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I

1,:1(; I,NTlIM DES VERLFC;I,:RS . AUF R FU 1'1'1:, VORIlFlIAU'FN


ALL RI(;IITS RI'SI'RVU)

EDITION PETERS
LONDON' FRANKFURT/M .. LE1PZ1G . NEW YORK

VORWORT
PRE

Zur Revision des vorliegenden Klavierkonzertes wurde die Photokopiedes im Besitz


der Gesellschaft der Musikfreunde in Wien

ACE /

A photographic copy of the autograph


which

the possession

diese

freundlimerweisezurVerfugung stellte. Auf


Grund dieser Vorlage

die urspriinglime usart wiederherzustellen


und zahlreime,

this Society.

von Mozart stammende

Artikulation, def Dynamik und den Tempoangaben zu beseitigen. Das Solo..Klavier


stimmt nunmehr voffkommen mit clem
Autograph

Zusatze ;eder Art

vision of this pianoforte concerto.

restore the original version and to cancel


numerous alterations and emendations re-

ion and suggestions for

aile V orsmlage

wiedergegeben,

sie

photographique de I'autographe, qui fut


notre disposition

la section musicale de la bihliotheque


nationale

Vienne. En se basant

ces documents, it fut possible de retablir


et

rexte

pas

Mozart. concernant rarti~

attributed to Mozart.

et Ie tempo.

The pianoforte solo-parI is now an


exact

of

de

autograph and addit-

ions of any type or form have been ri-

solo

facsimiles

are

mairitenant con-

d' adjonction. Les

ornementssont egalement tous notescomme


Mozart les

ecrits,

if ne subsiste

Mozart selbsr gescbrieben hat, da fiber

of his manuscript, the reason being that now-

;oura'hui plus aueun doute quant

kein Zweifel

adays no reasonable doubts can possibly

execution.

ihre

be entertained regarding their execution.

meh!' bcsteht.

It is singular that Mozart here continues


Eigenartig ist

dall Mozart das Kia-

vier nom als GeneralbaS-Instrument behandelt. 1m Gegensatz

dem Esdur-

fOlJnda-

employ the piano as a

In contrast to the E

has been written

note for note where-

ever the piano is

nimt solistism auftritt, Note ffir Note

instrument, it is throughout demanded by the

ausgescbrieben wurde, ist hier die General-

use of the term "col basso" I on the other

employed as a

hand definite pauses are marked


where the general bass part is not requir-

gefordert, wahrend an

Steffen, wo

diese nimt gewiinsmt wird, ausdriicklim


Pausen stehen.

einer AllsS4~tzlJn~ des

Generalbasses wurde ;edom abgesehen.

The general bass part has, however,


this edidon.

English translation by

EDWIN FISCHER

piano com me rinstrument auquel

mi j,majeur <KV.Z71>,
la basse chiffree est indiquee note pour note
"'~"O~"6

Ie

n' est pas instrument solo,

trouvons ici constamment

mention

col Basso:., qui implique la participation


piano

basse chiffree, tandis que

les passages ou cette derniere n' est pas


sont nettement indiqu<es par des

or desirable.

incorporated

II est etrange que Mozart traite encore

Concerto

baBsrimmc an den Stdlen. wo das Klavier

ballbegleitung durchweg durch "col Basso"

a leur

conftee la basse chiffree. En opposition avec

tion instrument.

<K. V. 271) where the general bass part


Konzcrt (K. V. 271), in dem die General-

La

a rautographe, nous avons stricte-

forme

evite tout(.

All of Mozart's personal suggestions have


been reproduced

supprimer nombre

de modifications et complements ne prove-

hitherto

gorously excluded,
sind streng vermieden worden. Aum sind

piano, nous avons utilise (a

aimablement mise

fating to matters of articulation, expressVeranderungen und Erganzungen in der

Pour (a revision du present Concerto

This has served as a basis for the re-

It has, consequently, been possible to

es

ACE

the "Society

of the Friends of Music", Vienna, was very


kindly submitted

befindlimen Autographs benutzt,

PRE

J. Pauer,

pauses. Nous avons cependant renonot


une realisation de

London

basse chiffree.

T raduction fran~aisc par R. Gayrhos, Lausanne

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