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This document analyzes how Chopin influenced Scriabin's compositional style, particularly in his 24 Preludes, Op. 11. It identifies similarities between Chopin's works and Scriabin's preludes in form, melody, harmony, texture, rhythm, and pianistic difficulty. The document contains chapters on Scriabin's biography, the historical background of his preludes, and a comparison of stylistic characteristics between Chopin and Scriabin's preludes.
Originalbeschreibung:
More details on the influence of Chopin on Scriabin's style.
This document analyzes how Chopin influenced Scriabin's compositional style, particularly in his 24 Preludes, Op. 11. It identifies similarities between Chopin's works and Scriabin's preludes in form, melody, harmony, texture, rhythm, and pianistic difficulty. The document contains chapters on Scriabin's biography, the historical background of his preludes, and a comparison of stylistic characteristics between Chopin and Scriabin's preludes.
This document analyzes how Chopin influenced Scriabin's compositional style, particularly in his 24 Preludes, Op. 11. It identifies similarities between Chopin's works and Scriabin's preludes in form, melody, harmony, texture, rhythm, and pianistic difficulty. The document contains chapters on Scriabin's biography, the historical background of his preludes, and a comparison of stylistic characteristics between Chopin and Scriabin's preludes.
This document discusses how Chopin's influence marked
a point of departure in Scriabin's compositional style.
will identify in particular the similarities between
Chopin's works and Scriabin's 24 Preludes, Op. 11, by the following categorization:
Form, Melody, Harmony, Texture,
Rhythm, and Pianistic difficulty. Scriabin's early style
may be described as Chopinesque. Because of this borrowed style, Scriabin's early works are frequently overlooked. This study conducts a critical examination of Scriabin's early works, specifically his 24 preludes, Op. 11, in the context of Chopin's influence, and discusses the possible implications of their common pianistic style. This document contains three chapters and a conclusion: Chapter 1, biography of Alexander Scriabin; Chapter 2, historical background of Scriabin's Preludes; Chapter 3, the similarity of stylistic characteristics between Chopin and Scriabin's piano preludes, Op. 11.