Beruflich Dokumente
Kultur Dokumente
Jules Verne
T h o m a s H a r dy
William Faulkner
MK B i n o d i n i
F yo d o r D o s toy e v s k y
N at h a n i e l H aw t h o r n e
E i g h t y D ay s
W i l l i a m S . B u r ro u g h s
John Steinbeck
Solitude
F. S c ot t F i t z g e r a l d
Charles Dickens
Samuel Beckett
James Frey
M a d d i n g C ro w d
Franz Kafka
B o r S a h e b O n g b i S a n ato m b i
Ayn Rand
F u ry
G e o r g e O rw e l l
A l b e rt C a m u s
J a c k K e ro u a c
in
W r at h
Joseph Conrad
G o d ot
One Hundred Years
and the
World
G r e at E x p e c tat i o n s
The Scarlet Letter
T h e M e ta m o r p h o s i s
T h e F o u n ta i n h e a d
T h e G r e at G at s b y
of
The Stranger
R oa d
f ro m t h e
for
Animal Farm
the
The Grapes
The Sound
N o s t ro m o
and
Waiting
A ro u n d
the
Ghosts
Crime
Far
On
P
ick your most favourite title from this stack. But I can’t, for if I choose the influence of the law of relativity, for a simple reason: there is no
any one of them, it would cross my mind: oh, this one is good... nope, such thing as the best or the most perfect item. Yes, you can try it and
that is also good... ah! most certainly, the other one is better; and the clearly read between the lines that every thing — with its own share
vote goes on in a cycle. Here I had randomly picked up twenty interesting of the good and the bad — is quite relative. Then it’s a matter of your
titles (what! your favourite is not even included here?!) and the jury is still choice and a personal taste, by which you choose the favourite things.
out. How would you select the best book amongst this lot is seemingly under We are, after all, made by what we choose in life. Choose the best.
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