Second or Foreign
Language
I
THIRD
EDITION
Teaching English
as a Second or
Foreign Language
THIRD ED ITIO N
MARIANNE
CELCE-MURCIA
EDITOR
Contents
Foreword
Acknowledgments
U N IT I.
Teaching M ethodology
vii
viii
U N IT II.
3
13
29
43
55
Language Skills
A. Listening
67
B. Speaking
69
87
101
C. Reading
103
I I7
139
15 1
D. Writing
I 53
I7 1
I87
205
Functional Tasks for Mastering the Mechanics of W riting and Going Just Beyond
Elite O lsh tain
Considerations for Teaching an ESL/EFL W riting Course
207
2 I9
J a n F ro d e se n
Contents
233
249
25 I
267
285
301
Content-Based and Immersion Models for Second and Foreign Language Teaching
M arg u erite .Ann Snow
Literature as Content for ESL/EFL
303
S an d ra L ee McKav
Experiential and Negotiated Language Learning
J a n e t L. E rrin g
Bilingual Approaches to Language Learning
M art M cG roartv
3 I9
333
345
357
U N IT V .
359
367
Teaching Adults
S h a ro n H illes a n d A n d re S utto n
385
S k ills fo r T e a c h e rs
401
Planning Lessons
L in d a Je n s e n
Textbooks: Evaluation for Selection and Analysis for Implementation
Patricia Bvrd
403
4 I5
References
Index
429
443
459
477
489
499
5 15
535
553
575
Foreword
T h e p u rp o se o f this th ird
edition o f Teaching English as
a Second or Foreign Language,
also know n as T he Apple
B ook, rem ains the sam e as
the first (1979) an d second
(1991) editions: to pro d u ce
a com prehensive in tro d u c
tio n to th e p ro fe ssio n of
teach in g English to speakers o f o th e r languages.
T h e goal has b e e n to m a in ta in a b alan ce
betw een theory a n d p rac tic e betw een provid
ing necessary back g ro u n d inform ation a n d rele
vant research, on th e one h a n d , a n d offering
m any classroom suggestions an d resources for
teachers, on the other. This ed ition covers the
areas 1 believe to be critical to successful lan
guage instruction: know ledge of past an d p res
e n t teaching approaches, b ack g ro u n d on and
techniques for teaching the language skills, vari
ous options fo r in teg ratin g the skills, awareness
o f im p o rta n t le a rn e r factors, an d info rm atio n
th a t is useful for the classroom teacher's evervday p e rfo rm a n c e an d professional growth. I
have tried to p ro d u ce an in tro d u c tio n to the
field that would be o f sufficient d e p th and
bread th to be suitable for students with som e p re
vious teaching experience, vet straightforw ard
enough n o t to needlessly bewilder the novice.
This third edition covers m ore topics and has
m ore contributing authors than the precious ones:
First edition (1979): 31 chapters, 27 con
tributors
Second edition: 32 chapters, 36 contributors
T hird edition: 36 chapters, 40 contributors
N ineteen of the thirty-six authors who contributed
to the second edition have also contributed to this
volume (often but not always on the same
topic). Sixteen of the chapters appearing in this
edition are rerised a n d u p d a te d versions o f ch ap
ters in the second edition and, in m ost cases, the
revisions have b een substantial. Ten chapters
have been com pletelv rew ritten; the rem ain in g
ten chapters rep re sen t topics th at appear as
Forew ord
vii
Acknowledgments
help and support from Sherrise Roehr, Sarah
Many colleagues, students, and friends have been
Barnicle, and Eunice Yeates-Fogle of H einle 8c
o f invaluable assistance in the preparation of this
volume. My greatest debt is to all the colleagues
H einle in the com pletion of the m anuscript and
once again had the pleasure o f working with
who graciously accepted my invitation to write
chapters for this edition. T he breadth and d epth of
Tuncle A. Dewev of Dewev Publishing in the final
their expertise make this collection tmlv unique.
phase of production. Mv warm and sincere thanks
I
am especiallv indebted to Brent Green, my to evervone m en tio n ed in this paragraph.
Finallv. I w ould like to note that I have in co r
research assistant, who helped to prepare the cum u
lative list o f references and the index. I could not
p o rate d into this edition m anv suggestions for
have finished this book without his and Jo Flilders
im proving the second edition th at readers, stu
dents. and colleagues have graciously shared
assistance and offer them mv heartfelt thanks.
with me oxer the tears. I offer special thanks to
Many people at H einle 8c Heinle have helped
in the shaping and production of this large volume.
the anonvm ous reviewers who co m pleted H einle
& H einle s q u estio n n aire, designed to elicit
I had my initial discussions with Erik G undersen,
suggestions for revision a n d im provem ent. T he
th en h a d fu rth e r discussions an d signed the con
tract with Eric B redenberg, who th en tu rn e d the
responsibilitv for the choices m ade a n d for am
critical om issions is m ine alone.
pro ject over to Sherrise Roehr. I received m uch
I : T eaching M ethodology
Teaching Methodology
In this first section, Celce-Murcias chapter gives the reader a historical
perspective and outlines the principal approaches to second and foreign
language teaching that -ere used during the twentieth century. Then
Savignon's chapter goes into detail in describing the com ponents of
communicative language teaching, the currently dominant approach. In
their chapter Crookes and Chaudron discuss classroom research and its
implications for developing a principled approach to language teaching.
The following chapter by Johns and Price-Machado introduces the
reader to the English for S p e o fc Purposes movement, which has had a
profound influence on ail English language teaching. Finally, N unans
chapter gives the reader an overview o f the syllabus design process,
bringing us full circle, since tne syllabus ideally goes hand-in-hand with the
materials and approaches used in the language classroom.
UNIT
UNIT
CELCE-MURCIA
In Language Teaching Approaches; An O verview ," Celce-Murcia gives some historical background,
then outlines the principal approaches to second and foreign language teaching that w ere used during
the twentieth century. She previews the book as a w hole and projects some trends for language
instruction in the new millennium.
IN T R O D U C T IO N
The field o f second (or foreign) language teach
ing has u n d e rg o n e m any fluctuations and shifts
ver the years. D ifferent from physics or chem i'trv. in which progress is m ore or less steady
until a m ajor discovery causes a radical theoreti:oil revision (K uhn 1970), language teaching is a
held in w hich fads and heroes have com e an d
gr.ne in a m a n n e r fairly consistent with the kinds
ut changes that occur in youth culture. I believe
shat one reason for the frequent swings of the
oendu lum that have been taking place until fairly
recently is the fact that very few language teachers
have a sense of history about their profession and
are thus unaw are o f the historical bases o f the
many m ethodological options they have at their
disposal. It is h o p e d th at this b rie f and neces
sarily oversimplified survey yvill encourage m any
language teachers to learn m ore about the ori
gins o f th eir profession. Such knotvledge yvill
ensure som e perspective w hen teachers evaluate
any so-called innovations or new approaches
to m ethodology, which yvill surelv continue to
em erge from tim e to time.
Pre-twentieth-Century Trends:
A Brief Survey
Prior to the tw entieth century, language teaching
m eth o d o lo g y vacillated betw een two types
of approaches: getting learners to use a language
li.e., to speak an d u n d e rsta n d it) versus getting
learners to analyze a language (i.e., to learn its
gram m atical rules).
3.
4.
5.
6.
7.
8.
9.
G ram m ar-Translation
Direct
R eading
A udiolingualism (U nited States)
O ral-Situational (Britain)
Cognitive
Affective-Hum anistic
C om prehension-B ased
C om m unicative
b.
c.
d.
e.
f.
g.
c.
d.
e.
:.
g.
b.
i.
d.
C O N C L U S IO N
W hat is the solution for the ESL/EFL teacher,
giv en the abundance of past, cu rren t, an d future
approaches.- T he only wav to m ake wise decisions
Teachers are certainly in a b e tte r position to f klow P rator's advice if they are fam iliar with the
history an d the state o f the art o f o u r profession
Som e suggestions for fu rth e r read in g are pr o
vided below to aid the re a d e r in attaining the>r
objectives.
In fact, all of the chapters in this volurtencl with discussion questions, suggested actruties. suggestions for fu rth e r reading, and. whenu
relevant, useful Web sites. Section 1 o f this y.; tim e discusses topics in language m e th o d o lo r
Section 2 focuses on teaching the individual lan
guage skills. Section 3 presents som e integrate 1
ap p ro ach es to language teaching, Section
focuses on specific groups o f learners, an. a
Section 5 provides language teachers with back
g ro u n d inform ation and skills th a t will heir
them becom e m ore know ledgeable a n d skill: vk
practitioners.
D IS C U S S IO N Q U E S T IO N S
1. W hat has been the attitude tow ard the teach
ing of (a) p ro n u n cia tio n , (b) gram m ar, and
(c) vocabulary in the n in e approaches dis
cussed in this chapter? Has th ere been .swinging of the pendelum ? Why o r whv not?
2. W hat changes have occurred regarding the
position of spoken language a n d w ritten lan
guage in the carious approaches? Why?
3. W hich of these approaches have you person
ally experienced as a language learner? W hat
were vour impressions and what is your assess
m ent of the effectiveness of the approach (es i?
4. W hich a p p ro ach (es) do vou, as a teacher,
feel m ost com fortable with? Whv?
S U G G E S T E D A C T IV IT IE S
1. Select an in teg rated skills E SL /EFL text that
vou have used o r expect to use. Exam ine its
contents to d eterm in e which ap p ro ach it
seems to follow m ost closelv. S u p p o rt your
decision with exam ples. Discuss any m ixing
of approaches that you observe.
FU R T H ER R EA D IN G
.reciters interested in the history of the language
reciting profession should consult:
H w att. A. P. R. 1984. A History of English Language
Teaching. Oxford: Oxford University Press.
Wily. L. G. 1969. Twenty-Five Centuries of Language
Teaching. New York: Newbury Elouse.
Teachers interested in the current state of the art in
_ ; teaching methodology should consult:
Larsen-Frecman, D. 2000b. Techniques and Principles
in Language 'Teaching. 2d ed. New York: Oxford
University Press.
ENDNO TES
1 Precursors to this chapter were published in the
Mextesol journal (Celce-Murcia 1980) and Practical
English Teaching (Celce-Murcia 1981). This is a
revised and updated version based on these and
several other sources, notably Kelly (1969), Madsen
(1979). Blair (1991), and Prator with Celce-Murcia
(1979). and Celce-Murcia (1991b).
- The term Direct Method is more widely used than
Direct Approach: however, the former is a misnomer,
since this is reallv an approach, not a method, if we
follow Anthonys (1963) terminology.
The term humanistic has two meanings. One refers
to the humanities (i.e.. literature, history, phi
losophy) . The other refers to that branch of psy
chology concerned with the role of the socioaffective domain in human behavior. It is the latter
sense that I am referring to here. However, see
Stevick (1990) for an even broader perspective on
humanism in language teaching.
In "Communicative Language Teaching (CLT) for the Twenty-First Century" Savignon identifies five
components of a communicative curriculum. She sees the identification of learner communicative
needs and goals as the first step in the development of a teaching program that involves learners as
active participants in the interpretation, expression, and negotiation of meaning.
W H A T IS CLT?
Xot long ago, w hen A m erican structural linguis
tics and behaviorist psychology were the prevail
ing influences in language teaching m ethods
and m aterials, second 'foreign language teachers
talked about com m unication in term s of four
language skills: listening, speaking, reading, and
w riting. T h ese skill categories w ere widelv
accepted and provided a readv-m ade fram ew ork
for m ethods m anuals, learn er course m aterials,
and teacher education program s. Speaking and
writing were collectively described as active skills,
reading and listening as passive skills.
Todav. listeners and readers no lo n g er are
reg ard ed as passive. Thev are seen as active
particip an ts in the n eg o tiatio n o f m eaning.
Schemata, expectancies, a n d top-down/bottom-up
processing are am ong the term s now used to cap
ture the necessarily com plex, interactive n a tu re
of this negotiation. Yet full and w idespread
u n d e rsta n d in g o f com m unication as negotiation
has been h in d e re d bv the term s th at cam e to
replace the earlier active/passive dichotom y.
T he skills n e e d e d to engage in speaking a n d
w riting activities were described subsequently as
productive, w hereas listening an d reading skills
were said to be receptive.
While certainly an im provem ent over the
earlier active 'passive representation, the term s
productive" and receptive fall short of captur
ing the interactive nature o f com m unication. Lost
in this p ro d u ctiv e,/recep tiv e, m essage sendin g /m e ssa g e receiving re p re se n ta tio n is tlte
collaborative natu re o f m aking m eaning. M eaning
appears fixed, to be sent an d received, not
unlike a football in the bands of a team q u a rte r
back. T he interest of a football gam e lies of
course n o t in the football, but in the m ores and
strategies o f the plavers as tliev punt, pass, and
fake th eir wav along the field. T he interest of
com m unication lies similarlv in the m ores and
strategies of the participants. T he term s that best
represent the collaborative natu re of what goes
on are interpretation, expression, and negotiation
o f m eaning. T he com m unicative com petence
n e e d ed for participation includes not onlv gram
m atical com petence, but pragm atic com petence.
T he inadequacv o f a four-skills m odel of
language use is now recognized. And the short
com ings of audiolingual m ethodologv are wiclelv
acknow ledged. T here is g e n e ra l a ccep tan ce
o f the com plexity and in terrelatedness of skills
in b o th w ritten and oral com m unication and
o f the n e e d for learners to h are the experience
o f com m unication, to participate in the negotia
tion of m eaning. Newer, m ore com prehensive
theories o f language an d language behavior
have replaced those that looked to A m erican
structuralism and behaviorist psvchologv for
support. T he ex p an d ed , interactive view of lan
guage behavior they offer presents a n u m b e r of
ch allen g es for teachers. A m ong th em , how
should form and function be in teg rated in an
instructional sequence? W hat is an ap p ro p riate
norm for learners? Hots is it determ ined? W hat
is an error? A nd what, if anvthing. should be
do n e w hen one occurs? Hots is language lea rn
ing success to be m easured? A cceptance o f com
m unicative criteria entails a c o m m itm en t to
address these adm ittedlv com plex issues.
H O W A N D W H Y D ID C L T
D EV ELO P?
T h e origins of con tem p o rarv CLT can be traced
to c o n c u rre n t developm ents in b o th E urope a n d
N orth Am erica. In E urope, the language needs
of a rapidlv increasing g ro u p of im m igrants and
guest workers, as well as a rich British linguistic
H O W H A S C L T BEEN
IN TE R P R E TE D ?
T he classroom m odel shows the hvpothetical
integration o f four com ponents that hat e been
advanced as com prising com m unicative com pe
ten ce (Savignon 1972. 1983.1987. in press:
Canale and Swain 1980: Canale 1983a: Bvram
1997). A dapted from the fam iliar "inverted pvram id classroom m odel p roposed bv Savignon
(1983), it shows how. th ro u g h practice and expe
rience in an increasinglv wide range o f com m u
nicative contexts and events, learners graduallv
ex pand th eir com m unicative com petence, con
sisting of grammatical competence, discourse compe
tence, sociocult and competence, a n d strategic
competence. A lthough the relative im portance of
the various com ponents depends on the overall
level of com m unicative com petence, each one is
essential. Me ireover. all com ponents are in te rre
lated. They cannot be developed o r m easured in
isolation an d one cannot go from one com po
n e n t to the o th er as one strings beads to m ake a
necklace. Rather, an increase in one co m p o n en t
interacts with o th er com ponents to pro d u ce a cor
resp o n d in g increase in overall com m unicative
com petence.
Grammatical competence refers to sentencelevel gram m atical forms, the abilitv to recognize
the lexical, m orphological, svntactic, and p h o n o
logical feature o f a language and to m ake use of
these features to in te rp re t and form words a n d
sen ten ces. G ram m atical c o m p e te n c e is n o t
linked to anv single theorv o f gram m ar an d does
S H A P IN G A C O M M U N IC A TIV E
C U R R IC U LU M
In rec e n t vears. m am innovations in curriculum
p lan n in g have been p ro p o sed th at offer both
novice an d veteran teachers a dizzying array
of alternatives. G am es, voga, juggling, a n d
jazz have been p ro p o sed as aids to language
learning. Rapidiv increasing o p p o rtu n ities for
c o m p u te r-m e d ia te d
c o m m u n ic a tio n ,
b o th
synchronous online chat room s an d asyn
c h ro n o u s the full spectrum of inform ation
an d interactions available on the In te rn e t as well
as specialized bulletin boards an d e-m ail hold
prom ise for fu rth e r integration o f com m unica
tive opp o rtu n ities for learners worldwide.
In attem p tin g to convev the m ean in g of
CLT to both pre-service a n d in-service teachers
o f English as a second o r foreign language in a
wide range of contexts. I have fo u n d it helpful to
think of a com m unicative curriculum as p o te n
tially m ade up of five com ponents. These com
p o nents mav be reg ard ed as them atic clusters of
activities or experiences related to language use
a n d usage, providing a useful wav o f categoriz
ing teaching strategies that pro m o te com m u
nicative language use. Use o f the term component
to categorize these activities seem s particularly
a p p ro p riate in that it avoids am suggestion of
sequence or level. E x p erim en tatio n with com
m unicative teaching m ethods has shown th at all
five co m p o n en ts can be profitably b len d e d at all
stages of instruction. O rganization o f learn in g
activities into the following com p o n en ts serve
n o t to sequence an ELT program , b u t ra th e r to
highlight the range of options available in cu rricu
lum p lan n in g and to suggest wavs in which th eir
very interrelated n ess benefit the learner.
L anguage Arts
L anguage for a P urpose
My Language Is Me: Personal English Language
Use
You Be, 11 Be; T h e a te r Arts
Beyond the Classroom
GER 1:
GER 3:
W H A T A B O U T GRAMMAR?
P U T T IN G IT A L L T O G E T H E R
How do we put it all together? Is there an opti
m um com bination of Language Arts. Personal
Language Use, Language for a Purpose. T heater
S O C IO L IN G U IS T IC ISSUES
N um erous sociolinguistic issues await attention.
V ariation in the speech com m unity an d its
relationship to language change are central to
sociolinguistic inquire. As we have seen above,
sociolinguistic perspectives on variability and
change highlight the folk of describing native
speaker com petence, let alone non-native speaker
com petence, in terms of "mastery " or com m and
o f a system. .All language systems show instabilitv
and variation. L earner language systems show
W H A T C L T IS N O T
D isappointm ent with both gram m ar-translation
an d audiolingual m ethods for th eir inabilitv
to prep are learners for the in terpretation, ex
pression, and negotiation of m eaning, along with
enthusiasm for an arrav of alternative m ethods
increasingly labeled communicative, has resulted in
no small am ount of uncertaintv as to what are
and are not essential features of CLT. Thus,
this sum m ary description would be incom plete
w ithout brief m ention of what CLT is not.
CLT is not exclusively co n c ern e d with faceto-face oral c o m m u n ic a tio n . T h e prin cip les
o f CLT apply equally to reading and writing
activities th at involve re a d e rs a n d winters
engaged in the in te rp re ta tio n , expression, and
n e g o tia tio n o f m ean in g : the goals o f CLT
d e p e n d on lea rn er needs in a given context.
CLT does not require sm all-group or p air work:
g ro u p tasks have been found helpful in mans
contexts as a wav of providing increased o p p o r
tu nity a n d m otivation for c o m m u n ic a tio n .
However, classroom g roup or pair work should
not be considered an essential feature an d mav
well be in ap p ro p ria te in som e contexts. Finally.
CLT does not exclude a focus on m etalinguistic
aw areness o r know ledge of rules o f syntax,
discourse, and social appropriateness.
T he essence o f CLT is the en g ag em en t of
learners in com m unication in o rd e r to allow
them to develop th eir com m unicative com pe
tence. Terms som etim es used to refer to features
o f CLT include process oriented, task-based, and
inductive, o r discoi'ery oriented. Inasm uch as strict
a d h e re n c e to a given text is n ot likelv to be true
to its processes and goals, CLT c a n n o t be fo u n d
in any one textbook or set o f cu rricu lar m ateri
als. In keeping with the n o tion of context o f sit
uation, CLT is properly seen as an ap p ro ach or
D IS C U S S IO N Q U E S T IO N S
1. If vou h ad to choose th re e adjectives to
describe CLT, what w ould thev be?
2. W hat m ight be som e obstacles e n c o u n te re d
bv teachers who wish to im p lem en t a com
m unicative ap p ro ach to language teaching?
How m ight these obstacles be overcom e?
3. Do vou feel English to be a foreign, second, or
native language? How m ight vour feelings
influence vour classroom teaching?
4. O f the five described co m p o n en ts o f a com
m unicative curriculum , which are the m ost
fam iliar to vou as a language learner? As a
language teacher?
5. W ho sets the norm for English language use
in vour p articular context o f situation? How?
Whv?
S U G G E S T E D A C T IV IT IE S
1. Request perm ission to observe two or th ree
d iffe re n t in tro d u c to ry level ESL or EEL
classes. N ote the interaction betw een the
tea c h e r an d the learners. W ho does m ost of
the talking? How m uch of the talking that
vou h e a r is in English? Whv?
2. Interview som e language learners for their
views on whv thev are learn in g a foreign o r
second language.
3.
FU R T H ER R EA D IN G
Breen, M., and C. Candlin. 1980. The essentials of a
communicative curriculum in language teaching.
Applied Linguistics 1(1) :89112.
Byram, M. 1997. Teaching and Assessing Intercultural Communicative Competence. Cleveclon. UK:
Multilingual Matters.
ENDNO TES
1 The author copied this passage mam years ago while
visiting the Union School, a country school building
that teas moved to the citv of Goodland, Kansas, bv
the Sherman Countv Historical Society. It is owned
and operated as a school museum bv the Society.
- CRTDIF is the acronym for Centre de Recherche
et d'Etude pour la Diffusion clu Francais. It was
an institution specializing in French as a foreign
language and functioned in association with the
Ecole Xormale Superieur de Saint-Cloud from
1939 to 1996.
CROOKES
CRAIG
CHAUDRON
In "Guidelines for Language Classroom Instruction," Crookes and Chaudron review research and
practice in both second and foreign language contexts. The main areas of classroom instruction
described are: presentational modes and focus on form, types of activities and parameters of tasks
and interaction, classroom organization, teacher control of interaction, and corrective feedback.
I. IN T R O D U C T IO N
W hat goes on in th e lan g u a g e classroom
betw een the tea c h e r a n d students is obviously
the core area o f inform ation p e rta in in g to for
mal second language (SL) teaching a n d lea rn
ing. O ut-of-class' know ledge o f lan g u ag e
teach in g in areas such as needs analysis, curricu
lum design, lesson planning, m aterials design,
a n d evaluation is, o f course, necessary for a truly
professional op eratio n , but so long as th ere is a
teach er w orking with a g roup o f students, the
essence of classroom SL teaching resides in the
n a tu re of instruction an d interaction betw een
teachers an d students.
In this c h a p te r we identify and discuss som e
o f the m ore im p o rta n t characteristics and p rin
ciples o f this in teractio n .- O u r co n ception o f the
tea c h e r is som eone with a great n u m b e r o f deci
sions to m ake at even m o m en t o f classroom
instruction. In som e cases, research findings can
guide those decisions. In others, research can
info rm professional ju d g m e n t, b u t decisions
m ust be based on experience a n d in tu itio n
ra th e r th an know ledge. However, decisions will
be aided bv a know ledge o f the range o f instruc
tional alternatives available, as well as by an
awareness o f the cultural context an d personal
values o f the tea c h e r an d students.
W hen a second language is taught, a num
b e r o f m ajor steps m ust be taken. First, elem ents
of the language o r its use. or skills such as learn
ing strategies, m ust be bro u g h t into the classroom
and presented or highlighted. T he teach er and,
2. L A N G U A G E P RESEN TA TIO N
2.1 Meta-Planning for Lesson
Objectives
W hich elem ents of language are u n d e rta k en
d e p en d s on the objectives a tea c h e r has in m ind
for the lesson. Thev are th en the result o f lesson
Focus + solicit
Explanation +
explicit rule
T eacher : W hat do we
n e e d to use?
+ solicit
student opinions: and (8) the te a c h e rs Ruleform ulation": followed optionally bv (4) Exem
plification" bv the teacher or students. Alert
teachers will adapt this typical p attern to their
circum stances, eith er shortening the sequence
if a rule is judged to be quickly learned, o r devel
oping m ore student-generated ideas and interac
tion if the students have difficulty.
3. TASKS
T he next m ajor step in executing classroom
lessons involves practice a n d learning" of the
m aterial. In this section we will identify the pri
mary units of classroom teaching and evaluate
the co m p o n en ts of those that m ost influence
learning. To aid discussion an d com m unication
am ong teachers (as well as for the sake o f com
parative research), it is useful to have a set of
term s to describe sim ilar teaching procedures.
O ver several decades o f classroom research,
standard term inology for what ought to be the
basic units for p lan n in g a n d executing lessons
has b een lacking. In the following sections we
will utilize the yvords adroit an d task, a n d
attem pt to show how these can be m ore system
atically classified, described, and analyzed for
their co n trib u tio n to instruction.
3 .1 Subsections of a Lesson
The Activity
Probably the m ost comm only used an d general
term for the parts of a lesson is activity. Most
teachers will use this vot'd in discussing th eir
lesson plans a n d behaviors, although specific
activities often have p articular nam es. In m uch
recent analy sis o f SL. classrooms, m aterials, and
syllabi, the term task has been used to discuss
those less-controlled activities yvhich p ro d u ce
realistic use of the ST (Crookes a n d Gass 1998a,
1993b). This term has also characterized certain
c o m m u n icativ e approaches*1 yvhose u p su rg e
m arks the c u rren t era of ST teaching. In fact,
the yvidespread use o f the label task-based has
in ntanv cases simply replaced the o ld er term
communicative. In discussing both c o n tro lled and
fre e r ty pes of classroom learn in g procedures, yve
Input/Control Phase
Organizational: m anagerial structuring of lesson
or class activities; includes reprim anding of stu
dents an d o th er disciplinary action, organization
of class furniture and seating, general procedures
for class interaction and perform ance, structure
and purpose of lesson, etc.
Content explanation: explanation o flesso n con
tent and gram m ar o r o th e r rules a n d points:
phonology, gram m ar, lexis, sociolinguistics, or
w hatever is being "taught."
Role play demonstration: use of selected stu
dents or teacher to illustrate the procedures (s) to
be applied in the following lesson segm ent; it
includes brief illustration of language or o ther
content to be incorporated.
Recognition: students identify a specific target
form , function, definition, rule, or o th e r lessonrelated item, eith er from oral or visual data, b ut
w ithout pro d u cin g language as a response (e.g.,
checking off items, draw ing symbols, rearranging
pictures, m atch in g u tte ran c e s with pictures,
u n d erlin in g significant inform ation from a text.)
Preparation: stu d e n ts p la n th e s u b s e q u e n t
activity (in pairs, individually, o r in groups) by
m eans of rehearsing, m aking notes, or simply
thinking.
Transfer/Application Phase
Inform ation transfer: students extract inform a
tion from a text (oral o r w ritten) w hich they
apply to a n o th e r m ode (e.g., visual
w ritten;
oral
w ritten, etc.); it im plies som e transform a
tion o f the inform ation by filling o u t diagram s,
graphs, answ ering questions, etc., while listening
o r read in g ; d istin g u ish ed from identification
in th a t students are expected to re in te rp re t the
inform ation.
Inform ation exchange: activity th a t involves
one-wav o r two-way co m m u n ic a tio n such as
inform ation gap exercises, in which one o r both
parties m ust obtain inform ation from the o th er
Borderline Activity
Testing: formal testing procedures to evaluate
students progress; considered borderline because
it could be included in anv phase, dep en d in g on
the content to be tested.
4. FA C ILIT A TIO N
A m ajor role o f the instructor is to arrange m at
ters so the m aterial p resen ted gets used and
thereby learned. This mav be far m ore critical in
the learning o f a cognitive skill, in which practice
assumes m ajor dim ensions, than in the learning
of most school subjects, in which declarative
know ledge (A nderson 1982; OAlallev, Cham ot,
an d W alker 1987) is being p resen ted and clear
p resentation mav be sufficient in itself to ensure
learning (cf. West 1960). We need, therefore, to
give som e consideration to such m atters as the
overall organization of the classroom , the nature
and dynamics of teacher-student and studentstu d en t interaction, and the interface betw een
these m atters and the selection o f classroom
learning tasks.
4 .1 Class Organization
T he key participants in classroom organization
are the teacher, the tea c h e r aide o r trainee, the
individual stu d e n t an d groupings o f students,
the class as a whole, the language p resen tatio n
m aterials used (e.g., textbook. AY m edia), and
any visitors or outsiders. Com binations of these
result in particular structures in class organization
and effects on language learning processes.
T he d o m in a n t view o f second language
classroom processes toclav favors stu d e n tc e n te re d lea rn in g instead o f the trad itio n al
teacher-dom inated classroom (X unan 1988b).
T h e tea c h e r-d o m in a te d classroom (teacherfro n te d ) is characterized bv the tea c h e r speak
ing m ost o f the tim e, leading activities, a n d
constantly passing jud g m en t on stu d e n t p e rfo r
m ance; in a stu d en t-cen tered classroom , stu
d e n ts typically will be o b serv ed w orking
individually o r in pairs and small groups, each
on distinct tasks an d projects.
4.2.2 Wait-Time
Wait-time refers to the length of the pause which
follows a teacher's question to an individual stu
dent or to the whole class. This lasts until eith er
a student answers o r the teacher adds a com m ent
or poses a n o th e r question. It can also apply to
the p erio d betw een one stu d en t's answ er to a
question and the response o f the te a c h e r or
a n o th e r student. A n u m b e r o f investigations in
general education have found that wait-times can
be altered bv teachers but tend to be short,
aro u n d one second (e.g., Rowe 1969; for a review
see Tobin 1987). W hen wait-time is increased to
th ree to five seconds, there is im provem ent in
learning and in the qualitv o f classroom dis
course. T he principal SL study o f wait-time (Long
et al. 1984) found that increased wait-time after
teacher questions resulted in longer SL student
utterances. It did not result in m ore u tteran ces
5. C O R R E C T IO N
A N D FE E D B A C K
In Section 2.3 we n o ted that a focus on form al
aspects o f the SL has again becom e a c o n cern of
m ethodologists an d practitioners. E rro r correc
tion a n d feedback have tvpicallv been consid
ered to be p art o f such a focus. As C hau d ro n
notes in his review of feedback in language
teaching
In any com m unicative exchange,
speakers derive from th eir listeners
inform ation on the reception and com
prehension o f their message. . . . From
the language tea c h e rs p oint of view,
the provision of feedback . . . is a m ajor
m eans bv which to inform learners of
the accuracv o f both their form al target
language prod u ctio n and their o th er
classroom behavior a n d knowledge.
From the learners' p o in t o f view, the
use of feedback in repairing their u tter
ances, and involvem ent in repairing
th e ir in te rlo c u to rs utterances, macconstitute the m ost p o te n t source of
im provem ent in b o th target language
developm ent an d o th e r subject m atter
know ledge (1988, pp. 132-133 ).
6. C O N C L U S IO N
S U G G E S T E D A C T IV IT IE S
D IS C U S S IO N Q U E S T IO N S
1.
FU R T H ER R EA D IN G
Bailey, . M., and D. Xunan, eds. 1996. Voices from the
Language Classroom. Cambridge: Cambridge
University Press.
An extensive and accessible collection of recent
classroom SL studies, illustrating the range of
current work of a more qualitative nature.
Burns, A. 1999. Collaborative Action Research for English
Language Teachers. Cambridge: Cambridge
University Press.
A practical introduction to teacher research in
SL contexts based on actual investigations by a
team of SL teachers in Australia.
Chaudron, C. 1988. Second Language Classrooms.
Cambridge: Cambridge University Press.
A comprehensive survey of earlier SL classroom
research.
Crookes, G., and S. M. Gass. eds. 1993. Tasks in a
Pedagogical Context: Integrating Theon and Practice.
Philadelphia, PA: Multilingual Matters.
ENDNO TES
1 We are grateful to mam people named for their
assistance with the previous version (Crookes and
Chaudron 1991) of this paper, and we wish to
continue acknowledgement of Marisol Valcarcel,
Mercedes Yerclu. and Julio Roca, of the
Universidad de Murcia.
- Our discussion is traditional to the extent that we
will not deal with approaches to SL teaching that
involve going outside the classroom (e.g., Ashworth
1985: Auerbach 1996: Fried Booth 1986).
4 5Vhat "size" the elements are is not at issue here.
That is to saw we are not concerned with whether
the units presented are structural or functional,
or if the language of a given pedagogical task is an
unanalvzed whole.
4 Though the idea is not a new one see, e.g., West
(I960).
J This is. of course, a problem for the syllabus design
er to be aware of and to resolve bv proper choice of
learning targets (see Long and Crookes 1993).
b We should point out that we deliberately avoid the
word "method" here: we do not accept its general
validity as a term of analysis (cf. Richards 1984).
This is particularly clear in the increased recogni
tion of the importance of action research in the
area of SL teaching (Bums 1999; Crookes 1993;
Freeman 1998).
M. J O H N S
DONNA
P R I E -M A C H A D
In "English for Specific Purposes," Johns and Price-Machado argue that all good teaching is specific
purpose in approach. Using Vocational ESL and other examples, this chapter covers key questions such
as " W h o are the stakeholders?" and "W h a t is authenticity in the classroom? which are addressed using
needs and discourse analysis. Various program models demonstrate how ESP values are realized in
different contexts.
W H A T IS ESP?
English for Specific Purposes (ESP) is a move
m ent based on the proposition that all language
teaching should be tailored to the specific learn
ing an d language use needs of identified groups
of stu d en ts and also sensitise to the sociocul
tural contexts in which these students will be
using English. Most of the m ovem ent's practi
tioners are teachers of adults, those students
whose needs are m ore readilv identified within
academ ic, occupational, or professional settings.
,\n increasing n u m b er of ESP practitioners live
and work in English-speaking countries, teaching
in program s offering vocational ESL (WESL) or
English for O ccupational Purposes (EOP) pro
grams for new im m igrant and refugee popula
tions o r in contexts em phasizing academ ic (LAP)
o r business langu age (English for Business
Purposes). However, ESP continues to be even
m ore com m on in English as a Foreign L anguage
(EFL) contexts, w here an increasing n u m b e r of
a d u lt stu d e n ts are e a g er to le a rn business
English o r academ ic English in o rd e r to pursue
th eir careers o r studv in English-m edium educa
tional institutions. O ne rem arkable exam ple of
the explosion o f ESP program s in EFL contexts
has taken place in C hina, w here foreign trade
has risen from 10 p e rc e n t to 45 p e rc e n t o f the
Gross N ational P ro d u ct over the last thirty years
an d the n e e d to speak English in in te rn atio n a l
ESP Categories
T he m ain interests of the ESP m ovem ent can
be categorized in a n u m b er of ways (see, for
exam ple. Dudley-Evans an d S t.J o h n 1998, p. 6).
For the purposes o f this discussion, we have
created a set of categories as shown in Figure 1
on page 44.
Because of their c u rre n t im portance, a few
of these categories will be h ighlighted in this
chapter: English for O ccupational Purposes, particularlv \ TESL an d English for Business Purposes
(EBP), a n d English fo r A cadem ic Purposes
(EAP). It is im p o rta n t to note, however, th a t this
chart is far from exhaustive; th ere is a rem ark
able arrav o f ESP courses offered th ro u g h o u t the
world. In various cities in Italy, for exam ple,
there are project-oriented curricula for white-col
lar workers in the tourist industry (English for
T ourism ). In M orocco, H asan II U niversity
devotes m any of its EAP courses to specific grad
uate m ajors such as agronom y. In som e nations,
learning English to contribute to the develop
m en t o f a com m unity o r region is a central goal
(Gueve 1990). As the prison p o p u latio n grows
English for
Purposes (EM P)
(Academic)
(Academic)
(Academic)
(Academic)
Pre-employment
Occupational-
Cluster
W orkplace
Purposes (EM P)
Purposes (EBP)
V ESL
Specific V ESL
V ESL
V ESL
C E N T R A L ESP C O M P O N E N TS
A lthough the m odern ESP m ovem ent has evolved
in m any directions since it was fo u n d ed in the
m id 1960s (see Swales [1988] for an excellent
overview), several com ponents have rem ained
relatively constant th ro u g h o u t its history. In
1988, P eter Strevens provided the following
overview o f ESP a n d its features.
T he claims for ESP are th a t it is
fo cu sed on th e le a r n e r s n e e d a n d
wastes no tim e
2.
ISSUES A D D R E SS E D IN ESP
PROGRAM P L A N N IN G
ESP pro g ram s are developed because th ere
is a d e m a n d , because teach ers, supervisors,
gov ern m en t agencies, professionals, students, or
o thers see a n e e d for language courses in which
certain co n ten t, skills, m otivations, processes,
a n d values are id entified a n d in teg rated into
specialized, often short-term , courses. As ESP
p ra c titio n e rs a p p ro a c h course d ev elo p m en t,
they m ust consider a m u ltitu d e o f fa c to rs an d
som e essential q u estio n s before, an d during,
pro ject initiation.
1. Stakeholders in the Class or Project W hat
are the sources o f d em an d for this ESP program ?
W ho are the clients? An employer, an agency, a
governm ent, a m ore traditional educational insti
tution, o r the students themselves? W hat do the
stakeholders view as the essential elem ents of the
ESP program they desire?
These are the first questions posed for a
n u m b er of reasons, one o f which is funding:
Stakeholders generally provide the m oney for
courses and curriculum developm ent. A nother
reason is m andates: G overnm ents and institutions
PREPARING A N ESP
C U R R IC U LU M
3.
2.
4.
5.
6.
PROGRAM M ODELS
W hat do ESP program s look like? It should be
clear from this discussion th at th ere is a wide
range o f courses an d program s in a wide range
o f locations, always keved to the language needs,
skills, co n ten t, an d processes req u ired . Perhaps
one of the best articulated a n d w idespread sets
o f program m odels in EST contexts falls u n d e r
the \T S E rubric. It includes the following:
Preem ployment VESL This is a m odified ver
sion o f a "general" EST class in that the c o n te n t
is den oted to job readiness and g en eral soft job
skills as ou tlin ed in the SCANS R eport. Students
practice general jo b functions such as resp o n d
ing to com plaints, m aking requests, an d answer
ing the p h o n e. Tliev mav also p rep a re for job
interviews and o th e r initial job skills.
Occupation-Specific VESL H ere, the c o n te n t
is related to a particu lar job such as nu rsin g assis
tant o r electronics assembler. It can be tau g h t
eith e r as p rep a ra tio n for. or con cu rren tly with, a
vocational program . An exam ple m ight be a
th re e -h o u r class, th ree d ais a week, in w hich stu
dents studv vocabularv an d o th e r skills they will
n eed for an electronics assem ble class th at also
enrolls native speakers o f English. .After the VESL
class, thev atten d the regular electronics assembly
class or thev mav attend both concurrently.
T here is freq u en t com m unication betw een the
W S L and vocational instructors.
Cluster VESL These classes include students
from differen t vocations in one classroom .
Students studv all four "skills (listening, speaking,
reading, and writing), often in a them e-based pro
gram (e.g., "The World of W ork). In one class, for
exam ple, students read about how to m eet people
and make small talk in the workplace. T hen, they
m eet in pairs or teams answering jigsawr com pre
hension questions o r com pleting a problem
solring or writing exercise. Later, students work
D IS C U S S IO N Q U E S T IO N S
1. How can a \T S L teacher (or am - ESP teacher,
for that m atter) integrate the essential areas
o f sociabilitv, teamwork, and self-esteem into
his or h er teaching?
2. Your supervisor has decided th a t you will
initiate a VESL class (an ESP program ) at
your school. W hat are som e of the questions
you n e e d to ask a n d things you n e e d to do to
p rep a re for th at class?
3. W hat areas of ESP appeal to you most? Why?
If you were to teach a class in the m ost appeal
ing area, what would its focus be? Why?
4. How can a perso n effectively assess the
results of an ESP program ? .After consulting
the c h a p te r bv C ohen in this volum e or the
work bv Douglas (2000), discuss som e possi
bilities for assessment.
5. T h ro u g h o u t this chapter, the au th o rs ju x ta
pose "G eneral E nglish a n d ESP. W hat is
G eneral E nglish in vour view? To w hom
should it be taught?
S U G G E S T E D A C T IV IT IE S
1. D esign a tria n g u la te d needs assessm ent for
a particu lar class, which includes obtaining
the same data in d ifferen t ways. C onsider
questionnaires, observation, interviews, and
discourse analysis.
2. W h ere does c o m m u n ic a tio n b reak d o w n
occur? W here do E SL /EFL students face the
m ost difficulty in using English in target
situations? O bserve a class, a lab, bilingual
workers on-line or at a construction site.
D ecide what th e areas of breakdow n are
(e.g., question-posing skills) and how vou
m ight teach them .
3. LTsing inform ation from needs assessments
o r o th e r sources, develop some g roup activ
ities that relv u p o n e ith e r strategies for
achieving ends (e.g., negotiation) o r essen
tial linguistic features (e.g., hedging). Assign
these activities to a class.
4. W hat are the features o f a p articular genre
th at students will n e e d to read or write?
Classify som e o f these features an d discuss
how you m ight p resen t them to a class.
5. If available, survey the th ree ''wide-angled"
VESL textbooks listed below. Make a list
o f sim ilarities and differences am ong these
volum es that considers:
a. the use a n d w eighing o f the SCANS
com petencies,
b. the te x ts organization.
c. central activities.
Does one textbook seem m ore ap p ro p riate
for certain groups of students? Whv?
FU R T H ER R E A D IN G
Douglas, D. 2000. Assessing Languages for Specific
Purposes. New York: Cambridge CYriversitv Press.
This is the first volume devoted exclusively to
assessment, a central issue in ESP and in other
specific purposes languages (ESP). A text that is
accessible to nonexperts, it includes a variety of
actual test tasks taken from a num ber of LSP
areas.
Dudlev-Evans, T, and M. f. St. John. 1998. Develop
ments in ESP: A Multi-Disciplinary- Approach.
Cambridge: Cambridge University Press.
This is a verv good text for those new to ESP. It
includes discussions and examples of all the
absolute characteristics of the movement and
provides a variety of examples from EAP and
English for Occupational Purposes (both pro
fessional and \TSL).
English for Specific Purposes: A n International
Journal (formerly The ESP Journal). Founded in
the earlv 1980s, the journal includes articles on
all of the "absolute characteristics of ESP (needs
assessment, discourse analysis, etc.) as well as
discussions of research and the practical issues of
curriculum design. .Also included are metre infor
mal discussions of ESP issues and book reviews.
Gillespie. M. 1996. Learning to Work in a New Land:
A Review and Sourcebook for Vocational and
Workplace ESL. Washington, D.C.: Center for
Applied linguistics.
This text examines the role of immigrants in
the workforce, the status of English language
learning in vocational and workforce educa
tion. and the wavs the educational and govern
mental systems can enhance opportunities and
productivity for the English language learner.
Grognet. A. 1997. Integrating Employment Skills into
Adult ESL Education. (A project in adult immi
grant education. PAIE). Washington, D.C.:
National Clearinghouse for ESL Literacy Educa
tion. [Sponsoring agenev: Office of Educational
Research and Improvement, Washington,
D.C.] (ERIC PRODUCT 071). This question
and answer text discusses how employment
preparation can be integrated into an English as
a Second Language curriculum, whether in a
workplace or general ESL program.
Johns. A. M.. and T. Dudlev-Evans. 1991. English for
specific purposes: International in scope, specific
EN DN O TES
1 General English is enclosed bv quotes throughout
this chapter because the authors do not believe that
such a language exists. All language and language
classes are specific to the learner, the context, and
the content.
Syllabus Design
DAVI D
NUNAN
in SyMabus Design," Nunan describes and evaluates a range of syllabus types including grammatical,
notional-functional, content-based, task-based, and integrated, he also sets out and illustrates key
procedures for developing syllabuses.These include needs analysis, goal and objective setting, and the
development of competencies.
O V ER V IEW
In o rd e r to define svllabus design, we n e e d to
start with the b ro a d e r field o f curriculum devel
o pm ent. Curriculum is a large messy co ncept
which can be looked at in a n u m b e r o f warns. A
very b ro ad definition is that it includes all of the
p la n n e d lea rn in g experiences o f an educational
system. T he field o f curriculum developm ent
was first system atized bv Tr ier in 1949, who artic
ulated fo u r fu n d am en tal questions that m ust be
answ ered bv anv cu rriculum developer:
1.
2.
3.
4.
Grammatical Syllabuses
T raditionally the p o in t of d e p a rtu re for design
ing a language syllabus has b een to select a n d
sequence lists o f gram m atical item s, a n d th en
in teg rate these with lists o f vocabulary items.
Lists o f phonological item s have som etim es b een
throw n in for good m easure.
T H E O R G A N IC A P P R O A C H
TO GRAM M AR
U nderiving the traditional linear svllabus is the
notion that learning is a process of m astering
each item perfectly one at a time. In fact, when
the structural svllabus teas at its height of popular
ity, masterv learning was an im portant m ovem ent
within educational psvchologv. In m etaphorical
terms, it teas believed that a language develops in
the same war as a building is constructed one
(linguistic) brick at a time.
However, the complexitv of the acquisition
process revealed bv a growing bodv of second
language acquisition (SLA) research led some
syllabus designers to argue that language develop
m ent is basicallv an organic process. A ccording to
this m etaphor, a new language develops in a wav
that is m ore akin to plants grotring in a garden
ra th e r th an a b u ilding being constructed.
Learners do not acquire each item perfectlv. one
at a time, but num erous items imperfectlv. all
at once.
*
*
*
N EED S A N A LYSIS
W ith the advent o f C om m unicative Language
Teaching (CLT) in the 1970s. a very different
ap p ro ach to svllabus design was p ro p o sed by a
n u m b e r o f linguists. This ap p ro ach began, not
with lists o f gram m atical, phonological, a n d lex
ical features, but with an analysis o f the com m u
nicative needs of the learner. A set o f techniques
an d procedures, know n as needs analysis, teas
4.
5.
6.
7.
8.
9.
1.
2.
C O M P E T E N C E -B A S E D
LA N G U A G E T E A C H IN G (CBLT)
A ccording to Richards (in press), com petencvbased training developed as an alternative to the
use o f objectives in program planning, although
th ere are m anv sim ilarities betw een the two
approaches. As with the objectives m ovem ent,
CBLT focuses on what learners should be able to
do at the en d of a course o f instruction. As with
objectives, com petencies are co n c ern e d with the
attain m en t of specified standards ra th e r than
with an individual's achievem ent in relation to a
group. Thev are th erefo re criterion- ra th e r than
T h e le a rn e r can n e g o tia te c o m p le x /
p ro b lem atic spoken exchanges fo r p ersonal
business a n d com m unitv purposes. H e or she
*
*
Standard:
Descriptors:
*
E ngaging in conversations
C o n ducting transactions
resp o n d
to
N O T IO N A L -F U N C T IO N A L
SY LLA B U SE S
The b ro ad er view of language as com m unication
that em erged during the 1970s was taken u p bv syl
labus designers. .As indicated earlier, an im portant
figure here was Wilkins (1976), who argued for
syllabuses based on no tio n s a n d functions.
Notions are general conceptual m eanings such as
time, cause, and duration, while functions are the
com m unicative purposes th a t are achieved
through language such as apologizing, advising,
and expressing preferences.
Like m ost syllabus proposals, n o tionalfunctionalism was n o t im pervious to criticism.
Early versions of notional-functional syllabuses
e n d e d u p n o t being so very different from the
g ram m atical syllabuses th a t thev rep la ce d .
Instead o f units en titled sim ple past,'' we find
units e n title d talking a b o u t the w eek en d .
W iddowson (1983) also p o in te d out that simplv
replacing lists of gram m atical item s with lists of
notional-functional ones n e ith e r re p re se n te d
the n a tu re of language as com m unication n o r
reflected the way languages were lea rn ed anv
m ore th an gram m atical syllabuses did.
W hen syllabus designers began tu rn in g
away from gram m atical criteria as the p o in t of
d e p a rtu re in designing th eir syllabuses, selection
and grading becam e m uch m ore problem atic. .As
soon as one looks beyond linguistic notions of
simplicity7 and difficulty, the n u m b er of criteria
begins to multiply. These criteria include situa
tional, contextual, and extralinguistic factors.
T h ere are no objective m eans for deciding that
one fu n ctio n al item is m ore com plex th an
another. In addition, m ost functions can be
expressed in m any d ifferent ways an d at m any
different levels of complexity. A pologizing, for
exam ple, can range from Sorry to I really must
apologize I do hope you can forgive me.
The relative arbitrariness of selecting and
sequencing can be seen in the following list of func
tional com ponents from a well-known EFL course:
1.
2.
3.
4.
C O N T E N T -B A S E D
SY LLA B U SE S
C ontent-based instruction (CBI) com es in m any
d iffe re n t guises (see Snows c h a p te r in this
volum e). However, all variants share o n e charac
teristic language is n ot p rese n ted directly, b ut
is in tro d u c ed via the c o n te n t o f o th e r subjects.
In school settings, this c o n te n t is typically the reg
ular subjects in the curriculum such as science,
geography, and m athem atics. Learners acquire
the target language in the course of doing o th er
things. T he approach draws strongly on the expe
riential view of learning, th at is, th a t active
engagem ent in com m unicating in the language is
the m ost effective m eans of acquiring it.
.As we saw at the beginning o f this chapter, the
three core tasks for the syllabus designer are select
ing, sequencing, and justifying content. In CBI, the
justification comes from the content area itself. For
example, if the content area is general science, the
topic of photosynthesis would be introduced on
the grounds that it is a core topic in the field.
A rec e n t book on content-based in struction
presents teaching suggestions in the following
categories:
TA SK -B A S ED SY LLA B U SE S
Taking p a rt in a jo b interview
C om pleting a credit card application
Finding o n e s way from a hotel to a subway
station
C hecking into a hotel
T Y P E S O F TASKS
A n o th e r wav of distinguishing betw een tasks is to
divide them into reproductive an d creative tasks.
A reproductive task is one in which the learn er
is rep ro d u cin g language following a m odel pro
vided bv the teacher, textbook, tape, o r o th er
source. A task is reproductive if the language that
the learner is to use is largely predeterm ined and
d o e sn t like
E ating chilis
_________
_________
Playing tennis
_________
_________
W atching
sci-fi movies
_________
_________
D oing homeyvork
_________
_________
R eceptionist
L ibrarian
Bookstore clerk
A N IN T E G R A T E D A P P R O A C H
TO SY LLA B U S D ESIG N
In this chapter, I have ou tlin ed the m ajor trends
an d developm ents in syllabus design over the
last twenty years. In my own work, I have tried to
em brace an in te g rate d a p p ro ach to syllabus
design in which all of the elem ents and options
discussed above are b rought together into a single
design. T he follofong exam ple illustrates one way
in which this m ight be done.
1.
2.
3.
4.
5.
C O N C L U S IO N
In this chapter. I have provided an in tro d u ctio n
to the field o f svllabus design. I suggest th at syl
labus design is that part o f curriculum develop
m ent which is co n cern ed with selecting, grading,
integrating, and justifying the c o n te n t of the cur
riculum . D ifferent ty pes of syllabuses, from gram
m atical to task-based, are in troduced, described,
a n d critiqued. T he key theoretical a n d em pirical
Structures
F u n c tio n s
'i
Introduce
yourself
Simple
present
tense +
W h at
questions
Demonstratives:
this, that
Prepositions:
on, in,
u nd er
be
Identify
ownership
Simple
present
tense +
have
Introduce
people
Talk about
where things
are
Talk about
likes and
dislikes
W h ere
questions
D IS C U S S IO N Q U E S T IO N S
1. W hat do you see as the role o f the classroom
teach er in syllabus design?
2. W hat do you see as the advantages a n d
disadvantages o f an objectives-based syllabus?
3. W hat do you think that content-based and taskbased syllabuses m ight have in comm on? How
m ight they differ?
4. If you w ere asked to design a syllabus fo r a
new ESL o r EFL course, w hat are som e o f the
first things you w ould do as prep aratio n ?
S U G G E S T E D A C T IV IT IE S
1. L ook a t th e C ourse Overview in A ppendix
o f J e n s e n s c h a p te r on lesson p la n n in g in
this volum e. Is this a syllabus? E xplain your
answer.
2. D esign a needs analysis q u estio n n aire fo r a
specified g ro u p o f learners.
3. C om pare th e selection a n d seq u en cin g o f
fun ctio n al an d gram m atical co m p o n en ts in
several g en eral E SL /E FL textbooks. W hat
sim ilarities a n d differences are there? Is
th ere a com m on c o re o f elem ents across
the textbooks?
4. Identify a target group o f learners a n d carry
o u t the five p lan n in g tasks suggested in the
section on the integrated syllabus on page 64.
Develop a cross-reference grid sim ilar to the
one set o u t in the chapter.
5. Design four three-part perform ance objectives
for the group of learners in Activity 4 above.
FU R T H ER R EA D IN G
Dubin, F.. and E. Olshtain. 1986. Course Design.
Cambridge: Cambridge University Press.
This hook is designed for teachers who have the
planning and development of courses as part
of their duties. It covers what the authors call
the fact-finding" stage establishing realistic
goals, surveving existing programs, realizing
goals through instructional plans, selecting
the shape of the syllabus and the considera
tions involved in constructing communicative
syllabuses.
Brown, J. D. 1995. The Elements of Language Curriculum.
Boston. MA: Heinle if- Heinle.
Although it is a book on curriculum, and there
fore deals with issues that go bet ond svllabus
design, it also provides an accessible introduction
to svllabus design issues.
Graves, K.. ed. 1996. Teachers as Course Developers.
Cambridge: Cambridge University Press.
This book contains six interesting case studies
of teachers as course developers and svllabus
W E B S IT E S
Both the U.S. National Literacy Act of 1991 and the
U.S. Aclult Education Act of 1991, along with
related police resources, arc available on-line at
www.nifl.gov lines/collections/policy/resource,
html
: L istening
UNIT
11 A
<
HH
HH
Language Skills
Listening
Until quite recently, listening comprehension had been neglected with
regard to both its place in second or foreign language teaching
methodology and the development of techniques and materials for
use
in the
classroom. As
Morley's
listening
In "Aural Comprehension Instruction: Principles and Practices," Morley first traces the changing
patterns of second language listening instruction, outlines four generic instructional models, and
discusses some of the psycho-social dimensions of listening. She then goes on to present suggestions
for developing activities and materials for coursework, including detailed guidelines for developing a
self-access self-study listening program.
IN T R O D U C T IO N
D uring the past thirty rears, theory and practice
in language learn in g an d language teaching
have ch anged in som e fu n d am en tal wavs. In
retrospect, the fo u r them es that d o m in ated the
S econd AILA (In te rn a tio n a l A ssociation o f
A pp lied linguistics) C o n fe re n c e in 1969
(C am b rid g e, E n g la n d ) seem to h a te b een
pro p h etic in p o in tin g the wav toward tren d s in
s e c o n d /fo re ig n lan g u a g e (S /F L ) e d u c a tio n
d u rin g the last q u a rte r o f the tw entieth century.
They h e ra ld ed new views on the im portance of
1. individual learners an d the individuality of
learning;
2. listening an d read in g as nonpassive a n d very
com plex receptive processes;
3. listening c o m p reh en sio n 's being recognized
as a fu n d am en tal skill;
4. real language used for real com m unication
as a viable classroom m odel.
Every facet of language study has b e e n
influenced bv these trends, b u t n o n e m ore d ra
matically th an listening co m p reh en sio n . In the
1970s, the status o f listening began to change
from one of neglect to one of increasing im p o r
tance. Instructional program s e x p a n d ed their
focus on pragm atic skills to include listening as
T R A C IN G T H E HISTORY:
L IS T E N IN G A N D LA N G U A G E
L E A R N IN G
SOME P S Y C H O S O C IA L
D IM EN SIO N S OF LA N G U A G E
A N D T H E L IS T E N IN G A C T
The Dynamic Process of
Communicative Listening:
Active, Not Passive
Listening, along with reading, has b een labeled
a "passive" skill. N othing could be fu rth e r from
the truth. A nderson and Lvnch (1988) reject a
conceptualization of listening as a passive act,
calling it a "listener-as-tape-recorder" explana
tion. Thev argue that such a perspective fails to
account for the in te rp re ta tio n s listeners m ake as
thev h e a r the spoken text according to th eir own
purposes for listening an d th eir own store of
b ack ground knowledge.
Implications for Instruction O ne of the obvi
ous im plications for instruction is to brin g stu
dents to an u n d e rsta n d in g that listening is n o t a
passive skill, but an active receptive skill which
needs special a tte n tio n in language study. This
goal can be accom plished gradually as a p art of
listening skill-building activities. I.earners can be
guided to realize that achiev ing skill in listening
requires as m uch work as does becom ing skilled
in reading, writing, and speaking in a second
language.
TO P-D O W N
T R A N S A C T IO N A L
A F F E C T A N D A T T IT U D E S
Intellectual, Emotional,
and Moral Attitudes
As n o ted above, an im p o rta n t p a rt of co m m u n i
cation is the expression and c o m p reh en sio n of
attitudes. Van Ek (1976) lists six basic language
functions, in clu d in g th re e w hich are attitudinal:
intellectual, em otional, an d m oral attitudes.
Intellectual Attitudes These include expression
and com prehension of agreem ent/disagreem ent:
D E V E L O P IN G L IS T E N IN G
C O M P R E H EN S IO N A C T IV IT IE S
A N D M ATERIALS
This second section focuses on instructional
considerations, while keeping in m ind the fol
lowing th re e im p o rtan t points about listening
as a language act.
1. Information Processing Listening com pre
hension is an act o f inform ation processing
in which the listener is involved in bidirectional
com m unication, o r unidirectional com m unica
tion, a n d /o r autodirectional com m unication.
2. Linguistic Functions Broadly speaking, realworld spoken com m unication can be Mewed as
serving two linguistic functions: interactional and
transactional.
3. Dim ensions o f Cognitive Processing The
cognitive processing o f spoken language appears
to involve sim ultaneous activation o f b o th topdown a n d bottom-up e n g a g em e n t in o rd e r for lis
teners to construct what they believe to be the
in te n d e d m ean in g o f the spoken message.
W ith these features of listening as a lan
guage act in m ind, we begin with a discussion of
th re e im p o rta n t principles o f m aterials develop
m ent. Next, we outline six kinds of com m unica
tive outcom es, with lesson suggestions for each.
In the final section we p rese n t som e suggestions
Principles
In o rd e r to get le a rn e rs atten tio n , to keep them
actively an d purposefully engaged in the task
at h an d , an d to m axim ize the effectiveness of
listen in g /lan g u ag e-learn in g experiences, th ree
m aterials d evelopm ent principles are suggested:
relevance, transferability /applicability, an d task orien
tation. These th ree principles are im p o rta n t in
m aking choices ab o u t both language c o n ten t
' i.e., th e info rm atio n p resen ted ) a n d language
outcome(s) (i.e., the way the inform ation is put
to use).
I. Relevance
Both the listening lesson content (i.e., the inform a
tion) and the outcome (i.e., the nature of the use of
the inform ation) need to be as relevant as possible
to the learner. This is essential for getting and
holding learner attention and protides a genuine
motivational incentive. Lessons need to feature
content and outcom es that have "face validity" for
students. T he m ore that lessons focus on things
with real-life relevance, the m ore they appeal to
students, and the better the chance o f hatin g
learners w anting to listen. And if students reallv
want to listen, we have accom plished at least part
of the task which Strevens (1988) calls encouraging
the intention to learn.
Relevance is east- to control in self-created
classroom listening activities. However, tvhen
using pu b lish ed m aterials, it is necessary to
choose those lessons with topics th a t are relevant
to o n e s students. It mav be necessary to modify
both the way the m aterial is p rese n ted a n d the
way students are asked to use the inform ation.
Richards suggests som e ways to ad ap t m aterials,
in c lu d in g m odifying th e objectives; a d d in g
prelistening activities; ch anging the teaching
procedures for class presen tatio n ; a n d devising
postlistening activities (1983, pp. 237-238).
2. Transferability/Applicability
W hatever is relevant is also likelv to have potential
for transferability. Insofar as possible, at eith er the
content level or the outcome level, or both, listening
lessons need to have transferability/applicability
value, internally (i.e., can be used in o th er classes),
externally (i.e., can be used in out-of-school situa
tions), or both. In o rd er to foster transfer of train
ing, the best listening lessons present in-class
activities that m irror real life. For exam ple, the use
of radio or television news broadcasts in adult
classes can provide not only a real experience in
listening com prehension, but such lessons also
contain content that can be applicable outside of
class as a source of conversation topics.
3. Task Orientation
In form al language classes for teenage a n d adult
students a n d in language activity lessons for chil
d ren , it is productive to com bine two d ifferent
kinds o f focus: (1) language use tasks a n d (2)
language analysis activities.
N otions o f task have developed o u t of com
m unicative teaching a n d m aterials p ro duction.
Jo h n so n defines task-oriented teach in g as teach
ing which provides actual m ea n in g by focusing
on tasks to be m ed iated th o u g h language, a n d in
which success is judged in term s o f w h eth er the
tasks are p e rfo rm e d (Brum fit and Jo h n so n 1979,
p. 200). Maley a n d M oulding focus on instruc
tion which is task-oriented n o t question-oriented,
providing learners with tasks wTiich use the infor
mation in the aural text, ra th e r th an asking lea rn
ers to "prove" th eir u n d e rsta n d in g o f the text by
answ e rin g questions (1979, p. 102). C andlin and
M urphv note, "The central process wre are con
ce rn e d with is language learning, an d tasks pres
e n t this in th e fo rm o f a p roblem -solving
negotiation betw een know ledge th at th e lea rn er
holds a n d new know ledge. This activity is con
d u cted th ro u g h language in use, w'hich may,
itself, be seen as a negotiation o f m ea n in g
(1987, p. 1).
3a. Language Use Tasks T he p u rp o se h e re is
to give students practice in listening fo r in fo r
m ation and then im m ediately d o in g som ething
with it. This kind of lesson features specific Listenand-D o com m unicative outcom es such as these:
Communicative Outcomes:
An Organizing Framework
It is clear bv notv that a Listen-and-Do form at
that is, inform ation gathering and inform ation
using is recom m ended for listening instructional
*
*
Challenge q u e stio n s
th a t
c h a llen g e
points given or conclusions draw n (W hat
did vou base xx on? "How did vou reach
the conclusion o f xx? "How did vou xx?
"Whv did vou xx?) .
S E L F -A C C E S S /S E L F -S T U D Y
L IS T E N IN G A N D L A N G U A G E
L E A R N IN G
The purpose o f a self:access/self-study resource is to
provide an inviting listening center within a con
ventional language laboratory or a broader lan
guage resource center. This self-studv facility needs
to offer a wide choice of appealing audio and \ideo
materials on a variety of topics and at a range of pro
ficiency levels. Books to accom pany tapes are use
ful, of course. However, in addition to (or in place
of) commercial books, a library of listening m ateri
als m ight also include carefully designed worksheet
materials that present listening tasks for self-studv.
pair-study, or small-group study, both on the school
premises and for checkout and hom e use.
Materials for free-listening time like freereading time) can be provided and students can be
given a chance to self-select from a Intoning
Setting Up a Self-Access/Self-Study
Listening Resource Center
A self-access-''self-studv listening resource center
can be started with a m odest listening library of
audio and video rec o rd e d m aterial an d the
teacher-time needed to p u t materials into self-study
packets or modules.
Ideally, listening materials can be m ade avail
able to students in a special language learning cen
ter or m ultipurpose stuck room that also features
reading and writing materials and has a teacher or
m onitor present at all times to guide students in
the selection and ttse of materials and equipm ent.
Alternatively, self-access self-studv materials
can be used in a m ore conventional language lab
oratory setting. W hatever the setting, the most
im portant point is that the individual learner has
com plete personal control over the materials. It is
essential that students be able to control the
source o f input so that thev can pace it stop it,
start it, replav it at will. Such control allows stu
dents to regulate their own schedules o f study,
ra th e r than having a rate and volume of auditor}
in p u t im posed on them . This helps reduce the
anxiety and pressure that m any students, particu
larly beginners, seem to experience when listen
ing in the second or foreign language. Some
m aterials m ight be m ade available for checkout
a n d hom e stud}-. However, a study facility often has
fewer distractions than a hom e or dorm itory envi
ronm ent, and its atm osphere is usually m ore con
ductive to the self-discipline necessary for
concentrated listening in the second or foreign
language.
T he p ro ced u res for using self-access selfstudy m aterials m ight be organized in the fol
lowing wav:
1. S tudents check out a listening packet or
m odule that contains the audio- or video
tap e, p re liste n in g in tro d u c to rv m aterial,
w orksheets (an d p e rh a p s som e visuals),
answer kev (and perhaps a script), instruc
tions, a n d postlistening tasks.
2. Students plav the tape on th eir own schedule
o f starting, stopping, and replacing.
3. S tudents check th eir work them selves for
verification o f co m prehension.
4. Students consult the teacher o r m onitor
w hen necessarv.
Self-access listening m aterials can be o rg an
ized in to self-studv packets or m odules o f m an
ageable lengths. Thev can be cross-referenced
in a variety of wavs to m eet the needs o f individ
ual students or groups of students (i.e.. c o n ten t
or topical groups, no tio n al categories, fun c
tional categories, situational o r activitv categories,
level-of-difficultv groupings, specific listeningtask groupings, English for Specific Purposes
groupings).
M odules that feature up-to-date, locallv rele
vant, authentic aural texts are especiallv effective
and are recom m ended wherever possible. In addi
tion, segments from selected com m ercial listening
materials can be adapted to fit into this format.
2.
F IN A L CO M M EN TS
Since the 1960s, the im p o rtan ce o f listening
c o m p re h en sio n in language learn in g a n d lan
guage teach in g has m oved from a status o f inci
d en tal a n d p e rip h e ra l im p o rtan ce to a status of
significant a n d cen tral im p o rtan ce. W hereas
only a few instructional m aterials were available
in the 1970s, today th ere are m am - texts an d tape
program s to choose from and, in general, m ate
rials are becom ing m ore carefullv principled,
with serious a tte n tio n to theoretical considera
tions. Each year m ore diverse m aterials are devel
oped, an d m any now focus on the narrowly
specified listening needs of particular groups of
learners, including English for Specific Purposes.
Finally, it is im p o rta n t to em phasize that
the S /F L listening curriculum c a n n o t focus onlv
on buying the right books a n d tapes. Skill b uild
ing in listening co m p reh en sio n is n o t som ething
th a t can be accom plished in a half-hour lesson
th re e tim es a week, n o r can a tten tio n to listen
ing be lim ited to language laboratorv tapes.
Listening, th e language skill used m ost in life,
needs to be a central focus all dav, ev en dav
lim ited only by the availability o f the target lan
guage in the school, the com m unin', a n d the
m edia. L istening in struction needs to include
b o th two-way interactive listening activities and
tasks an d one-way reactive Listen-and-Do activi
ties a n d tasks. M aterials developers should pav
careful atten tio n to principles o f design, com
m unicative outcom es, language functions, lan
guage processes, an d affective considerations.
D IS C U S S IO N Q U E S T IO N S
1.
S U G G E S T E D A C T IV IT IE S
1. Ask perm ission to observe two o r th re e ESL
or foreign language classes. O bserve the
n atu re o f the interactions in the class. N ote
the am o u n t o f tim e in which students are
engaged in listening a n d the a m o u n t o f tim e
thev are engaged in speaking, reading, or
writing.
2. Write a lesson plan that focuses on two or
three wavs to include specific listening o p p o r
tunities in a class where the central focus is on
a n o th e r aspect of language learning.
3. W orking in pairs, use the R ichards m atrix
(Richards 1990) and com e up with two or
th ree exam ples for each of the fo u r cells.
FU R T H ER R EA D IN G
Anderson. A., and T. Lynch. 1988. Listening. Oxford:
Oxford University Press.
This book stands back from the surface detail of
comprehension materials and provides an over
all perspective on listening as a communicative
activity and as a language learning activity. It
includes a research design focus.
Brown. G.. and G. Yule. 1983. Teaching the Spoken Lan
guage. Cambridge: Cambridge University Press.
Using an approach based on the analysis of con
versational English, this book examines the
nature of spoken language and presents prin
ciples and techniques for teaching spoken pro
duction and listening comprehension.
to listening
W I L C O X
P E T E R S O N
In "Skills and Strategies for Proficient Listening," Peterson offers a developmental view of second
language listeners at beginning, intermediate, and advanced levels. She describes the comprehension
processes of proficient listeners as being both top-down and bottom-up in nature, and offers exercises
for building listening skills and strategies at all profic iency levels.
IN T R O D U C T IO N :
T H E IM PO RTA N CE OF
L IS T E N IN G IN
L A N G U A G E LE A R N IN G
Teachers who want to provide the most effective
classroom experience for their second language
students should consider this: Xo o th er tvpe of
language input is as easv to process as spoken lan
guage, received through listening. At the begin
ning stages of language studv, before students
have learned to read well, it is bv listening that
they can have the most direct connection to
m eaning in the new language. T hrough listening,
learners can build an awareness of the interw ork
ings o f language systems at various lev els and thus
establish a base for m ore fluent productive skills.
At the interm ediate level, w hen students are
refining their understanding of the gram m atical
systems of their second or foreign language, lis
tening can be used to stim ulate awareness of detail
and to prom ote accuracv. At advanced levels,
w hen students are able readers and written lan
guage has becom e a viable source of input, listen
ing should still occupv a central place in their
language use. A regular p rogram of listening can
extend learners' vocabularv and use o f idioms
a n d b u ild th e ir a p p re c ia tio n for cultural
nuances. M oreover, successful academ ic study in
English req u ires a m asterv of the listening
dem ands in form al lectures as well as in the in ter
active exchanges which are com m on to sem inar
settings an d conversational lecture stales.
T H E O R IE S O F L A N G U A G E
C O M P R E H EN S IO N
The following ideas about the listening process had
their beginnings m ore than fortv years ago and
have recently gained wide acceptance in the field.
Listening Comprehension Is
a Multilevel, Interactive Process
o f Meaning Creation
W hen good listeners involve themselves with am
type o f spoken discourse, a n u m b er of processes
work on various lew is sim ultaneously to produce
an u n d erstan d in g of the incom ing speech. The
h ig h er level processes (top-dow n) are driven bv
listeners' expectations and u n d e rsta n d in g ' ot the
context, the topic, the natu re of text, and the
natu re o f the world. T he lower level p a r c h e s
(bottom -up) are triggered by the so u n d ', words,
and phrases which the listener h e a t'
he 1>r 'h e
attem pts to decode speech and a "ig : meaning.
Types o f Strategies
A D EV E LO P M E N TA L V IE W
OF L IS T E N IN G SK ILLS
Profile o f the Beginning-Level
Student in Listening
True b eginners in a second language lack ade
quate bottom -up processing skills because thev
have n o t yet developed the linguistic categories
against which the language m ust be heard. They
perceive the new language as und ifferen tiated
noise. They are not vet able to segm ent the
speech stream into w ord units to tell w here
one w ord begins an d a n o th e r ends. T he new
p h onem ic svstem is an u n b ro k en code: Sounds
which native speakers consider sim ilar may be
perceived a n d classified as different; sounds
which native speakers consider d ifferent may be
3.
4.
5.
L isten to a re c o rd e d te le p h o n e m en u
about the movies playing, the theaters, and
th e show times. Circle the n u m b e r th a t you
m ust press at each p o in t to work down the
m enu (Benz and Dworak 2000, p. 69-70).
SUMMARY
ESL/EFL teachers have several responsibilities
with respect to the listening skill. First, they must
understand the pivotal role that listening plays in
the language learning process in o rd er to utilize lis
tening in wavs that facilitate learning. Second, they
must understand the com plex interactive nature of
the listening process and the different kinds o f lis
tening that learners m ust do in ord er to provide
their students with an appropriate variety7 and
range of listening experiences. Finally, teachers
m ust und erstan d how listening skills typically
develop in second language learners and m ust
be able to assess the stage of listening at which their
students are so that each student can engage in
the most beneficial types of listening activities
given his or h er level of proficiency7.
D IS C U S S IO N Q U E S T IO N S
1. In a group, recall the stages that you went
th rough in listening when vou learned a
second language. W hat elem ents did you
h ear first? MTiat elem ents took a long tim e to
hear? W hat part did m em ory play in your
listening at each stage?
2. In vour o p in io n and based on vour experi
ence, what is the m ost effective relationship
betw een teach er talk an d stu d en t talk in the
L2 classroom?
3. D escribe the differences in texts with sim pli
fied codes an d au th en tic language. MTiat
purp o se does each text type have in the L2
classroom?
4. T he learner proficiency profiles given in this
ch ap ter are loosely based on the ACTFL
Proficiency Guidelines for listening. T he pro
files assume a certain learning context, one in
which the target language is n o t spoken out
side the classroom (similar to an EFT co n tex t).
5.
S U G G E S T E D A C T IV IT IE S
1. Prepare a presentation o f new m aterial from
an ESL/EFL text. Choose a short dialogue or
narrative passage. Plan a prelistening phase in
which you use visual and situational support to
teach the new words and concepts. T hen pres
en t the text orally. Your presentation should
last no longer than three to five m inutes.
2. Prepare a selective listening exercise which
focuses on language form and guides students
to discrim inate between structural features.
3. Choose a listening com prehension text that has
been published in the last five tears. Select a
typical chapter and analvze the cognitive pro
cessing dem ands of its exercises. How many
are top-down? How manv are bottom-up? Inter
active? W hat is the plan for sequencing the
exercises?
4. R ecord one or two m inutes o f authentic text
from the radio or television. Develop a fram e
work of language support for the text and
show how you could use it in an interm ediatelevel class.
5. W ith a partner, conduct an experim ent to dis
cover your (or vour p a rtn e rs) preferred lis
tening strategies. O ne of you trill act as the
investigator and the o th er trill serve as the
consultant. Choose a language which you both
know but which is not native to the consultant.
T he investigator trill prepare a one- to threem inute tape in that language and transcribe
it, noting junctures w here there are natural
pauses (approximately evert' two or three sen
tences). The investigator will plat the tape,
pausing at the junctures, and ask the consultant
to report what he or she is doing mentally to
FU R T H ER R EA D IN G
Blair. R.. ed. 1982. Innovative Approaches to Language
Teaching. New York: Xewburv House.
"Learning to Listen." the third chapter of Nidas
(1957) hook, is reprinted in Blair, pp. 42-53.
Also, this anthologv includes representative
articles bv Asher. Postovskv. Xord, and Krashen.
Xagle. S.. and S. Sanders. 1986. Comprehension
Theorv and Second Language Pedagogy. TESOL
Quarterly 20(1 ):9-26.
Presents the information-processing model of
listening comprehension with suggestions for
classroom applications.
Flowerdew. J.. ed. 1994. Academic Listening: Research
Perspectroes. Cambridge: Cambridge Lniversitv Press.
A collection of chapters bv experts in the field
of English for Academic Purposes, with insights
into the structure of various tvpes of lectures
and information on how students understand.
Joiner, E. 1997. Teaching listening: How technology
can help. In M. D. Bush and R. M. Tern-, eds..
Technology Enhanced Learning (pp. 77-120).
Lincolnwood. 1L: National Textbook Companv.
Describes the kinds of technology that are avail
able for teaching listening (audio, video, radio,
computers, videodisc, multimedia workstations 1
and how to use them.
Mendelsohn. D.. an d j. Rubin., eds. 1995. A Guide for
the Teaching of Second Language Listening. San
Diego. CA: Dominie Press.
.An excellent collection of articles on the full
range of listening issues, with consideration o:
teaching and assessment.
Vandergrift. I.. 1998. Constructing meaning in L2 listen
ing: Eridence from protocols. In S. Lapkin, cd.
French as a Second Language in Canada: Recen:
Empirical Studies. Toronto: Toronto University Press
Presents the methodology" for a study of listen
ing strategies and includes a lengthy taxonomy
of tvpes of listening strategies.
ENDNO TE
1 CELT is the Comprehensive English Language
Test bv Harris and Palmer (1986).
Speaking
UNIT
II
Language Skills
Speaking
This section focuses on
how
H
HH
z
LAZARATON
In "Teaching Oral Skills," Lazaraton discusses current practice in o ral skills pedagogy in terms of how
to structure an oral skills class and determine its content, along with implementing a variety of
classroom activities that prom ote skills development, anc understanding issues related to classroom
evaluation of speaking skills and testing via large-scale 'a examinations.
IN T R O D U C T IO N
For m ost people, the ability to speak a language
is synonym ous with know ing that language since
speech is the m ost basic m eans ok h u m an com
m unication. N evertheless, "speaking in a second
o r foreign language has often been s iev ed as the
m ost d e m a n d in g of the lo u r skills" (Bailev and
Savage 1994. p. vii). W hat specifically makes
speaking in a second o r foreign language diffi
cult? Brown (1994) m en tio n s a n u m b e r of
features that interact to m ake speaking as chal
lenging a language skill as it is. To start, fluent
speech contains red u ced forms, such as contrac
tions, vowel red uction, a n d elision, so that lea rn
ers who are not exposed to or who do not get
sufficient practice with red u c e d speech will
retain th eir ra th e r form al-sounding full forms.
T he same can be said for the use of slang and
idiom s in speech: W ithout facility in using these
ubiquitous features o f spoken language, learners
are apt tea sou n d bookish. Students m ust also
acquire the stress, rhvthm . a n d in to n atio n of
E nglish, a c o m p lic a ted task for m anv (see
G oodw in's c h a p te r on teaching p ro n u n ciatio n
in this volum e). Perhaps the m ost difficult aspect
o f spoken English is that it is alm ost always
accom plished via interaction with at least one
o th e r speaker. This m eans that a variety of
d em ands are in place at once: m o n ito rin g and
u n d e rsta n d in g the o th e r speaker(s), thinking
ab o u t o n e s own con trib u tio n , p ro d u cin g that
c o n trib u tio n , m o n ito rin g its effect, an d so on.
Activities
T here are m any ways to p rom ote oral skills in the
ESL/EFL classroom. T he discussion below cen
ters on the m ajor types o f speaking activities that
can be im plem ented: discussions, speeches, role
plays, conversations, audiotaped oral dialogue
jo urnals, and o th er accuracy-based activities.
Discussions
Discussions are probably the m ost connnonlv
used activity in the oral skills class. Tvpicallv. the
students are in tro d u c ed to a topic via a reading,
a listening passage, o r a videotape and are th en
asked to get into pairs or groups to discuss a
related topic in o rd e r to com e up with a solu
tion, a response, o r the like. Teachers m ust take
care in p lan n in g an d setting up a discussion
activity. First, p lan n e d (versus ran d o m ) g ro u p
ing o r p airing of students mav be necessary to
ensure a successful discussion outcom e. W hile
th e re is no one "right way" to g roup students,
considerations such as gender, ethnicitv, back
g ro u n d , talkativeness, etc. mav com e into plav.
Second, students n eed to be rem in d ed that each
p erso n should have a specific responsibility in
the discussion, w h eth er it be to keep tim e, take
notes, or re p o rt results; these decisions can, and
should, be m ade by the g roup m em bers. Finally,
students n e e d to be clear ab o u t what thev are to
discuss, why they are discussing it, an d what out
come is expected. In o th e r words, it is insufficient
to tell students, G et in groups a n d discuss this
to p ic. T h ere should be guidance b e fo re h a n d
a n d follow -up afterw ard. T h in k a b o u t how
success o r completion can be defined for the activ
ity a n d ob serv ed in th e g ro u p s. G reen ,
C hristopher, a n d Earn (1997) believe th a t stu
dents will be m ore involved with and m otivated
to participate in discussions if they are allowed
to select discussion topics an d evaluate th eir
Speeches
A nother com m on activity in the oral skills class is
the prepared speech. Topics for speeches will sTaiv
d ep en d in g on the level of the student a n d the
focus of the class, but in anv case, students should
be given some leeway in determ ining the content
o f their talks. In o th er words, the teacher can pro
vide the structure for the sp eech its rhetorical
genre (narration, description, etc.) and its time
restrictions while the students select the con
tent. For exam ple, asking students to tell us
about an unforgettable experience you had"
allows them to talk about som ething that is per
sonally m ean in g fu l while at th e sam e time
encourages n arration and description.
Speeches can be frightening for the speaker
and, after a while, b o ring for the listeners, so it is
a good idea to assign the listeners som e responsi
bilities d u rin g the speeches. This is an excellent
Role Plays
A th ird m ajor speaking activity tvpe is the role
plav. which is particularh suitable for practicing
the sociocultural variations in speech acts, such
as com plim enting, com plaining, a n d the like.
D ep en d in g on student level, role plavs can be
p e rfo rm e d from p rep a re d scripts, created from
a set of prom pts and expressions, or written
using and consolidating know ledge gained from
instruction or discussion of the speech act and
its variations p rio r to the role plavs them selves.
O lshtain and C ohen (1991) reco m m en d several
steps for teaching speech acts. First, a diagnostic
assessm ent is useful fo r d e te rm in in g what
students already know about the act in question.
Conversations
O n e of the m ore recent trends in oral skills pedagogv is the em phasis on having students analyze
an d evaluate the language that thev or others
p ro d u ce (see. for exam ple. R iggenbach 1999).
In o th e r words, it is not adeq u ate to have stu
d e n ts p ro d u c e lots of language; thev m ust
b ecom e m ore m etalinguisticallv aware o f the
m any features o f language in o rd e r to becom e
c o m p e te n t speakers a n d in te rlo c u to rs in
English. O ne speaking activitv which is p articu
larly suited to this kind o f analysis is conversa
tio n , th e m ost fu n d a m e n ta l form o f oral
com m unication. Alm ost till ESL/EFL students
can benefit from a unit o n 2 an d practice with
inform al conversation, but few students rep o rt
having e ith e r the o p p o rtu n ity o r the confidence
Assessment
T he oral skills teach er mac be req u ired to m ake
decisions about two kinds o f oral assessment.
T he first, evaluation of classroom p erform ance,
has b e e n discussed above along with various oral
skills class activities. Brown an d Yule (1983)
m ake several useful reco m m en d atio n s for class
room oral assessment. First, w henever possible,
e x te n d e d chunks of speech that have a purpose
an d that are stru ctu red o r organized should be
elicited. This m eans that isolated sentences,
spontaneous p ro d u ctio n with no p lan n in g time,
and decontextualized tasks do not m ake for the
best p erfo rm an ce. A second im p o rtan t sugges
tion is that the in p u t given to students, w hether
it be visual (e.g., a picture for description), aural
(e.g., a directive to "tell m e about the most excit
ing clay vou have h a d "). or interactive (e.g., ques
tions in an interview ), be consistent for all
exam inees. This can be especially problem atic in
an interview situation w here the interviewer must
respond to the turn-bv-turn interaction taking
place and, in the process, may inadvertently devi
ate from the in te n ie w agenda (see Lazaraton
1996 for m ore on this issue). Finally, the results of
oral assessment should be rep o rted using term s
that are clearlv defined for an d u n d erstan d ab le
to students. For exam ple, term s such as commu
nicative effectiveness d o n 't m ean m uch unless they
are o p erationalized in wavs th at are consistent
with course goals, the student level, a n d the
speaking task itself. N ote the difference in speci
ficity betw een generallv effective com m unica
tion and "can answer questions about hom e,
familv, and work with a range of simple vocabu
lary and accurate linguistic structures with confi
dence and can find o th er wavs o f expressing
Conclusion/Future Trends
Oral skills are not onlv critical for com m unication
in the ESL classroom, thev are necessarv for com
m unication in, and with, the English-speaking
world. As a result, all ESL EFL teachers will want
to do whatever thev can to prom ote the develop
m en t of speaking, listening, and pronunciation
skills in their students. This chapter has given an
ov erv iew of the theoretical basis for teaching oral
skills com m unicatively described some features
of the oral skills class, detailed a n u m b er of speak
ing activities that prom ote oral skills develop
m ent. and discussed some considerations that go
into oral assessment and some large-scale oral
exam inations that ESL EFL students mav be
required to take at some point in their learning.
While it is difficult to predict with certainly
what the future holds for language teaching in
general, and oral skills pedagogy in particular, it is
reasonable to assume that the focus on the sociolinguistic and sociocultural dim ensions of oral
com m unication will continue. .As we learn m ore
about how people behave in real life and how this
behavior is encoded in speech (bv accum ulating
research on speech acts and different varieties
of English, for exam ple), we will be in a better
position to teach and design materials based on
authentic language and com m unication patterns.
Content- and task-based teaching seem cer
tain to rem ain im portant aspects of oral skills
pedagogy as well. In particular, teaching materials
for specific speaking contexts will likelv becom e
m ote prevalent. For example. Tarone and Kuelm
D IS C U S S IO N Q U E S T IO N S
1. T h in k about a foreign o r second language
class von have taken. How were oral skills
addressed? How do you ju d g e your speaking
abilitv as a result of the class? How could the
class have been im proved so th at your ulti
m ate a tta in m e n t m ight have been better?
2. W hat are the advantages and disadvantages of
having (a) a native English speaker or (b) a
non-native English speaker as the teacher in
an oral skills class (see Medgves's chapter in
this volume)?
3. W hat role, if anv, should the first language play
in the ESI. oral skills class? Would vour answer
change if the class were in an EFL, context?
4. W hat would vou tell a student who asks you to
correct all of his or her oral language errors
(pronunciation, gram m ar, lexical choice) in
till of his or her oral production work?
5. W hat considerations go into g ro u p in g or
pairing students lo r speaking activ ities?
6.
S U G G E S T E D A C T IV IT IE S
1. You teach an ESI., oral skills class w here som e
students, perhaps due to th eir personalities
a n d or cultural backgrounds, are the m ost
talkative an d d o m in a te class discussions,
while others never speak up in class and,
even when called on. m erelv agree or claim
thev have no opinion. Develop a set of con
tingencies vou can chaw on to equalize
o p p o rtu n ities for class participation.
2. Imagine that vou hav e access to audiotapes and
transcripts of authentic native speaker/native
speaker and native speaker/'non-native speaker
conversation, such as the excerpts from taped
B:
S:
B:
S:
B:
S:
B:
NS:
FU R T H ER R EA D IN G
ENDNO TES
1 Canale and Swain's model did not include dis
course competence until Canale (1983a), and it
has since been modified a n d /o r expanded; see. for
example, Bachman (1990) and Celce-Murcia.
Dornvei, and Thurrell (1995).
2 Of course, students can also benefit from some
explicit instruction about the structure of conversa
tion. Markee (2000) presents a theoretical overview
of the nature of conversation and its relevance to
SLA theon and research; Dornvei and Thurrell
Teaching Pronunciation
A N E T
G O O D W I N
In "Teaching Pronunciation." the goal of instructor s t - 'e e 'c c: to e^ab'e our (earners to understand
and be understood, to build their confidence in enter rg c c ' - o c i i ,e situations, and to enable them
to m onitor their speech based on input from the e w re-m em . To accomplish these goals, G oodw in
describes the tools we need to teach pronunciat c r
U n d e rg ra d u a te stu d en t in an ESL
p ro n u n ciatio n course
Sometime when I speak to native American.
I guess because of my Chinese a sense or m/spronunciate the word, they ask me wind
did you say. can you repeat, or I beg your
pardon. Sometime my face turn red. and
become so embarrassed in front of them. I
remembered once my tears were in my eycc "
G raduate student in an ESL
p ro n u n ciatio n course
T H E SEG M EN TA L/
SU PR A SEG M EN TA L D EBATE
IN T R O D U C T IO N
The above quotes highlight whv the teaching of
p ro n u n ciatio n is so crucial to o u r students.
P ro n u n ciatio n is the language feature th at most
readily identifies speakers as non-native. It is a
filtet th ro u g h which others see them a n d often
discrim inate against them . W hen we witness o th
erwise proficient learners who are barely intelli
gible while speaking, we can u n d e rsta n d their
frustration an d the h o p e then place in us.
In the past, p ro n u n ciatio n instruction usu
ally focused on the articulation of consonants
and vowels an d the discrim ination o f minimal
S E T T IN G R E A L IS T IC G O A LS
M orley (1999) has ou tlin ed four im p o rta n t goals
for p ro n u n cia tio n instruction: functional intelli
gibility, functional com m unicability, increased
self-confidence, and speech m o n ito rin g abilities.
For o u r purposes, intelligibility is defined as
spoken English in which an accent, if present, is
n o t distracting to the listener. Since learners
rarelv achieye an accent-free pro n u n ciatio n , eve
are setting o u r students up for failure if we striye
for natiyelike accuracy. Eradication of an accent
should not be our goal; in fact, some practi
tioners use the term accent addition as opposed to
accent reduction to acknowledge the indiyiduals
first language (L J) identity w ithout dem an d in g it
be sublim ated in the new second language (L2 ).
Functional com m unicability is the learner's
ability to function successfully within the specific
com m unicatiye situations he or she faces. Be
exam ining the discourse ou r students will need to
use in real life, we can see which features of pro
nunciation m ight be particularly im portant for
them to master. Ideally, this entails obserying
or videotaping the target com m unicatiye situa
t io n ^ ) , be it a bank transaction, a friendly
conversation with neighbors, a patient-doctor
interview, or some o th er situation. At the very
least, it is useful to distribute a survey to students
at the beginning of instruction that elicits their
needs and interests. This inform ation guides us
b oth in the features we choose to em phasize and
in the co n ten t into which the pronunciation prac
tice should be em bedded.
Dalton and Seidlhofer list six com m unicathe
abilities related to pronunciation:
?
*
A D E S C R IP T IO N O F T H E
S O U N D SYSTEM O F E N G LIS H
Traditionally, the sound svstem has been described
and taught in a building block fashion:
sounds " syllables
phrases and
thought groups
extended discourse
T hough this mav m ake sense from an analytical
point of view, this is n ot how our learners experi
ence language. As speakers, we d o n 't usually think
about what w e're saying sound bv sound, or even
syllable bv sellable unless com m unication breaks
dow n. So the bottom-up approach of m astering one
Thought Groups
Prominence5
Ms fellow eilizens/this/is/our/moment.
O r a fru strated p a re n t m ight sav to a recalcitrant
child:
Come/here/ right/ now!
In each case, the speaker has a clear com m unica
tive reason for w anting to em phasize each word.
I am reading.
I am reading.
I am reading.
Intonation
Tims far, we have looked at how speech is divided
up into thought groups m arked bv pauses, and
how within each thought group one prom inent
elem ent is usually stressed. Each thought group
also has an o th er distinctive feature, namelv its
intonation the m elodic line or pitch pattern.
T he interplay o f these pronunciation features
becom es evident as we note that the pitch move
m ent within an intonation contour occurs on the
p ro m in en t elem ent:
Going Out
T ed : Are
yo u
/r EAD y vet?
L ee : N o , I n e e d to call/D A \T first.
T ed : Whv's/TElAT?
L ee : B ecause/HE'S [the o n e
w ho's giving tts a/LII
In tonation patterns do vary but certain general
patterns prevail.' G eneral rules about intonation
patterns are not m eant to denv the regional and
individual variation of authentic speech. Still, by
offering o u r learners at least some generalized
patterns for specific contexts, we give them an
appropriate option, if not the sole appropriate
one. Certainly, it is crucial to provide continued
exposure to real speech for listening analysis so
th at students can be aware of the contextual
m eaning o f intonation choices.
A lth o u g h in to n a tio n c e rta in ly c arries
m ean in g , it is d a n g e ro u s to m ake one-to-one
associations betw een a given e m o tio n an d an
in to n a tio n contour. O ften, in to n a tio n is one
facto r am o n g m any th at co m m u n icate an atti
tude. W ord choice, gram m atical structure, the
situational context, facial expressions, and body
m ovem ent all c o n trib u te to infusing an u tte r
ance with em otion.
Rhythm
Just as lo n g er and sh o rter notes m ake tip a m usi
cal m easure, longer and sh o rte r syllables occur
in speech. This altern atin g of longer (stressed)
a n d sh o rte r (unstressed) syllables can be a p p re
ciated in poem s read aloud. Even if not as
noticeable as in poetrv. regular spoken English
has rhvtlnn as well. English speech rhythm is
usually referred to as stress-timed, i.e.. with stiesses
or beats occurring at regular intervals:
Pattern A
Pattern
. ___ . .
__ . . ___
While clapping
or stretching a
rubber band, the
teacher says:
ti . ti ti" ti ti TAA"
First, the teacher pronounces one o f the two pat
terns that students distinguish bv pointing to it on
the board. O nce students are able to hear and also
reproduce the selected patterns themselves using
the nonsense syllables, thev can trv to distinguish
actual phrases (adapted from Chela Flores 1998):
Listen and circle the pattern you hear.
Student hears:
1. (A little one)
Student circles:
a. . __ . .
b. __ . . __
2. (Lots to be done) a. . __ . .
b. __ . . __
3. (Its marvelous)8
b. __ . . ___
a. . __ . .
Reduced Speech
W hen we speak in th o u g h t groups in a rhythm ic
way, we find wavs to highlight im p o rtan t syllables
and to de-em phasize others. L earners will have
less difficulty7stressing syllables than they will stressing them . O n e wav to w eaken unstressed
syllables is to sh o rten them . A n o th e r is to relax
the m o u th w hen articulating the vowels a n d to
use less energy or m uscular tension. Because we
are not spreading o u r lips so widely or letting
the jaw d ro p so far, these reduced vowels can be
spoken m ore quickly, help in g us to m aintain a
m ore or less regular interval betw een stressed
syllables.
T he m ost com m on red u c e d vowel is called
schwa / /. This is the vowel vou m ake w hen your
m outh is com pletely relaxed with no p articular
effort to raise or lower your jaw or to spread o r
ro u n d vour lips. Exam ples include the unstressed
vowels in the words ban an a and police.9
Since m any function words are unstressed,
thev have b o th a citation form (also know n as
full, strong, or stressed) a n d a reduced form
(unstressed o r weak). H ere are two exam ples:
Citation Form
Reduced Form
TO
a ticket to Tucson /
Linking
Words that non-native listeners can co m p reh en d
easily in isolation can som etim es be unrecogniz
able to them in connected speech. T he b o u n d
aries betw een words seem to disappear. Linking is
a general term for the adjustm ents speakers m ake
betw een words in connected speech. Say to your
self: Why don 7 you fin d cm/ / ? W hen you say find out,
it probable sounds a lot like fine doubt. In o th er
words, you have linked the syllables to g eth er (and
m ade them easier to p ro n o u n ce ) by shifting the
final c o n so n an t o f fin d to the next syllable,
w hich begins with a vowel. Som e speakers, p ar
ticularly in N orth A m erican English, also p ro
n o u n c e dont you so th at it sounds like don-chew.
Consonants
C on so n an t sounds are characterized by place of
articulation (where the sound is m ad e), manner
o f articulation (how the sou n d is m ad e), and
voicing (w hether the vocal cords are vibrating or
not). These three dim ensions are com m only
illustrated in a consonant chart (see A ppendix 1).
T he place of articulation is usually illustrated in
a diagram called a sagittal section diagram , often
refe rre d to as "The O rgans of Speech" (see
A ppendix 2).
To teach consonants, we first n eed to decide
w hether phonetic symbols are necessarv. In m ost
cases, the orthographic letter is the same as the
Vowels
W hereas consonant sounds in English occur at the
beginning or end of a syllable, vowel sounds arc
the se llable core, the sound within the syllable that
resonates and can be lengthened or shortened
SAY YES
// s
3
4
a FAT BIRD
/? //
5
a BUS STOP
a
7
8
TW O BOOKS
uyy- //
9
10
XO LAW
MY COWBOY
a y /aw/ h y !
13 14 15
OW
11
12
Word Stress
T he discussion of vowels provides a good fo u n
dation for u n d ersta n d in g word stress. Just as
th o u g h t groups can have m ore than one stressed
syllable but only one p ro m in e n t elem ent, m ulti
syllabic words can also have m ore than one
stressed sy llable, but only one o f those syllables
receives prim ary stress ( ) . T he o th er(s) receive
secondary stress () o r alm ost no stress ():
com
man
ca
lion
com
mini
ca
lion
3.
p ia x e
BUS
sto p,
comPUter d is k
BEAUty
deEI\rer
perFORM
-*
BEAUtiful
deLIYerance
perFORMer
periODic
seQUEXtial
organi/Ation
A C O M M U N IC A TIV E
FRA M EW O RK FO R
T E A C H IN G P R O N U N C IA T IO N
Celce-M urcia, B rinton, a n d G oodw in (1996)
p rese n t a fram ew ork for the sequencing of activ
ities within p ro n u n cia tio n instruction. T h eir five
teach in g stages include description an d analysis,
listen in g discrim in atio n , c o n tro lle d practice,
g u id ed practice, an d com m unicative p rac tic e .13
2. Listening Discrimination
L istening activities include contextualized m ini
m al pair discrim ination exercises such as the fol
lowing from G ilbert (1993, p. 20). T h e speaker
(who mav be the teach er o r a n o th e r student)
p ro n o u n ces e ith e r sentence a or b. T he listener
responds with the a p p ro p riate rejoinder.
a. He wa n Is to b uy
mv boat.
11 ill
sell
b. He wants to buy
my vole.
T hats against
the law!
it ?
Falling
Sam finished it
You can 7
L'sing a transcript with a short listening pasage, learners can m ark the pauses a n d /o r circT
the pro m in en t elem ents they hear. In general, tlw
3. Controlled Practice
At the beginning, in m ore co n tro lled activities,
the lea rn er's a tten tio n should be focused alm ost
com pletely on form . Any kind o f choral reading
can work if the learn er's atten tio n is clearly
focused on the target feature. Poems, rhvmes.
dialogues, dram atic m o n o lo g u es all o f these
can be used if the c o n te n t and level engage a
le a rn e rs interest. W hen p e rfo rm e d with student
p artners, contextualized m inim al pair activities
(as m en tio n e d above) are a com bination of con
trolled practice for the speaker an d listening
discrim ination for his or h e r partner.
4. Guided Practice
In guided activities, the learn ers attention is no
longer entirely on form. T he learner now begins
to focus on m eaning, gram m ar, and com m unica
tive intent as well as pronunciation. Teachers need
to develop a continuum of bridging activities,
which shift attention gradually to a new cognitive
task while the learner attem pts to m aintain con
trol of the pronunciation target. As an example,
Hewings and Goldstein (1998. p. 127) m ake use of
a m em ory activity while practicing -s endings.
Students are instructed tea stuch a picture contain
ing a n u m b er of com m on objects for one m inute
(two bridges, three suitcases, four glasses, etc,.).
With the picture hidden, thev then try to recite
the correct n u m b er of each item, while concen
trating on p ronouncing the plural -s correctly.
5. Communicative Practice
In this stage, activities strike a balance betw een
form and m eaning. Exam ples include role plays,
debates, interviews, sim ulations, a n d dram a
scenes. As the activities becom e gradually m ore
com m unicative, the le a rn e rs attention should
still Ire focused on one o r two features at a time. It
is overw helm ing to suddenly m onitor all p ro n u n
ciation features at once. Set an objective, which
can be different for different learners, and let stu
dents know it in advance. For exam ple, W hen
p erform ing this role play, Marco, pay special
attention to linking between words. Feedback
should then be focused on the stated objective.
SOME T E A C H IN G T E C H N IQ U E S
A wealth of good m aterial has been published
fo r tea c h in g p ro n u n c ia tio n . This is n o t an
exhaustive list o f techniques; instead, ju st a b rie f
overview of possibilities with sources for the
tea c h e r to investigate.
o, its advanced.
No, an orange tree.
(p. 69)
Prominence
I didn 7 know
she urns out there.
I thought she
was inside.
I d id n t know
she was out there.
I thought it
was ju st him. (p. 117)
Drama
D ram a is a particularly effective tool for p ro n u n
ciation teaching because various co m p o n en ts o f
com m unicative com petence (discourse in to n a
tion, pragm atic awareness, nonverbal com m uni
cation) can be practiced in an in teg rated wav.
Stern (1980) proposes a m eth o d for using
eight- to ten-m inute scenes, usually involving two
characters. Each pair o f students receives the
script to a different scene. R ather than m em o
rizing the lines, they are sim ple to provide a d ra
m atic re a d in g looking u p frequently at their
p a rtn e r an d read in g with feeling. T he teach er
A N IN T E G R A T E D W H O L E -B O D Y
A P P R O A C H TO T E A C H IN G
P R O N U N C IA T IO N 19
Kinesthetic Activities
We speak with our voral organs, but we converse
with our whole bodies. "
(A bercrom bie 1968. p. 53)
O ne im p o rtan t wav to effect change in p ro n u n
ciation is th ro u g h kinesthetic techniques. In
addition to relaxation and b rea th in g exercises.
C han (1987) m akes use of basic h a n d gestures to
teach p ro n u n c ia tio n .14 Svllables are shown bv
the n u m b e r of fingers one holds up or b\ tap
ping out the n u m b er with o n e s hand. An open
h a n d indicates stress while a closed h an d shows
a lack of stress. Linking th u m b and forefingers
betw een both hands illustrates linking. A sweep
ing h a n d m otion for rising a n d falling pitch illus
trates in tonation. O nce students are fam iliar
with the gestures, the teach er cam use them as
silent correction techniques.
In the film. The Wizard of Uz. Dorothv. the
Tin Man, and the Scarecrow walk arm in arm
down the vellow brick road worriedlv repeating
the phrase. "Lions. Tigers, and BEARS. O h MY!"
G rant (2000) suggests a technique in which
learners stand up and take a step in svnchronv
with each stressed sellable while repeating the
above phrase at least three times. In the next
stage, learners create new phrases in the same
four-beat pattern. For example:
HyEXas and
3
CROC.oddes and PYthons
4
oh M Y
M EDIA A N D T E C H N O L O G Y
Audio
A udio rec o rd in g is the m ost basic way to capture
s o u n d e ith e r a m odel or the student's own
sp e e c h for the le a rn e r to review. Tapes from a
variety o f textbook series can be m ade available
in a language lab o ra to ry e ith e r for use in class
with teach er supervision o r as self-access.
Bevond com m ercial atidio program s, learn
ers should p e rio d ic a ls record th eir hom ew ork
on tape for the instructor to respond to. As a p er
sonal resource, learners can create a p ro n u n cia
tion tape log bv bringing in a blank tape and a
short w ritten list of words and phrases thev find
hard to p ro n o u n ce. T he teacher or a tu to r aide
th en records each student's phrases (the teacher
should em b ed any individual words the student
requests into a phrase) onto the cassette. This
m otivates learners to m ake choices about what
they want to learn and gives the instructor insight
into learners' needs a n d interests.
If vou hold office hours or if learners have
access to p ro n u n c ia tio n tu to rin g , encourage
them to rec o rd the session. T utoring can be very
effective, b u t w ithout a reco rd in g of the advice
a n d corrections it will be nearlv im possible for
th e le a rn e r to co n tin u e w orking with the feed
back on his o r h er own.
Sim ilar to w ritten dialogue jo u rn a ls, stu
dents can reco rd oral entries on an audiocas
sette in an exchange with the teacher. T he
entries can be stru ctu red bv the teach er o r left
Video
A growing n u m b er of com m ercial videotape pro
gram s focus on p ro n u n c ia tio n -0 an d usuallv
involve the a u th o r teaching pronunciation lessons
o r actors perform ing a scene with exercises. Such
videotape program s serve as additional m odels
that the instructor can bring into class: most les
sons are no m ore than 15-30 m inutes long.
As suggested earlier in this chapter, vou can
videotape local com m unicative situations th at
vour learners m ight face. If vou teach in te rn a
tional teaching assistants (ITAs), tape skilled
teaching assistants in the same disciplines at
vour universitv. If vou are teaching recent im m i
grants. find out what th eir em ploym ent goals are
an d trv to set up a m ock job interview and
reco rd it. If vou are teaching voting adults in an
intensive program , trv to find a g roup of th eir
age-mates" from vou r area an d record a conver
sation. R ecordings can provide m otivating p e e r
target m odels for vour learners.
C om m ercial films a n d off-air television
recordings can be used to teach p ro n u n cia tio n
but are subject to copvright law. T he showing of
short clips from a film to illustrate a p o in t in a
lesson is perm issible if the instructor uses a p u r
chased video and not an illegal copy. Off-air
recordings for educational purposes are subject
to a tim e lim it from the date of recording. For
m ore inform ation on ITS. copv right code, check
the following websites:
http: / vwwv.nolo.com/encyclopedia/
articles pet/nn72.html
http: / vvYvw.law.cornell.edu topics
copyright.html
A video cam era is a w onderful tool for
reco rd in g stu d en t perform ances. It allows the
lea rn er to see the en tire com m unicative p e r
form ance. not just the sound. T he teach er can
also evaluate the p erfo rm a n c e in m ore d e p th
than would be possible from notes taken d u rin g
Computer Software
A n u m b er of CD-ROM program s now exist that
target pro n u n ciatio n . These w in1 in scope, price,
type of hardw are needed, platform (Mac or
W indows), a n d ease o f use. Some program s focus
prim arily on sounds, whereas others visually dis
play the length, pitch, and loudness of an u tter
ance. Some program s have a u th o rin g systems in
which the instructor can upload his or h er own
c o n ten t to the program : others com e with a stock
set of utterances for the lea rn er to practice.
In some cases, the visual feedback that is
provided is hard for students to in terpret or is
inconclusive, i.e., even native speakers cannot
m atch their pitch trace to the m odel. Most teach
ers who use com puterized visual feedback stress
that it is
necessarily useful in and of itself the
learner m ust be trained to make effective use of
these visual representations of speech.
O th e r program s function m uch like a tradi
tional language lab students record their voice
and th en press a button to plav it back but thev
still use their own perception to hear the differ
ence betw een their production and the m odel
utterance.
An overview of mans' of the software p ro
gram s available for teaching p ro n u n ciatio n has
been com piled bv D eborah Hcalev and can be
found at this website:
h ttp ://o su .o r st.e d u /d e p t/e li/
junel998.htm l
This overview contains a b rie f description of
each program with ap p ro x im ate cost a n d con
tact inform ation.
Internet
The In tern et offers a wide array of resources for
both teachers and learners o f pronunciation.
W hile not replacing CD-ROM program s, the
Internet protides a continually expanding num
ber of websites which can be m ined for pronunci
ation instruction. These include articles about
A SSESSM EN T
In this section we will exam ine three types of pro
n u n ciatio n assessm ent: diagnostic evaluation,
ongoing feedback, and classroom achievem ent
testing. (See C ohen's ch ap ter in this volume.)
Diagnostic Evaluation
T h e m ost com m on form s o f diagnosing a learn
er's p ro d u ctio n are the use o f a diagnostic pas
sage an d a free speech sam ple. In the first,
learners read a passage designed to co n tain a
variety o f features a n d sounds. In the second,
learn ers are p ro m p te d by a topic, a series of
questions, or an illustration. In o rd e r to obtain
the truest sam ple o f speech proficiency, learners
should have tim e to form ulate a th o u g h tfu l
resp o n se however, thev should not write it o u t
a n d read it aloud. A n o th e r possibility includes
an oral interview rec o rd e d for later evaluation.
Ongoing Feedback
Think about the rules we have learned con
cerning -word stress. Listen carefully to your
tape white looking at your transcript. On
the transcript, underline any words that
you think you stressed incorrectly and draw
an arrow to the syllable that you should
have stressed. Here is an example:
f\
Self-Monitoring
O n e wav to guide learners to self-correct is to
point out their errors silentlv (rather than sim
ply p r o n o u n c in g it correctly for them ). We can
use various means to cue correction:
1.
2.
-s
3.
Intonation
Charts
Peer Feedback
During a traditional minimal pair activity, rather
than Inning students onlv work in pairs (one
speaker and one listener who responds with the
appropriate rejoinder), students can be placed in
groups of four. In this scenario, the first speaker
reads one of the two minimal pair options and
the three o ther group m em bers each mark what
thev hear. If onlv one listener is giving the feed
back. it is less reliable a n d convincing to the
speaker since that listener might have difficulty
hearing that particular distinction.
If a role pla\ betw een two students is recorded
on tape, then the two can transcribe it together and
also fill in the analysis form together. In this case, it
would be good to pair students together who don':
necessarily share the same pronunciation difficul
ties. Learning from someone who is onlv a little fur
ther along than vou can be an effective alternative
to instructor feedback alone.
Teacher Feedback
During class, the teacher can use gestures or pr< nunciation correction signs to provide feedback
silently. Out-of-class feedback can be provided
th ro u g h audiocassettes or c o m p u te r sound filein an e-mail exchange.
Which errors should we correct? Rathe:
than overwhelming the student with feedback or.
even' possible error, follow the guidelines below:
1.
2.
3.
C O N C L U S IO N
The discussion of assessment brings us full circle
back to the goals we have set lor ourselves an d our
learners. These goals are realistic the ability of
our learners to understand and be understood in
the communicative situations they face, the confi
dence to enter these communicative situations
with ease, and the abilitv to m onitor their speech
in ord er to make adjustments and improvements
D IS C U S S IO N Q U E S T IO N S
1. T hink about a foreign language vou have
learned. How good is vour accent? W hat fac
tors have contributed to how well you p ro
nounce this language?
2. T hink of one communicative situation vou
engage in even day. W hat kinds of language
do vou use? What aspects o f p ro n unciation
do you n e e d to know to function well in this
situation?
3. W ho is better eq u ip p e d to teach p ro n u n c ia
tio n a non-native who speaks the LI of her
learners or a native English teacher who
does not? U pon which factors m ight vour
answer depend?
4. W hich aspect of p ro n u nciation is the hardest
to teach? Whv?
S U G G E S T E D A C T IV IT IE S
1.
2.
FU R T H ER R EA D IN G
Teacher References
Avery, P., and S. Erlich. 1992. Teaching American English
Pronunciation. Oxford: Oxford University Press.
Celce-Murcia, M., D. Brinton, and J. Goodwin. 1996.
Teaching Pronunciation: .4 Reference for Teachers of
English to Speakers of Other Languages. Cambridge:
London: Longman.
Hancock, M. 1995. Pronunciation . Cambridge:
Cambridge University Press.
Prolinks
John Murphv's list of sites related to phonology
and teaching pronunciation. Includes Murphv's
annotated list of resource books, journal articles
classroom texts, etc.
http: / /www. gsu.edu/~esljm m /ss / prolinks.htm
Lessons
A nice selection of lesson ideas and links T
both British and American English.
h ttp:/ / eleaston.com /pronunciation/
Pronunciation
Information and resources covering British ..
yvell as American resources. Well organized :
learners and teachers.
http: / / esl.about.com /hom ew ork / esl / msuh
17.htm
ENDNO TES
1 A minimal pair is a set of two words that are alike
except for one sound, e.g., bet and bat, or great and
crate.
- The term segmentals refers to the actual consonant
and vowel sounds. The term suprasegmentals refers
to the features which occur above the segments."
e.g., the stress, rhvthrn, and intonation.
3 Other terms for this include tone units, breath
groups, and intonation units.
4 1. Alfred said, "The boss is stupid. 2. Allred."
said the boss, "is stupid."
Other common terms for this include nuclear
stress, tonic syllable, focus word, emphasis, and primary
phrase stress.
8 When words of metre than one sellable are promi
nent, it is onlv the sellable receiving primarv stress
that is prominent (e.g.. SPEAKing. ecoXOMics).
' See Bolinger (1986); Brazil. Coulthard. and fohns
(1980); Celce-Murcia, Brinton, and Goodwin
(1996) for descriptions of intonation patterns.
8 The correct answers are a, b, a.
9 In many North American learner textbooks, the
schwa / / svmbol also represents the full stressed
vowel / / , as in "bus." This pedagogical simplifi
cation thus describes the two vowels in the word
above" as being similar in quality if not in length.
10 See Celce-Murcia. Brinton. and Goodwin (1996).
for further explanation of cluster reduction.
11 A diphthong is a sound that combines two vowel
sounds in one vowel nucleus.
12 See Dickerson (1989). (1994) or Celce-Murcia.
Brinton, and Goodwin (1996) for further expla
nation of word stress rules.
13 These stages are not necessarily meant to occur in
one 50-minute lesson. They simply represent a
pedagogical sequence which could take place
over several lessons.
P la c e
Manner of
A rticulation *
Stop
Bilabial
Labio
dental
of
A r t ic u la t io n
Dental
Alveolar
Palatal
Velar
Fricative
Glottal
tj
Affricative
d3
Nasal
Liquid
Glide
N o te:
n
1
the voiceless sounds are in the top p a rt o f each box, voiced sounds are in the lower half.
Ma n n e r o f A r t ic u l a t io n *
W h at happens to the air stream as the sound is articulated
Name
Stop
//
Fricative
Affricative
/tj*/
Nasal
/m/
Liquid
//
//
Glide
Example
A P P E N D IX 2
Organs of Speech
A. nasal passage
B. alveolar (tooth) ridge
C. hard palate
D. velum/soft palate
E. lips and teeth
F. tongue
1. tip
2. blade
3 . body
4 . root
G. uvula
H. jaw
I. pharynx
J- trachea
K. larynx and vocal cords
P o in t s o f A r t ic u l a t io n
(from the front of the mouth to the back)
E x a m p le
N am e
W h e r e th e Sound Is P ro n o u n ced
Bilabial
Lab io d e n tal
/V/
D e n ta l
A lv e o la r
/0/
/d/
Palatal
V e la r
G lo tta l
Throat passage
//
/h/
A P P E N D IX 3
The Phonetic Alphabet for English
The Consonants of North American English
1.
//
pat, clap
13.
2.
/ boy, cab
14.
3.
15.
4.
/d/
dog, bed
16.
/tj/
5.
// cry, side
17.
3/ just, bridge
6.
// go, beg
18.
7.
19.
8.
20.
// sing(er), long
9.
21.
10.
22.
// rib, tar
1 1.
23.
12.
24.
// yes, soya
cheek, match
1.
8.
2.
9.
// put, book
3.
// train, gate
10.
4.
// set, then
1 1. // line, fight
5.
// fan, mad
6.
//
hot, doll
13.
// noise, boy
7.
14.
// gun, but
15.
// bird, curtain
g Pronunciation
1 37
Developing Childrens
Listening and Speaking in ESL
SABRINA
PECK
In "Developing Children's Listening and Speaking in E SL .1 Peck addresses teachers of adult ESLVEFL
who are beginning to work with children. She ouhmes how children differ from adults as classroom
learners of oral language. She also discusses how maire use of resources such as songs, chants,
drama, and storytelling.
IN T R O D U C T IO N
Perhaps you have taught ESL or EFL before, but
never to children. You mav have some hunches
about how child second language learners could
differ from adults. In manv wavs, children who
are learning ESL are different from adult stu
dents. Consider these anecdotes:
1. An ESL teacher instructs a group of 7 children
even- dav for 45 minutes. Thev sing "I'm a
Little Teapot" over and over again. Standing,
they use on e arm as the spout of the teapot.
Bending, they use the o th er arm to show the
tea p o u rin g out. It feels like an eternitv to
the teacher: I m a little teapot, short and
stout, he re is mv handle, he re is mv spout.
W hen I get all steam ed up, he a r me shout,
just tip m e over an d p o u r me out." And then
the g roup starts again.
2. A kindergarten child, alreadv in school for six
months, still declines to speak in English. She
hides u n d e r the table during group lessons.
She speaks u n d e r her breath in Japanese to
the other children, who speak English a n d / o r
Spanish.
3. In visiting the class o f a n o te d a n d successful
ESL teacher, you are struck that each activity
lasts no m ore than ten minutes, that chil
d r e n are usually in m o v e m e n t m aking
s o m e th in g , h o ld in g s o m e th in g , m oving
their h ands or walking somewhere. T he class
looks like an art class.
H O W C H IL D R E N D IFFER
FROM A D U LT S AS
L A N G U A G E LEA RN ERS
In an ESL class for adults, the materials are books,
papers, the blackboard, an overhead projector,
and little else. In a childrens class, all sorts of
materials are used magnets, hamsters, stuffed
animals, art supplies, costumes, and so on.
Activities n e e d to be child c e n te re d a n d
c o m m u n ic a tio n sh o u ld be a u th e n tic . This
m eans that children are listening or speaking
about som ething that interests them , for their
own reasons, and n o t merely because a teacher
has asked them to. Many authors (e.g., E nright
H O W ESL C H IL D R E N
APPROACH ORAL LAN GU AGE
In some wavs, children approach oral language
differentlv than adults do. T h e role of language
plav within language learning is e xam ined bv
Cook (2000). C hildren a ppear m ore likely than
adults to plav with language (Peck 1978) and
mav learn th ro u g h language plav (Peck 1980;
Tarone 2000). Thev enjov rhythmic a n d repeti
tive language m ore than adults do. Thev plav
with the intonation of a sentence, an d m ost are
willing to sing. Thev enjov repeating a word or
an utterance in a plav situation. With less aware
ness of the wavs in which languages can differ,
children are m ore likelv to laugh at the sounds
T E C H N IQ U E S A N D R ESO U R C ES
Using Songs, Poems, and Chants
Given c h ild re n s greater ability to plav with lan
guage, teachers n e e d to use songs, poems, and
chants m ore than thev would with adults. Mamchildren do n o t tire of practicing a repetitive
and rhythmic text several times a dav, manv davs
a week. They build up a repertoire of songs or
chants an d delight in reciting them , or plavfullv
altering them . O ften thev incorporate gestures
and m ovem ent into their songs an d chants.
Some suggested poem s are M other Goose
rhymes. Anthologies of children's poem s from
language arts anthologies for children are also
useful (e.g., dePaola 1988). A guiding principle
in choosing poems, chants, a n d songs is to pick
the ones that you like, both as a teacher an d as
an individual. This is im portant because vou will
find yourself listening to them again and again!
Sometimes the line between poems and
chants can be thin. In general, chants have a
strong a n d catchv rhythm. Manv are written for
two parts, with a call an d a response, such as for
two groups or an individual an d a group. Manv
reflect jazz or rap rhythms. Carolyn G raham
originated the term jazz chants an d has p u b
lished several books of chants for children and
for adults (am ong them , G raham 1978; 1979;
1993). Mans- c urrent EST materials for children,
such as Into English! (Tinajero a n d Schifmi
1997) include a chant (and a song an d poem ) in
each them atic unit. In the following example,
note the two voices or parts and how simple past
forms o f irregular verbs are practiced.
Y o u D id It A gain !
You did
W hat
You did
W hat
it again!
did I do?
it again!
did I do?
Dramatic Activities
Children can be engaged in a lesson th ro u g h
dram a m ore easily than th ro u g h explanations or
instructions. Som e shv c h ild re n will speak
th rough a p u p p e t but are reluctant to speak on
their osvn. Dramatic actisities can be beneficial
for children svhether tiles' has'e a big or small
part in the production. Even if a child has a n o n
speaking role, he or she mav listen intently while
silently playing the part of a tree or a river. All in
all, children are m ore willing to take p a rt in
dram a actisities than are adults.
Commercially published skits an d plays are
available in magazines for children. W ithin the
U n ited States, a children's magazine called Plays
an d others such as Cricket a n d Ladybug are good
sources.
Narrator:
Chorus:
Narratin':
Chorus:
Storytelling
Stories are a powerf ul m eans o f language teach
ing. A skillful teacher can use stories to develop
m ore efficient listening, m ore fluent speaking
and the ability to read and write easily an d com
petently" (Garvie 1990, p. 161). Ghilclren usual!'
enjov hearing the same store mans' times. The
teacher cam easily vary the presentation. Fo:
instance, sou can tell the story using a picture
book, or a flannel board and movable character'
You can tell or read the store while children
Erika. Jose.
M ahmoud: (Touch heads)
Most o ther
students:
(follow others an d touch
heads)
Teacher:
Teaching Grammar
Younger children are less likely to focus on the
vocabulary or pro n u n cia tio n errors of others, or
to correct them . As children grow older, their
metalinguistic awareness (ability to analyze lan
guage) grows, an d thev do te n d to notice errors
m uch the same as adults do.
As you work with children who are devel
oping their oral language, you will notice many
SUMMARY A N D FU TU R E
D IR E C T IO N S
I have focused here on activities that are usually
associated with ESL or EFL children's instruc
tion: songs, poems, chants, dram a, stories, ges
ture. m ovem ent. TPR. a n d TPR storytelling. At
the same time, manv activities associated with
co n te n t classes can also give children oral lan
guage practice. Some examples are class discus
sions. pairwork. cooperative group work, oral
reports, interviews an d lectures.
The main point of this chapter is that chil
dren's ESL instruction needs to parallel their
developmental levels. Since plav is a child's suc
cessful work, the programs allow for m am kinds
of plan with talk built in. Since children learn
from each other and crave interaction with peers,
group activities are provided. Since children
often enjov language plav, am ple time is given
D IS C U S S IO N Q U E S T IO N S
1. T hink of an incident when the oral language
of a child surprised vou. Write down, as far as
vou can rem em ber, what the child said. Was
there language plav? How can you describe
the unusual qualities of the c h ild s language?
2. Are there other wavs that vou can think of in
which children's oral language (both listening
and speaking) differs from adults language?
3. Games, such as jum p rope rhvmes a n d guess
ing games, can be used with children who are
learning a language. In one game, children
S U G G E S T E D A C T IV IT IE S
1. Talk with some children between six and ten
years old. Ask them to teach y o u their favorite
b oard games. Examples m ight be "Clue."
Candvland, M onopolvjr." (United States),
o r P a rch e e si a n d Snakes, C hutes an d
L adders (worldwide). Tape record the play
ers language during one of these games.
Write a paragraph or two explaining what
ESL level (s) m ight plav this game a n d why.
2. Choose a storv, a poem , or song that tells a
story. O btain or m ake three sets o f objects
which you could use in presenting the storv
Types of objects or visuals could include p u p
pets, masks, dolls, pictures, posters, over
h e a d transparencies, props, craft activities,
art activities, an d so on. Tell the story to vour
classmates, using each set of objects in turn.
3. Observe an intermediate- or advanced-level
ESL class for children. Take special note of the
grammatical errors in writing and in speaking.
List them. Write a brief report listing the most
frequent errors. Suggest two communicative
activities that would be worthwhile to use in
addressing the most com m on error.
4. Write a brief p a p e r (one or two pages) about
an adult's m em ory o f studying a second or
foreign language as a child. You may inter
view som eone else or write about your own
5.
FU R T H ER R EA D IN G
Each book can be adapted to an EFL/ESL context.
Claire, E. 1998. ESL Teachers Activities Kit. EnglewoodCliffs. XJ: Prentice Hall.
Experienced or inexperienced teachers can draw
from this variety of games and activities.
Directions and materials are clearly spelled out.
Some unusual categories are Total Physical
Response activities and activities in which stu
dents build social contacts.
Law. B.. and M. Eckes. 2001. The More-Than-JustSurviving Handbook: ESL for Even Classroom
'Teacher. 2d ed. Winnipeg, Canada: Peguis
Publishers.
This comprehensive guide covers all four skills
and is useful for teachers who have two or three
ESL students, or a whole class. The book is prac
tical, concise, and filled with examples. The
authors discuss how child ESL learners feel and
how their language proficiency grows. Their dis
cussion of assessment is practical and realistic.
Phillips. S. 1993. Young Learners. Oxford: Oxford
L'niversitv Press.
Phillips provides children's EFL activities in sev
eral categories: listening, speaking, reading,
writing, vocabulary and grammar, games, songs
and chants, creative activities, and videos. The
last chapter. "Putting It All Together, deals with
the content and planning of lessons as well as
with classroom management.
Scott. W. A., and L. H. Ytreberg. 1990. Teaching
English to Children. London: Longman.
A concise, practical and easv-to-read book about
children's EFL. The authors also provide a help
ful discussion of how voting children differ
from older people as language learners.
Ur. P. 1998. Grammar Practice Activities: A Practical Guide
for 'Teachers. Cambridge: Cambridge University
Press.
W E B S IT E S
Young Learners: Web Resources (Young Learners
Special
Interest
Group.
International
Association of Teachers of English as a Foreign
Language) (LATEFI.)
This organization is based in the United King
dom. The site contains more than 150 links to
sites in several countries relating to ESI- and
EFL for voting learners. This is the most
detailed and complete site that I have seen
relating to children's ESI..
http: / / www.countryschool.com
ylresources.htm
www.aaronshcp.com rt indcx.html
falcon.jmu.edu/~ramseyil/drama.htm
Language Skills
Reading
Teaching reading skills to non-native speakers of English involves unique
problems and challenges at all conceivable levels of instruction. ESLTEFL
teachers working with young children will be greatly assisted by Ediger's
chapter, which provides background and review of issues and standards
while also recommending many helpful teaching activities and
techniques.The chapter by Weinstein is addressed to teachers of adult
ESL learners; such teachers must start by understanding the special
contexts in which adult literacy is taught. Weinstein synthesizes current
curricula and pedagogical approaches, including a number of promising
practices. In the final chapter of this section, Grabe and Stoller cover
theory and practice as they apply to reading for academic purposes. After
a discussion of curriculum-related issues, they recommend specific
practices for facilitating effective academic reading.
R eading
II C :
II
UNIT
UNIT
EDIGER
Teaching Children Literacy Skills in a Second Language" describes the background factors and issues
influencing children's literacy development in a second language, Ediger brings together unique needs
of child L2 learners, contributions of various instructional methods and recent ESL and English
Language Arts literacy standards. She recommends a wide range of specialized approaches and
techniques for teaching ESL/EFL reading and writing.
IN T R O D U C T IO N
In recent rears, there has been increased focus
on the teaching of reading an d o th er literacy
skills to c h ild ren (Pre-K-6 ). both in N orth
.America an d abroad. Part of this mav relate to
the recognition that reading is probable the
most im p o rta n t skill for second language (L2 )
learners in academ ic contexts (Grabe 1991).
and part of it mas come from tin increase in the
num bers of children worldwide who are learning
English as a second or foreign language (here
after ESI. or EFL). It m ar also be a result of the
recent im plem entation of standards in m uch of
public education in North America, a movement
built upon the belief that basic literacy instruction
should be a fundam ental c o m ponent of public
education. In the last few years, m any states and
provinces in the U nited States and Canada have
established literacy standards and im plem ented
large-scale standardized testing of literacy skills.
.Another possible factor contributing to an
increased focus on literacy instruction to chil
d ren in EFL contexts mav be the growing n u m
bers of countries that are moving toward m aking
English language instruction m andatory from a
younger age. For example, in Korea an d Taiwan,
English is now a required subject, beginning in
the third grade. Given the portability o f books
and o th e r reading materials (as well as the
increasing availability of reading material over the
Internet), reading is gradually being recognized
R EA D IN G A S A C O M P LE X ,
IN T E R A C T IV E P R O CESS
Various theories exist to explain what is involved
w hen we read, an d m u ch of what we know about
reading an d literacy comes from research on
first language (LI) learners. However, c u rre n t
research generally views reading as an interac
tive, sociocognitive process (B ernhardt 1991),
involving a text, a reader, an d a sorted context "with
in which the activity of reading takes place. In
reading, an individual constructs m e a n in g
th ro u g h a transaction with written text that has
been created bv symbols that represent lan
guage. T h e transaction involves the reader's act
ing on o r i n te r p r e tin g the text, a n d the
interpretation is influenced bv the reader's past
experiences, language background, a n d cultural
framework, as well as the reader's purpose for
reading" (H udelson 1994, p. 130). However, our
expectation an d intent when we read is to make
m eaning, to c o m p re h e n d what we read (Grabe
1991; Rigg 1986).
W ithin the com plex process of reading, six
general c o m p o n e n t skills an d knowledge areas
have been identified (Grabe 1991. p. 379):
1.
2.
3.
4.
5.
6.
B EC O M IN G LITER A TE
IN A S E C O N D L A N G U A G E
There are many similarities in the process of
learning to read for ELL a n d NES children, and
as will be seen later in this chapter, similar
approaches are often used in classes o f both
native an d non-native readers; however, there
are also some im p o rtan t differences (H udelson
1994; Aebersold a n d Lield 1997). Thus, while
some researchers argue that 1.2 learners should
not be segregated from L.1 learners (Laltis and
Hudelson 1994: Van den Branden 2000), teach
ers of ESL students need to be specially p re
pared an d may need to adjust their instructional
strategies in certain wavs in o rd e r to teach 1.2 lit
eracy skills effectively.
Varied Experiences,
Background Knowledge,
and Cultures o f E S L Students
In ESL learning contexts, teachers must be cau
tious about m aking a m assumptions about the
cultural or language backgrounds of F.LLs. In a
single ESL class, students mat have widely dif
fe r e n t LI b a c k g ro u n d s, e d u c atio n a l back
grounds, language proficiency levels, cultures, or
prior experiences with literacy. This has several
implications for teachers of ESL literacy. First of
all, this mav mean that ELLs bring differing world
and background knowledge, as well as different
degrees of topic familiarity, to the task of reading
and writing, something that is likely to iniluence
their c o m p re h en sio n of what tliev read
(Steffensen andjoag-dev 1984). This variability of
background in the classroom also suggests several
things. First, teachers need to incorporate
responsive teaching" (Faltisand Huclelson 1994).
bv being prepared to employ a variety of teaching
approaches and techniques with ELLs. It also sug
gests the importance of learning as much as pos
sible about the students' cultural backgrounds
and experiences. Furthermore, it means using var
ious m ethods to activate the students' schemata.
i.e., their knowledge of and beliefs about events,
situations, and actions, based upon their experi
ences (Rumelhart 1980). through such activities
as prereading discussions, pictures, diagrams,
drawings, videos, or role-playing. Finally, it also
suggests choosing (or haying the children choose)
reading material on topics that are familiar, which
s
*
IS T H E R E A N O P TIM A L W AY
TO T E A C H R EA D IN G
A N D W R IT IN G ?
Over the vears. num erous approaches to teaching
beginning reading have appeared. Wear er (1994)
divides these approaches into two larger cate
gories: part-centered (also called code-emphasis or
bottom-up) approaches, which view reading instruc
tion as moving from learning the "parts"
and building u p to the "whole": an d .sociobsycholinguistic (also called meaning-emphasis or
top-down) ap p ro a c h e s, which em phasize the
overall construction of m eaning from connected
or whole texts, and draw on the rea d e rs and
writers schem ata and personal experiences.
Several of the more com m on approaches in each
group are reviewed here.
Part-C en tered
(Code-Emphasis)
Methods
Part-centered a p p ro a c h e s include phonics aporoaches, so-called linguistic approaches, a sight
word approach, and a basal reader approach.
long vowels
short vowels
/-controlled
vowels
digraph
d ip h th o n g
CY
be
CYe
(A AC
\ < or
cat;
paid, boat
it, hot
Yr or CAT
\A
saw, book;
boil, out
Socio-Psycholinguistic
(Meaning-Emphasis)
Approaches
T he socio-psschohnguistic m ethods included here
are the Language Experience Approach (LEA), a
literature-based approach, an d the Whole Language
approach.
T he Language Experience Approach (LEA)
builds upon the notion that if children are given
material to read that thev are already familiar
with, it will help them learn to read. This
m eth o d is based on two related ideas; that learn
ing should move from the familiar to the
unknown, and that readers whose world knowl
edge or schemata are similar to that underlying
the text thev are reading will be more able to
make sense of the text. In fact, this approach goes
one step further, proposing that if the actual lan
guage and content of the stories is familiar to
readers, thev should be able to learn to read it
even m ore easily The LEA accomplishes this bv
having students generate their own stories; tran
scripts of these stories then becom e their read
ing material. Typically a class would follow a
series of steps like this:
1. The student or class dictates a "story" usually
based upon an experience thev have had. that
the teacher writes down on a large sheet of
paper. The teacher tries to maintain the exact
wording and expressions that the children
2.
3.
4.
5.
6.
3.
4.
5.
STA N D A R D S A N D S E C O N D
L A N G U A G E L IT E R A C Y
D E V E LO P M E N T
In recent years, as a m easure designed to ensure
accountability for learning and to set up uni
formly high expectations for all learners, many
states, proyinces. school districts, and profes
sional organizations have established standards
for their students to attain. In setting up these
standards, m uch has been accom plished simply
th ro u g h the yen difficult process of bringing
together stakeholders in the educational system
to sit down and come to some agreem ent about
what reasonable expectations m ight be. For
m anv teachers, finally seeing a list of standards in
writing has greatly helped to clarify the objectiyes
toward which they should guide their students.
At the same lime, while the establishment
of these standards represents a ye n yaluable first
step in improying the overall quality of educa
tion for many students, they hare also d e m o n
strated that they are not the end point in the
process of proyicling an equitable a n d uniform
quality of education for everyone. First of all.
manv of the standards dealing with the various
S T R A TE G IE S T O FA CILITA TE
S E C O N D LA N G U A G E
L IT E R A C Y D EV E LO P M E N T
A N D H ELP S T U D E N T S
A C H IE V E STA N D A R D S
T he following strategies can help ELLs develop
their literacy abilities as well as provide practice in
some of the areas required bv literacy standards.
CHART I
T E S O L s P re-K -12 E S O L Standards
Goals for E S O L Learners
Goal I : To Use English to Communicate in Social Settings
Standards for Goal I
Students will:
1. use English to participate in social interaction
2. interact in, through, and with spoken and written English for personal expression
and enjoyment
3. use learning strategies to extend their communicative competence
CHART 2
English Language Arts Standards Used in New York City Schools
New Standards Performance Standards English Language Arts (Elementary)
E I . Reading
EI a Read at least twenty-five books of the quality and complexity illustrated
in the sample reading list,
Elb
E lc
E2. W riting
E2a Produce a report of information.
E2b Produce a response to literature.
E2c Produce a narrative account (fictional or autobiographical).
E2d Produce a narrative procedure.
E5. Literature
E5a Respond to non-fiction, fiction, poetry, and drama using interpretive
and critical processes,
E5b Produce work in at least one literary genre that follows the conventions
of the genre.
J:_ rc e :
SUMMARY
This has been just a brief introduction to teach
ing literaev skills to ELTs. It has described three
elements involved in reading: the text, the reader
and the context that the reading activity takeplace in. It has also presented the various com
p o n e n t knowledge areas which readers use, anc
which children learning to read in their L2 ah
need to master, as well as c om m on characteritics of L2 readers a n d writers. In addition t
u n d e rs ta n d in g the reading process and com
m o n characteristics of their students, teacher-
S U G G E S T E D A C T IV IT IE S
1.
D IS C U S S IO N Q U E S T IO N S
1. As p art of your assessment process for vour
second grade class, vou have asked one child
if she can read you a book she has chosen.
W hen vou sit down with her, she reads it verv
carefully a n d deliberately; vou notice that
she is able to read almost all of the words
accurately. However, when vou later ask her
what the store was about, she has trouble
explaining it to vou. How would vou account
for this? How would vou describe her overall
reading ability? What are some other reading
activities vou might ask h e r to do in order to
assess her ability m ore thoroughly?
2. If children who are taught to read using the
Language Experience A pproach are able to
dictate the c ontent of the storv. have the
teacher write it down for them, and assist
them with reading it back, are thev really
reading and writing? Whv? What is the real
value of this m ethod? W hat o th er learning
concepts from this c hapter does the LEA
illustrate or m ake use of? If vou were to use
the LEA to write a n d then read som ething in
a language vou d o n 't know verv well, what do
you think vou would learn?
3. If teachers do activities to elicit students' back
ground knowledge before thev read a text,
isnt the teacher merely helping them handle
the particular text thev are working on? Will
this help students be able to read or handle
the next text thev encounter any m ore easily?
W hat else could a teacher do to help students
better handle future reading tasks?
4. Do vou think having literacy standards can
help teachers improve instruction in literacy?
*
*
*
*
a.
Scaffolding
b.
c.
W E B S IT E S
On-line Reading and Whiting Opportunities
www.acs.ucalgary.ca ~dkbrown/
FU R T H ER R EA D IN G
Day, R., and }. Bamford. 1998. Extensive Rending in the
Second Language Classroom. Cambridge: Cambridge
University Press.
Discusses die value of extensive reading and pro
vides many ideas on incorporating such activities
into literacy instruction.
Hudelson, S., ed. 1993. Teacher Resource (,uirh for ESL.
Thousand Oaks, CA: Corwin Press.
http: //wwvv.ipl.org/
ENDNO TE
1 thank Evelvn Hatch and Barbara Hawkins for the
ideas used here which originally appeared in their
chapters in earlier editions of this book.
W E IN S T E IN
In "Developing Adult Literac es," W einstein invres e?.ders no examine the role of language and
literacies in learners' lives, examines critical contexts Am ESL Itemc-/ instruction, and provides a
synthesis of orientations to cummuium and teaching. See concludes with fve "promising practices"
that challenge both new anc ex p eo e rcec eeacners to --efect individual's and collectively on their
potentially life-transforming woi'k.
IN T R O D U C T IO N
Profiles in Diversity and Strength
Socorro Tinajerowas born in Mexico and is raising
h e r c h ild ren in the "borderlands" betw een
Mexico and the U nited States. Described as tin
energetic an d efficient woman, she works long
hours in the family restaurant u n d e r difficult
conditions. H e r fatalism is quickly revealed: "A
cada quien lo que toca" [Everyone has their lot
in life]. Researcher Valdes tells us that this is a
fairlv c o m m o n belief a m o n g those in S ocorros
com m unity that life simply deals different luck
to different people.
Socorro rem em bers with some nostalgia
h e r davs in Juarez, where neighbors were able to
watch out for each other. Given h e r h a rd work
and determ ination, one thing to which Socorro
will not resign herself is that h e r children are
being held back in school and are getting into
trouble. She did not have an opportunity to go
to school in Mexico. She wants to develop the
language and literacy she needs to be able to
intervene m ore successfully with their teachers
(Valdes 1996, p. 91).
Pao Joua Lo was a retired soldier an d was
considered a war hero in his own community.
Like 70,000 o th e r H m o n g refugees who reset
tled in the U nited States in the 1970s, he lied the
hills of Laos in the throes of the wars of
Southeast Asia. In his Philadelphia hom e. Pao
Jo u a was often s u rro u n d e d bv his many g ran d
C O N T E X T S FO R L IT E R A C Y
IN S T R U C T IO N
Literacy for What?
In 1991 the United States Congress created a set of
educational goals for the nation, including Goal 6
for Literacy and Lifelong Learning: By the year
2000. even adult American will be literate and will
possess the knowledge and skills necessary to com
pete in a global economy and exercise the rights
and responsibilities of citizenship." To explore
what this would entail, members of the Equipped
for the Future Initiative asked adult learners what
thee hoped to gain from formal learning opportu
nities. From the responses of more than fifteen
h undred adults, four themes or purposes for lan
guage and literacy learning emerged:
PRE-EM PLO YM EN T A N D
W O R K P L A C E L IT E R A C Y
In the 1970s. the influx of guest workers in west
E uropean countries caused British educators to
reevaluate the efficacy of grammar-based and
audiolingtial m e th o d s an d tu rn th eir focus
Goals of Pre-employment
and Workplace Programs
It has been suggested that there are goals for
learners that cut across settings. Bv synthesizing
literature from across the manufacturing, techni
cal, service, and agricultural domains. Grognet
(1997) proposed a set of competencies that are
useful in ant workplace setting. Below are exam
ples of language functions associated with each of
three goals.
To get a job:
To survive on a job:
O R IE N T A T IO N S TO
C U R R IC U LU M A N D
IN S T R U C T IO N
T here are a wide variety of approaches to ESL
instruction, each with underlying assumptions
about teaching and learning, as well as associated
techniques and procedures. While it is problem
atic when a program pursues one approach with
such rigidity that it precludes responding to
lea rn er styles or changing learner needs, Wrigles
a n d Guth (2000) caution that there is equal
cause for c oncern when program s becom e so
eclectic" that tliev have no philosophical coher
ence or unifying vision.
This section briefly examines two general
orientations to ESL literacy instruction, as well as
a variety of approaches a n d activities consistent
with those orientations. A set of questions to
investigate "what works" is provided, along with
a set of dichotomies (or continua) for observing
characteristics of E S L T iteracv classrooms.
Finally, the section concludes with a discussion ol
assessing learner success, an d some of the chal
lenges that face the field in terms of accountal>
ility in the decade ahead.
Mastery or Transmission
o f Knowledge
Most program s aim to help students learn facts,
concepts, a n d skills (procedural knowledge
through guided a n d sequenced practice. In adult
ESL, a M asteiy-based orientation is exemplified
bv focus on linguistic structures, language skills,
specific content, a n d / o r competencies.
Meaning-Making or Constructivism
A constructivist orientation to teaching and
learning is one in which it is assumed that knowl
edge is not only transm itted to learners from
teachers or books, but also that both m eaning
and knowledge can be created collectively by
learners or bv learners an d teachers. A variety of
approaches, m ethods, and techniques mav1 be
associated with this orientation. This section
m entions a few. including participatory and
whole language approaches. Learners' Lives as
Curriculum (LLC). an d project-based learning.
These approaches have significant overlap, dif
fering primarily in emphasis.
A participators, or "Ereirian approach, to adult
literacy education revolves a ro u n d the tenet that
education and knowledge have value insofar as
thev help people recognize and liberate them
selves from the social conditions that oppress
them. Paolo Freire was a Brazilian educator who
helped initiate, develop, and im plem ent national
literacy campaigns in a n u m b e r of developing
countries. In his classic Pedagogy oj the Oppressed,
Program-based assessments, on th e o th e r
hand, reflect the a pproach of the program and
the co n te n t of the curriculum . They may be
based on comm ercial materials used in the p ro
gram (e.g.. Heinle 8c Heinle's Collaborations
Assessment Package); or they mav be developed
bv teachers th ro u g h checklists o f skills an d com
petencies, surveys, teacher observation forms, as
well as th ro u g h learner writing, reading, and
speaking logs. Some advantages of well designed
program -based assessments are that thev
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PRO M ISING D IR E C T IO N S
IN A D U L T ESL L IT E R A C Y
IN S T R U C T IO N
Anyone who goes into adult ESL literacy instrtution for the m oney o r prestige is tragically m;guidecl. Those who are adventurous, curiom
able to tolerate ambiguity, anxious to m ake a d e
ference. a n d willing to learn about the won:
from others' eves, however, are in for an extr. ordinarily rich experience. For those who wis: