Mothership

MASON BATES
MOTHERSHIP
for orchestra, electronica, & soloists via webcast
MOTHERSHIP
commissioned by the YouTube Symphony Michael Tilson Thomas, music director
3 utes (1st doubling Picc)

2 oboes & 1 E. Horn
1 Eb clarinet
2 Bb clarinets (both doubling Bs Clarinet)
2 bassoons & 1 contrabassoon
4 horns in F
3 C trumpets (mutes: straight, harmon, practice)
2 tenor trombones & 1 bass trombone
tuba
electronica (no special equipment necessary)
3 percussion
timpani
harp
piano / celesta
strings
dedicated to Michael Tilson Thomas and the YouTube Symphony Orchestra
MOTHERSHIP
for orchestra, electronica, & sololists (via webcast)
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2
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.
j j
J
J
j j
-
j
-
n - j
-
j
nb # n # n 24
.
j j
-
j j
p
# J 24
.
? - -
J
J
n j j j
.
.
-
# J 24
.
B # n

-
J J
n J
j
-
#
#
j

-
# # j
# f
j

n
J
j

-
j

-
j
j j
nb # n # n nb #
.
.
2
4
#
p
j

-
# n J # # j j
.
.
-
soli
j

-
j

-
j
&
# n
"
j

-
-
J J
. . . . . . . .

p
soli
Vln. I &
# n j
Cb.
Vc.
Vla.
&
Vln. II
n J
"/
!/
!
Perc. 2 &
j j j j j j j j 24
. .
. .
. .
. .
# J # # j j
.
.
-
soli
> >
# # b
o
# j
# f
o
## j
-
!?
Timp.
"
senza
mf
+
j
#
>
sfz
+
j
#
>
sfz
Tbn. 1.2.
sfz
? - -
J
J
&
Hn. 2
>
>
>
>
>
>
n> # # ## b ## # n > # # ## b
b
b
n # #
# n # #
j j j j
. .
. .
(Fl 2.3.)
n>
J
!
&
>
>
>
>
n> # # # b # # n > #
b >
J
- .
? # n J.
sfz
&
Cl. 1.2.
Hn. 1
&
E. Hn.
Contra
D
1. to Piccolo
j j j
.
. .
>
nb
J
j
# >
f
# >
J
2
4
j 24
2
4
2
4
2
4
2
4
j j j j j j j j 24
. .
. .
. .
. .
j j j j j j j j j j j 24
.
. .
. . . .
.
.
. .
j j # # # # #

-
# # #
p

j j
-
p
pizz.
n - -
j j - -
J
J
J
-
p
2
# # # # # 4
24
- -
J
J
2
4
! 2
Fl. 1 & 4
42
Fl. 2
Ob. 1.2.
E. Hn.
Eb Cl.
Cl. 1.2.
Bsn. 1.2.
Contra
b >
4 & R
4
Piccolo
sub. f
>
nb
2
4
j
j
&
R
& 4
4
.
.
sub. f
& 24
4 & nb r
4
>
sub. f
r
r
#n & # 24
>
>
sub. f
r
r
#n & # 24
>
>
#> &
# J & 44
fp
2
4
4
4
j
.
& 24 # # # - 44
2
4
4 #
4
# J # # j j
.
.
-
2
4
4
4
j 4
2
& 4 nb ## . 4
-
2
4
4 #
4
j
j j
nb # n # n nb #
.
.
2
4
4
4
?2
4
4 j 4
.
2
4
4
4
n j j j
.
.
-
2
4
4
4
2
4
4
4
?2
j 44
" 4 n -
-
2
4
Tpt. 3
2
&4
Tbn. 1.2.
?2
4
4
4 . . . n> . . . #> . . . >
sub. f
>
>
con sord. >
4J J
J
B. Tbn.
?2
4
4
4
Tba.
?2
" 4
4
4
4
4
! 2
Perc. 1 / 4
sub. p
sub. p
sub. p
4 j j
4
-
sub. p
+
2 .
4 J
4
4
42# b n # # 2 . . . #> 4
4 ...> ... > ...> 4
4
+
j
# .
+
2 .
4 J
sub. f
2 4
+
+
j j
# .
+#$.
sub. f
+
+
j
j
# . +#$.
sub. f
+
j
# .
+
j
# .
+
2 .
4 J
4
4
+
2 .
4 J
4
4
>
2 . . . # 4
# . . . b> . . . n> # . . . #> 4 4
sub. f
4
4
4
4
. . . n> . . . #> . . . >

sub. f
>
>
>
J J
J
2
4
4
4
2
4
4
4
2
4
4
4
2
4
4
4
2
4
E
4
4
2
4
4
4
4 > > > > > > 2 > > 4

4
4
4
4 # b # n # # 2 . . . #> 4
4 ...> ... > ...> 4
4
sub. f
2
4 . . . #>
>
2 J
4
sub. f
marimba
sub. f
n -
4
4
. . . . . . . .
2 4
4
4
? 2
" 4
+
j
# .
sub. p
hi-hat (closed)
2
"& 4
!/
+
+
4 # j +#$j
4 .
.
sub. f
!? 2
Timp.
" 4
4
4
j 4
- 4
! 2 j j 4
Vln. I & 4
4
.
.
Cb.
r
& nb
>
j j
# J # #
.
.
-
Vc.
fp
sub. f
# >
# 4
R 4
# >
n >
#
R & R 24
4 #
4
2
&4
Vla.
>
nb
& R
j
j
j
j

.
.
.
.
# >
R 44
+
+
4 # j +#$j
4 .
.
Vln. II
sub. f
# >
n >
R
&
R 24
2
4
Elec.
>
# J & 44 w
b >
R
2
&4
Perc. 2
sub. p
&
j
.
& 24 # # # - 44
Tpt.1.2.
# >
# 4 j
j
j
j
R 4
.
.
.
.
# >
n >
#
R & R 24
! 2
Hn. 1 & 4
Hn. 2
E
# >
R 44
# >
n >
R
&
R 24
2
4
2
4
2
4
high shakers
techno BD
Juno bass
. . . . . . . . . . . . . . . .
4
4
p
4 4
p
4
4
p
sub. f
> > > > > > > >

2
44
4
>
2 . . . # 4
# . . . b> # . . . n> # . . . #> 4 4
sub. f
. . . . . . . . . . . . . . . .

-
2
# 4
4 . . . > 4
>
2 J
4
4
4
j j
-
2
4
2
4
2
4
4
4
4
4
4
4
2
4
4
4
2
4
E
4 j j j j
4 .
.
.
.
& 24 j j 44
.
.
2
4
4 j j j j j j j j
4
.
. .
.
. .
.
.
2
4
4
4
4
B 24 # #
# 4
2
4
4
4 # # # # # # # # #
2
4
4
4
?2
4
44
2
4
4
4
2
4
4
4
? 2 n - - 4
" 4
J 4
2
4
4 - -
4J
J
n - -
J
2
4
4
4
sub. p
j
j
j
j

.
.
.
.
sub. p
sub. p
sub. p
sub. p
! 4
Fl. 1 & 4
49
4
&4
1. to Flute
j
j
j
j

.
.
.
.
(Fl. 2.3.)
Fl. 2
sub. p
+#$w
& 44+#$ w
Ob. 1.2.
& 44 #
E. Hn.
sub. p
4
& 4 #
Eb Cl.
sub. p
Cl. 1.2.
Contra
n j j
.
.
-
?4
" 4
! 4
Hn. 1 & 4
j j
-
n -
sub. p
senza
senza
# j
>
# j
>
mp
j
nn>
fp
#n
>
?4
4
"
Hp.
Pno.
. . . . . . . . . . . . . . . .

-
Juno bass
& 44
& 44
& 44
?4
4
Vla.
n &
>
fp
>
nb
J
?4
" 4
>
fp
n#>
J
f
>

J
f
. . . . . . . . . . . . . . . .
fp
&&
>
fp
&
>
J
j

>
- &&
ww
fp
#> w
fp
>
f
>
# J
f
j j
-
j j
.
.
j
.
j
.
# >
#
>

J
j
.
j
.
j
.
j
.
n >
n J
>
J
J J
p
J J
J J
j j
.
.
j j
.
.
- &
f
ride cymb.
fp
>
mf
J J
-
J J
j
.
>
j
j
j
j arco
>
b n n> # #
.
.
.
.
>
fp
fp
>
j j j j j j j j b> . . n J
.
.
.
.
.
.
.
.
J
J
J
f
p
f
sub. p
sub. p
mf
>

J
>
>
b n n> # #
>
fp
fp
fp
fp clean, mechanistic
arco
- -
J
J
.
J
J J
j
.
tiny hi-hat
sub. p
Cb.
b
>
B 44 #
#
# # # # # # #
?4
4
sub. p
Vc.
fp
marimba
n>
J
sub. p
& 44
nb> &&
. . . . . . . . . . . . . . . .

-
F
j
j
j
j
! 4

Vln. I & 4
.
.
.
.
Vln. II
# j
con sord.
fp
4
4
? 4
4
mp
. . . . . . . . . . . . . . . .
mp
mp
techno BD
o
j
. . . .
J
J
J
J
j j j j j j j j j j j j
.
.
.
.
.
.
.
.
.
.
.
. - &
p
>
J
& 44
4
4
j
j
j
j

.
.
.
.
Tpt. 3
high shakers
j
j
j
j

.
.
.
.
F
! 4
Perc. 2 & 4
"
>
n J
& 44
Elec.
Tpt.1.2.
!/
j
j
j
j
nb> n
.
.
.
f
p
.
.
.
.
J J J J
b>
J
?4
" 4
>

fp
>
J. J. J. J
o
# j
& 44
B. Tbn.
j
#
>
j
-
Hn. 2
Tbn. 1.2.
# # # . # j
J
.
-
?4
4
sub. p
j
j >
# . . n J
>
# # # . # j
J
.
-
j
j
nb # n # n nb ## . #
.
(1. = Flute)
2. only
>
>
j
j
j
j
b n ># #
.
.
.
.
>
fp
fp
fp
f fp
>
# .
.
.
.
.
.
.
.
.
.
.
.
.
ww
>
>
J J J J J J J J J J J J J J J
& 44 #
sub. p
Bsn. 1.2.
n >
b >
.
.
J J J J
f
. . . .
J
J
J
J
n - -
J
. . . .
J
J
J
J
arco
fp
>
J. J. J. J
p
.
.
.
.
J J J J
. . . .
J
J
J
J
.
.
.
.
J J J J
J. J. J. J.
. . . .
J
J
J
J
- &
j
.
. . . .
J
J
J
J
. . . .
J
J
J
J
- &
j
.
>
.
.
.
J J J J
.
.
.
.
J J J J
>
>
55
>
>
>
1.2.)
>
>
>
! (Fl.

Fl. 1 &
Ob. 1.2.
&
E. Hn.
&
.
J
.
J
.
J
.
J
.
J
.
J
.
J
.
J
.
J
.
J
.
J
.
J
.
J
.
J
.
J
.
J
. . . . . . . . . . . . . . . . . . . . . . . .
. . . . . . . .
&
Eb Cl.
. . . . . . . . . . . . . . . . . . . . . . . .
. . . . . . . .
&
Cl. 1.2.
Bsn. 1.2.
Contra
Hn. 1
"
Tbn. 1.2.
B. Tbn.
"
j
.
- &
mf
- &&
.
J
fp
mf
fp
mf
mf
"/
mf
mf
J
BD
.
J
>
.
J
>
mp
#
.
mp
mp
#
.
mp
j

.
j
.
mp
mp
mp
-
mp
- &
j
>
j
.
# - &&
.
J
mp
>
f
ride
> >
>
"
j
.
- &
&
&
.
& J
.
B J
?
?
Cb.
"
.
J
.
J
.
J
- &
- &
.
J
.
J
mp
mp
mp
- &
mp
- &
mp
- &&
mp
j
.
f
.
J
- &
mp
j
>
mp
j
>
# .
.
j
j
.
j
>
- &
>
ride
> >
hi-hat
closed
>
fp
mf
>
>
>
> > > > >

.
J
.
J
j
.
j
.
j
>
>
>
> > >
>

>
&
- &
>
>
>
>
>
> >
.
J
.
J
&
- &
fp
>
mp
j
>
- &
# .
mf
.
J
- &
# - &
# &
- &
!/
j

.
- &
mp
j
>
mp
- &
senza
j
>
mp
>
# &&
-
&
- &
senza
.
J
mp
>
- &
>
Vc.
! .
Vln. I &
Vla.
>
Vln. II
.
&
Pno.
&
Elec.
Hp.
!?
"
Perc. 2
Perc. 3
&
Tpt. 3
Perc. 1
mp
&
Tpt.1.2.
Timp.
!
&
Hn. 2
Tba.
.
J
.
J
.
J
.
J
.
J
.
J
.
J
.
J
.
J
&
>
ff
&
>
ff
.
J
.
J
.
J
.
J
j
.
j
.
.
J
.
J
.
J
.
J
.
J
.
J
.
J
.
J
> &
> &
.
J
.
J
j
.
j
.
10
q. = 88 (e = e)
>
>
>
! 6 &
Fl. 1 &
8
59
(Fl. 1.2.)
&
Ob. 1.2.
Eb Cl.
&
.
J
Cl. 1.2.
&
.
J
Hn. 1
.
J
Bsn. 1.2.
Contra
.
J
"
&
Perc. 3
Hp.
Pno.
Sop. Sax.
solo
6
8
1.2. to Bs Clarinet
j
>
- &
mp
- &
mp
6 j
8
>
6 j
8
>
6
8
mp
j
>
6
8
6
8
6
8
&
&
Vln. II
.
B J
Vla.
Vc.
Cb.
"
.
J
&&
-
j

.
mp
.
J
mp
mf
- &
mp
- &
j
>
.
J
.
J
fp
6 &
8
.
J
div. 2
6
8
6
8
6
8
fp
&
>
- &&
&&
-
j

.
mf
&
&&
> >
J
mp
.
J
mf
>
&&
&
fp
&
>
>
&
>
&
>
&
p
>
&
&
>
&
>
&
p
>
&
&
>
mp
6
8J
j

.
&
fp
&&
-
j
>
6
8
q. = 88 (e = e)
>
>
>
6 &
Vln. I &
8
.
& J
6
8
.
J
6
8
.
J
&
> > >

6
&
&
8
?
6
&
8 &
>
>
> >
6
&
&
8
"/
6 > >J
8
&
6 &
8>
&
>
&
- &
6 &
8
>
&
mp
&
Perc. 2
.
J
>
&
6
8
!?
Timp.
"
!
&
fp
6
8
6
8
?
Tba.
"
Perc. 1
.
J
mp
B. Tbn.
>
Tbn. 1.2.
mp
&
Tpt. 3
>
mp
&
Tpt.1.2.
6
8
>
&
mp
!
&
Hn. 2
>
&
.
J
j
.
j
.
&
&
&
&
pizz.
.
J
J
&
&
&
&
( q. = 88)
DOCKING EPISODE #1
11
Trio. With swing
!
Fl. 1 &
64
? j &
.
p
! j
& &
.
pp
& j &
.
? j &
.
p
&
Bsn. 1.2.
"
Tpt.1.2.
? j &
.
p
Tbn. 1.2.
B. Tbn.
"
? j &
.
p
!?
Timp.
"
Perc. 1
& j &
.
pp
Hn. 2
Tba.
( q. = 88)
j
/
J &
&
Perc. 2
&
&
Perc. 3 /
"
!
Elec. " /
Pno.
Sop. Sax.
solo
Trio. With swing
BD
pp
Hp.
SD rim
J &
J &
J &
j j j
J &
&
&
j &
.
j &
.
j j j
J &
&
&
&
&
&
&
DOCKING SIGNAL
docking
beep
&
&
&
DOCKING SIGNAL
mp
.
J
&
# -
.
J
&
# -
radio
static p
.
J
&
.
J &
mp
&
. &
J
# -
. &
J
# -
. &
J
j &
.
pp
. &
J
j
&

.
pp
j &
.
p
&
j
&

.
p
docking .
beep
. J
J
&
b j &
b
.
p
j &
.
p
pp
# . &
J
j
&

.
p
! Vln. I &
&
DOCKING SIGNAL
mp
( q. = 88)
.
J &
&
# . &
J
B &&
&
&&
&
? &
&
&
&
? &
&
&
&
pizz.
"
# -
. &
J
. .
J
J
Vc.
# -
. &
J
. .
J
J
Vla.
Bass Clarinet
pp
NOT LOCKED TO BEAT

(electronics follow conductor)
&
Vln. II
Trio. With swing
Cb.
. &
J
Cl. 1.2.
Hn. 1
. &
J
&
Ob. 1.2.
Contra
pizz.
# .
J
12
!
Fl. 1 &
73
&
Ob. 1.2.
j
j

.
.
j j
.
.
b - j j
.
.
bb -
j j

.
.
j
b j &
. b &
>
&
- &
mf
earthy
j j
b &&
. b >
&&
-
mf
earthy
j &
.
mp
j &
.
&
&
&
"
con sord.
j
/
J &
&
&
&
?
J &
&
&
J
>
SD
light, w/ brush
&
p sempre
p sempre
&
- &
p sempre
mf
j & j
j j
## -
## -
.
.
>
& J
hydraulic
doors
sfz
& &
!
Vln. I &
.
J &
.
J
&
>
& b
J
& b >
J
&
&
>
- &
- &
&
mf
&
&
J
&
>
&
- &
# >
J
>
j
J &
pizz.
- &
mp
&
&
- &
- &
&
&
pizz.
pizz.
>
&
J
n +n$
b
SILENCE
- &
mp
mf
j &
.
IMPROVISE
b n J.
>
j
b j
b . .
b - . & j b - j j
J
.
-
>
j
J &
&
J
&
arco
j j
b . b
.
mf
j &
.
j &
.
j j b j
-
b - .
.
&&
j &
.
mf
j
j
j j
# - . & # - . -
> &
&
- .
- .
b
J
J
J
mf
fp
j &
.
&
mf
j j
j
- .
- .
j
&
.
sfz
j &
.
>
j
J &
# j
>
sub. p
j &
.
j j &
b .
.
mf
harmon
b .
. j
b && b J bb
J b
>
J
2
j &
.
p sempre
& >
J
&
j &
.
p sempre
con sord.
!
"/
"
harmon
&
"/
Vc.
&
Vla.
&
Vln. II
harmon
n n
sub. p
j &
.
sub. p
bb b &&
.
&
mf
. j & bb . n bn
J bb & J
bb b &
.
- &
Perc. 2
Cb.
!?
Timp.
"
Sop. Sax.
solo
mf
mf
j
j
j j
b - . & b - . -
B. Tbn.
Pno.
j & n j b j j
b - .
- .
Tbn. 1.2.
Elec.
mf
!
&
Tpt. 3
Perc. 3
mf
j
j &
j j
n # - . # - . -
Tpt.1.2.
Perc. 1
> n .
J
b
"
Hn. 2
Tba.
.
J &
Bsn. 1.2.
Hn. 1
B. Cl.
Contra
&
E. Hn.
J
j
j
&
j
j
## n # - n ## - n
.
.
j j
j
-
- .
.
- j j b - j
.
.
>
mf
>
J
>
>
J
mf
- &
- &
unis.
&
&
- &
- &
&
&
arco
n n
- j J - j
.
.
- j j b - j
.
.
sub. p
arco
sub. p
13
!
Fl. 1 &
84
Ob. 1.2.
E. Hn.
"
Tpt. 3
Tbn. 1.2.
"
Hp.
Pno.
Sop. Sax.
solo
n#
sub. p
.
b
J
J
j
.
.
b J
J
&
- &
&
- &
&
bn .
J
f
bn .
J
f
j &
.
sub. p
sub. p
sub. p
j
.
n
p
j
b .
.
bb
J
.
bb
J
j
b -
b
b b
j
.
.
J
b b
j
.
.
J
j
n -
&
&
&
j
.
&
j
.
&
j &
.
j &
.
j
.
>
j
/
J &
&
J
&
&
- &
j
.
&
>
&
- &
&
>
# J
>
# J
sfz
sfz
j
b -
j
b -
j
.
j
.
&
>
n
J
j
-
j
-
>
&
J J
&

>
mf
>
j
J &
&
- &
p
j &
.
j &
.
&
>
mf
&
&
j
b
b .
b .
J
SILENCE
IMPROVISE
IMPROVISE
n
p
b
b
SILENCE
j
n .
.
n
J
IMPROVISE
&
arco
pizz.
? - &
mp
pizz.
&
- &
mp
- &
&
&
C7
"
arco
Cb.
&
!
Vln. I &
Vc.
&
&
&
&
Vla.
Vln. II
&
n#
j
j

.
.
mf
sfz
>
j
J &
&
J
- &
&
n>
J
j j
b .
.
mf
sfz
&
. j
b
J
b >
. j
J
bb>
j &
.
&
mf
j
.
.
&
J
bb
"/
b .
J
n n
j
n .
&
!?
"
Perc. 2
Perc. 3
B. Tbn.
Perc. 1
sub. p
&
Tpt.1.2.
Timp.
&
!
&
Hn. 2
Tba.
? +n$- &&
Bsn. 1.2.
Hn. 1
&
? +n$- &&
B. Cl.
Contra
j
bb .
n p
n p
.
J &
mf
. &
J
mf
>

mf
- &
b J
&
n J
&
&
- &
b J
&
n J
&
&
>
J
14
.
&
J
!
Fl. 1 &
Ob. 1.2.
&
E. Hn.
&
B. Cl.
Bsn. 1.2.
91
Contra
Hn. 1
"
Sop. Sax.
solo
&
&
j
bb
>
mf
.
j
J -
b &
b .
j
j
b . .
j j
.
.
j
j
b . .
j
b j
b .
.
mf
>
b J
b j
>
(sord.)
b .
J J J
sfz
sfz
2
.
J J J
j
bb
>
b
b
b
b
.
j
J -
b &
b .
j
j
b . .
j
j
b . .
j
j
b . .
j j
.
.
j
j
b . .
!?
"
j j
.
.
"
&
&
&
&
&
&
&
&
&
&
&
&
&
&
&
&
&
&
&
n -
. &
J
b -
j
>
j b
&
n -
b -
.
J &
&
B
F(4)
C7
"
&
Vc.
&
&
&
Vla.
Vln. II
&
>

&
!
Vln. I &
Cb.
&
Perc. 2 &
" &
Pno.
.
b
J j
.
.
b
J j
.
B. Tbn.
Hp.
mf
.
&
J
j
j
b . b
.
mf
& &
Tbn. 1.2.
Perc. 1
.
b
J
J
.
b
J
J
b b
& &
Tpt. 3
Timp.
& &
Tpt.1.2.
.
bb &
J
!
& &
Hn. 2
Tba.
.
bb &
J
n n
mf
mf
.
J &
j b
mf
. &
J
mf
>
J
b - &
j
-
b &
j
-
j
-
j
-
b - &
- &
- &
j
-
b &
j
-
15
!
Fl. 1 &
98
B. Cl.
Bsn. 1.2.
Contra
Hn. 1
"
? j &
.
p
pp
? j &
.
p
? j &
.
p
! j &
& n
.
pp
& n j &
.
pp
Hn. 2
. &
J
n -
&
Ob. 1.2.
. &
J
n -
j
&

.
p
n -
# -
. &
J
j
&

.
p
j &
.
p
j
&
n
.pp
j
&
n
.
pp
# -
. &
J
.
J &
&
# . &
J
b j &
b
.
p
j
&

.
j &
.
j
&

.pp
j
&

.
pp
Tpt.1.2.
&
Tpt. 3
&
Tbn. 1.2.
B. Tbn.
Tba.
"
? j &
.
p
?
!?
Timp.
"
Perc. 1
j &
.
p
>
j
/
J &
&
pp
&
Perc. 2
Perc. 3
pp
&
"/
j j
>
SD rim
pp
J &
&
&
j &
.
p
j &
.
p
j j
>
j
J &
>
j
J &
>
j
J &
&
&
&
> &
&
> &
j &
.
j &
.
>
j
J &
&
pp
>
pp
&
>
pp
DOCKING SIGNAL
Elec.
!
"/
&
Solo
&
n -
n -
. &
J
n -
. &
J
pp
pp
.
J
&
# -
# -
. &
J
.
J
&
# -
# -
.
J &
.
. J
J
radio
static p
.
J
&
# . &
J
&
&
&
"
&
Cb.
B &&
div. 2
Vc.
. &
J
&
Vla.
. .
J
J
pp
Vln. II
DOCKING SIGNAL
! n Vln. I &
docking
beep
. .
J
J
&
Sop. Sax.
solo
docking
beep
? &
p
# .
J
16
!
Fl. 1 &
107
&
Ob. 1.2.
Pno.
Sop. Sax.
solo
Solo
Vla.
Vc.
b -
j
.
sub. p
3 . . . j 6
4 n . n . 8
sub. p
j3
n . 4
6
8
j3
nn 4
.
6
8
6
8
&
j 43
n .
&
j j
.
.
p
"
j j
.
.
p
&
&
&
"/
> &
J
&
&
>
glockenspiel
&
6
8 # &
# &
p
6
8
# &
6 &
8
mf
mf
mf
n . 3
J 4
6 # &
8
3
4
6
8
6
8
mf
(e = e)
3
4
&
43
J
pp
mp
&
6
8 &
p
6
8
3
4
3
4
6
8
3
4
3
4
6
8
3
4
(e = e)
- - >
3 6
4 &
8
J
3
4
6
8
6
8
3 n J 6
4
8
3
4
n . 3
J 4
mf
6
8
3
4
3
4
3
4
n J 43
3
4
&
6
8 &
6 &
8
senza
6
8
mf
&
43
J
n j 43
p
3
4
mf
- - >
3 6
&
4 &
8
J
J
&
mf
n .
J 43
.
n 3
J 4
pp
mp
>
& 43
&
&
&

&
J
3
4
3
4
3
4
3
4
DOCKING SIGNAL
!
"/
>
J
hydraulic
doors
&
&
&
&
& &
&
B &&
?
# &
>
j
J &
&
>
j
/
J &
# &&
(sord.)
3
4
6
8 # &
&
3
4
!
&
3
4
mf
6
8
3
4
3
4
3
4
&
# &
3
4
j j
.
.
p
6
8
j 43
nn
.
6
8
mf
3
4
6
8
sub. p
3
4
# &&
.
b b n
.
3 . . n . 6
4 n . J 8
3
4
"
sub. p
3
4
6 b
8 b J
mf
.
3 . . n . 6
4 n . J 8
3
4
sub. p
b
6 b b b
8 b
b
b b J
n . 3
J 4
!
Vln. I &
Vln. II
j
j

.
.
p
!?
Timp.
"
Hp.
B. Tbn.
Elec.
j
.
Tbn. 1.2.
Perc. 3
3 . . . j 6
4 n . n . 8
n # -
(e = e)
sub. p
Tpt.1.2.
Perc. 2
Hn. 2
Perc. 1
.
J &
j
.
Bsn. 1.2.
Tba.
. . . . .
3 n J 6
4
8
2
b -
B. Cl.
Hn. 1
&
E. Hn.
Contra
. n . n . . .
3
J 68
4
(e = e)
&
?
Cb.
" &
&
## -
# -
.
J
.
J &
&
.
j
.
&
3
4
6
8
3
4
6
8
3
4
3
4
6
8
3
4
6
8
3
4
3
4
6
8
3
4
6
8
3
4
3
4
arco
b -
j
.
pizz.
b - &
p
b - &
p
&
&
IMPROVISE
(e = e)
&
sub. p
b - N
J &
sub. p
n n
3
J 68
4
j 6
3
4 n n 8
b J &
&
&
mf
unis.
3
4 &
3
4
6
8
3
4
3
4
3
4
3
4
p
(e = e)
3
4
6
8
n 6
3
4 n J 8
6
8
3
4
3
4
6
8
6
8 b - &
6 b - &
8
&
&
6
8
3
4 &
3
4
3
4
&
6b &
8 -
6 b - &
8
expr.
arco
n -
6 b - &
8
expr.
&
3
4
6
8
6b &
8
expr.
.
J
mf
j
.
3
4
3
4
3
4
mf
.
J
mf
b
J
&
j 3
b 4
arco
3
4
17
! 3
Fl. 1 & 4
116
Ob. 1.2.
E. Hn.
Eb Cl.
B. Cl.
Bsn. 1.2.
Contra
Hn. 1
Hn. 2
Tpt.1.2.
Tpt. 3
Tbn. 1.2.
B. Tbn.
Tba.
(e = e)
& 43
& 43
?3
4
?3
4
?3
" 4
! 3
&4
& 43
n n
mf
mf
?3
4
?3
4
?3
" 4
!? 3
Timp.
" 4
Perc. 3
Hp.
Pno.
Sop. Sax.
solo
Solo
3
"/ 4
6
8
# #
J
j
.
.
J
1.2. to
Clarinet
3 . . . 6 .
4 J J J 8 J &
3
4
mp
mp
3
4
6
8
3
4
6
8
6
8
3
4
6
8
j 68
.
6
3
4
6
8
6 # &&
8
con sord.
6
8
6
8
pp
6 # &
8
pp
.
J
mf
.
J
mf
&
6 &
8
>
SD rim
6
8
3
4
6
8
3
4
6
8
. . .
3 # J J J 6
4
8
pp
&
.
J &
mf
3 . . . 6 .
4 # J J J 8 J &
3
4
pp
mf
6
8
6
8
6
8
3
4
& 43
& 43
6
8
6
8
3
4
6
8
3
4
6
8
?3
4 -
?3
" 4 &
mf
n -
&
6
8
3
4
OVER & OUT SIGNAL
3
4
(e = e) sempre
3
4
3
4 j j b j
b
mp
3 j j b j
4 b
3
4
3
4
mp
6
8
3
4
4
4
j j
. .
f
j
j

.
.
mp
&
j

.
4
4
&
4
4
senza
mp
4
4
mp
4
4
4
4
- n .
J &
6
8
P
6
8
6 j &
8
mf
pp
radio
static
4
4
4
4
3
4
3
4
3
4
mp
3
4
div. 2 pizz.
mp
.
J

3
4
4
4
4
4
3
4
4
4
J.
3
4
3
4
4
4
3 %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
4
3
4
6
8
LOCK TO BEAT
6 &
8J
6
8
mf p
3
4 n j
.
mp
3 j
4 n .
spaceship
accelerating p
6
8
.
J 34
docking
beep
3
4
3
4
6
8
pizz.
mf
4
4
3
4
3
4
4
4
& 43
> > >
3
&4
n
mf
B 43 n n
4
4
3
4 & &
J
6 &
8
pizz.
4
4
&
6
8
3
6
4 & 8
J
4
4
mp
4
4
3
4
.

J
6
. j 8
p
6
j 8
p.
j 6
. 8
p
-
6
- 8
-
.
J 34
j j
. .
f
3
4
3
4
docking
beep
n - .
J &
4
4
P
6
8
(e = e) sempre
6
8
4
4
4
4
6
8
& 43
3
4
3
4
mp
6
8
3
4
4
4
3
4
?3
4
mp
.
.
J J
3
4
6
8
3
4 n j
.
mp
3
4 j
n .
mp
3
4
.
.
J J
6
8
3
4
pp
3
4
6
8
3
4
& 43
3
4
j 6
. 8
p
6
3
4
3
4
6
8
3
4
3 j j j 6 j
4 # . . . 8 . &
"/
3
4
3
4
mf
Cb.
j 6 #
. 8
.
J
3
4
OVER & OUT SIGNAL
mf
Vc.
6
8
P
6
8
(e = e) sempre
! 3
Vln. I & 4 n
n
Vla.
mp
(e = e)
Vln. II
6 # &
8
mp
>
j
6
J
J 8
J &
&
J
& 43 68
!/
Elec.
(e = e)
! 3 &
Perc. 1 / 4
Perc. 2
6 &
8
& 43 n n
3
&4
& 43
6
8
j j
. .
f
j j
. .
j
j

.
.
mp
mp
j

.
f div. 2
pizz.
4
4
4
4
4
4
.
.
.
.
J
J
J
mp
4
4
4
4
4
4
4
4
4
4
4
4
q = 132 (e = e)
18
Scherzo. Moving quietly and rapidly
125 >Q
! 4 n
Fl. 1 & 4
fp sempre
Fl. 3
>
& 44 J
ff
Ob. 1.2.
& 44
4 >
&4 J
Eb Cl.
>
4
&4 J
f
Cl. 1.2.
Bsn. 1.2.
>
? 4
4
"
J
#> # #
j
j
j
j
j
j
j
j
j
j
j
j
j
j
>
# # # #
.
.
.
.
.
.
.
.
.
.
J
>
j
j
j
j

.
.
.
.
j
j
j
j

.
.
.
.
j
j
j
j

.
.
.
.
j
j
j

.
.
.
j
j
j

.
.
.
>
& 44 J
& 44 j
>
f
>
? 4 J
4
4
& 4 j
.
.
.
.
#
J
J
J
J
! 4 j
& 4
>
>
# # # #
ff
Hn. 2
# > #
j
j
j

.
.
.
p
& 44
Hn. 1
sempre p
>
# # #
j
j
j

.
.
.
E. Hn.
> n >
# #
4
&4
fp sempre
Fl. 2
#> #
# #
ff
Tpt.1.2.
Tpt. 3
Tbn. 1.2.
B. Tbn.
? 4 >
" 4J
f
q = 132 (e = e)
! 4
Perc. 1 / 4
Perc. 2
4
"& 4
!/
Elec.
Hp.
Pno.
"/
glockenspiel
. . . .
4
4
sub. p
4
4
'
tremolo
spaceship
sub. p
mid-range BD
# j
. . . .
4
&4
4
&4
. . . .

'
>
##
J
f
. . . .
'
'
. . . .

. . . .
'
# j
. . . .

'
#>
#
J
. . . .
'
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f
mp
mp
mp
mp
mp
j
## O
>
w
w
j
O.
mp
w
>
w
>
mp
.
>
## O ## O
J
J
f
w
w
mp
mp
div. 2
div. 2
6
8
## &&
w
w
6
8 &
mf
# .
J
mf
mp
&&
&&
&
# &
&&
&
&
&
&
&
. . .
pp
pp
>
>
J &
.
&
>
## &&
# &
# &
. . . . . .
.
# .
J J &
&
>
## &&
>
## &&
&&
mf
. . .
>
## &&
>
## &&
. &
J
.
##
J
# - &
&
. . . . . .
&
&
. &
J
&
.
## O &
J
&&
mp
&&
pizz.
# &
# &
>
## &&
p
.
##
J
# - &
.
J
half ony
.
.
## O &
## O
J
J
p
&&
>
## &&
&&
&&
pizz.
&
&
>
##
J
>
# &
>
## O &
J
j &
&
.
# .
J J &
.
# .
J J &
# &
6# &
8
6
8 &
# .
.
J J
j &
# &
q . = 88 (e = e)
# .
.
J J &
mp
pp
> .
O O 68 &
J J
# .
.
J J &
mf
&
6
8
# .
.
J J
&
pp
&
6 .
8
# .
.
J J &
&
pp
.
#
J 6
8
.
#
J 6
8
&&
# .
.
J J &
pp
6
8
# # > # J. # >
mp
f
# f # > # . # >
J
6 &
8
j
O.
mp
pp
pp
.
# # > # . # > J 6 #
J
. # #>
J
. mp # f #>
J
&&
.
# .
J J &
>
>
6
8
J &
. ## &&
6 &
8
. . . . . . . .
mp
#
J
. . . . .
> .
>
# J # #
f
pp
6
8
mp
# .
.
J
J &
q . = 88 (e = e)
>
>

.
>
.
>
# # # J #
&
#
& #
&
#
J
6
8
&
mf
+)$
6
8
#w
mf
!
"/
"
.
# # > # J. # > J 6 #
w
>
!
Vln. I &
Cb.
6 &&
8
6
8 &
mf
"/
Vc.
ww
6 &
8 &
!?
"
Vla.
mp
ww
Vln. II
ww
&
Pno.
mp
ww
>
mp
Perc. 3
ride
hi-hat mf
>
(closed) >
!

Perc. 1 /
BD p
.
+)$ >
#
#
#
Perc. 2 &
Timp.
mp
6 &&
8
"
mp
ww
mf
B. Tbn.
mp
ww
&
Tbn. 1.2.
mp
& # ww
!
& #w
Hn. 2
)(
> .
.
>
# # # # # J # J 6 J
8
mp
.
# .
J J &
q . = 88 (e = e)
> .
>
# J # #
mf
Bsn. 1.2.
ww
.
# # > # J. # > J 6 #
&
&
bbbb
DOCKING EPISODE #2
(q. = 88)
!
Picc. &
170
Cl. 1.2.
Bsn. 1.2.
Hn. 1
"
Tpt.1.2.
Tpt. 3
Tbn. 1.2.
B. Tbn.
Tba.
"
Perc. 2
b - &
mf
b - &
.
J
-&
& b J
j
.
& b j &
-
mf
.
J
j
.
&
- &
p
mf
&
& &
-
- &
p
&
- &
&
&
mf
mf
practice 2
mute
&
&
pp
&
&
bb &
mf
&&
b &
practice
mute
mf
b &
pp
practice
mute
b &
pp
practice
mute
mf
&
1. = Flute
&
>
j j j &
&
j j j
& &
pp
Trio. Lilting, lyrical
!?
Timp.
"
Perc. 1
!
&
Hn. 2
&
Ob. 1.2.
25
(q. = 88)
j
&
open hi-hat
(brush) pp
"&
> ride (stick) j j j >

&
& &
&
j > &
&
&
hi-hat
(brush)
pp
& .
. j
J . J .
& &
NOT LOCKED TO BEAT

(electronics follow conductor)
Elec.
Hp.
Pno.
Vc.
solo
!/
"/
beep
DOCKING SIGNAL
docking
&
&
&
+)$
&
radio
static
& &
& &
# - &
& # &
# - &
&
# - &
& # &
pp
n & &
n - &
mp
b & &
b - &
mp
docking
beep
mf
&
b & &
b - &
- &
b & &
b &
hydraulic doors
& &
mf
&
&
&
b & &
&
&
&
b &&
b - &
j
b
& &
- & .
J
DOCKING SIGNAL
bb
&b b
&
& .
. j
J . J .
- & .
J
mf
mf
n - &
&
&
p
&
mf
- &
p
&
mf
!
Vln. I &
&
Vln. II
Vla.
(q. = 88)
T
# O.
#
&
J
+#$+#$ &&
&&
+#$ &
+#$ &
&&
ppp
Vc.
Cb.
"
&&
&&
&&
&&
&&
&&
&&
V
&&
&&
&&
&&
&&
&&
&&
&&
W
&&
&&
pizz. div. 2
&&
&&
arco
n.
b - & .
J
b - & .
J
b &
b - &
p
n.
ppp
DOCKING SIGNAL
&&
O&
O&
O&
O&
O&
O&
O&
pizz.
O&
b - &
arco
26
!
Fl. 1 &
&&
&
184
&
Ob. 1.2.
&
E. Hn.
Cl. 1.2.
Bsn. 1.2.
Hn. 1
"
Tpt. 3
"
Perc. 3
pp
Hp.
Pno.
Vc.
solo
&
&
bb &
&&
&
bb &
mf
&&
&
mf
&
&
&&
&&
&&
&&
&&
&
+b$ &
&
&
+b$ &
&
+b$ &
&
+b$ &
+b$ &
>
&
&
B bbbb
&
&
&
&
&
&
&
&
&
&
&&
&&
mf
&&
&
&
j &
j j
Djembe (large)
BD
>
&

J
- J
mp
(high)
(low)
- &
&
sempre gentile
- &
pp
- &
huge BD
&
SD with trail
&
> &
&
mf
&
mf
-&
bb &
mf
&
IMPROVISE (or play the following)
&
&
&
mf
&
OO &&
OO &&
pp
b O &&
OO &&
&
O &
pp
OO &&
&
O &
OO &&
&
O &
&&
&&
&
&
pp
unis.
con sord.
pp
- &
&
OO &&
&
O &
mf
arco
con sord.
OO &&
mf
&
O &
&
&
mf
III.
IV.
&
&
&
&
O &
&&
&&
&
&
pp
pp
(pizz.)
b - &
p
.
J
radio
static
"
&
&
j &
b &
&
j &
pp
pp
pp
b &
&
&&
>
&
&&
pp
&&
pp
&&
pp
b j
j
b &
&
&
&
mf
j j
&&
LOCK TO BEAT
"/
&
&
mf
mf
mf
&&
&&
&
mf
pp
!
Vln. I &
Cb.
&&
"/
Vc.
pp
pp
&&
&
pp
&
Vla.
&&
Vln. II
&&
pp
!/
Elec.
&
&&
!?
Timp.
"
Perc. 2
&
&&
B. Tbn.
&&
Tbn. 1.2.
Perc. 1
&
&
&
Tpt.1.2.
&&
pp
!
&
Hn. 2
Tba.
&&
&&
&
27
!
Fl. 1 &
193
&&
&
mf
&&
&
&&
&
&&
&
&&
&
&&
pp
&&
&&
&&
&
E. Hn.
&
Cl. 1.2.
&
Ob. 1.2.
Bsn. 1.2.
Hn. 1
&
+b$+b$ &
+b$ &
+b$ &
!
&
+b$ &
&
+b$ &
&
"
&
Hn. 2
Tpt.1.2.
Tbn. 1.2.
B. Tbn.
Tba.
Perc. 1
"
Perc. 3
&
?
Sop. Sax.
solo
Vln. I
Cb.
&
&
bb &&
practice mite
or, straight mute
pp
pp
&&
pp
b &
&&
&
&
&
&
J
- &
. j
J .
- &

J
J
- &
&
&
> &
&
&
mf
mf
&
pp
- &
&
.
J
p
. j
J .
- &

J
J
- &
&
&
> &
&
&
mf
mf
&
&&
&
&
open hi-hat
(brush)
&
J
&
.
J
p
. j
J .
&
&
&
B bbbb
!
&
&
- &
&
&
b - &
b &
- &
&
&
mf
&
&
&
&
&
&
&
&
&
&
&
&
&
&
&
mf
mf
pp
&
&
pp
&
&
b - &
b - &
b &
OO &&
pp
b - &
pp
&
OO &&
b O &&
&
mf
III.
IV.
OO &&
&
O &
OO &&
&
O &
&
O &
pp
&
"
&
Vc.
&
&
Vla.
&
Vln. II
&
"/
Vc.
solo
&
mp
&
pp
&
mp
&
Elec.
Pno.
&
!/
Hp.
&
"
pp
Perc. 2
pp
pp
28
!
Fl. 1 &
202
&
Ob. 1.2.
&
Cl. 1.2.
Bsn. 1.2.
Hn. 1
"
?
?
B. Tbn.
"
Hp.
Pno.
&
Vla.
Vc.
"
&
&&
&&
& b &
&
&&
&&
&&
&
mp
mf
&
hi-hat
(brush)
&&
b &
&
&
b &
&
&
&&
b &
&
&
b &
&
&
&
pp
&&
&&
pp
&&
&
&
&
Z
j > & ride (stick) j j j > &
&
&
&
hi-hat
(brush)
Djembe
BD
DOCKING SIGNAL
&
b &
mp
b &
b &
&
b &
p
b &
b &
&
radio
static
docking
beep
& &
mf
unis.
- &
pp
- &
pp
&
&
hydraulic
doors
b &
&
&
&
- .
b b b b & J
b &
&
&
&
mp
- &
mp
b &
&
&
b &
&
&
&
b &
&
&
b &
&
&
&
&
pp
&
&
& b &
pp
pp
mp
mp
& &
& &
OO &&
OO &&
OO &&
OO &&
OO &&
+b$O &&
O &&
O &&
O &&
O &&
O &&
O &&
b &
pp
non vib.
b &
b &
&&
&
& &
&
&
&
mf
&
& &
&
&
&
b &
&
&
&
&
&
pp
&
&&
pp
mp
b &
b &
b &
mp
- &
pizz.
&
. j
.
J . J .
pp
non vib.
pp
pp
&&&
&
&
&
mf
&
&
> & &
&
bb &&
- &
- &
b &
bb &&
IMPROVISE (or play the following)
OO &&
& &
& &
mf
. j
.
J . J .
&
&
radio
static
.
J
- &
mf
b &
OO &&
b & &
> & &
SD with trail
&
mf
&
- &
LOCK TO BEAT
mf
&
- & &
- & &
J
J
J
J
- J
- J J
- J
mp
&&
&&
b - &
&&
b &
b &
b &
Y
.
J
&&
bb &&
- &
p
& &
DOCKING SIGNAL
. j
.
J . J .
&&
gentile
&&
pp
con sord.
bb &&
pp
pp
&&
mp
&
mf
&&
&&
Y
> ride (stick) j j j >
&
& &
&
&
Vln. II
&
&
- & .
b
b
Bb b
J
!
Vln. I &
&
Vc.
solo
&
&&
mp
pp
&&
b &
"/
Solo
Cb.
bb &&
NOT LOCKED
TO BEAT
(electronics follow
conductor)
&
&
mp
.
J
&&
pp
"/
!/
Elec.
b &
b &
&
Perc. 2
- &
&&
pp
&
b - &
mf
Tbn. 1.2.
Perc. 3
&&
mf
&
&
Y
.
J
&&
Tpt.1.2.
Perc. 1
&
- &
mp
&&
!
&
Hn. 2
Tba.
b &
&
b &
&
29
!
Fl. 1 &
&
&
&
216
Ob. 1.2.
E. Hn.
Cl. 1.2.
Bsn. 1.2.
Hn. 1
"
!
&
&
Hn. 2
&
Tpt.1.2.
&
Tpt. 3
Tbn. 1.2.
B. Tbn.
Tba.
Perc. 1
"
Elec.
Hp.
Pno.
Solo
&
&&
&
&&
&&
mf
&
&
&
"/
!/
> & &
&
"/
&
&
&&
&
&
b &
&
&
mf
&
mf
n &
n &
J. J. j
.
.
&
- &
- &
&
&
n &&&
&
b &
> & &
&
&
&
& &
&
p
& &
&& &
p
mf
&
mf
mf
& &
&& &
mf
mf
&
p
n &
&
&
p
p
& &
mf
&
&
mf
&
mf
mf
mf
mf
&& &
mf
mf
&
p
&& &
& &
&
p
& &
mf
&
p
mf
&& &
p
mf
&
&
&
&
&
&
&
&
2 pp
&
&
&
&
J & &
& &
&
p
mf
pp
& &
&
p
&&
mf
&&
mf
&
mf
& &
&
p
& &
&
p
pp
& .
. j
J . J .
mf
n &&&
&
b &
&
&
mf
- &
&
& .
. j
J . J .
mf
&
senza
&
senza
n & &
&
&
> & &
- &
& &
&
p
&&
mf
pp
&
&
pp
&
pizz.
pizz.
b &
arco
b &
arco
&
pp
&
pp
- &
- &
&
& .
. j
J . J .
mf
n &
- &
&
mf
j
.
.
& &
mf
&
breath-like
static
&
> & &
- &
&
pp
&& &
p
& &
&
&& &
&& &
& &
& &
&
& &
& &
& &
pizz. div. 2
mf
&& &
p
mf
pp
"
pp
!
Vln. I &
Cb.
mf
pp
Vc.
&
&
p
Vla.
pp
Vln. II
mf
&& &
pp
Vc.
solo
- & &
- & &
- & &
- & &
- & &
J
J
J
J
J
J
J
J
J
J
J
- J J
bb
& b b & n &
B bbbb
&&
& &
mf
&&
b &
mf
&&
pp
&
&&
mf
&&
&
mf
&&
&&
mf
&
n &&
&&
&&
&
Perc. 2
Perc. 3
n &&
& &
&
p
& &
p
& &
&
&
&
&
n &
&
n &
&
&
mf
&
&
&
mf
&
&
&
&
30
!
Fl. 1 &
&
&
&
230
Ob. 1.2.
E. Hn.
Cl. 1.2.
Bsn. 1.2.
"
&
!
Hn. 1 &
mf
&
Tpt. 3
Perc. 1
"
Perc. 3
Hp.
Pno.
Solo
&
&
&
&
&
&
&
&&
&
"/
- &
&
?
&
mf
&
&
&
mf
&
&
&
&
&
&
&
J
&
- &
mf
&
&&
&
&
j
.
&
&
&
mf
mf
&&
ppp
&
mf
&
&
AA
&
- -
- -
- -
&
&
&
j
.
- &
&
mf
&

.J
&
&
j
.
- &
&
mf
&

.J
n & .
J
n & .
J
&
&&
.
J &
mf
&
&
&
&
Vla.
&
&
&
&
&
&
&
&
&
mf
mf
pp
&
B bbbb
ppp
&
&
mf
mf
&
&
&&
mf
&
&
&
&
&
&
.
J
mf
&
- &
OVER & OUT SIGNAL
mf
&&
&
&
mf
pp
&
mf
&
&
&
&
AA
&&
&
pp
&
"
&
&&
&
pp
&&
&
Cb.
pp
&
&
mf
Vln. II
Vc.
&
&
&
&
&
&
&
bbbb
&&
mf
- & &
J
J
- J
- &
&
mf
"/
!
Vln. I &
&
&&
&
&
mf
&
&
&
&
mf
&
Vc.
solo
&& &
&
mf
!/
Elec.
&
Perc. 2
& &
& &&
mf
Tba.
mf
B. Tbn.
&
Tbn. 1.2.
& &
mf
&
mf
Tpt.1.2.
mf
n &
Hn. 2
& &&
&
n &
mf
&& &
n .
J &
mf
& &
&
&
&
n &
mf
&& &
& &
&
&
spaceship idling
- -
pp
nnnn
nnnn
n .
J &
mf
AA
&&
&
&
&
&
&&
&
&
&
&
&
&
&
&
&
&
ppp
&
&
&
&
ppp
31
!
Fl. 1 &
4
4
Fl. 2
&
Fl. 3
&
Ob. 1.2.
&
241
E. Hn.
Eb Cl.
Cl. 1.2.
Bsn. 1.2.
Hn. 1
"
Tpt.1.2.
Tpt. 3
Perc. 2
4
4
4
4
4
4
&
4
4
&
4 >w
4
&
4w
4w
>
p
4
4
4
4
4
4
&
senza
&
senza
4
4
Hp.
Pno.
#w
&
ww
ww
ww
4 ww
4
ww
ww
ww
4
4w
4
4
4
4
4
4
"&
4
4
4
4
"
!/
Elec.
B. Tbn.
Perc. 1
Tbn. 1.2.
Tba.
!
&
Hn. 2
q = 132 (e = e)
"/
&
&
q = 132 (e = e)
4
4 -
4
4
4
4
radio
static
>
>
mp
senza
>
>
4
4
4
4
!
Vln. I &
4
4
Vln. II
&
4
4
j
j
j

j
j
j

j
j
j

j
j
j

Vla.
4
4
J
J
J
J
J
J
J
J
J
J
J
J
4
4
4
4
Vc.
Cb.
"
q = 132 (e = e)
div. 2
div. 2
arco
BB
32
( q = 132 )
247
!
Fl. 1 &
&
Fl. 2
> n

fp sempre
Ob. 1.2.
>
& J
E. Hn.
>
?
J
Bsn. 1.2.
Hn. 1
j
j
j

.
.
.
p
&
"
ff
& j
ff
#> # #
.
#
J
. . .
J
J
J
j
j
j
j

.
.
.
.
j
j
j
j

.
.
.
.
j
j
j
j

.
.
.
.
j
j
j

.
.
.
&
Tpt. 3
&
BB Scherzo. Moving quietly and rapidly
Tbn. 1.2.
? >
J
B. Tbn.
Tba.
Perc. 1
Perc. 2
Elec.
Hp.
Pno.
"
( q = 132 )
glockenspiel
"&
!/
. . . .
"/
sub. p
'
mid-range BD
&
?
. . . .

'
>
##
J
. . . .
sub. p
tremolo
spaceship
# j
>
# # # #
Tpt.1.2.
>
? J
j
j
j

.
.
.
! j
&
>
Hn. 2
# > #
j
j
j
j
j
j
j
j
j
j
j
j
j
j
>
# # # #
.
.
.
.
.
.
.
.
.
.
J
>
&
Cl. 1.2.
sempre p
Eb Cl.
>
# # #
>
j
j
j
& J n . . .
ff
Contra
p
> n >
fp sempre
>
& J
Fl. 3
#> #
# #
. . . .
'
'

J
. . . .

. . . .
'
# j
. . . .

'

J
#>
#
J
. . . .
'
'

J
# j
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

radio
static
hi hat (closed)
# >
#
J
& n # # # # # # # #
>
>
>
>
fp
fp
fp
fp
?
( q = 132 )
BB Scherzo. Moving quietly and rapidly

! n
Vln. I &
# # # # # # # #
>
>
>
>
fp
fp
fp
fp
div.
2
pizz.
j
nn
# # # # #
Vln. II &
>
>
mp
Vla.
Vc.
Cb.
"
&
&
j
j
j
j
j
j
j
j
j
j
j
j
j
j
j
j
j
j
j
j
j
#> # # #> # # #> #
f
j
j
j
j
j
j
j
j
j
j
j
j
j
j
j
j
j
j
j
j
j
#> # # #> # # #> #
33
253

! #

&

# n >

Fl. 2 &
n >
n

Fl. 3 &
Fl. 1
j
j
j
j
j
j
j
j
j
j
j
j
j
.
.
.
& # J J J nn> . . . . . . . . . . . .
Ob. 1.2.
j
j
j
j
&
.
.
.
.
Cl. 1.2.
Bsn. 1.2.
Contra
"
&
&
B. Tbn.
Tba.
Timp.
Perc. 1
"
fp
fp
j
w
>
n >
J
fp
Hp.
Pno.
Vln. I
. . .
J
J
J
#w
p
#w
w
#w
p
#w
#w
# ww
w
#w
#w
# ww
#w
#w
)*
## . . . .
J
J
J
J
#w
ff
'
# w'
'
w'
pp
n J
"/
&
n >
n J
ff
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

'
'
.
.
.
.
.
.
.
.
/
. spaceship .
Juno bass
booting up
? . . . .
. . . .
.
"
J
J
J
J
J
J
J
J
J
. . . .
'
.
.
J
. . . .
'
.
.
J
. .
tiny hi-hat j

'
'
'
'
.
.
.
.
.
. . . .
J
J
J
J
J
'
.
j
#
j j
'
.
j
j

'
.
j
'
.
j
'
.
j
#
j j
'
.
j
j

'
.
j
'
.
j
& # n #> # # #
>
?
fp
& # n #> # # #
>
fp
& # nn>
Vln. II
>
j
j
j
& # n J
Vla.
"

J
J
J
J

J
J
J
J
J J J J
J J J J
J J J J
? . . . .
J
J
J
J
p
j
j
j
j
j
j
j
j
j
j
j
j

J
J
J
J
>
j
j
j
& # n J
Vc.
Cb.
.
#
J
&
# > # # #
!/
Elec.
sfz
# > #
# #
.
.
.
j
j
j
j
j
j
j
j
## ##
.
.
.
.
J
J
J
J
.
.
.
.
f
j
n w
>
!?
"
Perc. 2
Perc. 3
Tbn. 1.2.
j
j
j
j

.
.
.
.
Tpt. 3
sfz
&
Tpt.1.2.
! 2
Hn. 1 &
Hn. 2
>
nn J
j
j
j
j

.
.
.
.
. . . .
J
J
J
J
. . . .
J
J
J
J
. . . .
J
J
J
J
#
J
J
J
J
p
J J J J
##
J
J
J
J
f
#
J
J
J
J
J J J J
p
# J J J J
j j j j
#
j j j j
#
34
259
CC
>
!
Fl. 1 &
ff
>

Fl. 2 &
>

>

&
.
.
.
.
&
J
J
J
J
Ob. 1.2.
? j
>
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ff
?
Contra
" j
>
& # ww
>
fp
j
j
j
j
&
.
.
.
>
Tpt.1.2.
ff
Tbn. 1.2.
? j
>
B. Tbn.
ff
!? CC
Timp.
"
>
!
"/
>
f
!/
>
techno BD
ff
#
>
&
>
>
&
ff
# # #
>
j
>
sfz
>
>
>
>
>
J
J
J
>
>
>
>
# #
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.
.
.
J J J J
.
.
.
.
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>
sfz
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j
>
j
>
.
.
>

J
J
J
sfz
j
>
# j
>
sfz
j
#
>
sfz con sord.
. . . .
J
J
J
J
j
nb
>
sfz
con sord.
>
)*
j
>
sfz
# >
n>
sfz
ff
sfz
j
>
con sord.
b>
n J
j
>
sfz
>
)*
sfz
sfz
>
sfz
> > > > > > > >
>
>
>
>
J
J
J
>
>
>
# >
J
J
J J
mf
>
sfz
>
>
>
# >
J J J J
>
>
>
# >
J J J J
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . tiny hi-hat
j
f
>
>
>
>
>
>
>
>
>
>
high pops
>
> >
>
>
> >
>
n # #
>
>
>
>
>
>
> n > >

# # # #
ff
!
Vln. I &
CC
>
>
>
>
J
J
J
J
&
>
>
>
>
J
J
J
arco
>
>
>
>
J
J
J
J
&
>
>
>
>
J J J J
ff
mp
ff
Vc.
sfz
"
&&
>
>
>
>
J
J
J
J
&
bass drum
j
>
ff
sfz
>
n
marimba
Perc. 2
ff
Vla.
>
> > > >

> > >

j
>
&
# &&
?
Tba.
" j
+)$>
Vln. II
>
sfz
&
ff
Pno.
>
>
j
j
j
j

.
.
.
.
mf
& #w
>
fp
>
? J
Tpt. 3
Hp.
# >
>
! >w
&
Hn. 2
Elec.
>
>
fp
Perc. 3
>
>
n > # > > > > # > > >
ff
Perc. 1
>
j
j
j
j
j
j
j
j
> > > >
> > >
&
.
.
.
.
.
.
.
.
Cl. 1.2.
Hn. 1
>
>
.
.
.
.
J J J J
&
Eb Cl.
# >
>
n > # > > > > # > > >
ff
Fl. 3
)(
n >
&
?

Cb.
" j
>
f
mp
j
>
sfz
j
>
sfz
>
>
>
n >
J J J J
>
>
>
>
J J J J
>
>
>
>
J J J J
>
>
>
# >
J J J J
>
>
>
>
J
J
J
ff
ff
ff
>
>
>
# >
J
J
J J
mp
mp
ff
mp
ff
j
>
sfz
j
>
sfz
>
>
>
#>
J J J J
>
>
>
# >
J J J J
>
>
>
# >
J J J J
>
>
>
# >
J J J J
>
>
>
# >
J J J J
ff
mp
mp
35
265
! # n # n # n # n # n # n # n # J.
Fl. 1 &
&
Fl. 2
&
Fl. 3
# n # n # n # .
J
# n # n # n # n
&
Eb Cl.
&
#
>>
#
"
! b b n j
& n > > > >
> > > # >
ff
& n
>
>
p
senza
> >
& b
Hn. 2
Tpt.1.2.

> >
> >

> >
>
>
b
j
#
> >
ff
> >
n
J
ff
j
& n> > > > > > > #>
p
ff
>
senza n
?
J
senza
Tpt. 3
Tbn. 1.2.
B. Tbn.
Tba.
"
!?
"
>
>
>
n>
J
&
Perc. 2
Perc. 3
"/
!/
Elec.
Hp.
Pno.
"
j
>
)*
j
>
high pops
! > > > > > > > >
J
Perc. 1 /
Timp.
j
>
>
>
+n$>
J J J
mf
non vib.
j
>
sfz
. . . . . . . . . . . . . . . . . . . . . . . . . . . .

>
>
>
>
>
>
>
&
&
j
#>
ff
#>
J
ff
# j
> >
fp
n j
> >
fp > >
b
J
fp
> >
J
fp
b>

J
fp
n j
>
fp
&
&&
&&
&
&
&
&
j
n
>
&
j
>
#> # . . . > . . . . >

> ..
f con brio
> . . . > .
>
. . # . . .
>
f con brio
#>
J
ff
j
>
ff
j
>
>
>
>
>
>
>

fp
n j
sfz
4
4
j2
#> 4
4
4
4
4
&
2
> . . > . . > . . #> 4
.
.
.
> . . . > . . . > . . . > 2 j
#
4 b>
(if not working, Tpt 1-2
p
play 8vb in mm. 27-30) >
.
.
.
#
.
.
.
>
>
>
. . . 24 j
>
p
>
2 b J
2
j
>
>
>
>
>
24
4
4
4
4
2
4
4
4
2
4
4
4
&
>
&
sfz
j
>
sfz
j
>
sfz
ff
sub.
2
4
2
4
2
4
b >
2 n 4
4
J 4
> # >
#
fp
#>
fp
>
#
fp # >

J
#
>
>
#
fp
ff
4
4
4
4
? j
Vc.
>
sfz
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Cb.
" j
>
4
4
ff
j
.
f
.
J
j2
> 4
fp
ff
4
4
&
ff
j2
> 4
+
j 44
# >
f
+
j 44
# >
jf
44
.
&
>
# n # n # n # n # n # n # n # .
J
&
>
> #>
+n$>
J J J J B
2
4
>
>
>
n>
& J J J J
ff
# . . . # 24
>. . >. . >. .
>
ff
4
4
>
> #>
+n$>
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2
4
4
4
>
>
>
n>
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&
4
4
4
4
#> 2
J 4
4
4
2
4
&
2
4
ff
#> 2
J 4
ff
&
#> 2
J 4
ff
fp
ff
fp
#> #
>
# #
fp
f con brio
fp
j
#> &
> . . . > . . . # . . . >

f con brio
>
#> # . . . > . . . > . . . n >
&
fp
fp
&
#> &
J
#> &
J
j #
f>
>
J #
#> &
J
ff
Vla.
ff
#>
J
> # # > #
J
f
> # # > #
J
>
>
>
>
>
#>
! #>
J J J
Vln. I & J J J J
Vln. II
#>
J
ff
#>
fp
>
#

&
fp
> . > . > . > .

> . > . > .
& n
Cl. 1.2.
&
fp
E. Hn.
Hn. 1
> #fp
>
#
> . > . > . > .

> . > . > .
&
Ob. 1.2.
Bsn. 1.2.
> # >
#
&
&
&
&
#>
J
ff
j
#>
ff
#>
J
ff >
#
J
ff
> # # > # #> &
J
J
f
fp
&
> # # > # #> &
J
J
f
fp
j #
>
f
>
J #
f
j
# # #> &
>
fp
>
#
#
#> &
J
fp >
# &
&
&
&
&
fp
#> 2
J 4
4
4
2
4
4
4
4
4
j
#> 24
ff
#> 2
J 4
ff >
#
J 2
4
4
4
4
4
4
4
2
4
#> 2
J 4
ff
ff
2
4
ff
4
4
4
4
4
4
4
4
pizz.
4
4
36
! 4
Fl. 1 & 4
272 DD
& 44 j j j j
.
.
.
.
Ob. 1.2.
sub. p
E. Hn.
Eb Cl.
& 44
& 44
j j
. .
Bsn. 1.2.
mp
? 4 " 4J J
j j
.
.
mp
- -
J
J
Hn. 2
& 44
Tpt.1.2.
& 44
con sord.
con sord.
Tpt. 3
& 44
Tbn. 1.2.
?4
4
?4
4
?4
Tba.
" 4
B. Tbn.
DD
!? 4
Timp.
" 4
! 4
Perc. 1 / 4
Perc. 3
sub. p
!/
j
>
sfz
marimba
n b J
f
"
Hp.
Pno.
Vln. I
Juno bass
Vla.
Vc.
j
-
& 44
?4
4
?4
4
DD
pizz.
4
&4
#
p
j
n
j
n
#
#
?4
4
sub.
p
? 4 - -
Cb.
" 4J
J
sub.
p
n J
j
#
j
#
J
s.
glis
b >
J
- &
)( >
nb
J
sfz
nb >
& J
j
#
j
#
- -
J
J
> >
# # b
j

j

J
j

-
-

J J
-

J J
j j
-
j
-
j j
-
j j
-
)*
f
j
-
j
-
j
-
j
n
j
n
# n
- -
J
J
j
-
j j
j j
-
j j
-
j
-
n n f
&
# # j
# f
j
?
div. 2
arco
J
# n j
f
div. 2
arco n
J
# n j
f
# n

j
-
j

-
## j
J
>

# j
# -
(Fl 2.3.)
#> n> #> > #>
sub.
p
EFbGA#
BbCD
& 44
B 44
! 4
&4
o
# j
# fo
## j
-
sfz
. . . . . . . . . . . . . . . . . . . . . . . .

pizz.
Vln. II
? 4
4 &
p
>
>
>
>
>
n> # # ## b ## # n > # # ## b
b
b
n # #
# n # #
. . . . . . . . . . . . . . . . . . . . . . . .
4
4p
4 4
LOCK TO BEAT
techno BD
+
j
#
>
sfz +
j
#
>
high
shakers
Elec.
sfz
senza
>
>
>
>
n> # # # b # # n > #
b >
J
n>
J
4
"/ 4
sfz
4
&4
Perc. 2
j
nb
>
1. to Piccolo
- -
J
J
! 4
&4
Hn. 1
j j j j
.
.
.
.
sfz
- .
.
#
# J n J
n J
J
- -
J
J
sub. p
>
b
b
j j j j
.
. . .
& 44 j j j j j
.p
.
.
.
.
sub.
.
? 42 # - n - # - # .
J
J
J
4
J
Cl. 1.2.
Contra
>
b
n
- -
J
J

arco
j j
-
j j
-
j
#
j j
-
# # j
# j

J
J
j

-
pizz.
j
-
j
-
j
-
pizz.
j j
-
j j
-
j j
-
EE
37
! j j j j
Fl. 1 &
.
.
.
.
279
mf
Fl. 2
&
Ob. 1.2.
&
soli
E. Hn.
Eb Cl.
# J
.
& #
# n J
.
soli
& #
Cl. 1.2.
Bsn. 1.2.
Contra
Hn. 1
"
n -
&
"
4
4
2
4
4
4
2
4
4 n - j 4
-
2
4
4
4
2
4
n j 4 j 4
.
.
j j
-
+
+
4 # j +#$j
4 .
.
sub. f
+
+
4 # j +#$j
4 .
.
2
4
2
4
2
4
2
4
2
4
4
4 . . . n> . . . #> . . . >
sub. f
>
>
>
con sord.
4
J
J
J
sub. f
2
4
4
4
2
4
4
4
2
4
hi-hat (closed)
2
4
marimba
sfz
LOCK TO BEAT
nb >
J
f
sub. f
Juno bass
j j
-
&
&
& j j j j
.
.
.
.
p
B #
p
? - -
J
J
2 4
2
4
n - -
J
2
4
4
4
2
4
4
4
4
4
sub. f
j
-
2
4
4
4
4
4
2
4
4
4
4
4
2
4
4
4
4
4
2
4
4
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2
4
4
4
2
4
4
4
j j j j 24 j j 44
.
.
.
.
.
.
2
4
4
4
2
4
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2
4
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2
4
4
4
2
4
4
4
2
4
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2
4
4
4
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.
.
.
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4
2
4

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p
pizz.
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.
.
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.
nb >
J
4
4
4 # b # n # # 2 . . . #> 4
4 . . .>
4
. . .> 4
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+
2 .
4
J
4
4
4 > > > > > > 2 > > 4

4
4
4
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
. . . . . . . .
2 4
4
4
techno BD
+
2 .
4
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2
4
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>
2 J
4
sub. f
. . . . . . . . . . . . . . . .

+
j
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sub. p
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4 . . .>
4
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j
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+
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2
4
EE
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.
.
.
.
p
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&
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j 4
nb # n # n 4 nb ## . 4
.
4
4
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fp
2
4
>
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r
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4
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+
j
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f
+
j
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sub. f
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>
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n >
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&

4
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#
&
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2
4
j
nb
>
con sord.
sub. f
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.
-
"
b >
R
4 & nb r
4
>
&
!/
Pno.
j
-
high
shakers
Hp.
B. Tbn.
Perc. 2
? j j
p
Tbn. 1.2.
j j
.
-
Tpt. 3
2
4
4 &
4
Piccolo
b >
2 j j 4 & n R
4
4
.
.
sub. f
# # j j
.
-
Tpt.1.2.
Perc. 1
# # j j
.
-
j
j j
nb # n # n nb #
.
.
n j
.
!
&
Hn. 2
Tba.
j j j j 24
.
.
.
.
& #
p
soli
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.
.
.
.
24
- -
J
J
44
2 n - - 4
4
J 4
2
4
4
4
sub. p
38
285 FF
Fl. 1
Fl. 2
! 4
&4
j
j
j
j
& 44
.
.
.
.
sub. p
Ob. 1.2.
E. Hn.
Eb Cl.
Cl. 1.2.
& 44+#$w
sub. p
# J
.
& 44 #
sub. p
#
J
.
sub. p
Bsn. 1.2.
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4
sub. p
Contra
sub. f
nb >
&
R
j
j
j
j

.
.
.
.
w
& 44 #
& 44 #
b >
& R
sub. f
r
& nb
>
sub. f
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.
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-
j
j j
nb # n # n nb #
.
.
n j
.
?4
j
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n -
4 #
4
2
4
4 #
4
2
4
2
4
2
4
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4
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4
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sub. f
>
>
>
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J
B. Tbn.
?4
4
Tba.
?4
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Hn. 1
Hn. 2
Tpt.1.2.
Tpt. 3
Tbn. 1.2.
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Perc. 1 / 4
FF
4
Perc. 2 & 4
"
!/
Elec.
sub. f
+
+
j j
# .
+#$.
high shakers
. . . . . . . . . . . . . . . .
4
4
sub. f
techno BD
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Juno bass
+
j
# .
sub. p
sub. p
sub. p
n j j
.
.
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4
4
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4
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4
4
4
4
sub. p
+
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4 J
+
2 .
4 J
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j
j
nb # n # n nb ## . #
.
4 #
4
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.
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.
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-
sub. f
senza
o
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mp
o
j
mp
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mp
4
4
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4
2
4
4
4
2
4
4
4
> > > > > > > > GG

2
44
4
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2
#
# . . . > # . . . > . . . > 4

4
sub. f
2
4
senza
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mp
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4
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2
4
4
4
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4
4
4
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4
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4
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j
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2
4
2
4
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4
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4
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.
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.
sub. p
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.
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.
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sub. p
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sub. p
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J
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marimba
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4
#& 4
sub. p
con sord.
. . . . . . . . . . . . . . . .
4
4
Hp.
FF
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Vln. I & 4
.
.
.
.
j
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2
#
4 . . . >
>
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4
sub. f
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-
+
j
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sub. p
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-
>
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2
#
# . . . > . . . > . . . > 4

4
4 4
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+
j
j
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fp
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4
j
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sub. p
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r
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j
j
j
j
4
R 4
.
.
.
.
# >
n >
#
&
R R 24
j j
.
-
GG
# > 1. to Flute
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R
&
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GG
4 j j j j
4 .
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.
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sub. p
j
j
j
j arco

.
.
.
.
4 j j j j j j j j
4
.
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.
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.
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sub. p
4
4 # # # # # # # # #
sub. p
4
4
sub. p
4 - -
4J
J
sub. p
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39
!
Fl. 1 &
291
fp
fp
Ob. 1.2.
E. Hn.
# > .
.
>
J J J
&
.
.
.
>
J J J J
.
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.
J J J J
.
.
.
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J J J J
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J J J J
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j
j
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>
J. J. J. J
.
.
.
.
J J J J
. . . .
J
J
J
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J
J
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j
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j
j

.
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.
.
j
j
j
j

.
.
.
.
j
& #>
Eb Cl.
Cl. 1.2.
"
j
j
j
j
& nb> n
.
.
.
f
p
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.
.
.
p
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f
j
& nn
>
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>
n J
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>
& nb> &&
Tpt.1.2.
Tpt. 3
fp
#n
>
& n &
>
>
fp
fp
>
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J
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Tbn. 1.2.
fp
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Perc. 3
"/
!/
"
Hp.
Pno.
# >
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&
>
J
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>
&&
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fp
&
fp
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>
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j
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p
j
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fp
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j
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j
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>

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j

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.
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mf
fp
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p
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mf
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n
& n ># #
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fp
fp
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Vc.
"
? . . . .
J
J
J
J
J. J. J. J.
arco
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J
J
J
J
. . . .
J
J
J
J
Cb.
. . . . . . . .
. . . . . . . . . . . . . . . . . . . . . . . .
fp
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!
& b n n> # #
>
fp
fp
fp
arco
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J
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f
p
f
p
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p
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.
n >
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b >
.
.
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B
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fp
>
>
tiny hi-hat
j j j j
.
.
.
.
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. . . . . . . . . . . . . . . . . . . . . . . .
Elec.
j j j j
.
.
.
.
& b
>
Perc. 2
fp
B. Tbn.
>
>

fp
fp
&
Fl. 3
Hn. 1
(Fl. 1.2.)
>
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>
& n ># #
>
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Bsn. 1.2.
(1. = Flute)
>
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.
J
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J
fp
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.
.
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.
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J
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.
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j
.
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.
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J J J J
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j
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j
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40
296 (Fl. 1.2.)

>
>
>
>
>
>
>
>
>
!
Fl. 1 &
f
.
.
.
.
J
&
Ob. 1.2.
.
.
.
.
& J J J J
. . > . .
.
. . . . . . . . . . . . . . . .
J
J
&
E. Hn.
Eb Cl.
. . . . . . . . . . . . . . . .
. . > . .
.
& J J
Cl. 1.2.
Bsn. 1.2.
Contra
Hn. 1
"
&
&
Tpt.1.2.
Tpt. 3
Tbn. 1.2.
B. Tbn.
Timp.
Perc. 1
!
&
Hn. 2
Tba.
"
fp
mf
senza
senza
"/
Pno.
BD
.
. . >
.

J
J
J
.
f
.
mp
mp
&
&
&&
-
mp
mp
mp
mp
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mp
mp
mp
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mp
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mp
j
.
f
.
J
mp
mp
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j
>
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mp
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mp
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j
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j
.
# - &&
.
J
# .
.
f
mf
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f
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>
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j
.
j
>
>
> >
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fp
mp
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# .
j
>
fp
mf
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> &
j
.
mp
mp
mp
mp
mp
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J
> > > > >

>
>
>

f
j
>
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#
.
j
>
.
. . >
.
J
J
mp
. . >
J
- &
mf
#
.
- &

J
& J J
# &
- &
mp
mp
j

.
mp
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!/
Hp.
j

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mp
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Vc.
Cb.
"
. . . .
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J
J
J
.
.
.
.
B J J J J
&
>
.
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.
.
J J J J
ff
&
>
ff
j
.
j
.
.
.
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J
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.
.
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.
J J J J
> &
> &
j
.
j
.
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>
>
>
>
>
>
>
>
!
Vln. I &
.
.
.
.
J
J
J
&
>
>
>
>
>
>
>
>
>

&
?
.
. > . . . >
J
# &&
-
"
j
>
- &
Elec.
mp
&
j
>
- &
mp
!?
"
Perc. 2
Perc. 3
. > . .
.
.
.
.
J J J J
.
.
.
. div. 2
J J J J

Mothership

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Mothership

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MASON BATES

3 utes (1st doubling Picc)

dedicated to Michael Tilson Thomas and the YouTube Symphony Orchestra

Scherzo. Liffting o...

A ...moving quietly & rapidly

Scherzo. Liffting o...

#> > > sempre

A ...moving quietly & rapidly

A ...moving quietly & rapidly

> > > >

n > # > > >

> > > >

. . . . > . > . > . > .

> . > . > .

> . > . > . > .

> > > >

sfz con sord.

> > >

> > > >

#> # . . . > . . . . >

& +#$ &

> # # > # #> &

> # # > # #> &

> . > . > .

> . . . > . . . # . . . >

> # # > # #> &

& +#$ &

. . . n> . . . #> . . . >

4 > > > > > > 2 > > 4

> > > > > > > >

> > >

Trio. With swing

Trio. With swing

NOT LOCKED TO BEAT

Trio. With swing

OVER & OUT SIGNAL

> > >

OVER & OUT SIGNAL

Scherzo. Moving quietly and rapidly

Scherzo. Moving quietly and rapidly

Scherzo. Moving quietly and rapidly

> > > > > > > >

sfz con sord.

> > > >

n > # > > > > # > > >

> n > >

n > # > > > > # > > >

> > > > > > > >

> . . . > . . . # . . . >

#> # . . . > . . . . >

> . .> . .> . . . .

> # # > # #> &

pp (if not working, Tpt 1-2 play pp

& +#$ &

Trio. Lilting, lyrical

Trio. Lilting, lyrical

> ride (stick) j j j >

NOT LOCKED TO BEAT

Trio. Lilting, lyrical

IMPROVISE (or play the following)

> & &

IMPROVISE (or play the following)

> & &

> & &