Crisoles

(2013)
para conjunto instrumental

Jorge Horst

Im Auftrag des Deutschlandfunks (Kln) fr das Ensemble Aventure

(Encargo de la Radio de Alemania [Colonia] para el Ensemble Aventure)

Dedicada al Ensemble Aventure

Dedicada al Ensemble Aventure

Score in C

Crisoles
Jorge Horst

(2013)

2
8

q=63

English horn

&

4"

7"

4"

11"

4"

4"

e/1"-3"

e/1"-2"

x11
minimum

Alternateoneactionevery time.

Bass clarinet
in Bb

Not necessarilysynchronicwith the others performers.

Only air sounds,preferablylow butsearchingvariants, between p and mf.

4"

7"

11"

4"

4"

Bassoon

Piano

q=63

4"

e/1"-3"

2
8

e/1"-2"

Alternateoneactionevery time.
Viola

Doublebass

x11
minimum

Not necessarily synchronic with the others performers.

Using arco perpendicolare, arco zarge (arco in fascia), muted strings with the left hand.
Cello and Double Bass: also rubb the side of the bridge, tailpiece and/or end pin. Everything between p and mf.
Violoncelle

2
8 e=126

2
4q=56-63

e/20"-30"

5
4

x3

2
8

x
E. H.

&

/ 0

ff

Idem previous but more continuous,

almost without pauses between actions.
only air

?
B. Cl.

1.

/0

Bsn.

j j

ff

2.

ff

/0

l.v.
G

Vla.

U
si2 m
si1 n

2
8 e=126

2
4q=56-63

e/20"-30"

v
ff

5
4

III
IV arco perp.*

5
1j
u 1

Idem previous but more continuous,

almost without pauses between actions.

?
Vc.

Db.

Down keys without sound on the indicated range

(approximately from a higher octave to
the sound played by the left hand).

Pno.

_
o

"mf"
III arco perp.*
IV

j
11

"mf"
III arco perp.*
IV

1j
1
"mf"

* perpendicular bow motion

2
x3 8

j
11

"mf"

1j
1
"mf"

2
8

4
4

x11
(minimum)

e/40"-60"
7"

8"

Multiphonic as low as possible.

O
O
O
o

x
E. H.

/ 0

ff

B. Cl.

j
-

mf

/ 0

Bsn.

Pno.

ff

? mi3 m
mi2 n
e
?
/0

6
sol1 6
si0

ff

4
4

cuasi
gliss.

o mf
Multiphonic as low as possible.
OO
O
o mf

pp

mf

e/7"-11"

Breathing ad libitum
but imperceptible as possible.

14

&

7
4

pp

mf

2
8

4
4

x11
(minimum)

e/40"-60"
7"

8"

III arco perp.*

IV
Vla.

gliss. lentissimo

j
11

w
w
f

"mf"

b
p

e/7"-11"

/b 0
o

III arco perp.*

IV
gliss. lentissimo

Vc.

11

bw
bw
f

"mf"

/0
o

III arco perp.*

IV

pizz.

ff
* perpendicular bow motion

r
11 w
w
"mf"

/0
o

bw

pp

gliss. lentissimo
Db.

pp

4
4

4
4

3
4

4
4

20

E. H.

&
w

B. Cl.

Bsn.

o
U
w

mf

bw

mf

nw

pp

nw

pp

U
#w
o
bU
w

pp

?
do#3
do#2

m
n

mf

sib2
sib1

U
m
n

Pno.

? U

#
v v

ff

nw

pp

mf

r
b
v

f
fff

4
4
Vla.

3
4

#U
w

B U
bw

4
4
n

pp

U
w

pp

bw

nw

mf

o
bU
w

Vc.

Db.

o
#

o
#w

mf

&

pp

mf

Uo
w
o

3
4
28

E. H.

B. Cl.

&

r5

o
mf
3

# #

j
#

r
#

mf

Bsn.

quasi
gliss.

#U

pp

mf

Pno.

U
? m
la2
la1 n
?

v n v

U
si2 m
si1 n

3
3

mf

r
v

j #

fff

3
4
liscio
Vla.

U
R

j3

ppp
mf

liscio
7

?
Vc.

r
#

j
#

r
#

pp

mf
5

Db.

&

mf

4
4
36

E. H.

&

U
#w
o
U
bw

mf
3

B. Cl.

f
quasi
gliss.

? <#>

j
#

R
o

mf

U
sib2 m
sib1 n

3
3

mf
Pno.

#
o
U
w

mf

Bsn.

#j

,U
m la2
n la1

ff

r
b v

#b

v
fff

fff

4
4U
Vla.

#w
5

mf

r5

Vc.

j3

o
bU
w

mf

r
#

j

o

mf
5

j
#

Db.

7"-9"

j

f

v
mf

&

wo
o

1
ca.1'

42

E. H.

&
?

B. Cl.

A-

With time modules of 6" to 10" every time, to enter actions of 3" minimum, alternating with short pauses but of different length.

B-

These actions, not necessarily synchronously between the performers, will be made from the notes "poles" C, B, E and G, plus all surrounding microtones,
and everything in the lowest 2 octaves of the instrument.

C-

Possible actions: (alternated and/or repeated ad libitum)

(tenuto)

U
,

q q q

q q

U
,

U
gliss. lento

U
,

q q q

q q
e

Bsn.

gliss. lento

pp / mp

pp

mp

pp

preferably iterated

Pno.

These actions, while playing, optionally also they can be sung [B.Ch.], in unison or with microtones, generating lines, even crosslinked, preferably cantabile, legatissimo or with glissandi.
Vla.

?
Vc.

Db.

D- Wood-winds: sounds ord., frull, growl, multiphonics (as low as possible), with a lot of air, with change of the tongue and/or lips position, and/or generating transitions among the options.
Strings: different bowing, even arco circolare, as pos.ord., s.p. and s.t., and/or generating transitions among the options.

2
e/1' - 1'30"
43

C. I.

&

(continue with the module 1)

?
Cl. B.

(continue with the module 1)

?
Fg.

(continue with the module 1)

x3

play between p and ff ad libitum, with pauses or not between fragments. When the sequence ends, can replay up to move to c. 44

b^ > b>
R
R J

n r

R
J

r
b

K
r
J

3
> 5
j

J
J

Pno.
7
3

Vla.

r
b
<n>> '

n
v

r
>
v

(continue with the module 1)

?
Vc.

Cb.

(continue with the module 1)

(continue with the module 1)

j
b

r
n #
R
R
3
v

b b

b
n

>b
v

r
v

b> b #
v

C. I.

&

(continue with the module 1)

?
Cl. B.

(continue with the module 1)

?
Fg.

(continue with the module 1)

x2
5
5
3

Pno.

>
? bj

n
J
3
3
j
?
n

{
Vla.

r
b
b

>

>

(continue with the module 1)

?
Vc.

Cb.

(continue with the module 1)

(continue with the module 1)

Uj
#

b b b
b
n>
n

J
j

#
b b
b

J
v
J v v
R u
3
>

bv bv

b
#

10

C. I.

&

(continue with the module 1)

?
Cl. B.

(continue with the module 1)

?
Fg.

(continue with the module 1)

>
? n b b n

J

j
J

b v

b
v

>

>j
#

>
j

Pno.
5
? b

> b #
v

{
Vla.

(continue with the module 1)

?
Vc.

Cb.

(continue with the module 1)

(continue with the module 1)

#
n
v

b b

n
v

<n>>

'

#> # v

j
b

b
R

# v

j
b
b > '
>

11

3
4
C. I.

&

(continue with the module 1)

?
Cl. B.

(continue with the module 1)

?
Fg.

(continue with the module 1)

^
n>
R

b
v

b^ >
R

n
v

b>
R J

#
>

b > J

K
nr

Pno.

>
j
b

r

v

b
n

n
v

n #

r
v >

#

v

#
,
R
r
j
b # n
b
v R

3
4
Vla.

(continue with the module 1)

?
Vc.

Cb.

(continue with the module 1)

(continue with the module 1)

12

3
4 Attacca

2
4

3
4

44

C. I.

&

mp

? #

mp

mf

Cl. B.

Fg.

mp

mf

ppp

ppp

mp
3

mf

mf

mp

Pno.

3
4 Attacca
Vla.

2
4-

B #r 5#
n
f
o

3
4

b
b b #
# # # b
n

5
6

r7
bb
v > mf

f
6

pp

Cb.

mf

Vc.
mp

#
> >

pp

mf

mf

&

o
#
J

mf

pp

pp

mf

>

13

3
4

2
4

3
4

51

C. I.

Cl. B.

b
& J
o p
?

R
o

pp

?
J

Fg.

o
?

R
o

bJ J b

b>

b-

>

mf

b>

mf

&

f
Pno.

j
b

3

>

3
4
Vla.

2
4
b

B
v

b # #

J

mf

3
4
5

b
v

7
r5
#
# #
bb b- - - - - - v >
R

#6

ff

(ff)

mf

mf

ff f

?
Vc.

Cb.

J
&

o
J

j j

v
v
j3

o

o

b b b
R

&

o3

14

5
8

3
4

58

C. I.

b
&

? <b>
Cl. B.

ff

Fg.

Pno.

? <b>

f ff

m
n

m
n
G

re3
re2

m
n

5
8

Vc.

gliss. lentsimo

Vla.

>

ffv

b
B

j
b >

f ff

ff

b
&
pp
?

3
4

ppp

gliss.

gliss.

ff

j
b
gliss.

ff
gliss.

Cb.

&

gliss.
?

^
ff

v
ff

15

3
4

4
4

6
8

5
8

3
4

x9
(minimum)

66

C. I.

&

7
4

b p

?
Cl. B.

j
b

mp sub

j
b
>

Fg.

j
b > n
v

il pi p

?
m
n
j
#>

Pno.

m
n

#b

>

j
b > / 0

#>

3
4
Vla.

4
4

6
8

5
8

3
4

x9
(minimum)

b
# -

?
Vc.

b
v

j
b

gliss.
gliss.

gliss.

v v

n
gliss. lento

mp sub
gliss.
gliss.
Cb.

w^

b >
J

gliss.

gliss. lento

#j
mp sub

7
4

16

7
4

5
4

6
4

4
4

7
4

5
4

4
4

74

C. I.

&

#w

bw

mp

?
Cl. B.

?
Fg.

mp

pp

mp

pp

-
p

666
-

-
pp

666
-

G
-
mp
?
G
mi1 66
6
la0
?

Pno.

7
4
Vla.

5
4

- w

-

666
-

666
-

66
-6

666
-

666
-

666
-

6
4

4
4

7
4

5
4

4
4

- w
pp

mp

- #w
p

mp

pp

mp

pp

Vc.

Cb.

17

5
4

3
4

4
4

7
4

6
4

7
4

5
4

83

C. I.

&

w
il pi p

?
-

Cl. B.

pp mp

Fg.

?
-

-
?

66
-6

- w
f

- w

- #w

- w

- w

- #w

- w

- #w

666
-

666
-

666
-

66
-6

666
-

pp mp

Pno.

- w

666
-

G
G

5
4
Vla.

B
-
pp

Vc.

3
4

?
pp

- w

- w
p

w
p

-
mp

mp

4
4

7
4

wo
Cb.

? -

-
p

66
-6

G
G

6
4

7
4

5
4

- #ww

#ww

- #ww

#w
wo
-

#w

wo

w
#
w

wo
-

18

5
4
93

C. I.

x5
(minimum)

&

5
8

3
8

4
8

3
8
ca 5"

>

pp

sub ff

j
#

7
5

Cl. B.

pp

R
v
v

sub ff
3

?
#w
Fg.

v >

pp

j
n
b v v

b v

sub ff

5
3

j j j j
b

b > b >

n>

Pno.

R
sub ff
r

> >
R

b^

j
m
n

v
3

sfz

5
4

5
x5 8

3
8

4
8

3
8
ca 5"

(minimum)
Vla.

B #ww

l.v.
3

pp

j
b

b
v

sub ff
3

r
>
v

l.v.
Vc.

? #w
w

##

j
n

pp
sub ff

wo
Cb.

pp

pizz

sub ff

arco

l.v.

j
v

^
J

v
ff

j
v v