reap capella oe Se: aiSherry shares her lore of the waturat igorkd and its crottures in painting seminars across the country and around the world. Ske has been teaching for 28 yours. Certified by the Seciety of Decovateoe Painters as a Master Decoratice Artist, she aso received the Silver Palette award and ix @ peat president of that orgwnisation, She combucts seminars in her howe classronet ten the Chetricabrest Mountains of Arizona, where the garden binds include eleven species of huewoighirds and visiting ‘animals give the yard the wspect of a mature pieserce. Background Preparation Seal all wood except masonite. Sard, with the wood grain, using fine, wet/ dey (black) sandpaper, Mast of the back- ids are completed with wet-on-wet acrylic blending doe with a small roller and are described in each feseun. When dry, lightly spray with Kaylen Matis Fast 1 and then transfer the design, Transferring the Design Using graphite paper. transfer all fines and markings in areas af fur, andl exch small detail on birds, being especially careful of eye and beak shape. Transfer central veins on leaves and outline shapes of flowers and other elements. Check during the process of transferring. tobe sue that he des coming off on he psig sutlace clearly, Too dark? ve excess graphite with dry paper towel Palette ‘All paints tised are Winsor & Newton Artists’ Oils, You may wish to substitute thar brands for paints of the same name, Please keep in mind that when you do-so, the results may vary from the original Brushes Luse Winsor &e Newton, Series 710, 2 short, Bright red sable brush in a range of sizes. A bright applies the dry oil paint with more pressure. giving better control over the amount of paint applied and superh detailing. Also used are Winsor & Newstori, Series 740, #0 and #1, rounds Using a Drier ‘To speed drying time, cobalt siccative, a drying agent, may be added in fractions of drops (0 each patty of oil paint on the palette. IY color does not remain work= able an the palette for at least eight hours, you are simply using ton mack, [Dip the palette knife into drier. bleed olf the excess against the side of the battle, {then tap the knife next 10 each patty of ‘paint, Drying time is six hours to ‘overnight, depending on humidity. Brush-loading & Blending Colors should bu loaded onto the flat Brushes fom a lning ime scp of sparse it le om. a patty of patria Eien, Nees ead y moving (rom one loeding zone bo another, working back and forth, 10 achieve a mix of two oF more cokes Wipe the brush on.a paper towel after applying paint to the suréace, bul before bepinning to blend. Blend colors where they met with 4 dey brusty and a short stroke. Do not blend randomly over the fentiae area. Just blend an the fine where the colors come together, creating a new value and hue through the process. To blend overall will cause loss of walues and color clarity. Continued tw page 2. Author Printer Sherry Nett MDA eat Renting te 7.0 Boe 180 Bos A ‘Crtchen Cade ictal, AZ HRD ‘sma, TX 7908 fetta a Mave Phos. vin tia Tulsa OK 24086‘Shy shes er oe of erate wr als Tra run cri. She hs oo tench fr 3 yar Cra by he Scary of Cee Fal ase Ue cnet, ao rel the ster Paste ard nd pst Prslcit of tht ogenenton. She ends Marie Asn, ser aren bs inn been pc seat hs. ate hed th xp 9 ear Pere Background Preparation one, Satara raked Meera. RealTown, Geckucemtaiates monk SU icecream Usings Dee fat iaerae torso mit” opts ip hl sat Graacimaenttam Totowa byte tt nears et Peehpn aan sanyo eta eee the Design con he pate for at et igh Roeper cnentns Seow lar atgatinn Beemreccteies — Bridsusikieder rot Sicmtimccen: Sanlu wouha seta Setcneie tomate mineiae’ auGiaieetar” — pNbeuwtiioee Soe cfaceedeinge, Sent toy SSSARL Ning n'a Brushonding & Blending Steen” Gam shausteimet motets “ ‘ty paper tow Renta Shes om aod ane, a taper pant pled fom pay of palbt ons the plete Nis se de Palete By noe Apis umd ae Wie & Nevin abate eng Bckand rh to MoEOENormmeshterbatne — ides mieaivocemore car: ‘Sherbet pat of he me ‘ipetnc bn ons pope tel er SierfiseLacinmind a en applying pt hear bt befve Sourigenhecitomay vu un Aegan ted nd sls re Worn yr ih heh nach Sree nt od ran one te Brushes . Ste eat endo ie here ettings Nope lena Hel cer wag Uctvlrigaiea ileboahinerenge Slocon fue heap te proces ‘false bright applies the dry of ‘obiend overall weasels of peivwidache plane, geimgoeter — laseand cle cay Conta ge 2in my Garden Sherry C. Nelson, MDA aby animals of every kind charm that es your home witha spvial waa A puppy with sculhl eyes, 2 kien sdasing a mouse ot a whole covey of ‘aby quad - ating these captivating ctitterscannot help butencagves sare to share these — and more ~ special garden seres with you Limber up your brushes adjoin meas wo aint these lovable bubis wo our Ireats and bonesPainted Placement Guide SSS ae areas Seer ats Paling Animal Wa ar selvsereena Pingarpen bina oe serge wilt {Add with sh nine and Wg Bit at rerforeil Sipe see Ah gh roth ict a ee you beg ung aod vals oi inl ercbas Use ‘iyodingzon on our acts ‘oy eft uth soa ‘ira Redr oh elt ties sete ea tae Tie pace Sie false Ronee Re ccens ieaeciede tation ESI a eg noche ind Techniques ‘Sear swt ne ping, Seeeceece Wg a Fe atlestetts Reese Sof" tous ete econ Pope ivnaceed See Bree pe hc ns Shooto eas Skene Shanes nee Final Finishing. smash 70 i el i si | dentStep 2 Step 3 oe dbs hay Coe(She board work that &s peat of gardening cam be vonsiderably enterened with the frrsence of a curious kitten, pooring inte every planting, chasing Npring through the tulips. 0 is wot long bofore another visitor ts cdicowered are the yames begin. Varden, cypectallyy these with tind forslers, foroviide bounty of wed to the commen KGito- footed mouse and ancther dimension te the wildlife found al the garden edlges, Background Seal turned wood plate, and sand. Paint with Accent Sage. Let dry. israecan ily aed oper '. Jightly ax ray with Keylon Matte Pls ae plate may be painted with black trum if hes (BU), Oxide of Chromium (OxCh), Cadmium Yellow Pale (CYP), Winsor Violet (WW). Gray & White Kitten Eyes 1, Base ietses with OCh + RU + We Base tional thinned B if needed to darken further. and bridge of 1. Base nose band on nose with BS+ W. Bie edges of muzzle with CG + W, Fill in nose. ‘nomad with bitof W.Ly ay # i a qBackground Preparation This little painting ts done on a wooden basket lid. The lid was sealed and sanded, then painted with Accent Linen It was sanded lightly, thers poeasd with a second cat. After drying, it was sprayed with Keylon Matte Finish, 1311 Palette Winsor & Newton Artists’ Oi: Iwory Black (B), Buri Sienna (85), Raw Sienna (RS). Sap Groen (SG), Winsor Orange (WON, Cadmiam Yellow Pale (CYP) Winsor Violet (WV), Titaniuin White (W), Baty of Chick Lay on band of RS + BS around edge of wing, and to divide tail and flank, as shown, Base tail, flank amd breast with RS + W. Base wing with W, Hase area above wing and back with RS4.CyP. 2. Blend the RS + 8S shading color {nto the surrounding valucs, using the chisel af a #8 bright ana leaving abit ftetare follow th direction of fotthene We values ore connected. lay on the i shee trdicclod wing he ‘of wing, scruff in.a lithe BSB Altd some dey CF ontures aie back and one ascent on win 3, Soften highlights naa bay chopping lightly with #2 or a chisel edge Suippeam a Be of W on back, asing tip of round brush. Add a few markings of W on broast, also round brush. Add some tail fuff-with W also. Detail veith W feather shafts on a few feathers. Shade a bit with BS.on point of round brash under ediges of samme wig feathers, While finabixaag in all areas, think "Buff and alsa * for a salt. doveny look. Continued to page 8S Blucbell continwed foo purge 7. Eye & Beak 1. Base around eye with RS + W. = on beak with 2. Fill in eye with B. Add @ speck ‘of W highlight on CYP spot on beak. Add a line of W ‘edge of beak. Touch « bit of WO. on otf Beak, 1. Soften the its: ony De ‘with tip of round brush, Add highlight dot with W in eye, Rest of Head 1. Place B85 shading above beak and on forchwad, below eye, and to define car marking behind Base area around eye with '+ W. Base top of head and nape of neck with CYP + RS. 2 Soften the BS shadow areas into surrounding values, fol growth direction of feathers and Ising short chisel edge strokes ‘of a #2 bright. Add a speck of ee tems t ‘Mace + W highlights on crown, forehead and nape as shown, Soften highlights by stippling, with flattened tip of the round thrimh. Add additional bits of W if needed. Soften WO accent behind eye as well Bluebells: petals flowers. Add highlights with light mix + additional W, heavier on left-most bs, Soften hi with chisel of briish to streak slightly. High! folds or turns with round brush, using W. Add slamen with CYP, using round brush 2 Blend the three ts of the leaf with correct growth dis and on some grass blades atl stems, When piece bs dry, additional filer and greenery can be scruffed im with a dry chisel and SG + B, as well as green shadows added for ‘Saften any or all additions with cheesecloth for reduced emphasis. ‘The little bask sot (és acriae fr The Wend Cellar, 114 Creck Road, Mt. Laseel, N} 08054, (6080 272-1117;Oh frmule American Roditart isa beauty in her own nuderitated way, showing lovely flash marks of yolil, vibrant agatnit the rich green foliage. CM commen warbler in the northern and eastern portions of North Cmevice, thes sprite will maka a dont in your garden's inivel population as it raises its nest of fey yy babies. Wiateh too for the glossy Hack mate with orange wing and tail patehes Background This lovely lidded! glass bow! will spark a table at holiday time or anytime. Simply seal the lit amd sand. Paint a ely 75% of the li with Folk Art Clover and 25% with Accent Pine Needle Green, rolling the colors together where they meet with a senall sponge roller. Let dry, then rebuse, With the two colors, softened spray wid ish, Ge Finish the underside of the with Accent Remebrry, with a bit of the greens and Accent Off White rolled in for interest. This combination thes jin nicely with the azalea colors. Palette Winsor & Newton Artists’ Oits: Ivory Block (, Titanium White OW), Raw Sienna (RS), Raw Umber (RU), Purple Madder Altzarin nt nto (MD). Coxkenium Scare (CSI, Cadmium Yellony Pale (CYP), Sap Green (SG. Female American Redstart Tait 1. Base, Hiphight ang iges. RU + Ww 4. Streak om feather lines with CYP Undertail Coverts 1. ak RY 2 op salon iy X Highlight botiom end of area with W. Thin slit azalet pattern mary be used to adorn other sersiseg pes, _tceteome guests in any gunden. Wing Feathers 1. Base. —RU Draw in feather lines with lus, oF allow a bit of graphite a ng et le ae indivictual feathers 2, Lay om feather Hes in cach section, beginning. at bottom of Wing, using BSW and chanel exlge of 3. Lay on CYP feather lines where shown, at upper edge af bottom twee rows of feathers leg and tows. 3. Add detail tines and toenails ‘with B, using round brush. Breast 1B Dink en RUS ght Ww 2, Blend wire values meet using choppy chisel of i beight and following growth direction of feathers. Add accent patch of CYP + C5, Set in strong high lights on upper breast with W. 3, Soften yellove into breast, ‘moving.a bit of the color over to right side of breast as well. Saften W into breast. chopping, lightly to get a nice realistic feathery texture. ‘Coomtinued to pare 12This additional acalen putter nay be ised to adorn other sercing pieces. Nest 1. Rough in RU, as shown, in darkest areas of nest. 2. Fill in rest of nest, roughly, with RS, 3. Highlight with streaks of RS + W to create look of individual sticks and grasses. Let dark RU ‘shadow inside nest remain, ‘Branch 1. DAP no RU. Light. Dirty brash + 2: Chop colors on branch together ‘colors on branch t c ‘using the chisel held horizontally, and walking back and forth across line where colors meet a here and there of top whens with light mix + W. Leaves 1. Dark. Bosc cevnemewAborwe mix +'SG + CYP + abitof W 2 Blend values with i i 1. Base. WM 4 RS Be suite mix yellowed (dulled) sul swith RS to-control w ivision lines petals and overlaps ir ‘shading with M 2 Layen swith M+ x BS Apply Rihighs with dey brash & schere rales meet using chisel #4 or 86 Se ee ieee ach sicle of each petal. Add central vein with W, Shade at stamen with dats of CYP, 2, Highlight each tip with W, ‘The bool ana tid is weit The Wool Cellar, 114 Crick Rel, ME, Laurel, Ni] 08054, (609) 273-0117. aWE : oY Cok of the pleasure of having a garden ts bringing the color and beauty of tt indoors. nd what cat doesn't enjoy being puort of the sone, basking in the wevlel gle of Cbtroomenias collected in an old Ball jar? This dearuliful creature tsa young laine ¢ 2) mae? wotth all off us Background Preparation Seal cabinet and sand, Do not seal masonite panel. Base all painted faces, including masonite panel ent Celery, using a sponge flat surfaces. Let dry Sand lightly. Now drizzle Accent Celery on top half of masonite panel and roller about halfway down. Then add Accent Off White bottom half of pane! and roller colors where they meet so that the white graduates softly into the pale ‘green midway on panel. On other ‘areas of cabinet use the green and ‘ff white as well, rolling to blend them where they meet, and add in a little Accent Green Olive and Accent Linen hery and there for ‘additional color. Let all acrylic areas dry, then sand lightly. Spray ‘with Krylon Matte Finish, 1311 nium White (W), Raw Sienna (RS), Burnt Umber (BU), Raw Umber (RU), Burnt Sienna (BS), Sap Groen (SC ‘Castmium Yellow Pale (CYP), ‘Cadmium Lemon (CL, weer Nowdin, Shanks, Soon wurned by laeevee, for shearing Tesh Sasha Eyes 1. Gutline irises with RS. ill in with RS + SG + W. Blend a bit between basecoat colors Sdn RU 3. Soften shad Highlight ......Green mix + W across top af eyes, then add strong W highlight. Lay in pupil with B + W on top; B at bottom. Nose, Whisker Pads & Area Around Eyes 1, Base nose with BS. Fuzz ina Nile RU'+ W above nose, and above that, an area of RS. Outline eyes with BU + B. Then around that, place RS + W Ouiline whisker pads with RU + W. Fill in with W. Add more RU + W to right of pad area and to edge af face, left of left eye. 2. Soften edges of RU + W into W on whisker pads, Blending for a choppy texture. Shade nosepad with RU 3. Blend RU shading on nose. then highlight with BS'+ W, Blend colors on top of nose and soften 4 bit of RS into whisker pad! ‘Add RU dots for whiskers inued fo page 16.Step 36 Ears 1, Base dark areas with BU. Base top of head with RS. Base rusty inner ear areas with RS + BS. Base inner ear areas with RU + W. Outline ears with RS + W. 2. Soften colors together. Highlight on ear tufts with W. Fill in, areas of wars with W, i into edges of other colors with growth directhon of hair, Highlight top of head with dirty We & Soften highlight areas om ear hufts, Use chisel exige to pull out fresh sharp W hairs from center of ears outward, A few finer hairs may be added with W on liner brush. Highlight edges of ars With.a Dit of RS + W. Striped Face Areas 1 Lay oll tack markogs with Jhtly into dark markings. and: the grawth direction of the hair in every ares. Using & #1 round bud fill nthe irregular splotchy areas of dark sand nose between aie +H. Fill in bridge of nose with 3. Connect and solten fur areas, where necdled, using dry chisel, letting brash marks indicate fur direction. with W on cheek. Use liner brush + W to do all white whiskers. Add a few dark markings with 8 + BU ‘on Tiner brush te detail area around eyes and to: the irregular Meshape on the forehesd of the cat ife with a Neck Ruff ‘Lay in area of RS and RS. BS Face, using chisel to ull colors, Lay on patch of dark BU + RSto right of ear, also ‘Nutting out color. 2.Add RU + W strokes at exige of |W ruif below chin. Fill in veith \W. Pill in remainder of ruff cof ear with RS-+ RU. Blend a bi ‘where colors meet 3. Highlight ruff below chin and We right of ear with W. Use #6, for #8 chisel to fluff and blend direction of chin whiskers with colors in fur. Add liner brush, Body Base back and side with BU. Base with RS + W, Base feet with " Blena slightly with chisel where colors meet, follos natural direction of ith co side of cat with diety brush + W, and then a bit of W. Soften areas of cat to right of jar with cheesecloth to reduce empha- sis on them. Alstroemeria 1 Shade at base of petals with RU ‘and BS: Blend greens into: ies om se of Hower. continued foom page 1h, Add veining wilh CL + W using chisel, Add spots on petals with BS, using liner brush, Base samen with RS + BL, liner, Tip with CYP, W, ‘on flower stems with bit of dirty brush + W. flower stems with SG + RS + W, Leaves 1, Dark +8C ight. SG +W + RS 2. Blend where colors meet, with growth dircetion. Highlight emer” 3, Soften hij Add RS + BS accent color. Add veining and: turned edges with W, Ball Jar 1. Lay in all shadow areas as shown with RU. Base bail with B-+ RU, 2. Soften RU shadows inte: ‘ad with cheesecloth. Lay in B-+SG stems ancl eee od ote W, softened with into a hare Add RU «Wo light on bail, 1. Ribsens lengthwise with chersectoth a? to soften, =e > a bit, then a ‘with liner, add final W high lights. Addl a bit of CYP haze for reflection of fhawer. Touch ‘on Final lights on tall with W, Add RU low behind jar and soften into background with cheesecloth. Shadows under cat and flower alse done with RU, ‘softened with cheesecloth.Ve distinctive Gambel Quail i: ovrmatly a bird ofthe desert seveblan, bat can ofen be fant in the Peuthuvst in spon weediondsas soul as ol crchard,, especialy wear wntes. This family, wath the bowel vale iwcltondaneo,htsfeand shelton ner the branches ofan apple tue. fon quail are ponccial ah ts ra abot slowest immettely open Betching, She parent Ginds touch the young to serach for seeds nl insecs the ave a mainstay of their det aswell i herp ate for predators, What a pleas le have these delight birds al my gporden's ee. Sespaend pecce histocsatesl eee. pate Se Riera Sethi, BL wera Becereeeer See emanate Geo jester "lene Bieewcumeee §— Ravereces cite Siphamrme, «lees, «ered Selatan, Raat Seeeee Radice meleeeanene” ae Ratr pda, ‘Wicter, Accere Pie Needle Groen. Crystal hae Bu gly with Beis eee Seeieaae | eer poner = Saris. some eae ae sua Stee mea emer coe Rrnctatmanevne alone x ix he surface 0 there Is Pa dere bier Strap ‘one another and Cee eee Gi caen sae hae ‘Nettie ier {Cir Pvhate Tunpoise HD, * oi ‘Alizarin Crimson (AC), wo* . ZL ss 1999, Sherry C. Nolewgbelow that with B + RU RUF in eyering with brush + 3. Chop in markings to soften, but 2 Filing with 8, making size ences correct Boay forehead ant visible, Flank 1. Base around feather markings seth BS» BU, leaving openings fot guide. 2 Gein shapes with 4 bright Slampened with thier and ‘blotted on towel & mg omecan W, sti intued, tas round brah: aya under some of t mulings blending into basecoat. Define 8 few feather shapes with RS + W on the BS area. Breast 1, Chop in feather shapes and fete unheen raig or tld rk 2. Fill in remainder of open areas with dirty brush + 3 Bln and chop with cele ‘of brash to soften colors, but 5 : Ieawesometenur for feathery He th hie UY sing With RU and given a tiny high Eye, Beak & Head Areas imo To Hase beak with Be RU.Draw ing, separation line with styhis: Base wel bo page 24, topknot feathers with B+ BU.Hood eye men BS Doering . writ We Mrhings bid ‘ented pion wil und EON wim oes ‘faces th RS Fitineye wih Bah esd nS wh = W. SSNS ah abot RU ana sadehtoy wihR Frnighe sn own RSW. Ustcbecctaptea fo ven Nieto and ling eclrin SEES AGW nen dt fnege Use un ‘ah tondl Dakine ‘hder Seow continued from page 21 ean ptf ‘mec br ping te ‘str Brest TI oR RS gn v 2. Dn values with owt ‘tretin ing er M chie 2B cl soi ‘ptr brah A ah sh ls with und tsi sown on upper Cet Back & Wi Tbe nn RU a ghee w mst 2 Deals btw aos trib RU ne eo Satin trast pee wat RSW. ‘Sigs ghighton win hgh aoe oie wine Bering nah choppy moton of ieaiaiaal oy 2 Using 6 right epi lead et Hey Goce gp ie econ ik wing mina pean a with GEAR Sade w tay’ tate Fem sage purely Around eget pity Henig or Tape gre, emda vale Ici Usted oes op wah RU Onc atone inion: and ears inkradc, 9 Sen Digi io Bese Spay. Dulin rl cps of Bir Stcomadtae maddy ‘aang arty ard with Saint's AC anda hess When nal lendae fav cae Se MeRSriae enc wii SSso thet cempitelay or hihgis with Sethshinedl RU +S. appr Touche pen Secs We show: Hae ‘th ru! brash Fa osc ed wah over ted teres Stal RipaLeaves 1 Dark... + OxCh ‘Add BS to mix in some 2. Blend with chivel with growth direction of leal. Add highlights with W + OxCh. Totm edges are 7 Ww * BS, slightly thinned. 6s 12. Blend across branch with : denier eee. Lay _ veining with hi IY 3 Chop on some textured high Soften tciges of BS tars, phis with OnCh + W, using Add desired flip turns with, highlight value Shadows Under Quail & Apples 1. Lay on shadow with #6 bright using RU. 2. Soften shadow with cheesectoth, rubbing edges horizontally. Grasses 1. Lay on grass shapes with chisel of #4, using BU + OnCh. 2. Add a few OxCh strokes for a medium value, Then add liga gros vith OxCh + W. ange direction as well as length of blades for a more natural look. ‘The cake tray and cover are avuilable from Barb Watson's Bruskisoeks, P.O. Box 1467, ‘Moreno Valley, CA #2556, (909) 633.3780. =cb. mucha part ofthe garden scone as wtldlife, tes basketfel ef pyppy und bernie: tell eatery sure to touch your boart. Pernard looks tke he bea lorren in the garden when egret thes bf, deers ons finente ons telhing ae ep xe ete fochly plied balls, Thos babyy wes. Mareane Tecety pape: sare to Wink of thes ‘venderfal npanisalion tehion you are ready fo adap a garden companion Background Preparation Pappy Selteyand sand gmosth Pant Eyer ssacc ond hack Mi Aste ie ts 3. Pale being on male {Sm pin ect cher i) En anon ose Let gh rom Leta, Sind Rebus wth sae eek ad truce high he dark eee ain etary ee spay th pore 8 ‘Su ete St nee Brion Mae Fn 3 Use Aicgyenanu rw ight Aud dare moncon ‘Slimane Sexson 2. Bnd lar i eo sor els rom desi on tone papi Lay light ae at IL add whiskers with wed ‘Stace ray ngs Ue ey ad Gitrcorberoah aye ih RU when reste arsine. ‘pray wn Ryton Mate Bath mew BavMeatee tect edges 9, endMullightintoeye follow. Hetad 6 Ears Sityunteniocedtery doign fg unatuefeye RAW. aint the hend m ‘ta Wino Newton fa NE Thi ey aren sew Umber olf timedtoaglize — MveeyewibeabnotdiayW. Dacca RU Sonsgton wih oneseier a fun bnand wipeorfeccen win Nose & Mui ise Sheth Lay When al fie oe i Bas argand Dak 8 fusing ecmplee ene Ryton thse bah 6 RU. Be eg of ones B+ BU Sony Vario, UD ere Imumse wih + Roan fet oped hea i BS ibaa ory aa png inure whereshowmwitsW. aged tothe BU togiven Darkerssjaninpimassicand, | reddcheast Palate oaantl 2. Ripn mating he eens Winsor € Neto Artist Oi Bdge! ‘SeRteum eet ar fr Noy ck Tem We oe WS ‘hing easel gece {GaP am Sen RS He Umber 2. gig ae ith diy fru and shor aches Guth Berner BU tata on musscincedges——erhapproprinte the aes Eta ll Pale CF dar oresmounl nse lend Exch ge of ee ‘aizann Cason (ACI, Whitsor WeatevcroncinRGontrage dont overnork. Add ghigh fed ti Sop ren 6. Umstead theshedgen Store and baw aos on HS = Sfutacine Woy wancng sim Waren W Het Bicddgein youth amcor” Under cn witha) We» Sitcontatiiweniae WAS ih to Stings ajacent RS on hee ‘inert eyes uring {Sing the seme shot fore Sato fom “own in Ad Sic ofthe chee A shading endo un, Pace Moy tahoe oe de of iy bho W hes pol Highton dpe oe Continues 0 pose 28.