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Wayne Shorter
From Wikipedia, the free encyclopedia
Wayne Shorter (born August 25, 1933) is an American jazz saxophonist and composer. Many of
Shorter's compositions have become jazz standards, and his output has earned worldwide recognition,
Wayne Shorter
critical praise and various commendations, including 10 Grammy Awards.[1] He has also received
acclaim for his mastery of the soprano saxophone (after switching his focus from the tenor in the late
1960s), beginning an extended reign in 1970 as Down Beat's annual poll-winner on that instrument,
winning the critics' poll for 10 consecutive years and the readers' for 18.[2] The New York Times has
described Shorter as "probably jazz's greatest living small-group composer and a contender for
greatest living improviser."[3]
Shorter first came to wide prominence in the late 1950s as a member of, and eventually primary
composer for, Art Blakey's Jazz Messengers. In the 1960s, he went on to join Miles Davis's Second
Great Quintet, and from there he co-founded the jazz fusion band Weather Report. He has recorded
over 20 albums as a bandleader.
Contents
1 Biography
1.1 Early life and career
1.2 With Miles Davis (196470)
Genres
Modal jazz, crossover jazz, postbop, hard bop, jazz fusion, third
stream
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Instruments
Years active
1958present
Labels
Associated
acts
2 Personal life
3 Discography
4 Awards
5 References
6 External links
Biography
Early life and career
Wayne Shorter was born in Newark, New Jersey, and attended Newark Arts High School,[4] from which he graduated in 1952. He loved music, being
encouraged by his father to take up the clarinet as a teenager (his brother Alan became a trumpeter). After graduating from New York University in
1956, Shorter spent two years in the U.S. Army, during which time he played briefly with Horace Silver. After his discharge, he played with Maynard
Ferguson. In his youth Shorter had acquired the nickname "Mr. Gone", which later became an album title for Weather Report.[5]
In 1959, Shorter joined Art Blakey. He stayed with Blakey for five years, and eventually became the band's musical director.
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When John Coltrane left Miles Davis' band in 1960 to pursue his own group, Coltrane proposed Shorter as a replacement, but Shorter was unavailable.
Davis went with Sonny Stitt on tenor, followed by a revolving door of Hank Mobley, George Coleman, and Sam Rivers. In 1964 Davis persuaded
Shorter to leave Blakey and join his quintet alongside Herbie Hancock, Ron Carter and Tony Williams. Davis's so-called Second Great Quintet (to
distinguish it from the quintet with Coltrane) that included Hancock and Shorter has frequently been cited by musicians and critics as one of the most
influential groups in the history of jazz, and Shorter's compositions are a primary reason. He composed extensively for Davis (e.g. "Prince of Darkness",
"E.S.P.", "Footprints", "Sanctuary", "Nefertiti", and many others); on some albums, he provided half of the compositions.
Hancock said of Shorter's tenure in the group: "The master writer to me, in that group, was Wayne Shorter. He still is a master. Wayne was one of the
few people who brought music to Miles that didn't get changed."[6] Davis said, "Wayne is a real composer. He writes scores, write the parts for
everybody just as he wants them to sound. ... Wayne also brought in a kind of curiosity about working with musical rules. If they didn't work, then he
broke them, but with musical sense; he understood that freedom in music was the ability to know the rules in order to bend them to your own satisfaction
and taste."[7]
Shorter remained in Davis's band after the breakup of the quintet in 1968, playing on early jazz fusion recordings including In a Silent Way and Bitches
Brew (both 1969). His last live dates and studio recordings with Davis were in 1970.
Until 1968, he played tenor saxophone exclusively. The final album on which he played tenor in the regular sequence of Davis albums was Filles de
Kilimanjaro. In 1969, he played the soprano saxophone on the Davis album In a Silent Way and on his own Super Nova (recorded with then-current
Davis sidemen Chick Corea and John McLaughlin). When performing live with Davis, and on recordings from summer 1969 to early spring 1970, he
played both soprano and tenor saxophones; by the early 1970s, however, he chiefly played soprano.
Solo Blue Note recordings
Simultaneous with his time in the Davis quintet, Shorter recorded several albums for Blue Note Records, featuring almost exclusively his own
compositions, with a variety of line-ups, quartets and larger groups, including Blue Note favourites such as Freddie Hubbard. His first Blue Note album
(of 11 in total recorded from 1964 to 1970) was Night Dreamer, recorded at Rudy Van Gelder's studio in 1964 with Lee Morgan, McCoy Tyner, Reggie
Workman and Elvin Jones.
JuJu and Speak No Evil are well known recordings from this era. Shorter's compositions on these albums are notable for their use of pentatonic melodies
harmonised with pedal points and complex harmonic relationships; structured solos that reflect the composition's melody as much as its harmony; and
long rests as an integral part of the music, in contrast with other, more effusive, players of the time such as John Coltrane.
The later album The All Seeing Eye was a free-jazz workout with a larger group, while Adam's Apple of 1966 was back to carefully constructed melodies
by Shorter leading a quartet. Then a sextet again in the following year for Schizophrenia with Hancock and Carter plus trombonist Curtis Fuller, alto
saxophonist/flautist James Spaulding and strong rhythms by drummer Joe Chambers.
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Shorter also recorded occasionally as a sideman (again, mainly for Blue Note) with Donald Byrd, Tyner, Grachan Moncur III, Hubbard, Morgan, and
bandmates Hancock and Williams.
Later career
After leaving Weather Report, Shorter continued to record and lead groups in jazz fusion styles, including touring in 1988 with guitarist Carlos Santana,
who appeared on This is This!, the last Weather Report disc. There is a concert video recorded at the Lugano Jazz Festival in 1987, with Jim Beard,
keyboards, Carl James, bass, Terri Lyne Carrington, drums, and Marilyn Mazur, percussion. In 1989, he contributed to a hit on the rock charts, playing
the sax solo on Don Henley's song "The End of the Innocence" and also produced the album Pilar by the Portuguese singer-songwriter Pilar Homem de
Melo. He has also maintained an occasional working relationship with Herbie Hancock, including a tribute album recorded shortly after Miles Davis's
death with Hancock, Carter, Williams and Wallace Roney. He continued to appear on Mitchell's records in the 1990s and can be heard on the soundtrack
of the Harrison Ford film The Fugitive (1993).
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In 1995, Shorter released the album High Life, his first solo recording for seven years. It was also his debut as a
leader for Verve Records. Shorter composed all the compositions on the album and co-produced it with the
bassist Marcus Miller. High Life received the Grammy Award for best Contemporary Jazz Album in 1997.
Shorter worked with Hancock once again in 1997, on the much acclaimed and heralded album 1+1. The song
"Aung San Suu Kyi" (named for the Burmese pro-democracy activist) won both Hancock and Shorter a
Grammy Award.
In 2009, he was announced as one of the headline acts at the Gnaoua World Music Festival in Essaouira,
Morocco. His 2013 album Without a Net is his first with Blue Note Records since Odyssey of Iska.
Quartet
In 2000, Shorter formed the first permanent acoustic group under his name, a quartet with pianist
Danilo Perez, bassist John Patitucci, and drummer Brian Blade, playing his own compositions, many
of them reworkings of tunes going back to the 1960s. Three albums of live recordings have been
released, Footprints Live! (2002), Beyond the Sound Barrier (2005) and Without A Net (2013). The
quartet has received great acclaim from fans and critics, especially for the strength of Shorter's tenor
saxophone playing. The biography Footprints: The Life and Work of Wayne Shorter by journalist
Michelle Mercer examines the working life of the musicians as well as Shorter's thoughts and
Buddhist beliefs.[8] Beyond the Sound Barrier received the 2006 Grammy Award for Best
Instrumental Jazz Album.
Shorter's 2003 album Alegra (his first studio album for 10 years, since High Life) received the 2004
Grammy Award for Best Instrumental Jazz Album; it features the quartet with a host of other
musicians, including pianist Brad Mehldau, drummer Carrington and former Weather Report
percussionist Alex Acua. Shorter's compositions, some new, some reworked from his Davis period,
feature the complex Latin rhythms that he specialised in during his Weather Report days.
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On December 18, 2014, the Recording Academy announced that Shorter was awarded the Grammy Lifetime Achievement Award in honor of his
"prolific contributions to our culture and history".[10]
Personal life
Shorter met Teruka (Irene) Nakagami in 1961. They were later married and had a daughter, Miyako.[13] Some of his compositions are copyrighted as
"Miyako Music". Shorter dedicated some pieces to his daughter: "Miyako" and "Infant Eyes". The couple separated in 1964.[14]
Shorter met Ana Maria Patricio in 1966 and they were married in 1970.[14] In 1985, their daughter Iska died of a grand mal seizure at age 14.[3] Ana
Maria and the couple's niece, Dalila, were both killed on July 17, 1996, on TWA Flight 800, while en route to see him in Italy.[15] Dalila was the
daughter of Ana Maria Shorter's sister and her husband, jazz vocalist Jon Lucien.[14] In 1999, Shorter married Carolina Dos Santos, a close friend of Ana
Maria. He is a Nichiren Buddhist and a member of Ska Gakkai.[14]
Discography
Title
Introducing Wayne Shorter
Second Genesis
Wayning Moments
Night Dreamer
JuJu
Speak No Evil
The Soothsayer
Et Cetera
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Year
1959
1960
1962
1964
1964
1965
1965
1965
Label
Vee-Jay
Vee-Jay
Vee-Jay
Blue Note
Blue Note
Blue Note
Blue Note
Blue Note
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1965
1966
1967
1969
1970
1970
1974
1985
1986
1988
1988
1995
1997
2002
2003
2005
2013
Blue Note
Blue Note
Blue Note
Blue Note
Blue Note
Blue Note
Columbia
Columbia
Columbia
Columbia
Image Entertainment
Verve
Verve
Verve
Verve
Verve
Blue Note
Awards
1962: Down Beat Poll Winner New Star Saxophonist
1979: Grammy Award for Best Jazz Fusion Performance for Weather Report's 8:30
1987: Grammy Award for Best Instrumental Composition for "Call Sheet Blues" by Shorter, Herbie Hancock, Ron Carter and Billy Higgins (on
The Other Side of Round Midnight Featuring Dexter Gordon)
1994: Grammy Award for Best Jazz Instrumental Performance, Individual or Group for A Tribute to Miles
1996: Grammy Award for Best Contemporary Jazz Album for High Life
1996: Wayne Shorter was granted the Miles Davis Award by the Montreal International Jazz Festival.
1997: Grammy Award for Best Instrumental Composition for "Aung San Suu Kyi" (on 1 + 1)
1998: NEA Jazz Masters
1999: Honorary Doctorate of Music by the Berklee College of Music
1999: Grammy Award for Best Jazz Instrumental Solo for "In Walked Wayne" (on J. J. Johnsons Heroes)
2003: Grammy Award for Best Instrumental Composition for "Sacajawea" (on Alegra)
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2003: Grammy Award for Best Jazz Instrumental Performance, Individual or Group for Alegra
2005: Grammy Award for Best Jazz Instrumental Performance, Individual or Group for Beyond the Sound Barrier
2006: Jazz Journalists Association Jazz Award Small Ensemble Group of the Year to the Wayne Shorter Quartet
2013: Grammy Award for Best Jazz Instrumental Solo for "Orbits" (on Without a Net)
References
1. Past Winners Search for Wayne Shorter (http://www.grammy.com/nominees/search?
artist=%22Wayne+Shorter%22&field_nominee_work_value=&year=All&genre=All). GRAMMY.com. Retrieved 2013-06-04.
2. Down Beat Poll Archive (http://www.downbeat.com/default.asp?sect=cpollindex). DownBeat.com. Retrieved 2013-06-02
3. Ratliff, Ben. "Music Review: A Birthday Bash With a Harmonious Mix of Guests" (http://www.nytimes.com/2008/12/04/arts/music/04shor.html?ref=benratliff).
The New York Times. December 3, 2008. Retrieved 2013-06-04.
4. A Brief History (http://www.nps.k12.nj.us/arts/a_brief_history.htm), Newark Arts High School. Accessed August 10, 2008.
5. The Big Takeover: Weather Report Forecast: Tomorrow (Columbia Legacy): (http://www.bigtakeover.com/recordings/weather-report-forecast-tomorrowcolumbia-legacy)
6. Len Lyons (1989). "Herbie Hancock". The Great Jazz Pianists: Speaking Of Their Lives And Music. Da Capo Press. p.274. ISBN978-0306803437.
7. Davis, Miles; Troupe, Quincy (1990). "Chapter 13". Miles: The Autobiography. Simon and Schuster. p.274. ISBN0-671-72582-3.
8. "Footprints: The Life and Work of Wayne Shorter". allaboutjazz.com. Retrieved November 19, 2010.
9. "Thelonious Monk Lifetime Achievement Award". broadwayworld.com. Retrieved December 18, 2014.
10. "Grammy Lifetime Achievement Award Press Release". Grammy.com. Retrieved December 18, 2014.
11. http://www.pledgemusic.com/projects/wayneshorter
12. http://wayneshorterdoc.com
13. "Wayne Shorter Speak No Evil". 100greatestjazzalbums.blogspot.com. December 24, 1964. Retrieved 2012-04-04.
14. "A Separate Peace". People. Retrieved February 21, 2010.
15. "Times Topics" (http://topics.nytimes.com/topics/reference/timestopics/people/s/wayne_shorter/index.html) The New York Times. Retrieved June 4, 2013.
External links
Essay on Wayne Shorter
Wikimedia Commons has
(https://web.archive.org/web/20080225123458/http://www.orbismusic.com/old_site/wayne+shorter/shorterpaper.html)
media related to Wayne
at the Wayback Machine (archived February 25, 2008)
Shorter.
"An Interview with Wayne Shorter" (http://www.jazz.com/features-and-interviews/2008/3/21/in-conversation-withwayne-shorter) by Bob Blumenthal, (Jazz.com (http://www.jazz.com)).
The Complete Wayne Shorter (http://home.ica.net/~blooms/wshome.html)
Wayne Shorter's letter read during Joe Zawinul's funeral (http://www.zawinulfans.org/modules/sections/index.php?op=viewarticle&artid=43)
Wayne Shorter discography (http://www.jazzdisco.org/wayne-shorter/discography/)
Wayne Shorter Quartet with NEC Philharmonia, Boston (http://www.allaboutjazz.com/php/article.php?id=34718) on AllAboutJazz.com
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