chose gems from the storehouse of Barber shop quartets. It was left
to the Unison Songs to sort everyone out and here Meynell stole the show, and
indeed won the cup by one point, with an excellent performance, complete C. Allen Grade VI Cello Pass*
P. Messenger Grade V Piano Pass
with visual aids, of the 'Drinking Song' from the 'Student Prince'. In second
place were Wakeman with 'Captain Stratton's Fancy' (Warlock) and Lambart J. Clark Grade I Viola Pass
third with 'On the Road to Mandalay'. Woodard and Talbot were less suc P. Leech Grade II Viola Pass*
cessful in unison than they had been in four parts or solo, but ended up not far P. Bellamy Grade VI Cello Pass*
J. Scott Grade VI Clarinet Pass
After Professor Smallman's concise and appropriate comments the cup A. Hammersley Grade VIII Trumpet Pass
J. Drummond Grade III Piano Pass*
was presented to Andrew Hammersley. .
In the Summer Term the instrumentalists took the stage with John M. Entecott Grade IV Organ Pass*
Yarnley, the new Director of Music at Shrewsbury School, in the chair.
R. T. Jagoe Piano Grade I Pass*
Jeremy Douglas (organ) gave an authoritative account of the Bach Canzona
L. J. Brown Piano Grade IV Pass
in D minor, and Andrew Hammersley again set the chapel ablaze with some Piano Grade IV
R. Chapman Pass
rousing trumpet playing in the Torelli Sinfonia. Other performers to gain at Piano Grade VI Pass
P. Bellamy
tention were Timothy Streeter-Smith with a delicious piece of French music by Violin Pass*
G. Humphreys Grade I
Benjamin Goddard, Malcolm Entecott in a movement from a Rosetti Horn
R, Muttitt Cello Grade I Pass
Concerto, and Philip Bellamy's performance on the cello of 'Orientale by Cui.
C. I. T. Green Cello Grade III Pass
The ensembles provided varied fare. Wakeman again chose a piano trio,
W. G. Whitehead Trumpet Grade V Pass
this time by Beethoven, and gave a polished and well-rehearsed account of the
T. J. Streeter-Smith Flute Grade VI Pass*
third movement from op.1 no.2. Meynell chose the well-known Wesley
Gavotte and their ensemble of flute, two clarinets and cello blended very well
* with merit
together. The other houses had worked hard but were less successful. After
♦* with distinction
Mr. Yarnley's adjudication Talbot emerged as winners (their first win since
1962!) with Meynell and Wakeman equal second just two points behind.
A.E.D.D.
19
PILGRIM '70 CAST IN ORDER OF APPEARANCE
Narrator C. I. Green
JUNIOR SCHOOL PLAY March 1977
Pilgrim (Act 1) M. D. C. Dawson
Obstinate P. J. Bellamy
"Pilgrim '70", an updated version of "Pilgrim's Progress" Pliable P. H. Walwyn
(which, although in its dotage, is still entirely relevant today), Wiseman E. M. Cutting
Helpful A. M. Miller
proved a felicitous choice as this year's production, being neither
Ignorance J. M. Brown
too pretentious nor too clumsy and artless, and, therefore, was T. R. Cobbold
Apollyon
intelligible as well as gratifying, for both audience and actors. The Faithful W. G. Whitehead
Arts Centre stage was exploited to the full as regards scenery and Hopeful R. C. Davies
P. R. Done
drama; the close proximity of auditorium and stage (which on Mr. S.S.
Mr. K.G.B. D. G. Jones
several occasions merged) fostered a greater empathy between the A. M. L. James
Hategood
players and the spectators. The result was a lively, animated and Superstition L. J. Brown
highly entertaining performance. Envy J. M. Smith
The main characters were supported by a vast but, on the Pickthank S. R. L. Prichard
Pilgrim (Act 2) M. H. F. Beach
whole, competent cast, and the variegated roles were spiced with
Despair M. J. Done
some novel and startling adaptations! M. Dawson and M. Beach, Brother Doom M. J. Talbot
who shared the taxing role of 'Pilgrim', merit special mention, and Mrs. By-Ends R. G. Larder
also A. James, whose sparkling and flawless performances in the Mrs. Hold-the-World A. S. Fleming
Son to Mrs. By-Ends N. P. Hammersley
guise of, firstly, Judge Hategood and secondly the Hawker,
Mrs. Money-Love R. N. Midwood
Demas, qualify him for a place in the final accolade. D. P. Riding
Mrs. Save-All
The stark simplicity of the scenery fulfilled its task effectively Demas A. M. L. James
and, together with the improvised costumes, the lighting — which Flatterer F. Poorooshasb
Fiends M. I. Adams, G. R. Davies, N. C. Fox,
painted graphic images on the back-cloth, and the numerous,
M. J. Hill, R. V. Simpkinson, G. J. Young,
sometimes dubious, sound-effects, enhanced the overall impact of A. J. Young.
the play itself. Other parts played by: N. J. Bates J. M. Howard
It was a spirited, vivacious performance salted with clear, pure J. L. Bowring M. W. Madders
humour — a humour that was perhaps, at times, excessive, and A. J. W. Campbell H. D. Park
F. Centelles F. S. L. To
this tended to distract the audience from the fundamental P. J. Dolan R. E. J. Watt
philosophy of the play, albeit an axiomatic and trite one. But this G. R. Done N. C. White
minor defect did not by any means mar the production, and it is in
fact justifiable in that the objective of the director and actors was to Producer: W. C. Newbold, Esq.
entertain and amuse, and any distorted symbolism was com
pensated by a generous larding of jollity and buffoonery.
All those who participated, including, of course, the faceless
stage crew and make-up team and nameless director (Mr.
Newbold — Ed.), are worthy of the admiration of all those who were
privileged to see the play and even of those who were not.
S. A. Westrop
20
D.G. Jones, M.D.C. Dawson, W .G . Whiteheao Wii. Done
A .M .L. Jam es