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BASS OR EXPIRING MINDS Written by (CHERYL BENGE, CHRISTY BRANDT, ROSANNA E. COPPEDGE, VALERIE FAGAN, Ross FREESE, MARK HOUSTON, SANDEE JOHNSON PEGGY PHARR WILSON Music and Lyrics by NOTICE: DO NOT D Should you find it necessar mark cues or cuts. use a sofe black lead pencil only. Please rewind or reassemble any m products. NOT FOR SALE This book is rented for the period specified in your con {t remains the property of MTI ‘Music THEATRE INTERNATIONAL 421 West Sdth Street, New York, NY 10019 (212) 541-4684 © FAX (212) 397-4684 Ucensing@MTIShows.com * www.MTIShows com Brss ho» — Senta ‘ AT Fa Wusintes To OuRTainl Tht BAUD SheuD Beal Ae imppouistD MEL’ OF SLMDS, 17 STARTS pemasT LiKE Tee op and Comiunues quien, , Occastonally ‘DA recognizable "Theme" O2gus + Ye collapses. THis "EWA OTIC” BLERTURE KEV zs FET Loup cf Busy unvTic. THe woust Gees To BLace z 3 fe We > HT GELEW BLE SONG “NTHEMEN SEETCHES YOU CAN PLAY TeeeTVee® OL ASS1@N OUT Te vARoUs PLAYERS, jaucD> MOT fe DEVELOPED... just Ler whew a aaa, Hace TRADE OFF — 50 EVERYTHINGS HOT FIEHTUC ; OR PROM NENCE STUNNING “* Fe __ eee Spee oS FRO FTHUNDER : . Lew END uy PEDAL >| yp yy 4 an AU ES + =e — == teat : = Anz oye Cle Dipe | PZT i i SSS —E- symtty Coats) be og du me Chante) = = ee oleas, bell A a ge NN ge L OCS” Cue FRkem sTate meR. CR WoUSE TO HALE fut] = Guse poco 2 poco Ho mt \ House Het? panes[e$0 all players" FRR $y UBER Ay meg lf sleuty~ BS. + - Snare poll & ies a little Feet. 2 = oe Ae Pa aa ~~ bk Bass 2 “7 . Gut 1 en en cyttnn 7 in Bish 2% ae rps yor de (U2 weapuwes <> Ale ¢e ——_— SL_2 werpewes argo 4 A Tempo TZ] 2 Herpewes or ae @\ eZ O), neviwe_p Tee i Hspdudlt Tambo 1 HEADerne A Tene > ee reess wl eT a,®.... DRUMS & VOC. 5. BB]_ wore" os € ewe’ be TEMPOIL BRIGHT MARCH is G F*mZ Am6. get qe cm E/B___Ataim =: = = = = : =< me > w0oRD 715. an atempoZ- G REPEAT AS NEEDED RIT. DECRESC. a a oe Fa Long dialogue unit. Band ad 1ib underscore. vé se and TZ ~ and on top of everything else.” DRUM ACC “I keep finding these unexplained spots. “yg NIGHTMARE VERSION.....TEMPO It . 170] 7 Fm, Fm/D 67 Fm/D G7 c ™ gm Gm Fy BP G7 Fm/D Bs ALA eues"Aan amegn world where geen vhe mundane hks Ibcsone voraly inexplreable.” 5. SF 7 27 > > + 820014 mF x ARATIOSRA oe F CuENZ 371k CANT a ial ANYTHING T_wAl AEAC — Sunth CScap Cpa Organ Landerscere “VOILE Over” An my a , 1 ae Soap Organ cost. Cue: eoatjone, 2 rhinks ZL dost knew where (le Atstin is. wanda: That's Argur, Va: Bur, wenn Eo Vo me Get E) Gimiled cent danda: What? $ Foly = = Vereniex: Topaz. is litle Austin, ESE Cont.+. inotead of tlying Lue 52 DelLause ,y. : Ver: * Fikncwrhis fo (3 goings be | but. 0 Soap Organ cout. Cue! That's the whole stony” ula os! sp Ee AZ B, Guit. DAVID DON'T FLY LUFTHANSA #2 Cue’ ® | treaty Tepato ZIM warn him Pmt pep) 2mpe | Ramada Latin * ‘7 BRA- zie” Em oYph BY ome Fin? BST Gm7 ez ti? Fm7 Ah 37 ong? @ > Bt7 eh z Faz pie Bh Aigh GBF em Gm7_Cm_ Ab Am atempo ob eb Aim7 e/d 8687 Cm ® sy le FG Gn Presto —I— - 3N Em ten. wd van? FINE Syece Ge a Ta ket Sed +! en) ae vl ues areca!" ye D mensuxe DitAs - )0Teiwk/ 2 _Coem solo) BASS 3 conan 7-8 Deans + yorars “BASS Thee > i Fam? Cas 26 yen? Bm] ae : t + + + # ae re I Fy 1g ?. We Ye. Drums + VOCRtS 7 & pas ae Ps ae preetlesS RAMBI #4 TACET Galas, 4 le 1g é 21 ral. 37 39 TACET 40 VOCAL 7 {LONG PNO UNDER (score > * (oo) PDGF RIT. ‘Sole Vor st 80 74 (Craaneté) 89 ed a4 la ve T pt t (Gg TACET A @® ori peter 104, 107 a to 13 RIT. ren SET prowe- ane fet J a 114 We fwd J rit nd FINE We ma “ Stats under Applause AYA “Duthie & Openin Locta OU sp pee -TitiewT Zous! at YB (200/) “VA MIDAS BT TB a a xe * LNUNTIMCALY Peouinlee THAT: z 22% = Aye — " Latls thas black Mple into aunt High Zbeo/ Cree #L wonau 6 fp simul} G59 Wom, ~ sucked. OF vob BEY she 2 Boge a On ea Ig ge Ng ge Coxe excite (AN Ag ge 1 Ge) : WT You TUsT” on ‘ SHe Twirts") Cove) Deen a (poess 2". Sas nus!) PNO Undenscore \ Stews a Prem Qucen” FES UP aw Quasar"! Tacet— SAH Begiy, Lander, Applause fon Sys = PNO Urdenscore— ce) —— === Tex uel Dean Seapenleeame? Pas | = aoe Fatt eS ceed AD | A gg WIND CHIME mp — Repeat Oe ahd ~ 74 CO 2X Lene MAF ore PUL { F r DMZ auth Ba"Sbe, 4p Reunion? ” 1R eal a #5B ye al fury ther "Zo cast Fe Soman 3 avd face US. 7A 7 mabe Hew. believe Ze have aviivs ot so a Va m | | \ | svero vocals Qo.» 5 i CLv str, Baye 8 > fi SH 13. Play phrase 3x zu 8 3 1 1 Play phrase spievune* i Hy reiliis 3 5, Docc BrATEME SEE Te OOK coon) PNO GLISS FINE ee Su FF 6A Cues Lat Ye \n fe an tal/ ACT ong PP semeous wsculel je who an. = \ Joven Dws oN. spe Roe ZL THINGS ARE FR RAPATA | HA & HELB — CHE! Lets met prose experts so coy Wi BRB p dager paz Dawe THE WORLD IS Tall 2 esto ‘ = ‘gett Sle! Meru (eee, HES <2) pul be = Fleney HA FA F807 Te you ARE STRONG oT a eS 7 -_ ww FEO Chiglterue, Rowucl Bells, utirstles , Workers, Cor Moand nt Bes chat By Baelts. Cue! tfowle plafine, close-te te edge aten't you! Tu go, Cates "Wise UP CR DIE! All ©, GFAE Waste 75 USED Te PRRADE THE PANELISTS AUD Tie Teese To THE STREET mucy a® a PKEL THE ne devel HA RAPA THA | HA FED Cont, — ALS OUT. ins yole oueor THe. sepee RNELISTS ey - SYNTH MeLoDy Cofelew. i's tial {fo shale > q CD cout, A Jecad Jeo Mach opts Fe Bass 1 | THINK I READ TOO MUCH 14 a oo allo TAteT Sraely : f Yee GO ma Cf Gorei Em Be? Aw? Ba? Am? D7 Gua 4 C/E Bet x ton. Geng” x me* ce Am7 Cfo Am £2 AX*/D oy Gm? Cie fn? ——D Ct Bm? my e [bs TRANSITION TO SEVERED HEAD (SHOPPING BAG CROSSOVER) NOTE: Drum rhythn (brushes on High hat and snare) begins under applause and continues til women have completed the set change. (This of course includes getting Heather confortably settled in her cake tin.) ‘long with the other props each woman has a "filled" grocery sack. When the set is ready, Woman ONE walks downstage, is hit with a ‘spot or light change and that visual cue stops the drums for the headline "Grocery shopping Linked to Menopause". Drums resume rhythm and woman ONE begins side-stepping across the front of the stage as she starts the rhythmic "chant". ‘WO thru FIVE face US not moving, grocer sacks in their arms and om the specified word and "beat" tum DS , step onto the end of the slowly moving checkout line and add their voice to the chant. he score indications (STEP and CLOSE) refer to the sidestepping movenent which is always on beat 1 and beat 3. ‘This section will "learn" mich easier on its feet with the wonen sidestepping ina circle. If the steps and dnms are kept. rhythmically tight, the speech will fall into place pretty easily. TRANSITION TO SEVERED HEAD oe ene] THERE WAS A m#7B eo; 3 The oN NY UE : ALLY EN JOVDTHOSE BI“ WEEK LY TRIS TO 1s Ae: Se binshes | + ! a wee] SAFEWAY BACK THEN 17 STILLMATTEREDTO rE IF My [na] , a, 3. Z : eared CART WASCLEAN. AND | WAS. CAPABLE OF | ‘REACHING EU- PHO- RIC STATES O-VER FRESH o o —_3> ro-ovse vou fuersay 1 wasvons ashen ax cist amp wou | °F VU | peasgar 3. 3. AISLES ARE TOO SMALL THE CHECKERS ARE RUDE & THE fake BovS ARE Yasiabty BE GIN TOWAVE HOT FLASHES cose Z 2 EN-NA SAU-SA- GES Z IND IT AT 1? vay [1dr 8 pow To BREAD oP a 3. 2. BER MOA FEW THINGS FORT cost, ™ Oh Look, Severed head Lives $ix Days.... Heather’? Heather Honey Im back with your groceries ..Heather? = me Sn AD» ye 1 ws GET PROUD OF ME °? & 3A 4 Tero Ll Se LT sa oben, MIRE een Qx CPNO) ’ Ol on 61 C2 % en pC? Ff FYAb zz C1 He _C GIB Am C/G 25D1 ze @ C7 _ F gBPa 2c Ge Pe 32 Am7 C/G Dm? F/O we Uncles store (*) Coe Reece Gece!) €0 sAb__¢ eb S57 F4 s eb eb a_eb cb bye ch Bp Cm7 Fen? bE ebay Veh cb geb7 Ab woth Abyph b B/D Cm? OFA 2s cb 6b? nb aan) BD gsCml erlab Is © ™ atm eb cb ey Fb cb cb7_ vb, Phe \ == a1 eer BYD 7 Fa wléb__eb7_ab we Db. ep ont _abipb @) 47 Fea? si Creer) ge HERD Dies, Leong Pause net. Bass (Ctunkey Qoor pean” a Country 2 DIVAS NASHVILLE On a e oe Psnisies Giaswa ew * sth = Pickups Sc v tg 8 famite “6 to toot BR! 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