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Hallo liebe Leser, es freut uns, dass ihr euch flir das Kultliederbuch "DAS DING? entschieden habt. AS DING" ist auf vielen Jugenditeizeiten durch unzihlige musizierende und singende Menschen an den unterschiedlichsten Orten entstanden. Bei jeder dieser Freizeiten kamen aus dem Kreis der Jugendlichen Vorschliige, die sofort notiert wurden. Ob am Lagerfeuer, in der Hiitte oder im Zeltlager, der Kreativitit der jungen ‘Menschen sind keine Grenzen gesetzt Es begann zundichst mit 20, dann 100, dann 200 und schlieBlich sind mehr als 400 Lieder zusammengetragen worden, Jetzt ist "DAS DING" fertig. Sollten euch Schreibfehler auffallen oder seid ihr mit den Akkorden oder den Texten nicht ganz einverstanden, dann schreibt eure Verbesserungsvorschlige an die folgende Adresse ‘oder besucht uns im Internet. Freuen wiirden wir uns auch dber Lieder. die in diesem Liederbuch noch fehlen und eurer Meinung nach unbedingt hinein massten. Andreas Lutz, Paul-Lincke-StraBe 28 D-70195 Stuttgart www.kultliederbuch.de Im Internet erfahrt ihr auch wie ihr am schnellsten an ein eigenes "DING" kommt, Zusiizlich gibt es dort alle Neuigkeiten Uber "DAS DING". Wir danken allen, die zum Zustandekommen des vorliegenden Werkes beigetragen haben, Die Texte und Melodien sind Eigentum der jeweiligen Verlage, Textdichter und Komponisten, Sie sind urheberrechtlich geschiit. Unerlaubtes Vervielfiltigen ist verboten. Allen kooperativen Verlegem sei an dieser Stelle ganz herzlich gedankt, Wir hoffen, dass viele Menschen mit der Musik und unserem Liederbuch Freude haben. © 2000 by Edition DUX ISBN 3-934958-66-4 Viel SpaB beim Singen winschen euch ‘Andy Lutz Bernhard Bitzel INHALTSVERZEICHNIS IER FINDET IHR ALLE IN DUESEM BUCH ENTHALTENEN TITEL, ZUSATZLICH SIND NOCH SERAMUTE LIEO- OND REFRAINANEANGE IN KURSIVER SCHAIFT VERZETCHNET. A GROOVY KIND OF LOVE errgsos A HORSE WIT NO NAME «00100. A VACATION IN A FOREIGN LAND « WHITER SHADE OF PALE ABER B177E MIT SAHNE ..0+-- + ALL ALONG THE WATCHTOWER AUL BY MYSELF we eeeeeeesoce ALL MY BAGS ARE PACKED soo. tices 7 ALL TANT SHE WANTS... ocean ALL THE LEAVES ARE BROW REL YOU ZOMBIES ses ssesesces ae ALLES NUR GERLAUT 2.02 ALMOST HEAVEN, NEST VIRGINIA ...+.00 ALS DIE KLEINE JANE GRADE auways eee eee Ait FREITAG AUE'D NACHT «ss. cs ae BM SONNTAG HILL MEIN SUSSER MIT MER SECELN Gi BM TAG, ALS CONNY KRAMER STARS... .-..e AMERICAN BIE cscs vse ee AN DER UNGEHUNGSSTRASSE «... 0+. ee AN INDEPENDENT LOVE SONG 0. 0.0000000IIT AND NOW, THE END 15 NEAR... .ilcsecseseree AND YOU CAN TELL EVERYRODY ©1011 ansze eee a aNEtA LILI Sener oeneee ANNZE"S SONG <1 ANOTHER BRICK IN THE WALL PART 27 ANOTHER ONE BITES THE DUS ANOTHER WORLD . AQUARIUS ves 0 ARUBA, JAMAICA, O# AS TEARS GO BY'....-.. AS THE SNOW FLEES 1... ‘AD FIRST I WAS AFRAID T zxoaRo » BABE ec BAD Wool RISING BAKER STREET «- +. BASKET CASE ..- eee : BE SURE TO WEAR SOME FLOWERS IN YOUR HAIR <2... BEAUTIFUL GIRL «eee eeeeee BECAUSE THE NIGHT .....-+- BED OF ROSES ...-0 000. BELLA, BELLA, BELLA MARTE. BERGVAGABUNZEN . BETTE DAVIS EYES BIG BIG WORLD. TTCH ee BLACK HOLE SU 1.007 BLACK VELVET oo. ecseeee BLAZE OF GLORY <1... BLOOD MONEY 20 cses BLOWIN’ IN THE WIND... BLUE SUEDE SHOES . eet BLUMEN IM GARTEN, SO EMANETG ATEN ono BOHEMIAN REAPSODY BORN IN THE USA ..007 BORN TO AE WILD EREAKPAST AT TIFFAMY'S| EREARFAST IN AMERICA .. BRIDGE OVER TROULED WATER 1.02111 BRIGHT EYES one BRING ME SOME WATER J. .---ssccss0 i219 BRONZE, SILSER UND GOLD .00 1.00001 ast BRUTTOSOZIALPRODUKT «+. 00 sce Tee BUTTERFLY «2... a ies BYE BYE LOVE |. .ltst S107 CALIFORNIA DREAHING ..+-.eees0- : CALL YoU UP IN THE MIDDLE OF THE NaH? ... CAMOUFLAGE «+ ee CaN YOU FEEL THE LOVE ToNGwT 601107 CANDLE IN THE WIND 8 (CAPRI-FISCHER CAT'S IN THE CRADLE CELLO. cHTQUITETA « (CLOSE ENCOUNTERS | CLOSE YOUR EYES, GIVE Me YOUR WaND, DARLING COME ALL WITHOUP, CONE ALL wrtHIN . CROCODILE ROCK... e----+e CRUSADER DADDY'S GIRL... DARTEL «= DAS Kath Doct EINeN SESMANN NTcH SRSCHOTTERN | DAS LIED DER SCHLOMPFE ..... DEATH OF A CLOWN DEEP DOWN IN LOUTSTAaNA, CLOSE 10 NeW ORLEANS «2.0 002.221 DER ABEND SENKT SICH AUF DIE OACHER DER VORSTADT DER JUNGE MET DER MUNDHARMONIEA «++ DER NEIN VON MYKONOS DICKE a DIE ALTEN RITTeRSLEUr «= DIE GEDANKEN SIND FRET +. DIE GTTARRE. UND DAS MEER DIE KLEINE KNEIPE .....-- bO YOU HAVE THE TIME... DONA DONA DONA se eeecccee DON'T CRY FOR ME” ARGENTINA DON'T CRY veveee ee DON'T Go our TonircHT DON'T LET ME BE MISUNDERSTOOD © 22.0017 DON'T PAY THE FERRYMAN vs sseeecscooss DON'T SPEAK = pow'r You cay Tonrcar DON'T YOU FORGET ABOUT ME ese eeee+ DOWN ON THE CORNER... om UNDER Domerown 2 DRACHEN SOLLEN FLTEGEW ore DREADLOCK HOLIDAY : DREAM A LITTLE DREAM OF ME. +. .> DREAM OW... S.HEISSE TAUREN... DRONT IN DER GRONEW RU. Du BIST SO HEISS WIE EIN VULKAN . Du GINGST VON rR 1 EINER STUNG! Du TRAGST KEINE LIEBE IN DIR... bu WOLLTEST DIR BLOSS DEN ABEND VERTRETBEN DUNKEL WAR DIE NACHT EIN VOGEL SANG ..... DUST IN THE WIND. s.eee--s0 EARTH SONG... EIN BET? IW KORNFELD | EIN EINFACHES MADCHEN EIN FREUND, EIN GUTER FREUND EIN WIND WEHT Yow SUD ‘i EINE MEUTE TRIFFT SICH HEUTE EINE NEUE LIEBE IST WIE EIN NEUSS LeBEN ENJOY THE STLENCE ae ER GEHORT ZU MIR ES FAKRT EIN 2UG NACH NTRGENDWO |. ES GIBT KEIN BIER AUP MAWAIT ES LEBE DER ZENTRALPRIEDHOP «00... ES WAR EIN SCHONER TAG, DER LEPETE Iw AUGUST... ES WAR SCHON DUNKEL . ETERNAL FLAME «20-0000 cscs EVE OF DESTRUCTION « EVERY ROSE HAS 17S THORN 111 EVERYBODY NEEDS SOMEBODY TO LOVE (EVERYTHING T Do) 1 /DO TT FOR YOU +. BVIVA ESPANA .. FAR FAR AWAY .. EATA MORGANA ** 7 ERTHER AND SON FERNANDO ..... FIESTA MEXICANA» = 5187 STATE... 500 MILES «1.1 FLOWERS ON THE WALL «+ FOLLOW THE MOSKWA DOWN TO GORKT PARR +. : FRANKREICH FRANKREICE FREDE ODER FREUNDE .--..- FROM A PHONE BOOTH IN VEGAS exosen ese eat BORSTENEELD GHOST OF TOM JOAD .-... ++ : GIB MIR DIE HAND, ICH BAU DIR EIN Si GIVE R LITTLE BIT eee 88 Laz 33a Sa0 308 1268 ‘ios 304 ae} 366 T1993 Tiss 8 1307 fis? 29 258 Thee nin 450 205 Ti 185 hu 385 lise his 209 187 94 1368 160 1335 326 pet} Tha GIVE ME ONE REASON -..eeceeeeeeeeeereeees Go WEST ee a GOLDEN. BROWW 1s. oe GOLDENER REITER vo 02 lct GOODBYE NORMA JEAN «1. | GOODBYE TO YOU MY TRUSTED FRIEND... Go? ON BOARD A NEST-8OUND SEVEN-FOURTY-SEVEN GRIECHISCHER WEIN... 0----ceeeeseeeer er a GROUND CONTROL TO MAJOR TOM GUGUG T HAN A UFO G'SAHE «+ oe GUILDO HAT BUCH LIEB GURU GURU GURU. Gute NACHT, FREUNDE 1.17 HAB' SONNE IM HERZEN .2...ee05 BAND IN NY POCKET « ee HANG DOHN YOUR HEAD, TOM DOOLEY « maST DU ETWAS ZEIT FUR MICH HAVE YOU EVER SEEN THE RAIN 1. HAVE YOU SEBN THE OLD MAN. HE 19 FIVE FEET THO a HEART OF GOLD... 8 HELLO DARKNESS HY OLD FRIEND HER HAIR IS HARLOWE GOLD HERZILEIN . peetrees BRUTE TER, MORGEN DORT HEY JOE HEY JUDE «sss eerie HEY, LITTLE GIRL TS YOUR DADDY HOME HEY, MR, TAMBOURINE NAN, PLAY A SONG FOR NE. WEY, PIPPI LANGSTAUWEE :R KOMNT ALEX HIGH. jOSHIHA THE ROAD JACK... HOCK AUF DEM GELBEN WAGEW HOLD ON LITTLE GIRL... HOLIDAY «+. HOTEL CALIFORNIA HOUSE OF THE RISING Sid HOW DEEP 18 YOUR LOVE ...cssssscvse HOW MANY ROADS MUST A NAN WALK DOWN... HORRA, HURRA, DIE SCHULE SRENNT ... T AIN'T GoT NOBODY .. ee oe 242 TAN JUST A POOR BOY... licsiocsoose aa T BELIEVE IN WONAN, MY OW HY Loos eer T CANE FROM ALABAMA WITH MY DANIO ON MY NEE TINTIIN 403 a 7 HI aoa T COMB 70 YOUR DOOR TO SEE YOU AGAIN... HIN a97 1 DON'T ANON Wty SHE'S LEAVING... 0200 ot ee 1 DOK'T LIKE MONDAYS Rake eae eee eH 382 I ODON'T MIND IF YOU GO... iiteeeeee Saeco et FEEL IT I MY FINGERS «60.0040 GET KNOCKED DOWN «4» Hon YOUR SYES IN THE MORWING SUN LIKE CHOPIN. Mer HER IW A CLUB Dow TN OLD SOHO. REMEMBER ALL MY LIFE .-.....+ REMEBER WHEN ROCK NAS YOUNG « SEE TREES OF GREEN ...--..- SHOT THE SHERIFF «.sj.ss sss HANNA LIVE T WANNA GIVE |. MAS SITTING IN A STATION BAR. HAS WALKIN" DOWN THE STREET .. WILL ALHAYS LOVE YOU ee. .+s NILE NoR ZRUCK Zu O18... WILL SURVIVE. WOULD WALK 500 MILES... ow stw JA SO FROH, DASS TCH KEIN DrckER BIN ICH BIN VON KOPF Bis FUSS AUF LIESS EINGESTELLT 1CH BRECH' DIE HERZEN DER STOLZESTEN FRAU'N . SCH GEH" MIT DIR NOHIN DU WELLST, AUCH BIS ANS ENDE DIESER WELT ......2 {TCH KAM VOM FRANKFURT NACH BERLIN +e eees e+e paeeeey| Tey Kave! MIR EIN BAGUETTE .. as Te SAH EIN ScHONES FRAULEIN : ts eH SCHRETAE BINEN HIT ...... : aa ew SPROH'S AUF JEDE HAUSERWAND : hor ICH NACH AUP aM NACHMITTAG v«0.00scecseeese 293 eH weRO’ DIR DIE LIEBE VERSPRECHEN .- 2... a3 TCH ZIEH= DURCH DIE STRASSEN BIS NACH MITTERNACHT oo T*D DO ANYTRING FOR LOVE (SUT I WON'T DO THAT) ...0.cc00. Hao IP GOD HAD A NAME . ’ TE T HAD A HAMMER IF YOu MISS THE TRAIN T'Hl OW Te YOU WANT TO SING OUT, SING OUT © I'M GONNA BE (500 MILES)... IM HOF, DA SPIELTE SIE MIT JOB VON VESA-VIS «1... : Til253 EMC ET t2a7 TIM SITTING HERE IN 2 BORING ROOM - 1340 IM WAGEN VOR MIR... : 1339 IN EINER WELT, IN DER waN nuR NOCH TEBT via Tw MONCHEN STEW? EIN ROPSRAUHAUS ... fio TW SCHWABING GIBTS A NETEN . Tos IN THE GHETTO vs. ses ses a 137 IN THE NAME OF LOVE... cerca 320 [EN THE TOWN WHERE TWAS BCRN <0... hag INSIDE eee eeeenes : ae IRGENDWEE, TAGENDWO, TRCENDWANN <-> : ae TRONIC «eee : 1203 IS THIS Tas REAL LIFE TS THs gust FANTASY | 132 Te MUST HAVE BEEN Love 309 Fp NEVER RAENS IN SOUTHERN CALTFORNEA 6.20.1 1387 ID'S LATE Iv THE SVENING ... ee al ID'S LIKE RAIN ON YOUR WECDING DAY ...-..cscccsccssecseserseeseeeses 203 E'S NOP TIME 10 NAKE A CHANGE «00... oe tn IT'S OME FOR THE NONEY » 7 T'VE SEEN THE YELLOW LIGHYS GO DOWN THe MrsstsszPP .... 1230 Vu UA, NACH SPANIEW REISEN VIELE SUROFAER ee TEAUNY sores : ee aad ‘Sensesrs VOW EbeN (GUARDTAN ANGEL)’ =..01. Serceee Di 2e6 JESSIE... ee an ‘GHIGY AROHN, DAS WAR BIN SEAN . ren beer 260) SORNNY Boece ces ee Soummy 8." goobe IIIS Seceine iizaa SOANNY WALKER 000000 Seeecees TIE a UST A GIGOLO 2... LIE ees oe baz KANN DENN LIEBE SONDE SEIN? -..--..2++ feces se BARL DER KAPER «.--...eeeeeeceree Tas RILCERAUTOMAT . PE TI gay BILLING ME SOFTLY WITH ATS SONG 11.117 : 22 ENOCKIN' ON HEAVEN'S DOOR : oo BORAIN ss eee e encod : iar KOKOMO 1 02TOIIL on nat 381 RONIG VON DEUTSCHLAND 621000200 20) LA BAMBA 1+ Ta ISLA BONTTA LL .0200T1 TA BaLOMa, URpY IN BLACK sss + UND OF GREEN ot TANGE HER, DASS MICH WaS SO FISeERMAPT PACKT LANGSAM FIND‘? DA TAG SEI" END LASCIATE MI CANTARE .~-..--2+0 ‘EAS? NIGHT I DREAHT OF SAN PEDRO |. AY SACK TW THE ARMS OF SOMEONE Lava. oe LBAVE IN SILENCE 1.) LEAVING OW A JET PLANE 11.07 LEMON TREE oo SPIT BE vst. EE? ME TAKE YoU FAR AWAY - LET THE SUNSHINE TN LEUCHTTURN LTESESKUMMER Low SICH NICHT LIFE IS 2 MYSTERY... LIKE A HURRICANE, LIKE A PRAYER LIKE A ROLLING StONE <2110) LIKE THE WAY T DO. TIALTANO Ive 18. LIFE LIVIN" 1A VIDA Loca <1 LIVING NEXT DOOR TO ALICE DIVING OW A PRAYER LOCOMOTIVE. BREATHE ae LOGICAL SONG ss... + a ONG, tone "ris KO - : LOVE HURTS... .eece : : Love 18 ALL AROUND Ix MAIOR TOM s+ MAMA, TAKE THIS BADGE FROM ME... MAMBO WO. 5 (A LITTLE BIT OF...) MANCHMAL GEH ICH MEINE STRASGE OHNE BLICK |. MANCHMAL TRAUME ICH SCHNER . MANNER 11 waRwOR STEIN UND. ETSEW BRICK MASCHEN-DRAAT-2KON ME AND BOBBY MCGEE MEIN FREUND DER BAUM... + MEIN KLEINER GRUNER KAKTOS Menbocangte eters MERCEDES BENZ a brennan te MIDNIGHT.” NoT A SOUND FROM THE PAVEMENT MIGHTY QUINN (QUINW THE ESKIMO} 2... MISSISSIper IN THe MIDDLE OF 4 DRY SEBLL raes 18a01 ODES NaNO. MOONLIGHT SHADOW MOONSHADOW . MORE THAN WORDS | MORGEN ws eeeres rcs MORGENROT 1210 : MORNING #05) BROKEN 111 MR. JONES... MR. TAMBOURINE WA | MRS. ROBINEON ee 00 0L0T MY BONNIE TS OVER THE OCEAN <1 000010001 MY CHILD ARRIVED JUST THE OTHER DAY ME HOMETOWN MY OF HY ee MY WAY vs toese NEHMT ABSCATED BRODER... oo NELLIE THE ELEPHANT NEUE MANNER ERAUCHT DAS 99 LUPTBALLONS .......- NIGHTS IN WATTE SATIN . Nite DEM WACHSTEN ZUG + NO NEED TO ARGUE . [NO SURRENDER . NO WOMAN, NO CRY L121! NOTHING ELSE MATTERS NOVEMBER RAIN. QUA PALOWA BLANCA oo eeeeeeeesees OH LORD, WON'T YOU BUY ME A NERCEDES BENZ OH SUSARNA ON A DARK DESERT HIGHWAY : OW A MAGON SOUND FOR MARKET 1. ONCE UPON A TIME THERE WAS A TAVERN... ONE OF US fevreesesees ‘ur HOUSE eae (OUT OF THE DARK .lcesssss PARADISE CITY «2. PEOPLE ARE STRANGE eee ee er sid PERFECT BLUE BUILDINGS | .ossisssverseescossenscecesecscceseseesess 326 PRIDE (IN THE NAME OF LOVE) | .ssoccsscsccersccecocceueeeeses S320 PROBIER'S MAL MIT GEMOTLICEXET? |. ee Tia PROUD MARY <2 eeeeeowee eres eye eee 5d BUFE THE MAGIC DRAGON - See eeese eae eee tiga QUEEN OF RAIN «....-20 QUINW THE ESKIMO... RADIO ORCHID « ee 317 REDEMPTION SONG Jo, socsses REMEMBER THAT PIANO | RESCUE ME, ROCKIN' ALL OVER THE WORLD 01.0 0000000 ROLLIN", ROLLIN", ROLLIN’ ON THE RIVER . 280 ie 359 ROMEO AND SULIET’.«. oe 3a ROTE LIPPEN SOLL MAN ROSSEN (LUC! a as RUN 70 YOU rn ae TNT 3a RUNAKAY TRAIN sssicssos eee re SAG MIR WO DIE BLUMEN SIND... - oe er SAGT MAL, VON WO KOMP 2HR DENN WER . noe a70) SAILING . on SAN ERANCTSCO (BE SURE TO WEAR SOME! FLOWERS’ TN YOUR WATRY' =. 130 SATELLITE... . 54 SAUMASSIG STARIC |. [ser SCARBOROUGH FAIR / CANTICLE. aad SCHICKERTA oo ane hho SCHIFOAN .. ee har SCHMIDTCHEN SCHLETCHER | 358 scHooL ee . 1360 SCHULD WaR’ NUR DER BOSSA WovA 1254 SCIENCE FICTION ~ DOUBLE FEATURE .. ee 294 SEALED WITH A RISS eeereeeeeeeeee tas SEASONS IN THE SUN (LE) MORTBOND) 34s BEE YOU veseeees pene $363 SELE ESTEEM | Spor ee cepcenea 2ee SELLING THE DRABA ©2210 321 um 75. SI 208 SHE CAME TO ME ONE MORNING .-.1 SHE LEADS A LONELY LIFE... 02. SHE'LL MAKE YOU TAKE YOUR CLOTHES OFF 1. SIE SAGT, SIE KONNE GUT FERNSENN .. STE TREFFEN SICH TAGLICH UM VIERTEL NACH DRET ......0.1 STEBZERN JABR, BLONDES BAAR SIERRA MADRE DEL SUR SUPTIN' ON THE Dock OF THE BAY SKANDAL TM SPERRBEZIRK «.-+0+ +2000 > 21 273 a7 130 357 135 103 SMORE HANGS ON THE CITY LIKE TT AtwAYS USED TO BEL... Nlzs6 : aay, 34 SOME PEOPLE CALL ME THE SPACE CONBOY «4.0... SOMEBODY «+. essere SOMETIMES IT'S HARD TO BE A WOMAN SOHMERABEND OBER BLORENDEN LAND SPACE ODDITY ..+see+e +++ SPACEMAN wo. toss SPENDING bi TIME 11111 SPIEL NICHT MIT DEN SCAMUDDELKINDERN «... 0+. STATRWAY 70 HEAVEN ...-+.. STAND BY ME. : STAND BY YOUR MAN | 1000100. STARRY STARRY NIGHT |. ae STARS SHINING BRIGHT ABOVE YOU STILL LOVING YOU --..eeeeeee STREETS OF LONDON «1-2 SUREETS OF PHILADELPHIA : STRUMING MY PAIN NITH HS FINGERS... SUCH A SHAME . SULTANS OF suis SUYMER IN THE CITY « SUPER TROUPER . SURETN' USA. 0202 SWEET HOME ALABAMA. TAKE A CHANCE ON ME vs. ese ses TAKE A LOOK AT HY GIRLFRIEND TAKE I? EASY ... ; TAKE HE Dow TO THs PaRADTSE CITY TARE ME HIGH ABOVE +... TARE ME HOME, COUNTRY ROADS TALKING "BOUD A REVOLUTION TANZE SAMBA MIT MIR oes. te 1000 UND 1 NACHT (zooH!) - TEARS IN HEAVEN 0... THE ANSWER MY FRIEND IS BLOWING IN THE WIND THE BALLAD OF BELLY O° CONNOR es e+ee0e THE BOXER ..... a AE EASTERN WORLD 77 IS EXPLODIN’ .. THE FREE ELECTRIC BAND «0... .++ THE GREAT SONG OF INDIFFERENCE THE JORER «2... THE LADY IW RED... : THE NAK'S 100 STRONG |. THE RIVER THE souND OF SILENCE. THE TIME WARP THE UNIVERSAL SOLDIER .....s0sss+ THE WINNER TAKES 7 ALL ll oosociieccse THERE COMES A TIME WHEW WE NEED 3 CERTAIN CALE THERE GOES MY BABY NITH SOMEONE NEW THERE 1S A HOUSE IN NEW ORLEANS... THERE WAS SOMETHING IN THE AIR THAT NIGHT ...... TABRE'S A LADY WHO'S SURE ALL THAT GLITTERS 1S GOLD. THIS AIN'T A LOVE SONG ......0-. THIS CAND TS YOUR LAND | : THOSE WERE THE DAYS... 00. csosse THROUGH THE BARRICADES 200010001 TE ANO IEF Iv DER SARARA oe see 16 4400. TIME AFTER TIME oc sesesees 70 Be NITH YOU. TOGETHER, 387 TOM DOOLEY... 182 700 MUCH LOVE WILL KELL You 28 TORN : 335 Touew~ay” TouCH-A, TOUCH + 325 ‘TRANEN LOGEN NICHT...» 11 TRAVELLING IN A FRIED-OUP COMBIE . 334 UBTHOMPING -.-.. s fo TOR AN TOR MIT ALICE (oslo ctocss 183 25 YEARS OF NY LIFE AND STILL. 1 Two STEPS BEMIND ......--- ae lee 364 382 tier BER DEN WOLKEN — OBER LEBEN BROCKEN MUSST DU GEREN arone eee rear DONBREAK HY HEART « UND ES WAR SOOMER =. VALLEY'S DERP AND THE MOUNTAINS SO HIG 94 VAN DTEMEN'S LAND sees see ae baa. VENUE sees See 5a VERDAWAT ICH LIEB DICH... clocscocsecs 54 VERDAMP ANG HER vs.eocsoccsossceesseuyee Thos VERLIESEN, VERLOREN, VERGESSEN, VERZBIH'H 136 VINCENT ss sccesessseeeeeeee nee 7 VOLLIG LOSGELOST . : es TINIE gee Vow DIR KETNE SPUR DIB WoHRiNG ee : 173 WeAHNSIMN a 13 RATTING FOR THE HURRICANE 01.0010I0III 327 WALOFEST .... oa fig WALKING IN MEMBRTS ss... 130 ART! AUF MICH... cso scoce bana aS KOLLEN WIR TRIWKEN, STEBEN TAGE ZANG S136 WE ARE THE NORLD ; ee ny WE BELONG... 3 a WE CAN LEAVE THE WORLD 2220000000000 Thao SE DON'T NEED MO EDUCATION 7 206 EINE NICHT, WENN DBR REGEN FALLT «1... 20 WENN BE2 CAPRI DIE ROTE SONNE IW MEER VERSTWAT .. cs. secs i3s2 RENW DER MORGEN KOMMT, UND DIE LETZTEN SCHATTEN VERGEHEN . 367 RENN FRUW AM MORGEN DIE WERKSIRENE DROWN? ...0.2..eeee revere 231 BENW WIR ERILIMMEN . Tae WERT A WONDERFUL WORLD 250 HAT ABOUT SUNRISE 55 WAT, SHALL WE DO WITH A DRUNKEN S21 cs WHAT'S UP see. 7 na WHEN A MAN LOVES 8 WoMAW L211. cai HEN I FIND MYSELE IN TIMES OF TROUBLE... 021. 3 WHEW I WAS YOUNG, IT SEENED THAT LIFE WAS SO Wo a7 HEN I'M FEELIN" BLUE .e.s0----++0 WHEN THE CHILDREN CRY | WHEN The NOON IS IN THE SEVENTH HOUSE. XU HEN THE NIGHT HAS COME AND THE LAND IS DARE WHEN THE RAIN BEGINS TO FALL... .-.0+ WHEN THE SNORE TS COING DOMN | HEN YOU'RE ALONE AND LIFE IS MAKING YOU LONELY | SKEW YOU'RE CLOSE TO TEARS REMEMBER... WHERE HAVE ALL THE FLOWERS GONE... 010 EERE THE WILD ROSES GROW ...... WHILE MY GUITAR GENTLY WEEPS « BRISHEY IM THE JAR esses eeesee HEITE ROOM a WHO WANTS TO LIVE FOREVER |... HIE WAR DAS NOCH GESTERM .-... HELD THING =. HIND NORD/OS? STARTRAEN NULE-DRET «0 - HIND OF CHANGE ...-...---.-- BIR LAGEN TRAUMEND IM GRAS. WIR SIND DIE MOORSOLDATEN IR WARN RIE PECH UND SCHWEFEL ... WIR HEI FAEREN TRGENDAOKIN «+. HITHOUT YOU... WOMRK TN LOVE «2 ONDEREUL TONTGHE OULD YOU Aion My NAME TF T SaW YOU ZN HEAVEN WONDER GIBT ES IMMER WIEDER ...... YMC. YEuLGW SUBMARINE © YESTERDAY . Ou AND I ‘ vou Frnt Ue MY SENSES YOU JUST CALL OUT MY NAME -* YOU MAKE ME FEEL... YOU ONLY SBE UAT YOUR EYES waNT TO SEE. YOU SAY THAT NE'VE GOT NOTHING 14 CoMMoN YOUNG MAN, THERE'S NO NEED 10 FEBL DOAN YOUR SONG’.. ee YOU'RE IN ‘THE! BRMY NOW : YOU'RE UY HEART, YOU'RE HY SOUL YOU'VE GOT A FRIEND eB ZOMBIE... GRUCK ZU DIR (HALLO HURUS) 1112. 2 MAL 3 NACHT 4 MIDEWIDEWITT UND 3 MACHT NEUNE XIV bas? ‘ie Sad 13 a2 369 2245 73 Tiss brs S405 1248 531 245 3 ie Tage 374 +202 len 16 WHAT’ S_UP A Bm DA 1, 25 years of my Life and still Be D a I’m trying to get up that great big hill of hope for a destination (FOUR oN BLONDES) E realized quickly when knew T should Bn > hat the world was made up of this brotherhood of man 2 for whatever that means, And so I cry sometimes when I'm lying in bed er just to get it all out what's in my head > R then I start feeling a Little peculiar 50 I wake in the morning and I step outside Be 1 take a deep breath and T get real high D a And f scream from the top of my Lungs what's goin’ on Ba o a and I say hey hey hey hey bey hey T say hey what's goin’ on En B a and 1 say hey hey hey hey bey hey I say hey what's goin’ on a En D 2, and I try, oh my God do I try I tey all the time a Bn in this inetizution and I pray, oh my God do T pray D a T pray every single day for a revolution So 1 cry sometimes when I’m lyin’ in bed Be just to get dt all out what's in my nead 2 » then I stort feeling @ little peculiar 50 I wake in the morning and I step outside I uake @ deep breath D and i get real high then T scream fron the top of ay lungs a what's golat on Bn D a and I say bey hey ney hey hey hey T say hey what's goin’ on Er D x and I say hey hey hey hey hey hey T say hey what’s goin’ on 25 years of my life and still Ba > a i'm trying to get up that great big hill of hope for a destination Met Ln Pay 1 fos Famowe use Gopereton USA ‘aaa pamewonet Sonwerh Ont [igie sored tonal Coey Secure LEUCHTTURM wena © ane bn ich geh! mit dir wohin du willst, auch bis ans Ende dieser nelt. F Da 8 ¢ Am Meer, am Stvand, wo Sonne scheint, will ich mit dir alleine sein. ¢ an konm geh mit mir den Leuchtturn rauf, € 2 ona! wiz die Welt von oben sehn. e Dac c Ein U-Root holt une dann bler raus, und du bist der Kapitan. ce anc an Gehn wir an Bord und fahven mit, ich tauch’ den Fischen hinterher. F Da G c Mach" alle Turen zu und los, vertreib!n wir uns die zeit im Neer ince ane cc Ha ha hay ha ha ha, ha ha ha, haha. Hey, halt dich fest, das U-Boot taucht, c an Glaich wird dis Sonne untergehn. F bn ich glaub! wir sind schon 2ienlich weit, cs c fch kann den Levchturm aicht sehr sehn. c amc An ch geh! mit dir wohin du Willet, auch bis ans Ende dieser Welt F Da 6 © Ba Meer, am Strand, wo Sonne scheint, will ich mit dir alleine sein. Cc ee Ha ha hay ha ha ha, ha ha hay haha Fahey Peete, sn Un Kama, Nena {gy Eon Nate de a Songs Mush Gb DON’T CRY (cons ‘wr ROBES) an Da cs c Talk to me s0gtly there’s something in your eyes An om ¢ c Goa't nang your head in sorrows and please don't cry. Bn Da ¢ € Pinow how you feel inside I’ve been there before an De. 6 c Sonething is changing inside you and don’t you know Refrain F c oan Don’t you czy tonight £ still leve you baby, F GAD don’t you cry tonight F ec . An don’t you cey tonight chere’s a heaven above you babe F oan and don’t you cry tonight Give me a whisper and give me a sian Give me a kiss before you tell me goodbye Gon't you take it go hard no# and please don’t take it so bad ('lL still be thinking of you and the times ve had Rofrain And please cenonber that I never lied and please remember how I fel inside, now honoy you got fo take it your own ay, DUC You'll be alright, now sugar, you feel becter tonorzox, cone the morning light, now babe Regrain ont you czy tonight 1 still love you baby, don'® you ory tonight don’t you czy tonight theres a heaven above you babe F cee ica can land don’t you cry, don’: you ever cry, don’t you ery tonight ‘M7 en Stactn alae Du Mekapan Sebty GuNS WROSES MUSIC {tr Desc. GUS un oeueptecte Lander MUsitvENtng WTERSONG GUD Norbu THE UNIVERSAL SOLDIER ce a He is five fect twoy E or he fights wich Gl c vhixty-one, and he’s only F he's been a soldier for 4 F Gi He's a Catholic, a Hindu, an ? 9 Chein, a Buddhist and a snowovAN c Xa and he's six feet four, c F missiles and with spears. He is all of an car thousands of years. c an atheist, o c F Babtist and a Jew, And he knows, @? © 2a hhe shouldn’: Rill and ne knows he always wall, ? ¢ kill for me my friend and I will care for you F a c an And he's fighting for Canada, he’s fighting for France. r gre He's Lighting for the U.S.A., and nets E 7 c an, fighting for the Russians, he’s fighting for Japan, F GG? and he thinks we put an end to war this way. e 7 c an And he’s Eighting for denocracy, hes fighting for the Reds. F a c He says it’s for the peace of it all F cr c an He’e the one who mist decide, who’s to live and who's to die, F 6 a7 and he never seas the writing on the wall = Gi © am And without him, how would Hitler KL11 the people at Dachau, P cr © without hin Caesar would have stood alone F 37 c am He's the one wha gives his body as a weapon of che wary F eated and without him all this killing can’t go on F o c he Ho's the universal soldier, and he really is to blane, F a7 © his orders came from far axay, no more. F 7 c They came from here and there, and you and ne ain't brothers, An F sac cant you see, this is not the way co put on end to war: +n. uty Sai aie {Sa by Wondmae Mane New York Fur Deutz: Pease (many) Grol 3 WEISSE TAUBEN a Guru guru guru, gury gury guru, guru guru guruua gure guru. a Guru gueu que, guey gury guru, gure guru guru. Baw) Refrain: D a 5 A Guru guru, Guru guru. Drei weiBe Tauben die qussten dran glauben D a cine a Guru guru, Guru guru. Und ber allen Dachern ist Buh". a Gara guru guru, guru guru guru, guru guru guru a : 1, Drei weine Tauber auf unserem Dach, a drei weide Tauben die halten mich wach . pret weite Tauben die machon suru, AE drei weise Tauben die scheiden mich 20. Gurw guru guru, guru gury guru, guru guru guru. D z Cine x Guru guru, Gurv guru. Und Ger allen bichers ist Run! Guru guru guy, gury gure gura, gura guru gure. a e 2. Drei weide Tauben auf unserem Dach, é dees weise Tauben die machen mich schwach prei weife Tauben und ein Gowebe, ae A drei weine Tauben die schelfen nie mebr. Guru gure guru. Refrain 3. Guru gure guru, guse gure guru, guru guru cucu a € bret weide Tauben sie flogen soo hoch, & drei weise Tauben jetet han’ ole ein Loch bret weise Tauben sie liegen im Grab, x z A es wird keiner glauben sic gehts mir nicht ab. Guru guru guru, gury gure gura, guru guru guru. Refrain 2x se T-mmas San ‘Soja Paton te on moi Skim eStonOacie Ono 5 {euic UFA msvesage, onion RUNAWAY TRAIN {souL asym rnteo: © c Bn Call you up in the middie of the night like a fire fly without @ light an 6 You were theze Like a blowtorch burnin’ T was a key thet could use @ iitele turnin’ c Bn So I’m tired and I couldn't even sleep. So many secrets I couldn't keep a c Pronised myself T wouldn't leave. One nore promise T coulda't keep F 8 c Bo Tt seems no one can help me now. I’m in too deap there's no way out ? En d ‘This tine I have really let myself astray Refrain: c Runaway train never going back En Wrong way on a one way track Seams Like I should be getting somewhere Somehow T'm neither here ner there can you help me remember hew to anile Make it sonehow all seem worthwile How on earth did T get 20 jaded Life's mysteries seen so fadea T can go where no one else can go 1 know what no one else kncws Here Tam just drowning in the rain Nith a ticket fora runaway train Everything seems cut and dry Day and night Eacth ana sky Somehow T Just don’t believe is Refrain sole Bought a ticket for a runakay train Like @ madnan laughing st the rain Listle out of touch little insane Ti’s just easier than dealing with che pein Runaway txain never going back Runaway on a one wey track Scans like T should be getting somevhere Sonehow I’m neither here nor there Ronoway train never going back Ronaway train tearing up the track Runaway train burning in my veins Runaway but it always seens che sane. +1 Dave Anony PRNE Eoywensiecop /UeR Msc Furbesuciana Green Setwee. GUS, e600 6 Stasin ome Baum Toke one {ner de tar Jugsawan NEUE WELT RUSKVERLAG GHB, Monte VINCENT (oon wCLEANY « an 1, Starzy etarry night, paint your palette blue and gray, ¢ 0 « look ont on a summer's day with eyes that know the darkness of ay soul. Bn Shadows on the bills, sketch the trees and the daffodils, c catch the-breeze and the winter chills, 07 6 CG in colors on the snowy Linen Tang. s anor « nd now I understand what you tried to say to me, En an? DP En how you suffered for your sanity, how you tried to set them free. RT in? BT « ‘They would aot Listen they did not know how, perhaps they’12 listen now 2. Starry starry night, flaming flowers that brightly blaze, Suizling clouds in violet haze reflect in Vinceat’s eyes of China blue. Goloes changing hive, morning Fields of anber grain, weathered faces lintd in pain, are soothed beneath the artist's loving hand. And now I understand what you tried to say to me, how you suffered for your sanity, Now you tried to set them free. They would pot listen they did act know how, pezhaps they'li listen now s an? 0 ¢ Bridge: For they could not love you, but still your love was true, En anv on Gnd when no hope was left in sight on that starry starry night, 6 FI Ey an? you took your Life, az lovers often do, but I could have told you, c 2 6 Vincent, this world was never meant for one as beautiful as you. 3, Stary starry night, porteaits bung in enpty halls, Eraneless heads on nameless walle, wath eyes that watch the world and can't forget, Like the strangers that you've met, the Eagged man in ragged clothes, the silver thorn of bloody rose, IIe Grushed and Broken on the virgin snow. And now I think T know, what you tried to say to me, how you suffered for your sanity, how you tried to set them free. They would not listen, they're ct listening still, perhaps they never will. {Sars ayo se, USA Uren MCA Mak Litas, Fr ranam Plan a, onan We dy pms of anor Gre Digits Revere Iemstoral Capyaht Secured HEUTE HIER, MORGEN DORT (aaunes waDER) c e c 1. Heute Bier, morgen dort, bin kau da muS ich forty an GT c hab mich nienals deswogen beklact. Hlab es selbst so gewahit, F Den ¢ c nie die Jahre gezahit, nie nach gestern und morgen ge! Refrain: 6 F c Manchnal traume ich schwer, und dann denk ich es war 6 F c zeit zu bleiben und nus wes ganz anderes 20 tun e ¢ So vergeht Jahr un Jahr, und es ist mir langst klar, bn 7 c dab nichts bleibt, daf nichts bleibt, wie es war, 2, Bah man Bich Kaun vous, schon nach Fagen wersibt, fauna : wenn ich Lingat wieder Andorevo Bln, stort und Hert Rich nicht, 7 ¢ ante é rietleieht bleibe osm cestshe dock dem tint oder sndren im Sion hefeain e © ¢ 2. Beage mich Siner wasn, {eh a0 Bin, lesb sch Stam, denn dio Aitwort darauf f411¢ alr tehwee, Dean wag fou ist wird als, e ° Daan und was gestern noch galt stimmt schon heut oder morgen nicht mehr. Refead) Ane Mas Vetagoessch mH, Ponte, 40! Bomar UBER _DEN WOLKEN (REINHARD MEY) c AnD s 1. Wind Nord/Ost Starthahn aull-drel bis hier her ich die Metoren nD é wie ein Pfeil zieht sie vorbei, und es drénat in meinen Ohren nD ¢ und dex nasse Asphalt Debt, wie ein Schleier staubt der Regen, an D & bis sle abhebt und sie schwebt, der Sonne entgegen. an Dt cs Refrain: her den Wolken, mud die Freiheit wohl grenzenlos sein. Be oT 5 Alle Angste, alle Sorgen, sagt man, blicben dacuater verborgen, c € D und dann wirde, Kas hier graf und wichtig erscreint, pltelich pichtig und klein 6 an D 6 2. Toh seh ihr noch lange nach, seh die Wolken sie erklimmen, an D 6 bis die Zichter aach und nach, ganz im Regengrsu verschwinmen. an ¢ Meine Augen haben schon, jenen winggen Punkt verloren aa 6 nor von fern KLingt monoton, noch das Sunmen dex Motoren Refrain 6 AnD 6 3, Dann ist alles still, ich geh’, Rogen durchdringt meine Jacke aD S Irgendjemand kacht Kaffee, In der Luftaufsichtsbaracke: a sc tn den Pfaczen schwinnt Benzin, schillernd wie ein Regenbogen, AnD é Wolken spiegeln sich darin, Ich war gerne mitgeflogen. Refrain Met Ranta ey 1S Shateon Eatin Renta ey. Bain, JOHNNY WALKER c 1. ohnny Walker, jetzt bist du wieder da. (nas TERNRAGEN) Johnny Walker, ich zahl dich gleich in bar. é ? c Johnny Walker, dy hast mich nie enttausche é ? € Johnny, du Bist mein bester Freund. c 2. Johny Walker, immer braungebrannt. 6 Jobnay Walker, mit dom Ricken an aie Wand. e ? c Jobnny Walker, komm, g1e8 dich noch mal ein. 6 F c Johnny, 1a8 13 gerade sein s F c Refrain: Joh habs versucht ich komme ohne dich nicht aus. e an c Woes auch? Da gefillet mir ja. Kein Mensch hort mir so gut zu wie du. c F c Und Johany du lachst mich auch nie aus, © 3, Johnny Walker, ich glaub nicht an den Quatsch Johnny Walker, du warst’ne Teufelsfratz. e F c Johnny Walker, von mir aus tréste mich. 5 e ¢ Gohnny, ich fhI mich kénigiich. Refrain © - Johany Walker, 1a la la la la. é Johnny Walker, Ja 1a la la la é F c Jobnay Walker, du hast mich nie enttauscht. @ . e Johany, du bist mein bester Freund. é F © Johany, du bist mein bester Freund. 6 F ce Johnny, du bist mein bester Freund. 14.7 ars MOLLER VESTERNHAGEN Shy ea uaa 2 orog Di acre ted ie 10 WHEN THE CHILDREN CRY (arte Liowy c Bn 2, dey your erying eyes, 6 bn > how can J explain the fear you feel inside, 6 oc 3n cause you were born into this evil world, c 6 n b Where man 5 Ki21ing man and noone knows Just why. hat have we become, just Look what we have done, c < Er . ALL that we destroyed you must build again En Br c 6 When the children ery, let them know we tried, ee Ba c > cause when the children sing, then the new world begins. es ope Bn Little child, you must show the way, to a better day for all the young, cause you were born for the world to see c 6 Br D that we a22 can Live with c Bn Be eG aD one united world under God. be an nen the children cry le Er Be cause when the children sing, love and peace. Br presidents and all the wars will end, them know we tried, c D then the sew word begins. c bn Ba 50 What have we become, Just look what we have done, c q Er D 12 that we destroyed you must build again. c a Bn Ba No more presidents and all the wars will end, ce cm D one united world under God Bn Be c s hen the children cry, let them know we tried, En &r c . when the children Fight, let them know we ain't right, En bn c 6 When the children pray, let them know the way, Ea Bn c D cause when the children sing then the new world begins. 447 BRATTA the TRAMP {Per ty vince sn) Mike Tap Muse For buasciand Guach See, GUS, ou. Sian (ctre aun) Te und Loar ca ehegeaten NEUE {fect MUSKVERLAG Ghost Monren") Mint Eoton Baer enh MG UPA tora, W ALLES NUR GEKLAUT (ore PRINZE) Intro: Em € 8m C Em er) 1, [eh schreibe einen it die ganze Nation kennt in schon En < a alle singen mit ganz laut im Chor, das gent ins ohr c 6 ¢ ¢ keiner kelegt davon genug, alle halten mich far kiug ¢ ¢ i hoffentlich merkt keiner den Betrug. Bn D < Refrain: nas ist alles nur gekiaut. Das ist alles gar nicht eines. D Bn > ¢ Das ist alles nur geklaut, doch das weit leh nur ganz alleine ¢ D c e bag ist alles nur geklaut und gestenien und gezogen und geraubt. D # En Dok BR Entschuldigung das hab ich mir erlaubt En 6 2, Teh bin tierisch reich ich fanre einen Bene der in der Sonne glénzt. Ich habtnen grofen Teich e D © 6 lund davor ein Schlo® und ein weises Rob. Ich bin ein grofer Hold c 6 c 6 B # ond ich reise um die Welt ich werde inmor schdner durch mein Geld Refrain em 6 3. Ich will dich gern vertuhrn, doch bald schon merke ich 3D Em gas wizd nicht leicht fur nich. Ich geh mit diz spaziern 6 ° und spreche ein Gedicht in dein Gesichs. c ec 6 Teh sag ich schrieb es nur fur dich und dann hut du mich c cn " enn Zu meinen Gluck weiht du nicht. Refrain En c AUF deinen Heiligenscheln fal) ich auch nicht mehr rein, En ¢ denn du hast Gott sei Dank garantiert noch was im Schrank, En D € Das ist alles nur geklaut. Das ist alles gay nicht deines. B Br D c Das ist alles aur geklaut, doch das weist ou nur ganz alleine. A D c R Dae ist alles nur gekiaut und gestohlen und gezogen und geraubt. En wer hat dir das erlaubt. 1M Toba Kaa Tobi Kinz 1 y880 yaaa sprten GmbH arpa hee ar Goo 12 ALL ALONG THE WATCHTOWER (208 DYLAN) ben peg s 1, There mast be gone way out of here ar ani mai Said the joker to the thief an hae ec ‘There’s too much confusion an AWG Tcan’t get no rellet br ami e Business men they drink my wine a Plowmen dag my earth An aa/G c None of then along the line an awG FG Know what any of it is worth An ave FG 2, No reason to get excited in ang FG The thief he kindly spoke am Bn/G F 6 here are many here among us an an/e fc tho feel that Life is but a joke Bn an/G . But you and we've been through that An ang FG and this is not our fate bm GE 6 $0 let us not telk falsely now ke. ‘an/e eae The hour is getting late an An/G OF 3, All along the watchtower an an/G FG Princess kept the view Dn An. E c While all the women came and went Bn an/G FG Barefoot servants too am An/G F c Outside in the distance Bn anf FG Diwildeat did growl An AN/G F e wo Eiders ware approaching am AGF GAR The wind began to howl. pe Hho ea ae, Samatonal Copa Senuet A ha Recaves Rept’) Permston of We Saat Coperson. ALL_BY MYSELF (ERIC CARMEN) c Pn coo 4. When I was young, 1 never naeded anyone, * tm Pe coms making lave was just for fun, those days are gone. c fr cece Living alone, 1 think of all the friends I’ve known, ® om mec but when I dial the telephone, nobody's hone. C7 AAT D OMG Refrain: c Bn a ba c All by myself, don't wanne be, all by myself, anymore ¢ En 5 De 6 ALL by nyself, don’t wanna live, all by myself, anymore. © Pa © c 2, Hed to be sure, sometines 1 feel so insecure, cy and come and love's so distant and obscure, remains secure e Fe ce cr Ising alone, I think of ¢11 the friends 1ve known, Fs tn eC but when T dial the telephone, nobody's home. crAATD ms76 Refrain c Fn © er 3. When 1 was young, I never needed anyone, a tm Pe c making love was just for fun, those days are gone. outra: €7 AAT D Im G7 GC Bist shindig USA (ted bp perio Banas Gr ‘ioe Rovere Itensonal Copy Ser 14 BAD MOON RISING ee (coe) intro: 6 07.66 6 Doce oD co see the bad moon rising, I see trouble on the way a De 3 De 6 2 see earthquakes and lightning, 1 see bad times today Refrain Bon't go out tonight, they're Bound to take your Life There's a bad moon on the rise (2x) oc 6 pc og T hear hurricanes blowing, I know the end is coming soon beeice a s 3 = 6 I fear rivers overflowing, I hear the voice of rage and ruin 6 > c 6 Hope you got your things together, ¢ B c 6 hope you axe quite prepared to die 6 D cae 6 Dc Looks 1ike we're in for nasty weather, one eye is taken for an eye Ret M6 T Jon Caneen Fagty 1 fos by JONDORA MUSIC, Osan USA {or Sagat, CUS une ontewopsane Lancor 15 TIME AFTER TIME (erp LAUFER pm/c ¢ pa/e pa/e © pyc oe 2. Lyint in my bed I hear the clock tick and think of you Dec) Daye CCC n/c Caugnt up an circles, confusion {a nothing new. ro Gin F 6 En Flach back, warm nights, almost lef: benind. Foc in F F/G Suitease of menories tine after pave © pyc oc omc e ame c 2. Sometimes you picture ne I’m walking too far ahead, m/c cme cbmc Cc pave You" re calling to me T can’t hear what you've said. FG mF. G Ea ‘then you say go slow, I fall behind. A oe The second hand unwinds. Refrain: 6 2 Lf you're Lost you can look and you will find me. ce Time after tine, 6 am If you fall T will cateh you, 1/11 be waiting Foc. ¢ Time after ime. ¢ be Tf you're lost you can look and you will find me ee Mme after time. 6 an If you fall T will catch you, 1/11 be waiting. Foo. ‘ime after tine. ewischenteil: FG Em FFG Ene base ¢ pec & be/e c pce 2, Aver my pictures fades end sarkness has turned to grey aye c De/c © brie c wee fistching trough windows You're wondering if I'm 0.K PG nF G En Secrets stolen fron deep inside. Foc ars The deun beats out of tine. Refrain Foc oc Tine after time Penge c Tine after time 11 T:Ciny Layee! Bod Hymna 1 fo) y Gb Noes Man al Ma Core. {ir ACH Edn no a! Gre SONVATY Muse Putaing 16 SPACE ODDITY (Davin BonTE) c Enc En Ground contzol to Major Tom Ground control te Major Tom: an, ‘a7 /6 7 Jake your protein pills and put your helmet on c Enc En Ground control te Major Tom: Commencing countdown engine’s on Bn ANT/G 0 Check ignition and may God's love be with you c 27 F This is ground control to Major Tom, you've really made she grade! Be cre F And the papers want to know whose shirts you wear, 7 ove e now it's time to leave the capsule if you dare c ET E This is Major Tom te ground con-trol, 17m stepping through the door Pe cis, e And T/m floating in the nest peculiar way En cre f and the stare look very different today Frag? Bn? ena? En. For here am I sitting in a tin can, far above the world Bona? a ¢ > Planet Earth is blue and there's nothing T can do sole! c FE 6 Ao; ce P 6 AOR Emai7 Eat R c > e © "7 F ‘hough I'm passed one hundred thousand miles, T'm feeling very still en C/E F And I Tiink my spaceship knows which way te go, Pn c e tell ay wife T love her very much she knows @ #7 Ground control te Major Tom: on ant/e Your clreuit's dead, theze’s something wrong. D7 can you hear me Major Tom? cre can you hear me Major Tom? @ can you hear me Major Ton? cen you .. Foaj? En? ena? m7 Bere am I floating round wy tin can, far above the moon Bima? an 6 P Planet Razth i blue and there’s nothing T can do c F 6 ne c F & AOR ist: Bowe, oxo Panera muse Fie for Duterlns, Onere, Setw0 und Cet 17 SSE Msiverraies cuen, WAMU (SIMON ¢ GARFUNKEL) c an I an just a poor boy though my story’s seldom told 6 I have squandered my resistance 7 © For a pocket full of mumbles, such are promises an 8 ALL Lies and jest, still a man hears what he wants to hear GG PF Enc And disregards the Zest hm hr hr © am 2, When T left my home and ny family, I was no more than a boy s In the company of strange=s a c In the quiet of a railway station, running scared Bn 6 e Laying low, seeking out the poorer quarters: ce Where the ragged people go ¢ Pent © Looking for the places only they would Know an 6 an Lie la Lie lie la lie 1a lie a lie lie le lie s e e Lie le lie le lie 1a lie le 1a ta la lei ¢ an Asking only worknan’s wages I come looking for a Job & But I got no offers 0 ¢ Just @ cone-on from the whores on Seventh Avenue as 6 F 1 do declaze, theve were Limes when T was 20 lonesome c 1 took sone comfort there 4, Now the years are rocking by me, they are rocking evenly T am older than I once wae, younger than I'll'be. But that’s not unusual. No it isn’t strange. After changes upon changes we are more or less the same. After changes we are nore or less the sane. hie la lie... 5, Then I’m laying out my winter clothes and wishing T was gone Going home where che New York city winters aren’® bleeding re Leading me, going home. 4. In the clearing stands a boxer and a fighter by his trade And he carries a reminder of ev'ry glove that laid hin down Or out him cil) he cries out in nis anger and his shame Tam leaving, I am leaving But the fighter still remains. Lie la lie... {js Pau Sram 0) 18 tertonalCeryiht Scud, A gts Resonee apie preston. (EVERYTHING I DO) I DO IT FOR YOU > A 6 Dsus2 1, look inte my eyes, you will see what you mean to me D x 6 Search your heart, search your soul and when you find me there, a) 4 you'll search no more (ervan ADAMS) wen DIF em/c Don't tell me it's not worth trying for D/EE Be D/PE s/s You can’t tell me it’s not worth dying for D x > fou know it’e true, everything 1 do, I do it for you > a 6 a 2, Look into your heart, you will find, there’s nothing there to hide (a) D x s DA fake me a 1 am, take my Life, I would give it all, I would sacrifice m D Bn eo el] me it’s not worth fighting for En ° em help it, there’s nothing T want more > x Dbeus > You know it's true, everything I do, I do it for you Bridge ee F c 6 lere’s no love Like your love, and no other could give more love > ® 5 K ‘There’s no where unleas you're there, all the time, all the way solo GD oes ob G D pews oD Last Sefain D Ea a Gh you can't cell me it’s not worth trying for en a T can't help £t there's nothing T want more: D B 6 Yeah T vould ight for you, I'd Lie for you, walk the wize for you yeah [7d die for you D @ 66 . You know ie's true, everything I doy 2'do it for you 4 Bryan Adar 8 Ratt an Lange Mee Kamen 6 fo taco cont ins ncpartatacnary Coot Maxicare Omit by Univer kites Linted Bore tous 7? Fulham Boace Rood onson ie BJA 62) 2655 maemo Mase Corporation, ‘Srna by Ronda Rea) Line, "Ox arapne ren Landon Se 41 (1 2%}Ou OF Pose Prodtons ‘Rng aminstsed by Zon tse: Paths inte, 168-167 Pgh ons Loncn MT 260 (187%) Usoaty pormescn Al igs Resarved, nemo Cony secures Minn ton bien (bh UPA ester) Hunton, ne Ret Deus, Oster, Seo, GUS, Rumen ‘uur baron ne ugswsn Sona Mskeerg Mince fr Deleon Cslerern nd Some cc) BRIDGE OVER TROUBLED WATER (SIMON 6 GARFUNKEL) L, When you're weary. Feeling small FoR FC F c Fore fihen tears are in your eyes, I will dey them all, cam SG a € ifm on your side ohhhh when tines get rough. And frionds just can’t be found. cre reece ete Elke a beidge over troubled water, T will lay me down ci eee vee chee ike a bridge over Eroubled water, 1 will lay me down. c F c 2. hen you're down and out. When you’ye on the streets. F BFC 5 c rere When an evening falls so hard. I will comfort you, cans ar c 1/11 take your part obhhh when darkness cones. 7 FG And pain is all around one hoe Aye Toa Lake @ bridge over troubled water, 1 will lay me down. Cie ee We oo eo ke a bridge over txoubled water, 1 will lay me down. G F c 3. Sail on Silver gizl. Sail on by. ees F € Fr cFG Your tine has come to shine. All your dreams are oa their way. can G a7 c See how they shine ohhhhh and if you need a friend. er Fo DG I'm sailing right behind cre rele tase fc es ae Like a bridge over troubled water, [will lay me down Ci eo poe gem ike a beidge over troubled water, T will lay me down 1 foe ul Snon M0) Intraoral Copal Socios Al Re Rese Pepin permission 20 ALL THAT SHE WANTS (ace OF BASE) on an Gn On An Gr 1, She leads a lonely life, fim she leads 9 lonely Life Dn linen she woke up late in the morning Light c ‘or and the day had just begun, bn a she opened up her eyes and thought oh, what a morning, Dm cn it’s not a day for work, it's a day for catching sun Be Br Ge just laying on the beach and having fin, she’s doing next to you on c om RIL that sho wants is another baby she's gone conorrow boy: De an Gm ALL that she wants is another baby ho} BIL that she wants de another baby she’s gone tomorrow boy. Pr an Gm All that she wante is anothe: baby hey ph oC Gm Dm am AIL that she wants. AIL that she wants. 2. Sa 4£ you are in sight and the day is right, she’s a hunter, you're the fox, Da aon a the gentle voice that talks to you won't talk forever bn om Tt is a night for passion but the morning means goodbye, Dn Be om beware of what is flashing in her eyes, she’s going to gat you. Refrain: te c on All that she wants 2 another baby she’s gone tomorrow boy. Dn an on ALL that she wants ie another baby hey hey. ey £ oh All that she wante i= another ‘baby she’s gone tomazrow boy, On an Sr All that she wants ie another baby hey hey. ALL that she wants. ATL that she wants bet Jterusna 21] totd MEGKSING PUBL UNIVERSAL MUSICP UBL. GBH DOWN ON THE CORNER cecry 1, Early in the evenin’ just about supper time, over by the courthouse, they're starting to unwind, four Kida on the corner, frying to bring you ep, z ly picks a tune out and he Blows it on the Refrain: F c 6 c Bows on the corner, cut in the street, F c Hilly and the Poorboys are playin’ G c bring @ nickel, tap your fest. c ¢ © 2. Rooster hits the washboard, and people just gotta smile, @ c Blinky thumps the gut bass and solos for awhile. e © Poorboy twangs the rhythm out on his Kalamazoo. @ é And WLLly goes in to's dance and doubles on Kazoo. Refrain c 6 © 3. You dont need a penny Just to hang around, S c but if you got @ nickel wont you lay your money down F c Over on the corner, there's a happy noise, @ c people come from all around to watch the magic Eey. Refrain +t Joh .Foneny ‘SoypReSTice MUSIC fer Beusch GUS un ostavopalcho Lander MUSKOERUAG INTERSONG GMBH Monbu 2 ROTE LIPPEN SOLL MAN KUSSEN (LUCKY LIPS) (CLIPS RICHARD) a D e hn dababda him dababda hn dababda chohohoh a eT 1, Teh sah ean schtines Fraulein, im letzten Autobus, Fy sie hat mix so gefallen, drum gab ich ihr ‘nen Kuss BY D doch 8 blieb nicht hei den einen, das fiel mir gar nicht ein, eT a und hinterher hab ich gezagt, sie soll nicht bése sein. a 7 Refrain: Rote Lippen soll man kussen, denn zum Kussen s: 4 rote Lippen sind dem eiebten Himmel ja so nah, RI D ich habe dich gesehen, und ich hab mir gedacht, eT * s0 rote Lippen soll man kussen, Tag und Nacht. a > = him dababda tin dababda hm dababde obobchoh a a Heut Let dae schone Fraulein schon lange meine Braut, * und wenn die Eitern es erlauben, dann Werden wiz getraut. ‘AT > Jaden Abend will ¢ie wissen, ob das so bleibt bei mir, = a da8 ich sie kaese Tag und Nacht, dann sage ich zu ihr: Refrain MT LEER, JERRY, STOLLER, MIKE ‘Etoer music ocean, Ost, Sent ebaooa: ESSE RUSKCVERTRIES GMBH, HAMBURG 23 HAVE YOU EVER SEEN THE RAIN ee (cor) Inteot An FC GC orm, T know 1. Someone told me long ago, there's a calm before the and itts been coming for some tine. When it’s over eo they say ét/12 rain a cunny day, ¢ c I know, shinin’ down Like water, Retraint F « ccf am amg T want to know, have you ever seen the ra F 6 ccs an an/G I want to know, have you ever seen the rainy F a c comin’ down on a sunay day. © 2. Yesterday and days before, Sun is hot and rain is cold. I know, it’s been that way for all my tine. “122 forever on it goes through the cizele fast and slow, E know, and I can’t stop, T wonder. 457 dob Fagey 12 fea nga tive o USA 24 HEY JUDE (He SEATLES) F © 7 cleust oc? 1. fey Jade don't make it bad take a sad song and make it better ‘Bb F 7 Remember to let her into your heart, thon you can start F to make it better F c 7 ctsusa C7 2, Bey Jade don't be afraid you were made to go out and get be BB F 7 ‘The minute you let her under your skin then you begin c to nake it better fd B Bb/AGnT oa/t And anytine you feel the pain hey Jude refrain don't carry ce. oe the world upon your shoulders fT Bb Bb/A Ga? For now you know that its a fool who plays ir cool one ce ch OF by making his world a little colder Fro? Da da da da da da 2, day dude dont let me down. You have found her now go and get her Rénenber to let her into your heart, then you can start to make it better So let it out and let it in. Hey Jude begin You're waiting for somecne to perfor with And don't you know that its just you. Hey Jude you'll do the movenest you nead is on your Shoulders ro? Da da da de da da : © 7 cteues C7 F Hey Jude don't make it bad take # sad song and make it better BD F oT e Renenber to let her into your skin, then you begin to make it better, better, better, better, better, better, oh. P Be Bb . Da da da da da da da da da da da ey Jude. MT Jonn anon a Pau Mecanmey 1 fa cr ong ‘ane pamecon of aewonm Gobi [ATR eared. Ptrneona Copyright Secu. 25 HOTEL CALIFORNIA (EAGLES) Bn PE On a dark desert highway, cool wind in my hair aR = Warm smell of colitas rising up through the air D ance, I saw a shinmecing Light My head grew heavy and my sight grew ain Ff [had to stop for the night En fF ‘There she stood in the doorway; T heard the miseicn bell B 5 And 2 was thinking to myself this could be heaven or this could be hell s ty Then she Lit up a candle, and she showed me the way Em FF There were voices down the corridor, I thought I heard then say Refrain s . elcome to the Hotel California. ee 3a Such @ lovely place, such a lovely face 6 ry (1) Plenty of zoom at the Hotel California (2)they livin’ it op at the Hotel California ‘en re (ayany tine of year (any tine of year) you can find it here (2ianae a nice surprise (wnat a nice surprise) bring your alibis Her mind is Tiffany twisted, she got the Mercedes bends She got a lot of pretty, pretty boys that she calls friends low they dance in the courtyard, sweet summer sweat Some dance to remember, some cance to forget So 1 called up the captains Please bring me my wine.” ole haven't had that spirit here since nineteen sixty-nine” fina still those voloss are calling from far sway fake you vp in the middle of the might, just to hear them say Refrain (with ending 2) Mirrors on the ceiling, the pink champagne on ice and she said We are all ‘ust prisoners here, of our own device” and in the master’s chanbars, they gathered for the feast They stab iz with their steely knives, but they just can’t kill the beast hast thing 1 remember, 1 ae running for the door ina to Zind the passage back to the place 1 was before DRelax® said the nightnan, le sre prograrmed to receive” “you can check out anytime You like, bat you can never leave" nstrumental and fade} e “ , 27:0 FELDER, Gon HENLEY, Glenn FREY Py we tsi Cop. Fer bowestana Granskn, Shwe, GUS, neue tcten ra Babharn, To wns 26 ander des hor Jain NEUE WELT MUSHOVERLAG GH, Manche ALL _YOU_ZOMBIES Intro: FG ANF GAN FERC A (TEE HOOTERS) ba am 6 6 om an 6 1, Holy Moses met the Pharach. Yeah, he tried to set him straight. om anc ¢ Pama Looked him an the eye. "Let my people go." Om Am CG On ae « Boly Moses on the mountain. High above the golden calf Dn Aa chic! Went to get the Ten Commandments: F En ca Yeah, he’s Just gonna break them in half! Refrain: Dn Am ce om an . AIL you combies hide your faces. All you people in the street, Bm A c pore cee All you sittin’ in high places. The pieces gonna fall on you. Dn an c¢ GDn An 6 2. No one ever spoke to Noah. They all laughed st him instead. ba anc ¢ Fem cA Borking on pis ark. Working all by himself Da An co om me s 3. Onty Noah saw st coming. Forty days and forty nights ia Bn Cen moc oA Took his sons and daughters with him. Yeah, they were the Israelites. Pa Am co man s AIL you zombies hide your faces. All you people in the street. Bam CGF pore ecee a BIL you sittin’ in high places. The pieces gonna fall en you. FG ANE GAME EMCA ba An c 6 oe an 6 4, Holy Father, what's the matter, Where have all your children gone. Da anc ¢ Sitting in the dark, living all by themselves F En cA You don’t have to hide any more Refrain nan 6G tm am e All you rombies hide your faces. all you people in the street Da an Cian Bn CA All you sittin’ in high places. The pieces gona fall on you. eT: Ree Hyman Ee Baan ‘Diy cannes & Human Boy Mui far DVACH Eton inte Meso Gib 27 TOO MUCH LOVE WILL KILL YOU (oRzaN MaY) Intro: 6 D/G c/6 GDS cre Da « om oc L Fim just the pieces of the man I used yo be b/c zm Be c ‘soo many bitter tears are raining doxn on me in ES an En I'm far away f20m home, and I've been facing this alene pin Deo for much too long. 1 feel like no one ever told the true to me, ee ene c ‘bout growing’ up and what: a struggle it would Be, bon Ee An in my tangled state of mind, T've been looking back to bil Dc. find where T went wrong Refrain: 6 c Ea D Too much Love will ¥111 you Sf you can't make up your mind, 6 c Er > form between the lover, and the love you leave behind ore c c/o cH You're headed for disaster, cause you never read the signs, Gib DG Too much Love will Kill you every time. 2. Tim just a shadow of the man I used to be, and it sens Like there's no way out of this’ for me. Tused ta Being you supshine, how all T ever do is bring you down. How would it be if you were standing in my shoes? Can't you see at's anpogaible to choose? No there's no making sense of Lt, eytry way T'go 1 have to lose, oh Noo much love will Ki1L you Just as sure as non at all. Et‘! drain the poxer that's in you, hake you plead and scream end crawl. And the pain Will make you crazy, you're the victim of your crime, Too mach love will kill you every time Too much love will Kill you, it will make your life a lie, yes tos much Love will kil2” you, and you won't understand’ why, You'll give your 1ife, you'll sind your scul, but here it cones again, 3/0 cay) too much love will kill Bb Eb1+ Eb Eb1L+ you in the end {2 jogo eared Paducons Lt rane Muskehiané Duck Prodetons i. Ent stun Pubiohnge.tonson cae 028 Feprosed by pomscn APU 28 ANNIE’S SONG Dest GA 1, You £111 up my senses iG D pick b/s Like a night in @ forest D/A Grim En Like the mountains in springtine, 6 a Like a walk in the rain. ¢. A Bm Like a atorm in the desert, e D pict o/s Like a lospy blue ocean, ba. c. Fim En You £11 up my senses, a Db Dsusd D come £111 me again. dsvsa fe 2, Come let me love you, 6 D Dick 2/B let me give my life to you, baa co Ftm Bm det me drown in your Jaughter, 6 2 let me die in your ams. a Let me lay down beside your é D pice ys let me always be with you. Dia Go Fim on Come let me love you, a D Bsusd D cone Tove me again. Deut = GAB 3. You fill up my senses c D Dict p/s like a night in a forest Daa GS) Fin Bm Like the mountain in springtims, ¢ a dike a Walk én the zai. GA Bn Like a storm in the desert, 6 D Dick ove Like a sleepy blue ocean, bia. Grim Em You £111 up my senses, x De sued come 111 me again. +t Jom Denar (som DENVER) 1 fon y CHERRY LANE MUSIC PUBLISHING COMPANY Dic estes Souncnlns Ostoocn Sohne unt them Oxicaansr nt 29 LAYLA (ERIC CLAPTON) Intro ||: AMP GAR EI) an FG cin bin 1, What will you do when you get lonely Gin ¢ a 8 With nobody Waiting by your side Can. Be 3 e You've been funning and higing much too long, cin 7 3 You know it’s just your foolich pride. Ref: Ban F s an Layla, you got me on my knees. Bee Ne an Layla, I’m begging darling please. An FG Be te Enyla, darling won’t you ease my worried mind, cin bin 2, Tried to give you consolation, Sin 8 8 3 Your ole man won’t let you down cin” Fe 5 z Like a fool, T fell in Love with you, chm fe 3 Turned the whole world upside down Refrain Gan hm 3, Let's make the best of the situation Gin AB Before 1 fin’liy go insane cin Fy 5 EB Please don't say we’ ll never find a way con Fe 2 And tell me all my loves in vain Refrain 11s 1 Exe Copan im Gorden (Davo, 1071 6 104 by ere Caron, ‘easy perm sf sworn rH tie Renee mations! Copy Secured SHROKT MUSICLTO. ur DeseeNand, (Sus un osauepaeche Lancer eve WELT MUSKERLAG Gies, ncnon RAPPELL & 80 GMM, Monte 30 LET IT BE (rus pearues) © 6 a F 1. When I find myself in times of trouble, Nother Mary cones to me c © FC DAC Speaking words of wisdom, let it be c « a 5 and in my hour of darkness, She is standing right in front of me e « BC Dn? c Speaking words of wisdom, Let it be Refrain: can s 2 c Let it be, let it be, lot it be, let it be c 6 Fc otc Mhigper vords of wisdom, let it be c s an E 2, And when the broken Hearted people, Living in the world agree c c FC nT There will be an answer, let it be e € an But though they may be parted, there is still = chance F © 6 FC on? c that they may see. There will be an answer, let it be Refzain: cea 6 F c Let iz be, let it be, let it be, let it be c 6 EC Da? c There will be an anewer, let it be c 6 3, And when the night 1s cloudy, om € There is still 2 light that shines on me c e FG pac Shine on till tomorrow, let it be c ¢ an F T wake up to the sound of music, Mother Mary comes to me © 6 FC ont Speeking words of wisdom, lot it be Refrain Fanon cab E GEC 107 John Lemon & Pa MeCatney aloyermton St Boeveth Gt [NF Rgts Reserve. matonl Copy Scared 31 BOHEMIAN RHAPSODY igure) abe 7 Bos C7 Ig this the real Life is cals just fantasy? ry cnt B? 5b cn Bb Caught in a landslide, no scape from reality, cn Open your eyes 3p? eb Look up to the skies and see ce Fr I'm just @ poor boy, I need no sympathy a. Bb A Bb B Bb easy cone, easy go, Littie high, little low 3b Bb/D ceaan. F/C. FB Any way the wind blows, dosen't really matter to me to ne, ab co 1, Mama just Killed a man Cn F put 2 gun against his head, pulled my trigger, now he's dead Bp Gn ca? Be Eb/Bb F/A Pa/Ab Mama lige had just begun, but now I've gone and thrown it all away Eb ab/D cn Em 3b Hama Oooo didn't mean to make you cry, if I'm not back egain this time b Bb/D om ‘abn Eb Ab Eb Ebo Fn? Bb vonorrow, Carry on, cary an as if nothing really matters Bb cn 2, Too late, my time has come. mn F Sent shivers doxn my spine, body's achin' all the time, Bb a Goodbye everybody, I've got to 99, cn? By Eb/eb e/A EnV Gotta leave you all behind and face the truth. Bb BB/D CR em Bb ama 009) T'don't want to die, I sometimes wish I'd never been born Eb at all (guitar solo) ADA Adim AD A Adin I see a litle sithouetto of @ man a ey Adin A ODOR Scaramouche Scaramouche will you do the Fandango? Do/ab 25 2/6 E 5 Thonderbolt and lightning vary very frightening me Galileo Galileo Galileo Galileofigaro Mangnifico oh oh oh B >A Bb BB A Bb Et just a poor boy nobody loves me ab Eb “Ebdim fb Ab «BH Ebdin Eb He's just a poor boy, from 2 poor family Bb Eb/G F BD Ab gb Fédin Fa? Spare hin his life from this monstrosity 32 BoB A Bb og Easy come easy go will you let me go? Bb Bb Eb Bismillah no, we will not Let you go Eb Let him 30 Bb ca Bismillah we Will not let you go. Let hin go > bismillsh we will not let you go Let me go wil1 not Let you go let me go will not let you go G7 Let_me go ch oh ob oh oh Bn AD. Db Gb Rb ED Bb Bb no na ne no no no no Oh Ranamia manania mananie let me go Bb AD D om BD ED ET Beelzebub has a devil put aside for me for me for me a) eb Eb ‘Bb Db So you think you can atone me and spit ‘a ay eye. ey Eb Bo Eb Bb So you think you can love me leave me to die En ab Pm Bb ER? Bb Oh, Baby, can't you do this to me, baby, just cotta get out, Fn 3b ED just gotta get right out of here. Bb? Gb Bb Om G Cm G7 Ch Bb? Eb D Gm Ab Eb on on on ca Nothing really matters, anyone can see cn Bon Bb/Sb. = nothing really matters, nothing really matters to me Ab/B Eb Ebdim Bb/D Bea/Db CT F wb F abdin Gn? Any way the wind) blows Eun are Pateting a Lencon WC2H OCA ered by prmson cf norona Me Pebicena 33 TWO STEPS BEHIND (DeP LEPPARD) ae a a) ee > 1, Halk aay, if you want to. ao D It's okay if you seed to a D oo You can run, but you can never hide x > e > From the shadow that’s creepin up beside you. Refrain: Fin D There’s @ magic runnin’ through your soul But you can’t have it all, (nat ever you do} R D E D Th1 be two steps behind you (where ever you gol a D € D And 1/11 be there to remind you a > : s ‘That it only takes a minute of your precious time vo turn around, T’L1 be twa steps behind, Reo ee oe a) oo 5 D 2. Take the Eime fo think sbout it. x D 6 D Gust walk the Tine, you know you just can’t Fight it & D ED ‘Take a look around, you'll see what you can find z D E 3 Like the fixe that’s burnin’ up inside ain Solo aber Strophe Toph tt ‘by Bedgsn iol Le, SS. Maceo Ocfen Gn GG UFA Muskaorape) Mneen de Race ke Geaaenane. Omran, Sohwos, GUS. Rumsnen ‘ugar. banner gesonen 34 I_LIKE CHOPIN (GaaeBo) se aw F 6 L.Renomber that piano so delight fu? unusual, se rw F c that claesic Bn PBR Fn ¢ Used to say «I like Chopin*, love me now and agein. 7 oh Refraint an c Rainy days never say goodbye, or Et fo desire when we are together. c En Rainy days growing in your eyes, Fo Da GviE7) ofall me whero’s my way" 2, Imagine your face in a sunshine reflection Alvision of Blue skies, forever destruction. Used to say yt like chopia’, love me now and again Refrain TP Gabi 6 Pal azn 'SteeaPlyom is Publ Limend 7 Gran Grove, London Wt. ‘andy peminson i igh sere nnnaona Cyr Serie 35 MRS. ROBINSON (SIMON 6 GARFUNKEL) eG ne De de de de de de de de de de de de de Refeain: D 6 En And here's to you Mrs. Robinson @ En c an oD Jesus loves you moze than you will knox, wo wo wo @ En God bless you please tes. Robinson 6 =n c an z Heaven holds a place for those who pray, hey hey hey hey hey hey E7 2, He'd like to know a Little bit abour you for ovr files n lie’d like to help you learn to help yourself D 5 c an Look around you all you ses are sympathetic eyes =? > Stroll around the grounds until you feel at home Refrain 2, Hide it ine biding place where no one ever goes Put it in your pantry with your cupcakes > ¢ © an It's a little secret just the Robinsons’ affair m D Most of all you've got to aide it from the kids Koo koo ka choo Mrs. Robinson Refrain H 3. Sitting on a sofa on a Sunday afternoon a Going to the candidates debate Fy & © an Laugh about it shout about it when you've got to choose Er > Any way you look at it you lose Refrain > 6 on Wheze have you gone_voe Binaggio 6 En c AnD A nation turns its lonely eyes to you, woo woo woo 6 En What’s that you say Mrs. Robinson 6 En c an 5 Soltin’ Joe has left and gone auay, hey hey hey, hey hey hey we TePau inom Stan ec introns Copy Stowe. At Ros Roses 36 Reena armanen IF YOU WANT TO SING OUT, SING OUT Sntra: © G6 Enaj7 GE C G6 Fmaj7 (car stevens) Gc 6 F Well if you want to sing out, sing out. ce ¢ km And if you want to be free, be free. Dn Bn sc cause theze’s a millien things to be. € é You know that there are. c 6 F And if you want to live high, Live high. 6c 6 a And Sf you want to Live lew, Live low. Dao Am 6 ¢ cause there's a million vays to go. You know that theze are. Refrain c Fog © You can Go what you want. The opportunity’s on And if you find 4 rew way, You can do it today You can make it all true. And you can make it undo, An En AN Emin Er 6 you see anhh it's easy, ahhh, you only need to know, ¢ 6 F 2, Well if you Want to say yes, say yes: ci s al and if you want to say noy say no. SG couse there's a million ways to go. c @ You know that there axe. And af you want to be me, be me. cc 6 ba And it you want to be you, be you. Baan 6 cause there’s ¢ million things to do. You know that there are. Refrain © 6 F 3. Well Sf you want to sing out, sing out. And if you want to be free, be free. es ¢ cause there's a million things to be. c é You know thet there are, cs ec s you know that there are, you know that there are, te CGF 6 GEG C GE Emai7 ob C you know that there are. You know thet thers are Sora eer Cthtc tinaes 37 Biota eer into Cony Secret YESTERDAY (THE BEATLES) « Bote? as or 1. Yesterday, all ay troubles seemed so far away ¢ c Now it looks a8 though they're here to stay Gam D a Oh Tbelieve in yesterday © pot 87 am se 2. Suddenly, I’m not half che man I used to be é € here’ a shadow hanging over me Gan Fc Oh, yesterday cane suddenty Refrain Evouss ET an GF me G c Why she hed to go I don’t know she wouldn't say Bveues E) An GF fal ee 1" said sonething weong, now I long for yestorday c pot 7 am oF 3. Yesterday, love was such an eaay game to play c c Now I need a place to hide axay Gan D rc Oh T believe in yosterday Refeaii ¢ au? 87 bn ce 4. Yesterday, love was such an easy game te play ¢ c Yow I need @ place to hide away Gan FC AN DTE Oh T believe in yesterday Hm Hm Kin im (3306s Neer Songs ena pmo f sewer Gb [Rights Rare, bterneona Cpyrat Secures 38 YOUR_SONG (ELTON FORK Teansponiert, Original in Bb 6 nai? v/FE Bn It's a little bit funy, this feeling inside En ‘En/D em/chc Tm not one of those who can, easily hide oo D. B7/ba En E don’t have much money, but , boy if I did 6 aa? e D T/d buy a big house where, we both could live Ig Iwas a sculptor, but then again no or aman who makes potions ina travelling show Well T'know it's not auch, but it's the best I can do & an © 6 By gift is my song and thie one’s for you Refrain: ove en an © Rod you can tell everybody this is your song Dee a a c thay be quite simple but_, now that it’s done En En/0' T'hope you don’t mind, I hope you don’t mind a/c ¢ that T put down in words c/a c D How ¥onderful life is, while you're in the word gat on the roof and Kicked off the moss hell a few of the verses, well they've got me quite cross But the sun’s been quite kind, white 7 wrote down this song ite for paople like you thar, keep it turned on 50 excuse me forgetting, but these things 1 do you se= I've forgotten if theyre green or they're blue Bnyway, the thing is, xbet T really mean ¢ ant © 6 Yours are the sweetest eyes I've ever seen Refrain repeating last tvo Lines twice { fortrie wos by Ok James Musi Lind 47 Bras Grove, Lodo W& Ueostypermanon af Bauer Gm Dio sore temataral Copy Scoued 39 TAKE ME HOME, COUNTRY ROADS 6 En > c Rinost heaven, West Virgina, Blue Ridge Mountains, Shenandoah River é En D Life is old thece, older then the trees, younger then the mountains, c Growing Like a breeze. (aoa benveR) 6 D Bn ¢ é Country roads, take me homs to the place, I belong, Nest Virginia, D c 6 mountain monma, take me home, county roads. « bn D ALL my men'ries, gather’ round her, miner's lady, c é ae Stranger vo blue water. Dark and dusty, painted on the sky Misty taste of moonshine, teardrops in my eye: ¢ > En c s country roads, take me home to the place, T belong, Nest Virginia, D c é mountain mora, take me home, country roads. En > s T'hear her voice, in the morning hour she calls me. c c 3 ghe Eadie reminds me of my hone far away. En F c And driving down the oads I get the feeling chat 6 D oT 1 should have been hone yesterday, yesterday 6 > En © 6 country roads, take me home to the place, I belong, West Virginia, D c 6 mountain momma, take me home, country roads. 147-8 Dar, Tay Hert. enn Danae © farthy CHERRY Lane MUSIC PUBLISHING De ace Cousens Ostrich Sehwee une 40 WONDERFUL TONIGHT (ERIC CLAPTON) B c D tg late in the evening, she’s wondering what cloth to wear. é pc D She puts on her make-up and brushes her long blond haley and then he asks me De I lock alright?™ c D 3 And I say Yes, you look Wonderful tonight. s Doc D fie're going to a party, and every man turns to see, 3 De > this beautiful dady, who's walking around with me, c ae En fand then she asks me ,Do you feel airight?* c D ¢ and I say Yes, I feel wonderful tonight." © D e en 1 feel wonderful, because I see the love Lighting in your eyes, € . c e land the wonder of it all is, that you just don’t realize, now much 2 love you, 6 D c D Ttts time to ga home now, and I've got an aching head, 6 . c ° So 1 give her the car key, and she helps me to bed, ¢ > c =n land then I tell her, as 1 turn out the light, I say sy darling, you were Yonderful tonight.” M21 Ere crn SS torr 199 Em gon aetbypaenseon sf amon Grok [FRE enone Imation! Copy Sours 4 WIND OF CHANGE {SCORETONS) intro: £ bn fF om An Om An G © © Dr c Follow the Hoskwa down to Gorki Park Listening to Da aANG on c the wind of change. In August summernight soldiers passin’ by be ‘an GP tm Fon an om am GC Listening to the wind of change. © Da ‘The world is closing in c ba aa did you ever think thet we could be eo cloze Like brothers. © On c he futuze’s in the air ‘can feel st everywhere blowing with ba oe the wind of change. cee on 6 Take me to the magic of the monent c.g ‘bm c an fon 2 Glory aight where the children of tomorzow dream away F ieee Om in the wind of change. Walking down the street. °c ba oan distant menories are buried in the past forever. € bs é T follow the Moskwa down to Gorki Park lletening to Dro am SCG bn 6 ‘the wind of change. Take me to the magic of the moment ce De & an fon a glory night wheze the childzen of tomorrow share the dreams, fl ec mn c with you and ne. Take me te the magic of the monent cee Dn 6 an on a glory night where the children of tomorrow drean away F é in the wind of change. am s The wind of change blows straight an 6 into the face ot tine Like @ stormwind that will fing Gg om the freedom bell for peace of mind let your balalatka sing Ec GS Oe € what my guitar wante to say. Take me to the magic of the moment c. G On cS aa on a glory night where the children of tomorrow share their dreans, F ceca ‘om € with you and me, Take me to the magic of the moment cS a 6 an on a glory night where the children of tomorzox drean away F fer oa ane eat cc in the wind of change. Me Howe ne © foto Paar rcrprte, USA. “ness nse Putshg sinatra Lneee, St James's Square, Loncon Si Used permis tomarh Gr 42 Abignts Reserve niematonal Copyrgm Secured HIGH (LIGHTHOUSE FAMILY) 5 FF ots 5 Lifthen you're close to tears remember soreday it/1] all be over 2 Ho Gin One day we're gonna get so high B re Gin E ‘Though it’s darker than December what's ahead is a different color B Ho Gin One day we're gonna get so hich Refrain: Pint Ent ind at the end of the day renembor the days when we were close to the end Fiat En? and wonder how we made it through the night Fin? ea? AE the end of the day we remember the way ne stayed so close to the end nt 2 ve'll renenber it wag me and you 5 Pe Gtr 5 Cause we axe gonna be forever you and me 5 Cn e yoo will always keep it flying high in the sky of love 2. Don't you think it's time you started doing what we always vanced One day we/re gonna get so hich Cause even the impossible ie easy when we got each other One day we’re gonna get so hich Refrain Cause we are gonna be forever you and me You will always keep it flying high in the sky of love Refrain Cause ve axe gonna be forever you and me You will always keap it flying high in the sky of love 4x Pu Taka & Tango Bao 1 fon Povo Muse Pubiahing Linde Urea se Puboning Lite. 77 Fonar Paice oa, London 6 ‘ped ty pemason A igh Resones ncmatona Copyright Seed 305 © LA PALOMA BLANCA (GEORGE BAKER SELECTION 1, When the sun shines on the mountains CG And the night is on the run Tete a new day it's a new way ig And T f1y up to the sun Refrain: Gooonhh le Hm just a bird in the shy Ooch 18 Paioma Stanca Noone can take my freedom away 2. T can feel the morning sunlight T can smell the new morn hay I can hear God's voices calling D 6 For my golden skylight way. Refrain s e 6 3. Once I had my share of losing For they locked me on a chain c 6 Yes, they tried to Break my power oh, = still can feel the pain 2x Refcain ‘Seywiren waste ‘eclte r Dachan, One, Sowel urd 306 GIVE A LITTLE BIT (SURERTEANE) intro: AD AD GA GA GD > AD cs Ga 1. give @ Little bit give = Little bit of your love to ne. ao Ro oa Ga give a little bit” 1/11 give a little bit of ny love te you. Gan rae 6 aa There's so much that we need to share so send a smile and show AD you care B Ab cn Ga 2. $711 give @ little biz” 1/11 give a little bit of my life for you sp AD 5 oA So give a little bit’ give a Little bit of your time to me. Bm Pad 6 M See the man with the lonely eyes, oh take his hands, you'll be B surprised B AD co; Ga give 2 Little bit give a Little bit of your love to ne. eo Ro oa Ga Give a Little pit” 1/11 give a Little bit of my life for you Gan ne c © Row's the time that we need to share so find yourself we're on GA Ba? our way back home ART D GaGD don't you need to feel at bome oh yesh, we gotta sing 817k Davos & Roger Modan {fer Amount CportonDelnate Mae, USA Rend Mus (Longo) Lint, ‘oy Bacon Oe, arto SE he Unted Kings ana the Rept eon Used opauimesin, Ai Rigs Revved mermabnal Cong Sere 307 SUPER TROUPER 6 ‘Tonight the Super Trouper beans are gonna blind me Dan > But Z won't feel bive. Like 1 always do 6 ‘cause somewhere in the crowd there's you (78a) e Bn 1. Z vas aick and tired of everything Bn > when 1 called you last night from Glasgow 6 Sm ALL 1 do is est and sleep and sing an > wishing every show vas the last show So imagine I was glad to hear you're coming € a Suddenly 1 feel all right ¢ G D Rad it's gonna be so different when I'm on the stage tonight Refrain: 5 ‘Tonight the Super Trouper Lights are gonna find me Do kn D 6 Shining Like the sua. Smiling, having fun, Feeling Like a number one c ‘Tonight the Super Trouper beans are gonna blind me DAN > ut I won't feel blue. Like I always do € ‘cause somewhere in the crowd there's you 2. Facing twenty thousand of your friends, how can anyone be so lonely Part of a duccess that never ends, still I'm thinking about you only Shere are qoments when I think I'm going crazy but it's goona be alright Everything will be so different when I'm on the stage tonight Refrain c Br $0 2111 be there when you arrive ‘im D 6 ‘the sight of you will prove to me I'm still alive > c And when you take me in your arms na Bm C D And hold me Eight T know it's gonna mean so much tonight Refrain 161 Bera Andeson Bir Uses und Sg Andson (fat by Union Sarge AB Sothern, Swede rho wa Fan sons ase St UiR2 ty pemsson a anc Gb. 308 striae Reserv international Copyright Secured IT MUST HAVE BEEN LOVE twoxene) © > e tay a lnieper on my pillow, Leave @ winter on the ground e 5 s | . . . es ouch ne him, 1 close ay eyes and dream enay oe fs « a. oe te s a wake believing we're together that I'm sheltered by your Heart : 2 ss 3 a ges - ¢ a es. _ _ ¢ re vas ait thar 7 wanted now I'm living wishout c Be It’s where the Water flows, it’s where the wind blows F Bb Th mist have been love but it’s over now Gn Be © Tk mist have been good but we lost it someliow F 2b must have been love but it's over now on Or c From the moment we touched ‘till the tine had run out Feat Beara Osa, Ste, Onewops Seer 309 JESSIE — (aosiua KADTSOx) 6 an c @ From @ phone booth in Vegas Jessio calls at five avn. 6 me c to tell me how she’s tired of all of them & Bn c 6 she says: baby, I’ve been thinking ‘bout a trailer by the sea 6 Ane ° we could go to Mexico, you, the cat and me! Be > c we’1l drink Tequila and look for sea shells En D © now docen’t that sound sweot” ‘em Dc on Jessie, you always do that everytine T get back on > bot pc D my fest. Refrain é c s c Sessie, paint your pictures about how it’s gonna be 6 c > cB by now I should know better your dreans are never zee 6 e © c but tell me all sbout our Little trailer by the sea 6 c D cB Sessic, you can always sell any dream to me 6 © 3 G ance oh dessie, you can always sell any dream to ne. She asks me how the cat’s been, I say: «Moses, he’s just fine but he weed to think sbout your all the tine. fie finally took your picture down off the wall Jessie, how do you always eeem to know just when to call?!” She aye: .Get your stufé together, bring Mose and drive real fast” and f iisten to her promise: I swear to Cod this time it’s gonna lest” Refrain T/11 love you in the sunshine, lay you down in the warm white sand and who knows maybe this time things will turn out Just the way you planned Refrain ha Blcrmoca Mun /Soshuasargs Seymour Glass Msi USA Fras ty aust trae aie Publeaons Ls 310 ONE an Deve? Fmaj7 ¢ 1, Ts it getting better, or do you feel the sane a psus2 naj? g Will it make it easier on you, now you got someone to Blane c an 357 c You say: one love, one life, when it's one ngeds, in the night c an ‘maj? It's one love, wo get to share it, it leaves you baby, e 4£ you don't care for it 2) ¢ Am Fraj7 c An Dsus2_ Fag? 6 2, Bid 1 disappoint you? Or leave a bad taste in your mouth? an Dsus? naj? a You act Like you never had love, and you vant me to go without c iv Ene? c fell it's too late, tonight, co drag that past out, into the light c ca ‘Enaj7 etre one, but we're not the sane, we get to carry each other, carry each other one © Am Faaj7 ¢ an Deus? Fraj? s 3, Have you cone here for forgiveness? Hava you cone to raise the dead? Ba Deus? Pres? 6 Have you cone here to play Jesus to the lepers in your head? c an naj? Did I ask too mich? More than a lot? You gave me nothing, now it's all T got. c Bm may? fietre one, but we're not the same, xe hurt each other, c then we do it again c an You say: love is a tomple, love a higher Law, love is a temple, love che higher law You ask me to enter but then you make me crawl & ena? ‘naj? and I can't be holding on 22 what you got, waen all you got is hurt c a nag? c One love, one blood, one life, you got to do what you should c Bn raj? One Life, with each other, sisters, brothers c Bn Fra? One 1ige, But we're not the same, we get to carzy each other, c carry each other BIL iessutivensal muse Pua Wr ev MOONSHADOW (car srevensy Intro: D Daued DG AT OD Deust DG AT D Refrain: 3 pest g Ap Yes, I’m bein’ followed by a moon shadow, moon shadow, moon shadow oust DG RD leapin’ and hopin’ on a moon shadok, moon shadow, moon shadow fo ee D rs) And if I ever lose my hands, lose my plough, lose ny land, i onver B Em AT D F#m Sm ob, If t ever lose my hands, oh if fm » ° I won’s have to work no more 2, and if 1 ever lose my eyes, if my colours sil run ary Yes, If I ever lose my eyes, oh if 1, T'won’s have ta cry no more. e A z a Did it take long to Find me? T asked the faithful Light. E a zB a Dia dt take long to find me and aze you gonna stay the night? Refrain 3, And if 1 ever lose my legs, I'won't moan and Ison’ beg. Yeo, 4£ fever lose my lege, oh $f, I'won’t have to walk anymore. 4, And if I ever lose my mouth, Or my teeth, North and South. Yes if 1 ever lose ay mouth, oh if, Towon’t have to tal®, Refrain Ws Tea Siene ‘rots Reserv Inomstona Copyrae Secured 312 MORGENROT (HERBERT GRONEMEYER) PA |. Ich bau Dir ein Bett aus Rosen, die Wande aus Glanzpapier. z Bee. bas Zinmer hat‘nen goldenen Boden, und der Regenbogen endet genau hier, D 2/0 D endot hier, endet genau hier. E/D Fin Alle Fenster gehen sach suden, mit Blick auf’s glitzernde Meer, © Emi /S Ion glatte taglich die Wogen, und tauch’ versunkenen Traumen hinterher. > Gto A D Tausche Sehnaucht gegen Perinutt, werde lachen und weinen um Dich. = & ab’ inmer ‘nen Trunpf im Arnel, der sticht. Refrain: x asusd A Agusi Ich wera’ diz die Liebe versprechen B asusd © wenn dies Wasser bis zum Halse steht. a Deus > werd in zerrutteten Zeiten gir ein Netz ausbreiten, 5 = a stell mich mit in den Sturn bis der wind drent. x suse A. agusd Ich lug’ dix das Slave vor Hinnel, z Reuse = rede dir jede Tragik schon, a peuse > verjag’ den Kumar ein far allemal, Trauer konnt vor's Tribunal B z % Pass auf, dass die Seichen gut fiir dich steb’n. 2. Alle Wunsche geh’n direkt in Erfullung, auch schon fruher;wenn Du willst. fen stehe Tag und Macht 2y Verfdgung, bin verschwiegen and halte still, halte still, ich alte still. Das Alltagegzau Kipp’ ich in’ Ausgua, Zwaifel erstick"ich im Keim, Far Dich aoll ee Sterntale: regnen, und Du kannst eitler als der Sonnenschein sein. Lab die tuft knistern fie Dich, baa Dir TeaumechLoeser in's Morgenzot. Bose Ceister werden avfgenischt. Refrain FE dugelassen werden nur die guten Laynen, c 6 é die Schlechten werden sofort enteher. € r Herzechner2 verfuttert an die Friedenstauben, : A oc Ezobleme unter den fliegenden Teppich gekehst, Ooh... Refrain auf GC Cousd c ¢ Cousd GC F/susd FCG CC Ceust C Csusd C Ceued GC FTeusd FCCC, ate Letaten 2 Zeilen 2x. MT Here Grimey 313 ‘Scale NO_SURRENDER (BRUCE SPRINGSTEEN) 6 D 1. Nell, we busted out of class had to get away from those fools © we lesined moze from 3 chreo-minute record, baby c D than we'd ever learned in school 2, tonight 1 hear the neighborhood drunmersound T'can gel my heart begin to pound you say you're tired and you Just wanna close your eyes 3nd follew your dreams down Regesin 1: 6 > ° 6 Well, we made our promise and swore we'll always remeber ¢ ar) no retreat, baby, no surrender 6 D © 6 like soldiers on a winters night with a vow to defend c ed no retreat, baby, no surrender 2, and now young faces grow sad and old and hearts of fire grow cold we swore bleodbrothers against the wind Row T’m ready to grow young again 4, and 1 hear your eisters voice calling us hone across the open yaras believing we could cut some place of our own with these drums and theca guitars Refrain 2: ¢ D © 6 ell, we made our promise and swore we'll always remenber e tee no retreat, baby, no surrender 6 o c ¢ Dloodheothers on 2 sumiex’s night with a vow to defend c De no retreat, baby, no surrender 5. And on the streets the Lights are growing aid the walls of ny room are closing in but it’s good to see your smiling face ana to hear your voice again 6. Now we could sLeep in the twilight by the riverbed with the viseopen country in our hearts and these ronantic dreams in our heads Refrain Mo BRUCE SPRINGSTEEN ‘Senuce Sraesresn wc 314 RexcSie vusHvERLAG oveH HAMBURG BITCH Intro: GDC GDC (wEREDITH BROOKS) 6 be 1, T hate the world today Your s0 good to me, ag be T know but T cantt change en ‘Tried to tell you but you looked at me Like maybe 5 c I’m an angel underneath innocent and sweet 6 De Yesterday T cried 5 pe You must have been relieved to see the softer side En I can understand how you'd be so confused 1 Gonte envy you I’m a little bit of everything all rolled into one Refrain: © D I'm a piteh I'm a lover I’m a child T’m a mother En ¢ I’m a sinner i/m a saint T do not feel ashaned 6 > i’m your Rell I'm your dream T/m nothing in between en c You know you Noulda’t want it any other way 2, So take me as T an This may mean you'li have to be a stronger man Rest assured that when I start to make you nervous And I'm going to extremes Tomorcow I will change aad today von’t mean @ thing Refrain Solo: GD mC GD anc D c 3. Just when you think you got me figured out ¢ ‘The season’s already changin’ > c © 1 think it’s cool you de whatcha do and don’t try to save me Refrain Yim a bitch I'm a tease T/m a goddess on my kneos hen you’ ze nurt Whon you suffer r/m your angel undercover Dive bean numb I'm revived Can't say I'm not alive ‘You know T woulda’t want it any other way outra: 6 Dam € 14 T Naat Boots, Sey Peon 121967 Suh Teo Must sing Booth ue, USA (Go) en ntace Pain Lintes, Lorn WORM EA FRepreusa ty peminon matonl Mae 31g Pecans PERFECT BLUE BUILDINGS (counriue crows) on c Boa Gust down the stroct from your hatel, baby c BE home with ay disease ¢ Bb anc And ain't chis position familiar, darling Im c 3b Nell, all monkeys do what they see Gn 5b Help me stay awake, I'm falling. Down on Virginia and La toma Where I got frionds who'll care for me You got an attitude of everything 1 ever wanted T got an attitude of need felp ne stay awake, I’m falling. Refrain F © cn A sleep in perfect blue buildings F € cm beside the green apple sea gonna get me a lite! ? c try to keep myself avay fron me Tete 4:30 A.M. on @ Tuesday Tt dosan’t get mich worse tha: In beds in 1 this fe rooms in buildings in the middle of these ives which are completely meaningless feip me stay awake, I'm falling. F ¢ Go A sleep in perfect biue buildings F € se beside the green apple sea F c Gr Gonna get me a little oblivion, baby F cB F fey to keep myself avay fron myself and ne T got bones beneath my skin, and mister... There's a skeleton in every man’s house Beneath the dust and love and sweat U Phere’: a dead man trying to get out Please help me stay avake, I’m falling hat hangs on everybody Refrain +7 Aca Dare, Dave By a aty Stove Bowman ad Crate Ginga |S dots Fe uso EMI Shcwond Mas ne, USA in ute Planing tes Loon WAN OEA ‘Repay pomason ot rraonl ase Publeatons Us 316 RADIO ORCHID — (EURY IN THE SLAUGHTERHOUSE) inteot Am FG AR FG a re 1, There's an old ledy living in an old house, an F c since hee fulsband died sbe hasn't been out on F c She lives in her own world with her own little nigbtmares An F 6 and she’s stopped counting the days an c She buys a radio station with her husband's legacy 2m F c She does her own show ten hours 3 day an c reads poems and listens, let feelings run free, an s helps people talk thelr pain away Refrain: 2b be $0 if your world falla down, can't see the light of day © GBD call the lady, call her station today an FG An . This is Radio Orchid Listen and cry to all the others bn that suffer and dle ace eG an This 1g Radio Orchid listen and cry, e take your lonely heart and let it fly. 2, Sending the message, she's solving the problems o£ millions and millions and who solves bers fhe old Indy gets older, still lives in her old house but when ate dies we'll all live alone Refrain 2x drt Tp Wate {by Unreal OA Muse Pubtehg Gr 80%) eABELA MUSMVERLAG GBH (20) UE uke) Minenen ‘Meese re Wa 317 ROMEO AND JULIET DIRE STRAITS) intro: ¢ G Am G : c San 6 R lovestruck Romeo sings a streetsuss serenade ¢ CAE ¢ a Laying everybody Low ith a lovesong that he made a Fee © finds a convenient streetlight, steps out of the shade F ¢ says something Like: you and me babe, how about it? Juliet says: hey,tt's Roneo. You nearly ginne a heart attack. Be’s underneath the window, ‘she's singing: bey la,ny boyfriend's back You shoulda’® come around here singing up at people like that. Anyway, what you gonna do about it? c « ang F Refrain 1. Juliet, the dice were loaded from the start. ca Pe And t bet and you exploded in my heart c oan F and I forget, 1 forget the movie song ore é F 5 ance when you gonna realize it was just that the time was wrong, Juliet cone up on different streets, they're both the street of shame Both dirty, both mean,yeo and the drean was just the sano. And I dreamt your drean for you and now your drean is real how can you look at ma as if 1 was just another one of your deals? then you can fail for chains of silver you can fall for chains of gold you can fall for pretty atrangers and the promises they bold you promised me everything, you pronised me thick and thin, yeah how you just saysch Romeo, yeah, You know I used to heve @ scene with hin Refrain 2, Juliet, when we aade love you used to oxy you said: I love you like the stars above, Ii] love you ‘till 1 die there's a place for us you know the movie’ song hen you gonna realize it was just that the time was wrone? 1 can’t do the talk like they talk on TY fend T can’t do a lovesong iske the way it’s meant to be Tean’t do everything but Td do anything for you 1 can't do anything exept be in love with you and all I do is miss you and the vay we used to be all T do is keep the Beat and bad company 11 I do ig Rise you through che bars of a rhyme Gulie "4 do the stars with you anytine Refrain 2 A lovestzuck Romeo sings a stzeetsuss serenede Laying everyeody low with 2 lovesong that he nade finds a convenient streetlight, steps out of the shade Says senothing like: you and ne bape, how about it? eT ma Kept 1 oo Sratastet Song Linea 38 PEOPLE ARE STRANGE Em an en 1, People are strange when you're 2 stranger, aa Er 37 En Faces 100k ugly when you" re alone, Em an En Women seem wicked when you're Unwanted, Bm ‘in BT En Streets are uneven when you're down, 3 G 87 When you’ re strange faces cone out of the rain Hy S a7 When you’ re strange no one remembers your name 8 eT (eas D00RS) a7 When you're strange, when you're strange, when you're strange En an ba 2. Beople are strange when you're a stranger, an em BT Em Faces look ugly when you're alone. En "hm Bn Ronen seem wicked vhen you're unwanted, Bn on? En Streets are uneven when you're down, 5 c = lihen you're strange faces cone out of the rain B c BT finen you' xe strange no one renenbers your name 8 7 BI fihen you're strange, when you're strange, when you're strange. 5 ¢ 87 linen you're atrange faces come out of the rain B ¢ BT lahen you're strange no one renenbers your name BT BT 87 ‘then you're stzange, when you're strange, when you're strange, By when you're strange. + T-trian,Conama, Kreger, Martek ‘POaortaioe Company 319 PRIDE (IN THE NAME OF LOVE) cuay inteo: AG Em AG Em a 6 en 2. One man come in the name of love, one man come and 99. a 6 a Gne man come, he to justify, one man to overthrow. Refrain: fn the name of love, what more in the name of love x D & En In the name of love, what more in the name of love: a 6 en 2. One man caught on a bavbed wie fence, one maa, he veaist, a ¢ En (One man washed on an empty beach, one man betrayed with 2 kiss. Refrain AGEn AGEn AGE AG En a 6 En 3, Early morning, April 4, shot rings out in the Memphis sky. A 6 Ee Free at last, they took your life, they could not take your pride Refrain AGEn AG En M+ ClayontewsouEvarsiten 320 SELLING THE DRAMA s G 1, And to love:_2 god D En and to fear: a flame Barc And to burn a crowd that hae a name and to Fight or wrong Bnd to meek or strong This known Jost sereem Lt from the x Refeaio: Tive willed, I've walked, I've read I've talked, 1 know, I know ive been here before hey now we won't be hey now we won't be scarsed Like that hey now we won't be hey now ve won't be scarred Like that 2, Tete the sun that barns Iite the wheel that turns [is the way we sing that makes ‘em deoam and to Christ: @ cross Bnd to ner a chair Twill Sif and earn the ransom fzom up here Refeain co 6 Bnd to love... a god And to foar. flare ant nd to burn 2 love that has a name Refrain MT Kamala, E-Tayor, Chas Dannemer, Pati Gray, Chet SHiGantse Mel, 0 Unvora Stason Loco Aer Me 321 SPACEMAN Intro: D ct (FOUR oN! BLONDES) Ge Gen. 6 © 6 c 6 Starlight,bring me down ‘til I realize the moon ¢ 6 eg it seems so distant yet I felt it pass right through c 6 c c And I see what I see a new world is over me 50 I'1l reach up to the sky and pretend that rm a Spaceman, Sn another place and tine c 1 guess I’m looking for a brand new place. 6 Cac fe there a better life for me?! 6 c 6 c 5 Subtle wind blow me gone, let me rest upon your move c 6 cai T trust 1711 end up sleeping cradled in my doom G c c . And T feel what I feel/1 can't grasp what is not real. c & c so I/11 get myself real high and imagine I’m a 6 D Spaceman, in another place and tims ¢ I guess I’m looking for 2 brand new place. o Is there a better Life for me?! © ° c I renenber;in my mind.They say I'm day-dreaming D is dt all that it seems or am I all the things I'm looking for, soc 6 © cs And I see what I see,a new world is over me 5 i c So 111 reach up to the sky and imagine I'm a 6 D Spaceman, in another place and time c I guess I’m looking for a brand now place. @ CGCS Is there a better life for me?! Tin Rey & Shauna Ha {Piono famove tues Comoran, USA 322 SULTANS OF SWING . (orRe srRArTS) bn Gg Bb ar you get a shiver in the dark, it's raining in the park but meantime on c Bb nv South of the river you stop and you hold everything F c A band is blowing Dixie double=four-time Bb bn Bbc Yoo feel alright when you near the music ring fell now you step inaide but you don’t see too many faces Sonin'in ut of the rain to hear the Jazz go down. ‘Too much competition too many other places but not too meny horns can make that sound Bp C Da Bbc Dn Bbc way on down gouth way on down south Londen Toxn You check out Guitar George, he knows all the chords. Mind his strictly shythm, he doesn't want to make it cry ox sing. an old guitar is all he can afford then he gets up undar the lights to play this thing. and Harzy doesn’t mind if he doesn’t make the scene. e's gota daytine job, he's doin’ alright. Be can play the Honky-fonk like anything, saving it up for the Friday nignt with the sultans with che sultans of swing. And a crowd of young boys, they've foolin’ around in the comer Grunk ang dressed in their best brown baggies and their platform soles They don’t give s dann about any trumpet playin’ band, ft ain't what they call Rock'n’ Roll and the sultans and the sultans play Creole And then the man, he steps up to the microphone fand says, at last, just as the time-bell rings Good night, now itte tine to go here. And he makes it fast with one more thing: fie are the sultans we aze the sultans of swing Met mare Kepte {ford Sratacet Song inte 323 TAKE IT EASY (EAGLES) c | Well I’m a funnin’ down the road tey'n to Loosen my load Te I've got seven women on my mind Four that wanna own me, two that wanna stone me © 6 One says she’s a friend of mine en, ce Take it easy, take it easy. Bt on Don’t let the sound of your own wheels drive you crazy © c Lighten up while you still can. c 6 Don’t even try to understand i c . just find a place to make your stand, and take it easy c 2. Well, I'ma standin’ on @ corner in Winslow, Arizona Such a fine sight to see é > tefe a girl my lord ins flatbed Ford c c Glowin’ down to take a look at me En cs cone on, baby, don’t say maybe a c en 1 gotta know if your sweet love is gonna save me c 3 c c We may lose and we may win, though we may never be here again a c iG 50 open up I'm climbin’ in, so take it easy s 3. Well, I'ma fuonin’ down the road tryin’ to loosen my load De Got @ world of trouble on my mind c ° c e Lookin’ for a lover who won"t blow my cover, she's so hard to find En co Take it easy, take it easy. 2 c en Don’t 1et the sound of your own wheels make you crazy. 66 cae cone on baby, don't say maybe am © 6 1 gotta know of your sweet love is gonna save me. +1 Jackson Bowne, Glen Fey 1S fara Suatow Tum tie fr at (Cori Stwaizund oo suresh Lander 324 TOUCH-A, TOUCH-A, TOUCH-ME cin Twas feeling done in, 5 couldn’ t win, e a 'd only ever kissed before. 8 (SUSAN SARANDON) thought there's ro use getting into heavy petting. end seat wetting. Now all 1 want to know Es how 90. fasted Dlood gnd T want more (nore, more) up no resistance, Stay the distance ‘an itch to scratch and need assistance. Refrain: ct Bon Touch me, touch me, touch me, touch me, Fe ce Tiwant to be dizty. ca Bim Thrill me, chill ae, fulfil me, FA ct Ereature of the night. ‘then if anything grows, when you pose, T/1 011 you up and rub you down (down, down). and that’s just one small fraction of the main attraction. You nead a friendly hand ana I need action, Refrain 2x tor Bomaona GUS rl seeps Lencsr (Shapeett 225 Gu Hamu 325 EVERYBODY NEEDS SOMEBODY TO LOVE re (BLUES BROTHERS) EADA ke're sa glad te see so many of you Lovely people here tonight, ‘and We would especially Like to welcome all the representatives CE ritinois" law enforcement conmunity that have chosen to join us here in the Palace flovel Salircom ar this time Ne Sincerely hope that you all enjoy the show and please renenber people, that no matter who you are, Gnd whatever you do to iivé, thrive and survive, there are still some things that make us all the sano: your me him, them everybody, people, everybody! Everybody needs sombody. Everybody needs sonsbody to love. Someone to love, (Someone to love} Skeetheart to miss. (Sweetheart to miss) Sugar to kias. (Sagar te kiss) Tneed you, (you) your you I need you, (you) you, you I need you, (you) you, you Ln the mozning. I need you, (you) you, you when my soul’s on fire, cen A chm 8 Sometimes I feel, I feel a little sad inside. hen ny baby mistreate me, I never sever have a place to hide, T need you! Sometines 1 feel, I feel a Little sad inside, When my baby mistreats me, I never never have a place to hide, Toned you, (you) you, you Toneed you, (you) your you You know people when you do find somebody, hold that woman, hold that nan, love hist, hold hin, squeeze her, please her, hold, squeeze and Please that person, give ‘em all your love, signify your feelings with Svery gentle carees, because it's so important to have that special Somebody to hold, #iss, miss, squeeze, and pleas EADA Everybody needs sonebody, Everybody needs somebody to love. Someone £0 love. (Soneone to love! Sweetheart co mies, (Swectheart £0 miss) Sugar to kiss. (Sagar to kiss) Teed you, (you) you, you T need yeu, (you) you, you I need you, (You) you, you in the morning. I need you; (you) you, you when my soul's on fire. 197.8. Russal (Jr Wve But Sataron ‘Bobs y each Cassar and Die Msi ne Scbmwa t SeetangOstaroch See 326 Rover lin Manvaran Gabi WAITING FOR THE HURRICANE Intro: En CD (cieis 08 BURGE) En 1, Standing in the foyer of the Grand Hotel Suitcase in his hand looking for a bill D B ‘Thore’s a huseicane coming and everyone's trying to get away. 2, Tine of the season, time of the year c the weather reporter fvom Miami is clear Find a safe place te hide, there's no place here Bridge: D ¢ And then the Lights go dokn in the Caribbean town BDC En DS the fishing-boate that go out from the coast, Em ace tied up end dry, yeah yesh yeah c 6 Suddenly there's movenent to the telephone 8 Bm DC. but nebody’s calling hone tonight En 3 c ‘They've taken out the very last flight in Deer land they closed down the borderline Refrain: 5 D c cause there ain't nowhere to hide waiting for the hurricane. There is nowhere here to hide waiting for the hurricane c B c on there is nowhere you can hide waiting for the hurricane mc DEM (enc 0 En 2. staring out the window of the Grand Hotel The sea was roaring, I remenber well And the heneynoon-bride began to cry (Dc Em Bridge: But as the band played on some old love song Well I held her hand gave her to understand Tell be alight yeoh yeah yeah 1eGR-imDc- sm DC ~ mm DGC) suddenly there's movenent to the radio but nobedy’e getting hone tonight hay've taken opt the very lest f119Rt — wsT-owedesuyh and they closed down the Borderline ee ey Refzain ese by pees | ‘Nimigie Reserednrntonal pyr Secs 327 AS TEARS GO BY (ROLLING STONES) cs on Fog It is the evening of the day e om FG E eit and watch the childzen play smiling faces T can see, but _not for me, F Om eG? 1 eit and watch as tears go by. © On Fos By Fiches can’ buy evervehing, I want to hear the childzen sing, F c c Rn a1 t hear is the sound of rain falling on the ground F ba 6G? Tait and watch as teazs go by. ¢ om Fog Tt is the evening of the cay ¢ bn pG sit and watch the childzen play, doing things T used to do, they think are new, F oe @ Gre T sit and watch ag tears go by Tm dpaoer lena FurDIAGH Noo Mucho Gara Henmeting 6 328 AZZURRO Bo 27 an 87 an 6? An 1. Cerco estate tutte Manno e alifimprovviso eccola qui Pe a7 Dn AT Da aT Dn Lei € partita per le spiagge ¢ sono solo quassi in cites a Bl wt x Sento fiachiare sopra i tetti un aeroplanc che se ne va (PxoLo CONTE) Refrain: x a7 87 am BT Azzurro, i] pomeriggio & troppo azzurro © lungo, per me * Fae cra mi accorge di non avere piu risorse senza di te D x Wu ¢ allera io quaei quasi prendo 41 treno © vengo vengo da te eae Fin De 5 a Ma il treno ded desideri nei mle! pensier! all incontrario va ro 27 an BT Ang? am 2, Cerco un po! a’Africa in glarding, tra loleandro e il baobab dn aT Dn aT Da aT Do Pome facevo da bambino, ma qui c'é gente, non si puc pid a 57 wet RTE? a Stenno innaffiando le tue rose, non c’@ il leone, chissa dov'é Refrain: 2 "7 7 tim 27 Avzurro, il poneriggia € troppo aazurro @ lungo, per me 2 a ABTA ni accotge ai non avere piv risorse senza di te 2 a ee owt fe allora io quasi quaei prendo i treno ¢ vengo vengo da te rae Pim De * eA Ma il treno des desideri noi miei pensieri ail’ incontrario va an 7 An ET an ET a 3, Sombra quand’ ere all'oratorio, con canto sole, tanti anni fa Da a Dn AT Dn A? Bm Quelle domeniche da solo in un cortile, a passeggiar, B = RFA a ED A Gra mi annoio piu di allora, neanche un prete per chiaccherar. sefraint ® e207 87 Azaurvo, il poneriggic ¢ tropee azzurro © Lungo, per me é a ea eran mi aceorge di non avere piu risorse senza di te . R Dee cr fe allora so quasi quasi prondo 11 treno @ vengo vengo da te EA Fin Oe 2 EA Na 11 treno dei desidert nei miei pensieri all/incontrario va rg 7 Wo Patna a by CLAN EDM. Matar fir Detthland na Omer SUGAR MUSIC VERIAGS GBH Hanon 329 BORN TO BE WILD . 6 ET Get your motor running, E Be E? head out on the highway. 2 E6 ET Looking for adventure, E £6 ET and whatever cones our way Yeah darling, gonna make it happen: ¢ a z take the world in a love embrace. cna e Pire ail of the guns at once and oR = explode into space 5 B6 £7 Our luck’s making Lightning, 5 Ee ET heavy metal thunder. E 26 ET Recing with the wind, z 26 87 and the feeling that I'm under ea E Yeah darling, gonne make it happen 6 x e fake the world in a love embrace cae E Fire all of the guns at once and Ga e explode into space Like a true nature's child 6 we were born, born to be wild. 2 We can elinb 20 high 6 5 I never want to ate, 5 poze Born to be wild. 5 Do gD Born to be will 330 (STEPPENKOLE) tenes Moun, 77 Funam Panca Roa London NE BIA Useloy pemsern Alu Resorved Iremstonal Conyight Sacod THIS AIN'T A LOVE SONG 7 pout have Litaned whan you faS6 good aight you fsily reant good an Baten a eer So pagse st ewisining ane Eapessecmttiens man BETTE DAVIS EYES the Better just co blens y : she's presets, a eg none just wnat 11 ales to make # pro Ph Nor yo, breathe wih eng cenbe ane Ehrove you 29 eng 3 sama fe soot 280 |BRUTTOSOZIALPRODUKT. Std sett angen ste suatnne’ ta Aebeieatane eA Sake Se teignrn ane Beuctososiolpromutes i2E*Relgorn dos srutvasontstpraamer “op ee cree Soiojo dees sins wlesar in le Manse geqpune 281 MaOR To en sewr.¥0) GuosT OF TOM JOAD ~ _ 0 Jab ea face no Fast meether anche ety agneaset aha nlginay Ls ative tonight, 230 SEE HAND IN My POCKET De SG." ate Soe ana ay portato ‘A HORSE WITH NO NAME 28s JENSEITS VON EDEN (GUARDIAN ANGEL) anon sin wir Jeveass von fon Sian tla wieTjoneente too gions doen'slod wit Seanatea von tauns) on’ “U8 Rin REDEMPTION SONG veo, eg cay tere gure a Pat of Se SELE ESTEEM faut diauctar gitn'eo seit esteem 26p SESE TAKE A CHANCE ON ME l%een to som musics mivbe just 2alking and get to now re better 2a Beclemacorent MaMao NO. 5 (A LITTLE BIT 1 the fore any tay Sane cone gi aad Jolce, bat T raslly aea't anon hvtnine fy, it's old geod et me Sane 6, pase att ia the ergot A ateae out of Honea in mp doy Little Bit of Bice by ay 2588 290 (MASCHEN-DRAHT-ZAUN row Bn a mistion Blocee, by, T got svoing WHEN THE RAIN BEGINS TO FALL ee ins? tase ee 5 ose p20 BF yours Bite emte og Fein yoo tint an to just nau 2 22 te Sropien ola das tied wn fot vos poraen, 2 Horny toa & 5 293 SCIENCE FICTION - DOUBLE FEATURE aoe SEES KNOCKIN’ ON HEAVEN'S DOOR 295 (CLOSE ENCOUNTERS 296 curgurerea, Esters ope ww ste poech 8 tp cagether NIGHTS IN WHITE SATIN 2098 IMM DEN NACHSTEN ZUG Bn dr schetan oy Soh uf sohn Senator ae Sutea eas nan son jotae au voreaten netomen” (CRUSADER ae ‘ielataelnee Teatibe so ote and gether for the Habe 301 DON’T PAY THE PERRYMAN Seegsing tye 9 an co the fan eet eee sor DRACHEN SOLLEN FLIEGEN 303 DREAM oN 304 ERENCES an Y.M.C.A (vTLLaGe PEOPLE) e Young man, there's no need to feel down, 1 said, young man, pick yourself off the ground. Bb Gn? Z eaid, young man, ‘cause you're in a new town c Bbc BC there's no need to be unhappy. Young man, there’s a place you can go Tsaid, young man, when you're short on your dough. You can stay thare, and I’m sure you will find many ways £0 have @ good tine. Befeain 1: Fe e's fun to stay at the yom-c-a, be Te's fun to stay at the y-nc-a. a? They have everything for you men to enjoy, © you can hang out with all the boys. Refrain: T's fun to stay at the y-n-e-a. It's fun to stay at the y-m-c-a, You can get yourself cleaned, you can have a good meal, You can do whatever you fool Young man, are you listening to ne? T said, young man, what do you want to be? I said, young man, you can make real your dreans, but you got to know this one thing! No man does it all by himself T sald, young man, put your pride on the shelf, and just go there, to the y.m.c.a. I'm gure they can help you today. Refrain 1 Refrain 2 Young man, T'was once in your shoes. Tseid, twas down and out with the blues. I felt’no man cared if T ware alive. I felt the Whole world was so tight. ‘That's when someone cane uP to me, and said, young nan, take a walk up the street Thore’s 9 place there called the yim.c.a. they can start you back on your way. Refrain 1 yomrera ss. you'll find it at the yonec-a Youne mai, young nan, there’s no need to fool down. Young man, Young many got yourself aff the ground. yonee-a s), you'll fing it at the y-nec-a Young mah, ‘young nan, there's no need to feel down. Young man, young man, get yourself off the ground, yousc-a just go to the y-n-c-a Young man, young nan, are you listening to mo? Young man, young man, what do you wanna be? ML MoT H. Bala eal Twas fey So i (es So SACEM 245 RL SSiie tne Vonage crt THE RIVER (BRUCE SERINGSTEEN) r an c s 1, 1 come from down in the valley, where, mister, when you're young an cr © ‘They being you up to do 1ike your daddy done F c can Me and Mary we met in high school, when she was just seventeen De c e ie’a drive out of that valley down to where the fields were green an F 6 c We'd go down to the river, And into the river we'd dive Bn F oe ‘Oh down to the river we'd ride Bn c 6 F 2. then I got Macy pregnant, And man that was #11 she wrote Bn é F © And for my nineteenth birthday T got @ union card and a wedding coat F c & an He went dowa to the courthouse, And the judge put it all to rest bs No wedding day emiles no walk down in the aisle, e F No flowers no wedding dress 2 F 6 c That aight we went down co the river, And into the river we/d dive Bn F oF on down to the river we did ride i ¢ 5 F 3, 1 got 4 Job working construction for the Johnstown Company an c e c but lately there ain’t been much work on account of the economy F Mow 211 them things that seened so important c an Well mister they vanished right into the ar cy c F Mow I just act Like I don't remember, Mary acts like she don’t care 3m e Bridger But 1 eenenber us riding in ay Brother's car ¢ ? Her body tan and wet down at the reservoir an c At night on them banks i'd lie axake r c And pull her close Just te feel each other breath she’d take F ¢ an Now those tenories come back to haunt me, They haunt me like a curse ‘om Is 4 dream a lie if it don't cone true, é F or Le it something worse that sends me am F S c Down to the river though I know the river is dey, an ag an F That sends me down to the river tonight. Down to the river, 6 co AR F c an My baby and I, Oh down the river we'd ride oh oh oh oh ob oh ie BRUCE SPRINGSTEEN 1 Shuge seRNGsTEEN MUSIC 246 Recto te Oeueonons Osaror Sehmeunt RONEOR HUSHVERLAG GMBH, HAMBURG THE TIME WARP a (ROCKY HORROR PICTURE SHOR) a 2 s > & 2, Tete astounding, time is Fleeting, madness takes its toll. B ¢ D A But Listen closely not for very much longer, I’ve got to keep control. = ¢ 2 B I remember doing the Tine Warp, drinking those moments when 2 the blackness would hit me and the void would be calling: roe. GDA GR Let's do the Time Narp agsin! Let's do the Time Warp agaia! Refrain: a e It's just a junp to the left - and chen 2 step co the right z B With your hands on your Alps - you bring your knees in tight > » Bot it's the pelvic thrust - that really drives you ansane Be ee Let's de the Time Warp again! Let’s do the Tine Warp again! a 8 s ed 2, 3t's 80 dreany oh fantasy free me! So you can't See me no not at all. 5 In another dimension, with voyeuristic intention, © 3 8 fiell secluded I'L1 see all B With a bir of a mind flip, you're into the time slip & f) B Nothing can ever be the sane 8 You're spaced out on sensation, 1ike you're under sedation! ee ch cit oy nee cre cl da Lot's do the Time Warp again! Let’s do the Time Warp again! a ell I was tapping dow che stueet just~a having 2 think a7 D When @ snake of 2 guy gave me an ovil wink, well it shook me up, it took me by surprise, he had a pick-up truck and the devil's eyes, zB b He ecared at me and 1 felt a change, x Eine meant nothing never would again, ee ce Let’s do the Time Wazp again! Lette do the Time Warp again! Refrain +7 Rend O88 Ey oruigerest wusc for oaeohone, GUS un steep Liner (eAPRELL 8 CO GMBH Homburs 247 FROZEN (waboxnad rim 1, YoU only see what your eyes want to see Ese How can Life be what you want it to be Diet ee Fin B/FE. You're frozen when your heart's not open Fen You're so consumed with how mich you get Eyre You waste your tine with hate and regret Ee Fin You're frozen when your heart's not open Refrain: Finan op a uam-nn-rm.., If T could melt your heart re ae 6 Asued Mgn-nm-nei... Wo’d never be apart a) * Mem-nerne... Give yourself to me Finan G Asusé Fin nm-nm-nm... You hold che key 2. Now there’s no point in placing the blane And you should know I'd suffer the same If T lose you, my heart would be broken Love is a Bird, she needs to fly Tet all the hurt anside you die You're frozen when your heart's not open Refrain 3, You only see what your eyes want to see How can life be what you want it to be You'ye frozen when your heart's not open Refrain 2x bn a TE I could melt your heart C+ T ladon Louse CICCOME Paik Raymond teonaeo (2900 No Tena Msi WEBO GH Publi ne” Ie nsi cop Usa aration Ouran, sn GUS xe, Soter fet ate Turkana {Encore chen lugewon NEUE VELT MUSRVERLAG SUH. tiene (S06) EMI Me Pabing Ls, {esha penn ct erator 248 VAN _DIEMEN’S LAND a (2) (original in FH ec Cn Hold me now, oh hold me now Enc > TiLl this hour has gone around Br Bac And I’m gone on the rising ride oD Gece For to face Van Diemen’s Land It's a bitter pill I swallow here fo he xent from one 90 dear fie fought for justice and not f But the maglatrace sent me away Now kings will rule and the poor will toll and tear their hands as they! tear the soil But a day will come in the dawning age fihen an honest man saes an honest wage Hold ma now, hold me now Till this hour has gone around and I'm gone on the rising tide For to face Van Diemen’s land Still the gunman rules and widows pay A scarlet coat now a black beret They thought that blood and sacrifice Could out of death bring forth a life Tho age 1 $96 Be Mourn Mune Linta rhe U8 Kenton Pak Roos {angon wit SBUMomar Muse or ho Root rear), [S052 Sroka Ragemon's Guy. bun 2 Taye tse pated oe Japan| ays ena hn Ri nen sr he Ns ‘ac by pemeon Ai igs Resvnd nemaone Copa Secure, 249 WHAT _A WONDERFUL WORLD — (LOUrS ARMSTRONG) F am Bb an E see trees of green, red roses too Gat read bm T'see then bloom, for me and you, Db Gn? 7 fai? Bbmaj7 ©7 And I think to myself, What a wonderful world F am Bb an 1 gee skies of blue end clouds of white, a7 ? aT on the bright blessed day, the dark sacred night, Dp ca? C7 e And t think to myself, what a wonderful wor o F The colors of the reinbow, so pretty in the sky 7 F Are alsa on the faces of people goin’ by De Ba be a 1 see friends shaking hands, saying, ,How do you do? Bm EDO ‘onc? CT They're really saying, Jove you." 1 hear F an BB Babies cry, T watch them qrow Ga ? a7 be They'11 Learn much more than T’11 ever know, ie a7 CT Fe BT 07 And T think co myself wat @ wonderful world Ga cr Bb ves I think co myself, waat 2 wonderful world. 147. Gorge 0, We George Doge [Say CLARET MUSIC INC. RANGE ROKD MUSIC ‘sam HEALD SOUARE HUSIC CO /ASLENE MUSIC CORP. ‘Et Deuaclad, US und espe Lander MELODE DER WELT. ICHEL KG. MUSKVERLAG, Foon HlooeADO MUSIKVERLAG GME, Hanbury 250 WHILE MY GUITAR GENTLY WEEPS (eeaTues! An an/6 ano na} 1 Took at you all see the love there that's sleeping am 6 . z nile my guiter gently weeps . a an/G Ans nay Z look at the floor and I see it needs sweeping bm 6 ¢ E Still my guiter gently weeps a cin Fin cin Bn 5 T don't know why nobody told you how to unfold your love B Cam Pen Ct 2 don't know how someone controlled you They bovght and sold you an ane am pmaj7 2 look at che world and F notii praing Am 6 > White my guitar gently weeps am/G ARG rma? With every mistake we met eurely be learning Still my guitar gently weeps a cen rn cin T don’t know how you were diverted an e You were parverted too x Com Fem cts I don't know how you ware inverted an . No one alerted you an an/s ané nai? Took at you all see the love there that’s sleeping bm 6 D e While my guitar gently weeps i an/G An na? Look at you all an & c E Still my guitar gently woops M7. George Marion 1 Yaeay HaRRSONS TD im Recta tar euler, Swe we OrGLOGAL HUSICVERLAG, Monon 251 ICH BIN VON KOPF BIS FUSS AUF LIEBE EINGESTELLT THAREENE DIETRICH) F ant Fo ct on 1, Eip rateelhatter Schinmer, sin jene sais pas quot, a gn ct F crs logt in den Augen inner bei elner schénen Frau. F Dm? BoC en? Dock wenn eich meine Augen bei einer vis a vis F € er e7cts+ ganz tief in se fe Seugen, was sprechen dann sie? Refrain: FP Enaj7 F7 2b son F emai? P6 Ft ich bin von Kopf bis Fuh auf Llebe eingestell ton Bomé C7 ¥ Fo c7 meine Welt und sonst gar nichts. Be Bon f Fmaj7 Fe Pt Das ist, wag soll ich machen, meine Natur: F Gav Bbaé C7 F Toh kann halt lishen nuz und sonst gar nichts: Ndnnex umschwizen mich wie Motten um das Lich Prec? 7 For und wenn sie verbrennen, Ja, dafur kann ich nicht. F Png? F7 5b Bbn PF. cré 07 ich bin von Kopf bis Fus auf Liche eingestelit, a? Bom C7 F denn das ter meine Welt und sonst gar nichts. F Ant Fo C7 om 2, Was bebt in meinen Handen, in ihrem heifen Druck, sie michten sich verschwenden, sie haben nie genug. F Ant Fo. En? Ihe werdet es verzeihen, Thy wide es halt versteh’n, F cel Cr cre es lockt mich etets von neuen, ich find" es so schon. © Say UisonVeragageetecal nit MG UFA Muskvorape Minn 252 LIEBESKUMMER LOHNT SICH NICHT > a7 1, Im Hot, da spielte ote mit Joo von vis-a-vis, (sie MaLevIsT) doch dann 2og er in eine andere stadt. ie hat sie da geweint un ahren besten Freund, > 37 D da gab inr die Masa den guten Fat. Refrain: Liebeskummer Icbnt sich nicht, D schade un die Tranen in der Nacht. oh, yeah! Liebeskunmer lohnt sich nicht, my Darling, Weil schon morgen dein Herz daruber Lacht 2. Mit achtzehn traf sie dim, sie triumte aur von ihm, ebt, das war 0 schon. vom ersten Mal ver! doch Jim, der war aicht treu und alles war vorbed. 7 7 7 ba konnte sie 8 lange nicht verstenn, Bis dann dex eine kam, der in den hem sie nabm, ‘aun gebn sie durch ein Leben voller Gitick Und gibt’s von Zeit zu Zeit mal einen kleinen Streit, D aD D Dann danke sie an das alte Lied zurtck. Refrain 1 Chrstan Bab: Gain Bunebor 1 oy Hare Musk Vo Gb 253 SCHULD WAR NUR DER BOSSA NOVA c o 1, Als die kleine Jane grade 18 war, fonrte aie der Tim in die Dancing B 7 F Doch am nichsten Teg fragte die Mana é Gt c Kind arum waret du erst am Morgen da cmnvetay Refrain Schuld war our der Bossa Nova, was kann ich dager. c o c Schuld war nur der Sosaa Nova, bitte glaube mix. fon wenn einer Rossa Nova tanzen kana, fangt fiir mich die groBe Liebe an. a c Schuld war nur der Bossa Nova, er war Schuld daran War's der Mondenschein? No, No, der Bossa Nova oder war's dez Wein? No, Noy dex Bossa Nova. 7 Konn dag méglich sein? Yeah, yeah, der Bossa Nova. cE c Er war Schuld daran. © 7 Doch aie Kleine Jane blieb aicht inner klelb, erst bekam sie Jim, dann oin Tecnteriein o e nd die Tochter Eragt heute dle Mana c 6 c seit wann habt ihr eveh gern, du und Papa? ‘org SLANE IT ON THE BOSSA NOVA AU Bary an end Syn ‘Soa Soon Gem Ek Mn, US “Exc Patong Le Longon WIC2N GEA ‘Repose by pomason ronal Muse Publeaons Lis 254 THE BALLAD OF BELLY 0’ CONNOR Book a z 8 Gell Belly was a young man with beautiful eyes, E e z 5 he tried to seduce every girl with his lies. R B 5 a oh Belly ronanber the beautiful day, z x 8 oo with the young landlord’e daughter and you in the hay. (COALMINER’S BEAT) And several ronthe later, the cleck struck ten times She congessed ner secret with tears in her ayes, From this day on Belly, you were seen no more, bell you packed all your bags and escaped to the shore. Refrain: = 3 A 8 oh Belly, oh Belly what have you done? 2 8 aR 3 Belly, oh Belly in the warm summer sun. = 5 x B Belly, oh Belly you have @ to year old sen. 5 a = z Belly, please cone home until he is grown. But Belly joined the army and sailed far away. To the coast of New England and the New Hampshire Bay. Where brothers fought brothers ina terrible way. Bnd after the killing they shouted: Hooray!” And you were amongst them, my poor Belly boy. You Zought for survival and you Fought to destroy. Did you ever remenber that girl in the hay? Oh Belly, ny Belly why aid you go astray? oh Belly, oh Belly... . A 5 EB And one day your ship anchored near by the quay. B B 5 And the young wives had tears in their cyes, while they wait. B 3 E only your wife was waiting in vain and she cried, . 3 c fas the officer told her that Belly has di ch Belly, oh Belly.++ oh Belay, oh Bedly ‘Ser Sasana Fre Susanna Sane {Fer Sarned Seon isso Gogo Sere ‘rarer ayer Vou aus Ober Sescha FP ‘taonra sone Ara lnivola Gon Bie 255 TAKE ME HIGH ABOVE ~ . (CORLMINER’ S BEAT) intzor Sm En c Smoke hangs on the city like it always used to be on D While the first leaves are felling from the creas En c Mother looks, 1ike she always did, @ D ae the earth falls down on the cof#in lid. En 5 Later she’s watching the pictures of her son, Em D and asks herself, how life is going on Es c Father's wiping the tears from his eyes: s D ‘loo many questions are missing replies Ba En Bn D ‘The paving stones are full of blood, spilled in all of those years. Bn in c c > The difference in praying to god hae built 2 wall of tears. coe D Take me high above, high above the sky eee oe D Take me high above, 13 years are too young, En tee young to die. Now she’s sharing so any wonen’s fate. The soldier who shot has got hie parade, Nothing changes at this biosdy place. Tonoesow they're standing on another one’s grave, And anoke hangs on the city like it alvays used to be, While the last leaves are failing from the trees. Mother looks, like she always did, a8 the earth falls down on the coffin lid. The paving stones... take me high above «+. Spoken: On the 30th of january 1972 soldiers shot into a crowd of men, women and Childven, who wace marcning to Londonderry peacefully fighting for thelr civil rights ag a religious minority. 1¢ people were killed on that bloody sunday. On the ath of october 1976 twa beitien patrols shot into a group of playing children in Turf Lodge, Belfast, Northern ireland. Brisn Stewart waa hit by a plastic bullet from 2 distance of only two meters. Brien Stewart died just six days later st the age of thirteen! Take me high above ... 1 Sti Gre Sc Vose 08! heer Sansa ex ounone Samick $l Sed Sot Ga ena dotoneMejr! Vou Sous Oer Sera Pek 256 Sitwe Scher byron user O00. ton Bar ‘at Reon rds Wer MERCEDES BENZ (uaMts gorumN) (keine Akkorde) oh Lard, won't you buy me a Mercedes Benz. hy friends all drive Porsche, I must make amends. Korked hard all my Lifetine, no help from my friends Oh bord, won't you buy me a Mercedes Benz. Oh Lota, won’ you buy me 2 color TV. “Cause Dialing for Dollars” is trying to find me. rwait for delivery each day until three, oh’ hara, won’ you buy me a color 1. ob Lord, won’t you Puy me a night on the town. F'm counting on you Lord, please don’t let me down. Prove that you love ne, and pay my next rent. Oh Lord, won’ t you buy'me a might on the town. oh Lord, won’: you buy me a Mercedes Benz. Sy friends oll drive Porsche, I must ake amends. forked fisid all my 1ifetame, ‘no help fron my friends. Oh Lord, won's you buy me 2 Mercedes Bonz. MT Jol Jai McCue, Mena) Nau, Baby 1 Yardy Stang Am Muse ‘5 Rot Guat Maver Ge 257 KARL DER KAFER a (chuseuaury a D Niet im Wald zwischen Hoos und Farn, an = da lebte ein Kafer mit amen Karl € ¢ Sein Leben wirde jah zerstort, Ba = als er ein dunpfes Grollen hért. Larmende Maschinen uberrollen den Wald, lubertonen den Gesang der Vogel schon bald Mit scharfer Axt £411 man Baum un Baum, zerstort damit seinen Lebensraum. Refraint An c Karl dex Kiger wurde nicht gefragt, ¢ on van hatte Sha einfach fextgesagt. On Karl der Safer wurde nicht gefragt, 6 ia van hatte ibn einfach fortoejage. Ein Band que Asphalt breitet sich aus, Eordert die Natur zum Rickzug auf. Eine Blone, die noch am Hegesrand steht, wird einfach zugeveert. Karl ist schon langst nicht mehr hier, fin Plate fiir There gibe's hier nicht mehr. Dort, wo Karl einnal zuhause war, fahren jetat Kafer aus Blech und Stahl. Refrain Refrain M- Geral Detmann ster Rosberg {Se by Bay urhveraga Hans Garg & Ca, Srgich latch ©1962 y Papagiyebnwrnge Hane Geng 2H, Bern Gadoot, 258 LAY BACK IN THE ARMS OF SOMEONE (SMOKTE) 6 B 6 D 1, TE you want my sympathy just open your heart to me D s You LL gat whatever you'll ever nesd. You think that's too high for you Baby T would aie for you hen there’s nothing Le: you know where 1711 be. Refrain > Ba You lay back in the arms of someone, > ‘en You give in to the charms of someono, ¢ a A You lay back in the arms of someone you love. D Ba You lay back in the arms of someone. Then you fee1 you're a part of someone 6 a > You lay back in the azms of soneone you love. 6 D 5 D 2, So baby just call on me when you want ell of me: 6 2 x EfL1 be your lover, T/11 be your friend. 6 > cs D ‘There’s nothing that T won’t do, ‘Cause baby I just Live for you @ D x With nothing to hide no need to pretend. Refrain 6 D 3, Oh I know you think thate too Aigh for you ¢ B But baby T would die for you s D A then there’s nothing left I’11 be with you Refrain ‘Shy Chnhap Puaishng ul Satan Darton rb (6G UPA Mushserqo), Munchen bill Reo or beuschina Orsenech Sehwets CUS. Ramer, Btigaien Abana, chem. gelaion 259 LEAVE IN SILENCE ae (DEPECHE MODE) inter an © ae F an. 1. T've told myself so many times before F aR But thie time I chink I mean it for sure 6 c He have reached a full stop . 07 an Nothing's gonna save us from the big drop an oo 2. Reached our natural conclusion De ro aa OutLived the illusion 6 c I hate being in these situations > D7 That call for diplomatic relations Brige On TET only knew the angwer or I thought we had a chance or Z could stop anf An this I would stop this thing from spreading Like a cancer Refrain What can I aay? I don't want to play anymore Dr fn What can I eay? I'm heading for the door Em Tean't gtand this enstional violence Aw D7 Bn Em Aw Leave in silence 2a D7 Da Bm Am Leave in silence an F an 3. We've been sunning around ia civcles ali year An F 2 Doing this and that and getting nowhere 6 € This'll be the last time > DT an Am FG CDOT T think J said that Last time Bridge: De TE t only had @ potion, some magical lotion that could stop this, T an An would stop this I would set the wheels in motion Retrain 2 aera anes ats feiise maig Caco aM = 260 Reproduced by permission of Iniemational LIVING NEXT DOOR TO ALICE (suoxie) 6 2, Sally called when she got the word t D She said I stpose you've hoard 6D about Alice ¢ liell T went to the window and locked outside ¢ 5 could hardly believe ny eyes > 6 2 As the big Mmousine pulled slowly into Alice's drive Refrain: € well don’t know why she’s leaving or where she's gonna go c f guess she's got her reasons but 7 just don’© wanna know D 6 cos for twenty-four years I've been living next door to Alice D Alice, who the FUCK is Alice 6 Twenty four years just waiting for a chance Yo tell her how I feel and maybe get a second glance . é 6 Now Ive gotta get used co not Livin! next door to Alice DB Alice, who the FUCK is Alice 2, We grew up together, tHo kids in the park Carved cur initials deep in the bark be and Alice Mow she walks through the door with her head held high Just for a second 1 caught her eye Re the big limousine pulled slowly out of Alice’s drive Refrain 3, Sally called back, che asked how T Felt She said oI know how’ to holp Get over Alice” She said Now Alice te gone, but I’m still here, Te been’ waitang twenty-four years." And the Limousine disappeared... Refrain (slower) No E11 never get used to not c 6 Taving next door to alice “L1VNG NEXT D00R TO ALICE i fy Cnn he Capa ‘Sy chmenap Pusienng egrets uskceston Besar Grat (BS Ue tae mieten 261 DIE KLEINE KNEIPE TT (PETER ALEXANDER) Sn Der Abend senkt sich auf die Dicher der Vorstadt, D die Kinder von Hof mussen rein. bie Keamorefrau fegt das TrottoLe vor dem Laden, ‘Gn ihr Mann tragt die obstkisten rein. Der Tag ist vordber, die Menschen sind mide, doch viele geh’n nicht gleich nach Kans, on dena dxvben klingt aus einer offenen Ture DT ¢ Musik auf den Geheteig hinave Refrain: 6 osc Die Kleine Kneipe in unserer Strate, G6 D a wo das Leben noch lebenswert ist. ¢ 6 Dort in der Knipe in unserer Strate, D mn da fragt Dich keiner, was Du hast, odor bist. Die Postkarten dort an der Wand in der Ecko das Foto von FuBballverein Gas Stinnengewirr, die Musik aus der Jukebox all dag ist ein stdckchen dahein Du wirfet eine Mark in den Minzoutonaten schaust andern beim Kaztenspiel 20. Und stenst mit den Pile in der Hand an der Theke fund bist gleich mt jeden per Dv. Refrain Man cedar sich heL6 und spricht sich von der Seeley was einen die Laune vergalle Bei Korn und bes Bier findet mancher die Lésung, fir alle Problene der Welt Ner Hunger hat, der bostellt Wurstchen mit Kraut, Weil's andere Speisen nicht gibt. Die Rechnung, stent hier auf den Bicrdeckel draut, Goch beim Watt hier hat Jeder Kredit. Refrain Refrain Tat teal KUNZE ip. Het ET RLEINE CAFE AAN DE HAVEN” ‘Soy vabo music By. Fur beacons Oster, Samet GUS, ocurp, ‘Stan (na Bary). Tost Un Gerdes er. dupa, NEUE WELT MUSKERLAG GiB, Munchen 262 LET IT RAIN intro: Cin Ag Che AS {AMANDA MARSHALL} cin a9 z have given, I have gives and got nono Cis 29 still I'm drives by something I can’t explain 5 Atte not a cross, it’s a choice re) 2 ean not help but hear his voice 3 as 2 only wish thet I could listen without shame Refeain: BB Fim 8 Let it Zain, let ir rain on me = 3 Fin 8 det it rain, oh let it rain, let it rain on me cin ag 1 have been a witness to the perfect crine chm ag I wipe the grin off my face to hide the blame 3 it den’ goth the tears you czy 9 to have a perfect alibi a 29 now I'm beaten at the hands in my own gane Refrain 29 2 Tt isn’t easy to be kind (it isn’t easy to be kind) ag B With all these demons sn my mind (with all these...) Fin Gtn A 2 only hope one day I'l be tree solo: Cim A Cia A B 22 a T do my best aot to complain (I do my best not to complain} Re 3B ny face is dirty fron the strain (ay face is dirty) Fin Gin & I only hope one day i411 come clean Refrain e B Fm a Come take my Rend, we can walk to the Light z BP a fand without fear, we can see through the darkest night Refrain yong ketan 1 Zapym tb PSD Line ons Lane Most Foreman Peer lermany mb 263 MR. JONES {couNTING CROMS) an oon G oo 6 she la ia la la la la wh ube an F oe 6 Twas dows at the New Ansterdam staring at this yellow-haired girl Bn F 6 Mx, Jones strikes up @ conversation with this black-halred flamenco dancer bx 5 ba 6 She dances while his father plays guitar. she’s suddenly beautiful aa F & Wie ail want something beautiful I wish T was beautiful an e So come dance this silence down through the morning Da 6 an cea sha la la Ja le la le le yeah toh bub. an F Dn 6 Cut up, Mexia! Show me some of then Spanish dances im e 6 Pass me a bottle, Mr. Jones an zbe c Believe in me Help me believe in anything im F & (cause) I'want to be someone who belioves c F 6 fie. Sones and me tell each other fairy tales c F Stare at the beeveifol women 6 pShe’s looking at you. Ab, no, no, she’s looking st me: ¢ F 6 Smiling in the bright lights Coming through in stereo € F 6 When everybody loves you, you can never be lonely an F ba 6 Twill paint my picture Paint myself in blue and red and black and gray an F 6 Il of the beautiful colors are very very meeningful on F es ¢ (you know) Gray is my favorite color I felt so symbolic yesterday an F 6 TE I knew Picasso I would buy myself a gray guitar and play cor 5 Mr. Jones and me look into the future c F Stare at the beautiful women ¢ wshe’s Looking at you. Uk, I don’t think so. she’s looking at me.” é F 6 Standing in the spotlight 7 nought myself a gray guitar 264 c F 6 ain when everybody loves ma, I will never be lonely Bn 2 will never be lonely 6 2 will never be lonely Dm F F'want to be a Lion Everybody wants to pass as cats am 6 Re all want to be big big stare, but we get different reasons for that. Bn F Believe in ne because 1 don’t believe in anything ae 6 ‘and T'want to be someone to believe, to believe, to believe. cE 6 Me. Jones and me stumbling through the barrio c F Yeah we Stare at the beautiful women 6 uSha!s perfect for you, Man, there's got to be somebody for me. é F E want to be Bob Dylan € Mr, Jones wishes he was someone just a Little more funky c F ¢ When everybody loves you, son, that's Just about as funky ae you can be. c oF 6 Br. Jones and me staring at the video c F 6 lihen I look at the television, I want to see me staring right back at c F s fie all want to be big stars, but we don't know why, and we don’t know how. ¢ F s but when everybody loves me, I’m going to be just about as happy os T can be. ce s Nr. Jones and me, we"r2 gonna be big stars 1127 Adam Burts, Os Ben Nt hay Stove Bowman ard Chto Gitar (Ste donee Fala Most Et Sacwod me Ws USA {nur Basen utd enon WDA CE Faved by perason at ematons tune Peon 265 LET THE SUNSHINE IN (37 piuensron) en 1. We starve, look at one another short of breath, . walking proudly in our winter coats, in 6 wearing smells from laboratories, facing a dying nation i 37 En of moving paper Eantasy, listening for the new told Lies ¢ ¢ with suprene visions of lonely times. En 2, Someunere, inside sonething, there is a rush of D greatness. tho knows what stands in front of En € our Lives. I fashion my future on films in space es 37 moe G Silence tolls me secretly everything, everything. ridge En Manchester, England, England, Manchester, England, England. an 7 Across the atlantic sea, and I'ma genius, genius I believe in God. And I believe that God believes in Claude, that's me ,that’s mo. En Rest in Silence: 1. Steophe: 3. Singing my space song on 2 spiderweb sitar f Answer for Timothy Leary, ra BT © s Let the sunshine, iet the sunshine in, the sunshine in. m BT Ea © 6 et the sunshine, let the sunshine in, the sunshine in. MT Gatecoermo, Janos Rs an Gorome Roan {fos en Catsoque Peer Ei Utas Parnes Lis USA ‘Worwee pit gtr contoled yore ot ne USA IMB Li ‘eased by parmesan of tmahoa un Pusestons 266 LIVING ON A PRAYER oo (eon sovr) Bn Intro: Onee upon a time, not so long age Em 1, Tommy ueed to work on the docks Union’ s been on strike, he’s down on his luck it’s tough, so tough. Gina works at diner all day working for her man, she brings home her pay cD EM for love, for love. she says, Refrain: mic 0 im we've got_to hold on to what we’ve got c b Bn cause it doesn’t make 2 disference if we make it or not Es € D mec We've got each others and thet'e @ lot for love . we'll give it a shot Er c Cec Oohoh, wetre half way there, ohoh, living on a prayer ine > cD be Take my hand and we’ll make it, I swear. Gohoh, living on a prayé kn 2. Tommy got his six string in hock now he's holding in what he used to make it talk oe oan go tough, it's tough Gina dreans of running away When she cries in the aight Tommy whispers cD Ep Baby it’s 0.K., someday Refrain c en we're Livin’ on @ prayer. En eo En Netve got to hold on ready or not. 12 T Jon Bn dow Ree Seba 7 7 Deora ni 20 Porm nestor You live for the fight when it's all that you've gor §.iHePa¥Gum mers En ¢ pac Ban son Paring Oohoh we're half ay there. Gohsh living on 2 prayer EWAgiMume\ncponied mC . BesmateMuscCompeny conor, 11 make it, 1 swear. (OS Umea! ne Pasteng tmte, take my hand and we'll make it, 1 . UA era Pub ao Consanwemiaveceo Oohoh Living on a prayer aoe 127 Charg Coes Roa Censors tor Saat 267 ‘tsar’ Sony Sears DREADLOCK HOLIDAY (0 coy Intro: Gn Gn? cm xd oe Ge? ce on cn? cm E was walkin’ down the street, concentratin’ on truckin’ right Gn on en heard a dark voice beside of me, cn Gn? cn And I looked ‘round ina state of fright. ‘ Cn I eax four faces, one mad? a brother from the gutter. on ca Gn Gn? om x2 ‘They locked me up and donna bit and turned to each other. cn Gn zoom ae T'say, I don’t like cricket, oh no, 1 love it. Ge Boch BB T don't like cricket, oh no, 1 love it. Bb Don't you walk through my world. You got to show sone respect ro c Don’t you Walk through my World, Cause you ain't heard me out yet Gm Gr? Cm x2 cn nt Rell, he looked down on my silver chain. ‘on ‘on? cm He said: ‘1711 give you one dollar’. on m7 cm I said: ‘You've got to be jokin’, man, Se Gatch Te was a present fro me mother? Gm cn He said: ‘I like ity I want it, 1/11 take it off your hands, Gr Ce And you'll be sorry you crossed me, You better understand ce Ge Gat’ cn ca Ga? ce That you're alone a long way fron howe oe a Eb cn Bb And I say, T don’t Like Reggae, oh no, 1 love it, Gr fb cn BD don't Like Reggae, oh no, I love it. Bb Don't you cramp my style, don’t you queer me pitch. Bp ° Don't you walk through my world, ‘Cause you ain’t heard me ut yet. Gm Ga7 ce x2 2 hurried back to the swirming pool, drinkin’ Pins colada. I heard @ dark voice beside me say Swould you like something herder? ghe said: ‘I've got it, you want it, my harvest is the best, and if you try ity you'll like it and wallow in a dreadlock holiday kn I say, don’t itke Jamaica, oh no, T love her. Don't Like Jamaica, oh no, T love her Don't you walk through my words. You got to show sone respect. Don't you walk through my words, "Cause you ain’t heard me out yet. Tdon't like cricket, oh no, T love it (dreadlock holiday) I don’t like Reggae, oh no, T love it (dreadlock holiday) I don’t Like Janalca, oh nd, I love her (Greadlock holiday? 117 Exe Stan, Gram Gouliman ‘Sera hcg Ldn CEH DEA pros by pemsnan of maven Mane 268 Fibteaom AN INDEPENDENT LOVE SONG (scanner) intro: G ‘on a > 5m 1, You could say this was an independent love song Br x D 6 It’s nothing Like to us what love ment to them s a > Bn That's not to save the love we have isn’t big or that strong Bn EN ¢ Tm doing t a different way, I’m doing it @ different way Bn a B Be 2. You might say this is another boring love song mR D e To be together and forever be true 6 4 . 2m Bnd so today is much the same as it was then 2m R Yin doing it a different way, I’m doing it @ different way Refrain: DA 6 T show you how to take me - ride on, ride on DR 6 E show you how to turn me - ride on, ride on DA ¢ T show you how te touch me 3 eG > Fide on, ride on, ride on, ride on, ride ony ride (on) Bn a D Bn 3, Now it’s fun that many men will look my way Ba a D 6 And I/11 Take them home end let then shew me tho way ¢ a D On And sure I like @ few but I leave the rest to claim Be a T'n doing it a different way, I'm doing it 2 different way Refeain (1 gotta show you how to .+.1 Bn & 5 En 2 different way, ina differant way, in a different waiaiay Be B é Tha different way, in a different way, in 2 different waiatay Refrain M21 Joss Yous & chery arr os chet mes, re Cyto, (esp permite fuse Sts Ld DRE Rovere Iterations Cope Seoued 269 HEAVEN can 6 «Oh, thinking about ali our younger years (evan DAES) 6 we were young and wild end free an ¢ nothing can take you away from me on om We've been dun that road sefore bm e But that’s over now, you keep me comin’ back for more Regrain: F 6 an Baby you're all that T want Whon you're lying here in my arms F @ an 6 T/m finding it hard to believe we're in heaven F a an And love is all that T need © F And T found it here in your heart F 6 ae 6 Tt isn’t too hard to see we're in heaven 3. Ohy once in your life you find soncone who will turn your world around Bring you up when you're feeling doxn 4, Yeah, nothing could change whet you mean co me Oh there's lota that I could say But just hold me now, ‘cause our love will light the way Refzain bn F T've been waiting for so long c an For something to arrive Pm ¢ For love to come along on F Now our dreans are coming true c am Through che good times end the Dad 6 Yeah, 1/11 be standing there by you Refrain 1 T-byan Aas 8 Jn Vance (2 jae ig tase rcrortes ‘aan Communeston corte ‘moins Corpora Tecmo i, (09k enor te eran Leno ‘on tone Green. Ln SW ATW ead by person [igi Reserved nana Cpa Secures 270 ZRUCK ZU DIR (HALLO KLAUS) a wen 1, Toh weiss net amol mehr was los wary D h waneachainlich war er wieder mal blau. E Ptr Vielleicht hab I was gaagt, vielleicht hab I ihn greizt, D ze (sud F) Ich weiss es halt ninmer genau. (IICKEBOCKER UND BIENE) Er redet ja oft gern an Blodsinn, und T halt mi dann au ninmer 2ruck, Bana hang I ihm gechwind no 2 Goschen oa Dann spieln wir halt na beide verruckt Fen cin Jetzt ist es schon uber a Wochen hex, D x ich halt dee net obne ibn sus, ‘chm Fin jetet Euf I iha an, und wann or sich meldt, 2 = sag I 20 ihm, qlallo Klaus!* Refrain: a D e x T will nue gzuck 20 Diz, I will nur zruck au Dix, kannst Dy mix noch einnsl verzeihn, e i Z hab viel, viel zu bereun. Fem im Mir ist klar, T war a Nare, E a Twill nur tzuck 20 Dir, a D 5 a {will nur zeuck 2u Diz, I will nur zruck zu Dir. Fan ca Mir ist klar, I war a Narr, E R Twill nur zeuck 20 Diy, 2. So kann t net leben, des gibt ma kei Rah. T'nalt des net sus und gib nach am Tag deeh I durch, in dee Nacht lieg T wach, weil in der Hell sah meine Augn schon 2u. $0 jetzt reiss 1 mi zeanm, pfoif auf den Stolz, jetze suf ich inn an in mein Schmerz Ber ruft sicher net an, der hat ja kein Herz, aber I bin halt nee aug Holz. 1 2ivtr an den Wind, als 1 die Numer waht, hoffentilcn ist ez dahein. Esag wHallo Klaus, 1 bin’s Deine Maus", Ga hor"I ihn, I'mein ich traum: Refrain 2x oT Malta PSAs iaiwerag 21 KILLING ME SOFTLY WITH HIS SONG Refrain: En an? Strunming my pain with his fingers 5 ‘Gnas? singing ay Life with his words En a ling me softly with hie song B ry killing me softly with Ris song & c telling my whole Life with his words Pnei7 Killing me softly with his song. ant D T'heard he sang a good song é e E heard he had a style im? D and 20 1 came to see him and Listen for = while. Bat Dt And there he was this you é 57 3 stranger to ny eyes. boy Refrain I felt all flushed uith fever ecbarsassed by the crowd, T felt he found ny letters and read each one out loud T prayed that he would finish ut he just Kept Fight on. Refrain He sang as if be knew me in ell my dark despair. And then he looked right through me a5 if 1 waso’s there, But he just. kept on singing Binging clear and strong, Refrain 272 (BORERTA FLACK) Chats Fox: Noman Girt 1162 by Fox Gab Poe For /A/ Ost Eupe Eaton rosa Gb LIVIN' LA VIDA LOCA a (RICKY MARTIN) cin 1, She's into superstition, black cats and voodeo dolls: And T feel a premonition, that girl's gonna make me fall. can 2, She's into nex sensation, new kicks and candle light. She's got a pew addiction ¢'full ev'ry day and night. FA tm She'll make you take your clothes off and go dancing in the rain a B She'll make you live her crazy Life, as she'll take away your pain, Like a bullet to your brain. Refrain cin Badao cin upside, inside, out, she's livin' 1a vida loca. ‘Baddd Cam She'21 push and pull you down, livint la vida loca. Badde cin Her Lips aze devil zed, and her skin's the color mocha, she will wear you out, Badd Cen Badds cin Badds cin Tivin la vida loca. Livin la vide loca, she's Livin 1a vida loca. Fin stm She! LL make you take your clothes off and go dancing in the rain a 5 She'll make you live her crazy Life, as she'll take away your pain, Like @ bullet to your brain. Refrain crm 3. Woke up in New York City, in a funky cheap hotel. She took my heart and she took my money, she must have slipped me a sleeping pill. Fen cin She never drinks the water, makes you order French champagne. B B And once you've had a taste of her, you'll never be the same, yes, she'll make you go insane. Refrain M47 Desa ch & Rot ose 1S Seto Ccsmontcn versal usc Publi Lents, Trustee Read London (20%) baa by pemesanet Saswors Gab [iris Rarer Cop Secure. 273 Roninsm vonPotuenng te besser CUS yd ‘Stoubpatone Liner Muntvorag rng Gm MY_WAY (FRANK SINATRA) D na? ane er 1. And now, the end is near, and 20 I face the final curtain, 2a Ent aT D> My friend. 1/11 say it clear, 1/11 state my case of which r'm ceztaia, De Dna? by s cm Tve lived a live that’s full. 1 travelled each and every highway, . a Bet D And more, much more than this, I did it my way. D Deas? ane 57 2. Regrets, I’ve had a few, but then again, too few to mention En En? aD 5 T did what I had to doy and saw it through without exemption B mai7 oT 6 cn I planned each charted course, each careful step along the byway, . 5 En? D And more, mich more than this, I did it ay way. D br Yes there were times, I’m sure you knew, c when I bit off more than I could chew, Ent 37 But through it all, when there was doubt, Féin? a) 1 ate it up, and pit it out. ‘bot a7 I faced it all, and I stood tall, and dig it my xay. . ma? 3. I've loved, I've laughed and cried BAG 57 Tive had my £111, my share of losing. en En a7 D And now, as tears subside, I find it all so amusing. D pnaj? D7 ¢ cn To think T oid all that, and may I say, not ina shy way. D a a? 0 (Oh no, oh noy not me, I did it my way". D ” For what is aman, what has he got? 6 If not himself, then he has naught. En? xT To say the things he truly feels, Fin? Bn land not the words of one who kneels. Bn? a he recard shows T took the blows Em 0 (rg Tee: COMME OHABTUDE and did it ay way! A Soegoe Rava Clade roca Org Ties Tito! onl T Paul ke Sorby Socne de Nowe Eons Ey Barclay? ator lune Msioe Pars ‘orDeusch Grove Elion Matet GUSH, Henburp 274 NO_WOMAN, NO CRY intro: GC G/BaAM FCF CG (BOB MARLEY) © o/s an FC OF cos No woman, no ery, no woman no ery (2x) Coe ae F Said T remenber when we ued to sit e ae 2 F Tn the government yard in Trenchtoxn c GB 2m F Oba, observing the hypocrites as they would cha c/a hm F Mingle with the good people we ret c c/a Bm F Good friends we had oh good friends we lost Coc Am F Abh long the wey c ‘c/s an F fn this bright future you can’t forget your past c cB So dry your tears T say, and No woman no czy, no woman no cry Here little daziin’, don’t shed no tears, no woman no cry Said 1 remeber when we used to sit In the government yard in Trenchtown. Rnd then Georgie Would make a Tirelight Ag it wae love would burn in through the night. ‘han we would cook cornneal porridge Of whieh I"L1 share with you. My feet is my only carriage, 50, I've gor to push on through, but while I'm gone c ov ae FG Bv'cy thing's gonna be alzight, Ev'ry thing's gonna be alcight. Evley thing's gonna be alright. Ev'ry thing's gonna be siright. No woman, no cry...No woman, no cry. Here little sister, don’© shed no tears, no woman, no cry. repeat 2nd verse No woman no exy, no woman no cry Oh my Little darlin’, don't shed no tears, no woman no cry oh my little darlin’, don't shed no tears, no woman no cry fere Little sister, Gon’e shed no tears, no woman no cry, because Burry thing's gonna be alight, Gv’ry thing’s gonna be alright Evry thing's gonna be alright, Ev'ry thing’s gonna be alright. No woman, no cry.+.Ne wortan, no czy. [Bisrariy sxe Road Muse LintelOsr Msc Lines Buen tse ini ‘Algtscorgati and aainststed by Rykomesc Lite, tsar an, Canin 0 RA, ‘Gay parson of Bamrth Gr ‘MRghe Rasen Iratonal Copy Secs 275 LOGICAL _SONG (supERTRANP) an F 2 1, When T wes young, it seened that Life was so wonderful, 6 F Fhaie a miracie, oh it wae beautiful, magical. an F e And all the birds in the trees, well they'd be singing so happily, é F hain ob, joyfully, oh, playfully, watching ae. 2, But then they sont me away, to teach me how to be sensible, Ldgica ok, responsible practical. And they showed me a worid where i could be so dependable, eb, clinical, ob, intellectual, cynical Refrain: ¢ Fentbs/c ‘There are times when ell the world's asleep, F/c Bb Dn/Bb Gm On/F the questions run too deep for such a simple man Gg amTDs/c won't you please, please tell me what we've learned? F/C H 1 know it sounds absurd, Please tell me who T am 1b Dm/Bb Gm Da/FsI 1 3. T said, now xateh what you sey or they'll be calling you a radical, 2 liberal, oh fanatical, crininal ‘Oh, Mon't' you sign up your name, we'd like to feel you're acceptable, retpectable, of, presentable, a’ vegetable! c Fen7B5/6 AE night when all the world's sleep, Fe Bb Dr/Bb Gn Da/? the questions run too deep for such @ simple man ¢ Fentbs/e Won't you please, please tell me what wetve learned? F/C T1:Bb Dm/Bb Gn Dm/Fs | I know it sounds abeurd. Please tell me who T am. BS bm/sb Gm Da/? who T am, Bb Dm/Bb Gm Da/F ‘sho T amy Bo Dn/Bb Gn Dm/e who 1 am, AT /Dm Am/D A? Dm A/D F 1 T Roger Hegson & chad Davis (tals Onions thcAins use Corton, USA Rondo Mus (enon Lents, ‘ok Parsons Crean Langon SW 7 he Un ingson an the Repti tan Used pemeson Ai gms Resovnd reatons Copy Secwed 276 STAND BY ME c am When the night has cone and the land is dark (BEN E. KING) and the moon is the only light wetll see, no, I won't be afraid, no I won't be afraid, F 6 c just as long as you stand, stand by me Refrain c an 50, darling, darling, stand by me, ohy stand by me ® 6 ¢ oh, stand, etand by me, stand by me © bn Z£ the sky that we look upon should tumble and £211, F ¢ c or the mountain should crumble in che sea, E won't ery, 1 Mont cry, no, I wontt shed a te P 6 e just ag long as you stand, stand by me Ms en King. ery Lebar an ke Ser 1 0b Rorawed) ry Later Mask Mite Soler Wit an TH MuBK Co, Ine ‘rans Resonee 207 14 = 75 (CONNELLS} Into: an roc oF coe F « Got no Eeason coming to me in the rain running down c cS there's no reason F ¢ F e land the same voice coming to me like it’s all F © ¢ siowing dowa and bolieve ne. am c Refrain: I was the one who let you know, 6 F aa cd Eas your sorry ever after seventy-four, seventy-five F coe cc F 2, It's not easy, nothing ta say cause it's alzeady said. ceegan It's never easy ° c Fe G fihen T look on your eyes then I find that I'12 do Fine F c 6 hen I look on your eyes then I do better Retrain Giving me more and 1/11 daty, cause you're really only after seventy-four, seventy-five 3. Got no reason coming to me in the rain running down there’@ no reason nen T look on your ayes then I find that I'll do fine non T look on your eyes then 7 do better Refrain Giving ne more and 111 defy, cause you're really only atter seventy-four, seventy-five Refrain Giving me moze and 1/11 defy, cause you're really only after seventy-four, seventy-five es Tt Const Poy tT tame ne Recher Europ EV PUBLISHING GERMANY GBH, rae 208, ES LEBE DER _ZENTRALFRIEDHOF (ROLEGANG AMBROS) 6 En e 6 Es lebe der Zenttalfziedhof, and alle seine Toten, En an a 6 Da Fintritt ist far Lebende, heut’ ausnabmslos verboten. En an B 5 ei der Tod a Pest hout gibt, di ganze lange Nach c ia an En a in Em Hn G nd von die Gast ka einziger a Bintrittekarten braucht hann's Hacht wird ober’m Simmerring kumnt leb'n in die Tot’ Ura drub’n beim Krenatorium tans Klocheanark verbrat’r Dort nint'n bel der Maznorgrurt dort stengan zwei Skelette, Gie stese mit zwei Uraen gusamen und saufen un die Wette, 6 > F c An Zentralfriedhof is Stimmung, wie seit Lebtag no net woa, an c c em ER Hm Em fin G woil alle Tot'n feiern heut’ seine ersten hundert Jane. Ps lebe dex Zentralfriedhof und seine cubilaze. Sie iiegen und verfaul’n scno d= seit uber hundert Jahren Draud 22 kalt und aeunt is wacm nur manchmal a bissel feucht, wenn ma go dune liegt freut ma sich wena’s Grablaternerl leucht. Es lebe der Zentralfriednof, die Szene wirkt makaber, Gie Prarror tangen mit die Soren una die Suden mit Araber. Hou san alle wieder lustig, heut’ lebt alles auf. Tm Mausoleum epielt a Gand die hat an wannsinns Hanmer drauf c > F c An Qentralfriedhof ig Stirmuag wie seit Lebtag no net Koa, ‘Bn S c Em. "Eman En am 6 weil alle Tot'n felern heute ceine ersten hundert Jahr s Sm c e Es lebe der zentralfriedhof, auf a moi machts a Schnalzer, En a D © Ser Moser aingts Fiakerlied, die Schranwein spilln an Nalzer En an D c GUE anoi is di Musi etill und alle Aug’n glang’n cc 2 an en weil dort driibn stent der Knochennann und winkt mit seiner Sensen. 6 D F c Am Dentraltrledhof is Stinmung wie seit Lebtag no net woa, or 6 c Ea weil alle Tot'n felern heute seine ersten hundert Janr. 1 wotgang Abe: To Prekpst2 Soy Gober isc 209 (B08 DYLAN) F 6 c F Hoy, te. Tambourine Hany play a gong for ney xfm not Sleepy and theze is no place I’m going to F e c ? Hey, Ne, Tambourine Man, play a song for me, é F mn 6 CoG in the jingle jangle morning 1"21 come following you F s c F 1, Though 1 know that evenings empire has returned into sand, ¢ F Vanished from my hand, eft me blindly here to stand but still not sleeping. F & c F My weariness amazes ne, 1m branded on my feet, I have no one to meet, c F be 6 And the ancient enpty street's too dead for dreaming. Refrain 2. Take me ona trip upon your magic swirling ship. by senses have been stripped, my hande can’t feel to grip, My tees too mun to step, wait only for my bootheele to be wandering. Tim ready to go anywhere, I'm ceady for to fade, Tato #y oxn parade, cast your dancing spell ay vay T promise to go under it Refrain 3. Though you might hear laughing, spinning, Swinging madly across the sus, Trg not aimed at anyone, it’s just escaping on the run, And but for the sky theré are no fences facing. And if you hear vague traces of skipping reels of rhyme, To your tambourine in time, it's just a ragged clowa behind, Twouldn’= pay it any mind, it's Just a shadow you" re Seeing that he's chasing. Refrain 4. Then take me disapgearing through the snoke rings of my mind Down the foggy rains of time, far past the frozen leaves, The haunted frightened trees’ out to the windy bench, Par fron the teasted veach of crazy sorrow. Yes to dance beneath the diamond ety with one hand waving free, Silhouetted by the sea, circled by the circus sand ‘ith all enory and fate driven deep beneath the waves, Let me fouget about today until tomorrow bs 806 en coyote, 1965 Ware Bros. ne, Expy Ronee, 0 yoo eer 210 eps by Peracon sti Sale Capron LA _BAMBA IntroiD G AAT DGA (208 LoROs) 7 p Ga 1, Para beilar 1a bane para bailar la banba, se necesita una copa di gracia, tna copa di gracia para mi, para ti. 2. ¥ arriba, y arriba, ylareiba, y arriba, por ti sere, por ti sera, por ti sere, 3. Yo no soy marinero, yO no Sey marinero, soy capitan, Soy capitan, soy capitan. Refrain: DG Bamba 1a Banba Le Barba 1 2 2 Refrain Me T Reng Vale {hr Dotsbians GUS unt otegopaecho Lan USRVERUNG NTERGONG BH Hanbury 21 GUILDO HAT EUCH LIEB (curEp9 KoRK) Regrein: D to? Gulldo hat Such Lieb En? a und wenn" stich mal Tranen gibt 5 Sn? komt er ruber und aingt fur Each Lieder En? % do hat Buch lish, B nt 1, Ee gab cine Zeit eine Zeit voller Zartlichkeit > Hn? da wurde Xnuddela und Koutschen und Lisben En? * imrer gro8 geschrieben. (gma? bea? ch denk’ gern’ zurtick Fmaj7 an? fan die Zelt von Hlargonie und Glack, En? Gl ale ich taglich in ein Poesiealbum schrieb: Piep, piep, piep, ich hab’ Dich lieb. Refrain 2. In meiner kleinen Welt in der dev eine zum anderen hale und in dez Deine Tranen nicht Logen Teenen Teaume fliegen. Da war? ich 20 gern ‘war den Sternen nicht mehr all au fera und von dort schick ich Euch meinen Licbesbeweis Nussecken und Hinbeereis. Rete Bch denk! gern? zuruck an die Zeit von Harmonie und als ich taglich in ein Poesie Piep, pep, piep, ich hab’ Dich lieb. Refrain Guildo hat Such Lieb. Guilde hat Such Lieb. 1s T stan Raa go) 2 feb trig Geman bet Fechie watt aan von EMI Music Pabating 212 Simon Gre ombarg BASKET CASE (GREEN DAY) BS as 5. cts = Do you have the time. To Listen to me whine aS 55 BS About nothing and everything all at once. ES BS cts ts. 2, Tam one of those Melodramatic fools a5 5 35 Neurotic £0 the bone no doubt about it. aS BS BS Sometines 1 give myself the czeep aS BS BS Sometimes my mind plays tricke on me as Bs 1 all keeps adding up. E p chs. 1 think I'm ezacking Up. R = E Now am T just paranoid, or am I just stoned. BS Bs cts, cas, T went to a shrink to analyze my drears. aS #5 co She says it's lack of sex that's bringing me down. Es a5 cas. cts. 4, Pwent toa whore, he said my Life's a bore. Bs 55 BS And ain’t my whining cause it's bringing her dawn. 3S 35 ES Grasping to control se you better hold on, 167 Bile Joe ARNASTRONG,Fronk = WRIGHT, nko PRITCHARD Ferma nan Soe GUS. teu Sen Bata), NEUE WELT MOSHVERLAG GHB Minch 213 AMERICAN PIE (Dow weLEAN cD ge A Jong, long time ago Dn c en D Tecan still renember now that music used to make me smile. cee eal an © And I knew if I had my chance that I could make those people dance Be c D and naybe they'd be happy for a while, Ee I Ea an put February made me shiver with every paper I'd deliver. c ca e > Bad news on the doorstep. I couldn't take one moze step G Den An? b rean’t remenber if I cried when 1 read about his widowed bride, 6 D En ct GG Something touched me deap inside the day the music died. Refrain: ec s D 6 © So bye-bye, Mise American Pie. Drove my Chevy to the levee but the 6 ° 6 € 6 > Tevee was ty, then good old boys were drinking whiskey and rye, En ay singing thie’ lL be the day that 7 die, ir br Thistll be the day that 1 die, 6 an c an L. Did you write the book of love and do you have faith in God above? Bh D een: en TE the Bible tells you s0? Now do you believe in rock and roll? am c Can music save your mortal soul? Em 37 D7 land Gan you teach me how to dance real slow? ‘en > Well I know that you're in love with him Em ° cause I 244 you dancing in the gym, ¢ & x c D7 You both kicked off your shoes, nan I dig those rhythm and blues! co En I was @ lonely teenage Broneing buck, an € with a pink carnation and a pick-up truck, en c lc esc But T knew £ waz out of luck the day, the music died, 6 °7 I started singing Refrain 214 G Am C An Em DGD BR Am C Em AT 07 Bn DEmDCGATCD? GOHGRANC GDENCOTGCG Now for ten years, weve been on our own and moss grows fat on a rolling stone, but that's not how it used to be. Gause when the jester sang for the King 6 Quean in a coat he borzowed from James Dean and a voice that came from you and me. Gh and waile the king wag looking dowa the Jester stole his thorny crown She court zoom was adjourned no verdict was returned, And while Lesnon read a Sook of Marx the quartet practiced in the park. hnd we sang dizges in the dark the day the music Gled. fie were singing Refrain G Amc AM Em DGD Em Am C Em A? 07 En Dim DEGATCD? GDEn ANC GDERCOTGCG Helter skelter in the summer swelter the birds flew off with a fallout Shelter eight miles nigh and falling fast. ft landed foul out on the grase, the players tried for a forward pass but the jestez's on the sidelines in a cast. The half time it was sweet perfune while the sergeants played a maxching thine we all got up to dance but we never got the chance. Gause the players tried to teke the field, but the marching band refused zo yield, Bo yoo recall what was revealed the day the music died We started einging Refrain Gam CAM EmD GD Em AmC Bm A7 D7 En DimDCGATCD? GDEmanc GDEnCDIGCS fon and there we were all in one place, a generation Lost in space, with no time left to start again. So come on, Jack be nimble, “Sack be quick, Jack flash sat on 2 candlestick cause fire is the devil's only Friend, And as 1 vatohed hin on the stage ny handa were clenched in fists of fage, no angel porn in hell cou:d break that satan’s spell And as the Elanee climbed hich into tne aight to light the sacrificial Fite I saw Satan laughing with delight, the day the music died. He was singing Refrain G AMC Am Hm DGD Bm Am C Bm A7 07 EnDimDCGATCD? GDEmanc GDEnCDIGCS 1 met a gil who sang the blues so I asked her for sone happy news but she just. smiled and turned away. T went down Lo the sacred store, where I hoard the misic years before, but the man there eaid the musié wouldn't play. And in the streets the children screamed, the lovers cried and the poets Greaned, but not a word was spoken, the church bells all weze broken. Ang the three men I admire most: the father, Son and the Holy Ghost. They caught the last train for the coast the day, the music died. And they were singing: _Refrain 2x c D « this'll be the day that T die Ms ¥ Don eLenn (81971 May Mone, USA erate Ha inte, {ruta Pace Rose London We, ac pom of smart Gh 215 Aton Reverse reason! Cook Sees BEAUTIFUL GIRL eee cawxs) 8 BB e Ricky's in the corer, with a black ceat on 3 a e E Running from a bad home, with some cat inside a 5 = z How where did you find ner, anong the nesn lights a 5 8 5 That haunt the streets outside, she says stay with me ote E Beautiful girl (stay with wey rt ct e Beautiful gizl (stay with me) cin E She wanna go hone = z 5 z From doorsay te doorway, street corner to corner Bok 8 E 8 Neon ghosts in the city, and she says stay with ne Stay with me Stay with me stay with me She's so scared, so very frightened Anything can happen, right here tonight Beautiful girl (stay with me) Beautiful girl (stay with me) She wanna go. home a E Stay with me (beautiful girl) Stay with me (beautiful eirl) cay with me (beautiful eirl) cay with me (beautiful eirly 1 fas Patan Py ‘hare Cappello inte, London 6 688 Pesradced ty prmson ot eran ane Pubes Lis 216