Beruflich Dokumente
Kultur Dokumente
E X T E N S I O N A N D F U T U RE L E A R N I N G
Unit 6
YEAR 1/2
When this unit is repeated, the focus will remain the same, that is,
exploring instruments and symbols, but the content and the
expectations should change. The content is changed easily through
the use of different examples, images and other stimuli that could
be used to explore instruments. Expectations are changed by
expecting more of the children to achieve the most children and
some children will have progressed further statements and by
placing greater emphasis on the extension exercises in the Points
to note section.
WH E RE T H E U N I T F I T S I N
PRIOR LEARNING
VO C A B U L A R Y
R E S O U RC E S
ENRICHMENT
Stimulus:
The class could attend concerts where the ensemble talks about
the different instruments before the music is played.
Visiting musicians could come to the class and perform a number
of contrasting pieces showing the range of sounds and technical
possibilities of their instruments and demonstrate how the
sounds are produced. New work could be created, with children
playing classroom instruments.
This unit links to the ongoing skills unit (unit 1) by reinforcing understanding of the voice as an instrument and how instruments make
and change sounds. This unit also builds on the learning developed in units 2, 4 and 5. It leads to unit 11.
This unit links to science discussing vibrations and how sound travels and recognising and naming the materials used in
each instrument.
musical instruments
symbols
Sound sources:
tuned and untuned classroom
percussion instruments
EXPECTATIONS
at the end of this unit
Ref: QCA/00/440
Qualifications and Curriculum Authority (QCA) 2000
identify and control a variety of sounds on musical instruments with confidence; perform
with others; take account of musical instructions
identify ways in which sounds are made and changed; follow instructions
suggest how different sounds can be organised; make improvements to their own work;
direct others
Give the children the opportunity to practise handling classroom instruments correctly. Ask them to
identify the instruments by name. Discuss the playing techniques required to produce quality sounds,
eg loose wrist, bouncy beater.
E X P L O R A T I O N : W H A T S O U N D S C A N W E M A KE ?
to identify different ways
instruments make sounds
Focusing on classroom instruments, discuss how sounds are made, eg by tapping, scraping, blowing,
vibrating strings, and changed, eg using a range of beaters, varying the force of playing, tapping in
different places. [Link to unit 1: Listening]
Ask the class to sit in a circle and invite each child to take an instrument and, where relevant, a beater,
from a central pool. This should be done carefully and quietly. Name each instrument as it is selected.
Listen to each instrument in turn and discuss with the children how the sound is produced.
Divide the children into groups according to one, or more, of the following criteria, depending on what
instruments they have: instruments that are made from similar materials, eg wood, metal, skin;
instruments that are played in similar ways, eg tapping, shaking, scraping, blowing, striking against
each other (some instruments, eg tambourines, will fit two categories); instruments that make similar
sounds.
Make a picture label for each group of instruments.
or
Choose a leader. Ask him/her to hold up the picture symbols one at a time to indicate which group of
instruments should be played. The players produce sound for as long as the symbol is displayed.
Make a strip of four or more individual picture symbols, eg shakers, tappers, scrapers (you will need
more than one of each symbol) and display them. One person, the conductor, points to them in
sequence. Vary the speed of pointing. Symbols can be repeated.
The children make their own short sequence of sounds, and then write it down using the symbols.
They can then play each others music.
to identify how sounds can
be changed
Ask the class to sit in a circle and pass around one instrument and see how many different sounds can
be made with it. Talk about louder/quieter, higher/lower, faster/slower, longer/shorter, and different
timbres, eg tinkling, rattling. Can you match the sounds made on the instruments using your voice?
Ask each child to match their playing to spoken instructions, eg play quietly, loudly, get louder. Match
the spoken instructions with a gesture, eg fingers on lips for quiet, arms moving apart for getting
louder.
Another time, focus on tempo, eg play quickly, slowly, getting faster. Add gestures.
Finally, using tuned percussion, focus on pitch, eg play high, low, getting higher.
Use classroom instruments as a stimulus for movement and dance. Use three contrasting instruments
and ask the children to make up a movement for each sound, eg maracas played quietly (small
trembling movements), Indian bells (quick single jump with hands and fingers outstretched). Play each
instrument in turn and let the class practise. Then ask the class to create sequences of movements
using the sounds as the stimulus.
Continued over
Make four sets of music instruction cards. Use a different colour for each element, eg blue for
dynamics, yellow for pitch, green for duration, pink for tempo. Each card then shows a different way of
producing sounds, eg loud, quiet, fast, slow, and getting louder, faster, etc. Use these cards with
different groups of players. At first hold one card up at a time. Later hold up two different cards
together, eg fast and quiet (this is much harder than fast and loud).
Play this game in groups of four or five, one child being the conductor with the symbols.
BRINGING IT ALL TOGETHER: HOW CAN WE USE THESE DIFFERENT SOUNDS MADE ON CLASSROOM
INSTRUMENTS?
to compose a class composition
and make a score
Ask the children to make sounds to describe an image, eg creeping round a scary castle quiet, slow
creeping, fast running away, quiet, high mouse/bat squeaks, loud slamming doors, low, loud groans.
Choose a scenario which will include a range of timbres, dynamics, tempo and pitch.
Allocate one instrument to each sound (do not forget the voice) and the class decides the way to
produce each sound.
Put these together into a class score showing when, and how, each sound is to be played, eg a child
making the sound for a squeaking bat could draw their own mini score showing a picture of the bat,
the instrument used to depict it, and an indication of volume and pitch.
E X T E N S I O N A N D F U T U RE L E A R N I N G
Unit 6
YEAR 1/2
When this unit is repeated, the focus will remain the same, that is,
exploring instruments and symbols, but the content and the
expectations should change. The content is changed easily through
the use of different examples, images and other stimuli that could
be used to explore instruments. Expectations are changed by
expecting more of the children to achieve the most children and
some children will have progressed further statements and by
placing greater emphasis on the extension exercises in the Points
to note section.
WH E RE T H E U N I T F I T S I N
PRIOR LEARNING
VO C A B U L A R Y
R E S O U RC E S
ENRICHMENT
Stimulus:
The class could attend concerts where the ensemble talks about
the different instruments before the music is played.
Visiting musicians could come to the class and perform a number
of contrasting pieces showing the range of sounds and technical
possibilities of their instruments and demonstrate how the
sounds are produced. New work could be created, with children
playing classroom instruments.
This unit links to the ongoing skills unit (unit 1) by reinforcing understanding of the voice as an instrument and how instruments make
and change sounds. This unit also builds on the learning developed in units 2, 4 and 5. It leads to unit 11.
This unit links to science discussing vibrations and how sound travels and recognising and naming the materials used in
each instrument.
musical instruments
symbols
Sound sources:
tuned and untuned classroom
percussion instruments
EXPECTATIONS
at the end of this unit
Ref: QCA/00/440
Qualifications and Curriculum Authority (QCA) 2000
identify and control a variety of sounds on musical instruments with confidence; perform
with others; take account of musical instructions
identify ways in which sounds are made and changed; follow instructions
suggest how different sounds can be organised; make improvements to their own work;
direct others