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ten superb arrangements in guitar tablature & standard notation, including chord symbols, melody line & lyrics

ANTONIO CARLOS ]OBIM



for guitar tab

this publication is not authorised for sale in the united states of america and lor canada

wise publications london / new york / paris / sydney / copenhagen / madrid

corcovado 6

quiet nights of quiet stars

desafinado 50

slightly out of tune

how insensitive 12

insensatez

if you never come to me 18

inutil paisagem

meditation 24

medltacac

one note samba 32

samba de uma nota so

somewhere in the hills 38

o morro nao tern vez (favela)

the girl from ipanema 44

garota de ipanema

water to drink 59

agua de beber

wave 66

vou te contar

tablature & instructions explained 4

tablature & instructions explained

The tablature stave comprises six lines, each representing a string on the guitar as illustrated.

Finger Vibrato

~I----------------------

Tremolo Arm Vibrato

Glissando

A number on any of the lines indicates, therefore, the string and fret on which a note should be played.

J Gliss

<.

Strike the note, then slide the finger up or down the fretboard as indicated.

I
• ~ -
.a-
0
T 1
! 7--5 0 2
.B
... 7 2
~ 0 0 Tremolo Strumming

::::!

:;iii'"

This sign indicates fast up and down stroke strumming.

4th String 3rd String 3rd String 3rd String

7th Fret 7th Fret 5th Fret OPEN

5th String

OPEN

1st String OPEN }

2nd String 1st Fret Chord of

3rd String 2nd Fret A minor

4th String 2nd Fret

5th String OPEN

This sign indicates that the notes are to be played an octave higher than written.

loco

This instruction cancels the above.

A useful hint to help you read tablature is to cut out small squares of self-adhesive paper and stick them on the upper edge of the guitar neck adjacent to each of the frets, numbering them accordingly. Be careful to use paper that will not damage the finish on your guitar.

r

This note-head indicates the string is to be totally muted to produce a percussive effect.

P.M.= Palm mute

4

Bend

Bend

j __../ D19- __../19- ------
.J I.....J
Yz Full 1,4 Full
J J J i ~
T ./ 3
!
.0. 12 12 5 7
....- 7
.., J

Pre

t

HALF TONE BEND

FULL TONE BEND

DECORATIVE BEND

PRE-BEND

GHOST NOTE

Play the note G then bend the string so that the pitch rises by a half tone (semi-tone).

Bend the string as indicated, strike the string and release.

The note is half sounded

Bend

Uni

Bend

Bend

, ~ .> .-. ~ ............ "- I. ~ I ,.._ I
. .
• ~ ~
Full F~ Full
~ PItY__' Full
j t-+
"I 5 / 7 5 /
! 7 7/ 7 / 7 /
I). 7 ~
po
I;J BEND & RELEASE

BEND & RESTRIKE

UNISON BEND

STAGGERED UNISON BEND

Strike the string, bend it as indicated, then release the bend whilst it is still sounding.

Strike the string, bend or gliss as indicated, then restrike the string where the symbol occurs.

Strike both strings simultaneously then immediately bend the lower string as indicated.

Strike the lower string and bend as indicated; whilst it is still sounding strike the higher string.

H

H

p y/ arm
",--... ~
• - -
H P Harm
T ~ ~ 0 0
1 1
• 7-9 9-7 2 2
.0. 1Z'
....- 3 3 "b"
D "\ HAMMER-ON

PULL-OFF

RAKE-UP

RAKE-DOWN

HARMONICS

Hammer a finger down on the next note without striking the string again.

Pull your finger off the string with a plucking motion to sound the next note without striking the string again.

Strum the notes upwards in the manner of an arpeggio.

Strum the notes downwards in the manner of an arpeggio.

Strike the string whilst touching it lightly at the fret position shown.

Artificial Harmonics, (A.H.), will be described in context.

5

corcovado

(quiet nights of quiet stars)

english words by gene lees

music & original words by antonio carlos jobim

Corcovado literally means 'hunchback'. It is the name of the mountain overlooking Rio de Janeiro on top of which stands the statue of Christ The Redeemer with its outstretched arms embracing the city below. The music tells the story of a man who lives on the mountain dreaming of a simple life .

.I "" 126 N.C.

Am6

,_/I r_;-~ f:- ~ ~ -- ~ ~ ~ ~
---
---
• - - °1
r t r t
5-7-8-r-7-5
T 5 3--5 5 5 5-
! 5 5 5 4-
II 4 4 4 3-
...
D 5 5
"" 3-

Al dim

Gm7

~ ~ ~ I I J bl ~ j :t B ~ J ~
,_/ ,.. - I I\-- • -4 ...
.J broo - - ro "f ---
"f r r
3-5-6 t 5-3--8 5-
4--3
5 3--3 3 10 10--5-
4--4 3 3--3 3 9 5-
.. 3 3 3 3 8
n 3
'" 4 3 3 ,--- 3-

Fmaj?

Fm6

Em7

,_/ I =-4 -4 ~ - " ~ ~ ~ ~
• I - _. • _. • - -
- - - - -
r r r r r
5 0
or
.~ 5 1--1 1--1 1--1 3--3 3--3-
II 5 2 1--1 1 4--4 4--4-
... 3 0--0 0 5--5 5--5-
D 1 1 1 0 0
-, © copyright 1962,1965 by antonio carlos jobim, brazil

mea music limited, 77 fulham palace road, london w6 for the british commonwealth (excluding canada & south africa)

all rights reserved

international copyright secured

6

Am7

D7/A

Al dirn

.J ~ ~3~
~ I I I I I .---... .., ).._
• - t - TO t b- - r
r --- r r t r t
3
T 5--5 3 3--3 3 3 5-
! 5--5 5 5 5-4--5 4 4 5-
B
... 5--5 4 3 3 4-
D 5 5 4 4
'" Ab dim (add E)

"
:
.
.J (-e-) .. .____," .. .. ""-,,," ..
~
- I. Qui - et_ nights of qui - et stars, qui - et __ chords from
2. Ad lib. Instrumental _____
t , ~ ~ ~ ~ ~ ~ ~ ~ ~ th
----
·
· ----
• - r - - r - ., b- -
r t r t r t r t r t r t
T 5 5--5 5 5 5 5 5--5-
! · 5 5--5 5 5 4 4 4--4-
B 4 4--4 4 4 3 3 3--3-
... ·
D 5 5 5 5 4 4
""" Gm7

"
.J .. "---' .. .. .. '--"" .. ... ",,____....," ...
my gui - tar_ float - ing on the si - lence that

~ , ~ ~ ) '--= - " - " ~
·
·
--
·
eJ b- - - - i i -
r t r t r t r t t t
T 5 5 3 3 3 3 3 3 1-
! 4 4 3 3 3 3 3 3 2-
B 3 3 3 3 3 2 2 2 2-
... 3 3
~ 4 4 3 3
""" 7

Fmaj?

F6

Prn?

II
.
.J ~ ... ," .
~
sur - rounds us. Qui - et~_ thoughts and
It , ~- ~ ~- , ~
.--._ .--._
.--._ .--._
.--._
• - - • .. • .. • - - •
- t - t t - t - t - t
r r r r r r
T 1 1 1 1 1 1 1 1 1-
! 2 2 2 2 2 1 1 1 1-
Ll 2 2 0 0 0 1 1 1 0-
""
u 1 1 1 1 1 1
" Em?

II
.J '----"'
qui - et dreams,_ qui - et~_ walks by qui - et streams,
, ~ .- ~- ..--..._ ~ ~
· ..-....
·
·
eJ .. • .. • ., - - - -
t t - t - t r t r t
r r r r
T 1 1 3 3 3 6 6 6 5-
! 1 1 0 0 0 6 6 6 5-
Ll 0 0 2 2 2 5 5 5 4-
""
u 1 1 0 0 5 5
" II
.J .. '-.....__./ .. .. .. ~ .. ~
and a win - dow look - ing on __ the moun -

v , --- ~ ~ ~ ~ ~ ~
• r r r l' r -I
t t t t
or 5 5 5 5 5 6-
!
.4 5 5 5 5 5 5-
Fi:f=5 4 4 4 4 4 3-
5 5 5
'" 8

G7

"
eJ '----'" ""---,,," --. .. ....__... .. ..
- tains and the sea. __ How love - ly! This is __ where I
(End Instrumental) ____ ~
~ . - ~ ) ')__
t ~ ,.-,_ I ~ ~
-- ·
·
--
·
eJ r r - - - l' -
t t r t r t r t r t
'T 5 5 1 1 5 5 5 5-

jJ 5 5 2 1 1 5 5 5 5-
.~ 3 3 3 3 3 4 4 4 4-
LO 5 5
"' 3 3 5 5 Ab dim (add E)

"
.
eJ .. ..__... .. .. .. -..___..-
want to be,_ here with you so close to me, __
I; , ~ ~ ~ ~ ) ~ ".--...._ ~ \.
. .-
.. - - "I b- - b- -
r t r t r t r t r t r t
.T_ 5 5 5 5 5--5 5 5 3-
! 5 5 4 4 4--4 4 4 3-
A
.... 4 4 3 3 3--3 3 3 3-
I;J 5 5 4 4 4 4
'" Gm7

Fmaj7

"
eJ .. ~ .. -- .. -- .. --..___.--- ~ ...
~
un - til the fin - al flick - er __ of life's em - ber.

I; -- - '\ .----- '\ '- , ,
· --
· --
--
·
• - - i i - •
r t r t t t - t - t
r r
3 3 3 3 3 1 1 1 1-

3 3 3 3 3 2 2 2 2-
.. 3 3 2 2 2 2 2 2 0-
3 3
-, 3 3 1 1 9

p6

Pm7

"
.J .__,. ~ r .-._.;~~
- I who_ was lost and lone - Iy,

, 1\ 1\- 1\ ~ ~ ~ \
----
----
----
a ... • ... • - v - ~r r
- t - t - t - t t t
r r r r
1 1 1

1 1 1 1 1 1 1 1 3-
2 2 1 1 1 1 1 1 0-
i 0 0 1 1 1 2-
1 1
Il 1 1 1 1
'" Em7

Am7

Dm7

" ~ ~
eJ .__,. • -0-. •
- be - liev - ing life was on - Iy a bit - ter tra - gic
~ ~ ~. ~ )
, ...... .......----... ~
·
·
·
a - - - - r r
- t - t r t r t t t
r r
, 3 3 5--5 5 6 6 6

Jl 0 0 5--5 5 5 5 5
.. 2 2 5--5 5 7 7 7
I;;; 5 5
'" 0 0 5 5 Em7

"
.
eJ -0- -.J-' .. ..
joke, have found with you
. -
. - .. ~ .. ~ ~ ~
, I 1\ ~ oil oil ·
·
·
a - - r r - -
r t r t t t r t r t
1 1 0- ,-8--8 8 6 6--6 6-

2--1 1 0- e-7--7 7 6 6--6 5-
H' 3--3 3 5--5 5 5 5--5 7-
u 7 7
'" 3 3 5 5 10

Dm7

I 1.

07

2. 07

" ,..._
:
.J • • --- .~ . • .~ .' --- .~.' • # ______
the mean - ing of ex - is - tenee, oh,_ my love.L, is - tenee, oh_ my love.L,
~ . - 'r- . - ~
~ ~ . I --- , I --- ,
. 0
0 0
eJ r t r t - - - -
r t r t r t r t
6 6 1 1 5 1 1 5-
0
5 5 2 1 1 5 2 1 1 5-
i 7 7 3--3 3 4 0 3 3 3 4-
IJ 5 5
..... 3 3 3 3 "
.J _-de
-
,I ~ ~ ~ ~ ~ ~ ~ ~ ~ )_
eJ - f' - - f' - - f' -
r t r t r t r t r t r t
T 5 5 5 5 5 5 5 5 5-
, ! 5 5 5 5 5 5 5 5 5-
4 4 4 4 4 4 4 4 4 4-
...
g 5 5 5 5 5 5
'" Cmaj/add>

"
eJ
,---- ~ ~ ..- 1';'1
.
0 0
0
0 0
eJ - l' - - i ~
r t r t r t 'IT
5 5 0 0 0 ~ 0

5 5 2 2 2 2
4 4 2 2 2 2
u 3 3
'" 5 5 3 3 11

how insensitive (insensatez)

music by antonio carlos jobim original lyrics by vinicius de moraes english lyrics by norman gimbel

Allow the melody in this piece to sit gently with the chord accompaniment, which should be languid and allowed to flow .

.J "" 112

Dm6/9

"
eJ
1 J
..... b ..... .~. 1 J J .~ . j 1 j
lot fl ~: "11 .., -iii • .....
. .
.
ai r r r r - r
-
r
12 10 8 6 5 3 3-5-3-

10 10 10 8 8 6-8- f-3 3
10 10 10- -7 7 3 3
• 9 6 2
10 10 6 0
'" " "'"""- I
·
eJ
1. How in - sen - si - tive_
See Block Lyricsfor Verse 2
,..... ~ r:~ .. ~ 1 ~
~ L 11 11 ~ 11 11 ....
·
· ·
· ·
• - - r t r t r t r t
r r
, 6 5 5 • 10--10 10 10 11-10 11 10-
! 6 6 6 10--10 10 10 10 9-
Eo
.. 5 5 5 • 10--10 10 10 10 8-
... 5 5 10 10 10 10 <0 copyright 1963,1964 by antonio carlos jobim and vinicius de moraes, brazil mea music limited, 77 fulham palace road, london w6 for the british commonwealth

(excluding canada), south africa, continent of europe (excluding italy, france, its colonies, protectorates

and mandated territories, algeria, tunisia, morocco, andorra and monaco)

all rights reserved

international copyright secured

12

Dj dim

Cm6

,----- 3_

" ,........... I
.J
I must_ have seemed when he

r:-~~~ 1 ,----- 3_
, ~ ~ ~ ) ~ -4 R-4 1-4 ~-4 1-4 :::::::::~ +tJ J
.-
• vr t r t vr t r t r t r t
Hold chord ...
·
10 10--10 11-10 11 10 10 9--10-

9 9 9 9 8 8
8 8 8 8 7 7
u 9 9 9 9 --'--8 8
'" G7/B

"
.
.J I r r - --- ---
told me that __ he loved __ me.

~ ~ ~1 b_. ~_. ~ 1 ~-~ b. ~ b
I:: ~~
, • .. •
• ._. ~r t r t
Hold chord ...
~ 8--7 6 5 5 3 3 3-
T 8 4 6 3 3 3-
! 8 5 7 0 0 0-
B
... 7
1;1 2
..... 7 B~maj13

" ~
.
.J -- --
- How un - moved.L, and cold_

). ~ .. ~ .. I"""- ~ . r.~ .. ) 1 ~
, ,.-._. .. .. .. ,,---..._ .. .. ..
.- -----
• ~r t r t (Plr t r t r t r t
3 3 3 5 5

3 3 3 8-8 8--8 8 8-
0 0 0 7-7 7--7 7 7-
7-7 7--7 7 8-
n 2 2
'" 6 6 6 6 13

" ~
eJ -- --- -------
I must_ have seemed __ when he
- ~ .. r.~ .. ~ .. b .. ~ ~J }
-:::-. .. ~. .. .. ..~ ..
aJ ~r t r t r t r t "r t ---
5 5

8 8 8 8 8 8 7--8-
7 7 7 7 7 7
i 8 8 8 8 8 8
6 6 6 6 7
'" Dm7

" I
.
.
eJ - - --- --
told me so sin - cere - ly.

r-- 3
~ 1. } bl I
I j .~ • )_,.~ ~ ,.....--..__ ~ ~
· --
· --
·
aJ !i. t r t r t vr t r t
~ 6----5---4---3---3

6 6 6 6 6 6 6--6--
6 5 5 5 4 4 4--4--
• 5 7 7 6 6 6--6--
0 5 5 4 4
'" Cm?

Bdim

"
eJ ---- --- '-"'" ~ ----- ---
Why he must_ have asked

l~""" ~~ i: ~~ j ~ ~ b
I ~
..----._
aJ r t r t r t r t ~r t r t
or 6---6 6 6 8-6 8 6 6 6---6-
!
ll. 8---8 8 8 8 7 7 7--7-
.... 8---8 8 8 8 6 6 6--6-
g 8 8 8 8 7 7
'" 14

"
.
.J .. "...__,," -
- did I __ just tum and stare in i - ey si -

r~~ j b~ ~ rI ~
~ ~ ·
·
--
·
• ~r t r t d')r t r t - t - t
- r
r
5 0 0
"T i~
_! 8-6 8 6 6 6 3 3 2
~ 7 7 7 7 3 0
PI 6 7 7 5
&,j 0
"' 7 7 6 6 0 Om?

em?

"
.
.J ~ ---- ---
- ienee? What

~ S,- ~ ~ ~~
I-' , ...--. ~ I La La~
--
--
• r t r t r t vr t r t r t
, 6 6 6 6 6--6 6 6--6 6 6-
! 5 5 5 5 5--4 4 8--8 8 8-
IJ 7 7 7 7 7--6 6 8--8 8 7-
~
... 5 5 5 4
"' 8 8 F?

Bmll

"
.J "--'" ~ " ___ ______ " "---" "---"
- was I __ to say? What ean_ you say_

I-' ...--. J-:- ~~ j L ~~ ~ ~ ~~ r~rJ ~~
--
-
• I t I t ~r t r t r t r t
_T 8-6 8 5 5 5 5 6-5 6 5-
! 8 7 7 7 7 7 7-
A 7 7 7 7 6 6 7-
::ft 8 8 7 7
g 7 7
"" 15

1.

A7

Dm7

" ,.------- -------,
.
eJ ~~ ~ .. - ~ .. "----"'v~
when a love af - fair~ is 0 - ver?

,--- 3 -------, t tJ) 6J
~ ~ ..-=-.. I I ~ ) I ~ ~
-----
eJ (Dlr t r t - t - r· ~ r t
r r t
Hold chord ... Hold chord ...
r 5 4--5 8-7--6 5 5 5 5--5-

II. 7 6 6 5 5 5--5-
.... 7 5 5 3 3 3--3-
~ 0 0 5 5-5
" 6 3

2.

A7

"
:
.
eJ ~ .. - ~ .. ,---,v~
- love af - fair_ is 0 - ver?

~ , ~. ~ ) t _.~ bJ ~ ~ I ~~ r ~h ~~
· ~
· · ~
·
·
.. r t r t - t - t r t r t
r r
Let ring ...
r 5--5 5 f' 8-7--6 5 5 5 5 5-
·
II. 5--5 5 6 6 7 7 7 7-
Pi 3--3 3 · 5 5 7 7 7 7-
I;J 5 5 0 0
" 6 6 Gm6

"
eJ .._.,"
-
I ~. ~ - ~ ~ ~
~ ~ ~ ~
• r t r t - - - sz:
r t r t r t r t
or 5 5 3 3 3 3 3 3 6-
!
4 7 7 3 3 3 3 3 3 5-
ft. 7 7 2 2 2 2 2 2 7-
g 6 6 3 3 3 3
'" 16

Dm7

"
aJ
- b- ~ f7\
,-... ~ '~
• r t r t r t r t u
rail.
~5

6 6 6 6 6 6 6
5 5 5 5 5 5 5
7 7 7 7 7 7 7
u 5 5 5 5 5
'" Verse 2:

Now, he's gone away And I'm alone

With the mem'ry of his last look Vague and drawn and sad

I see it still

All his heartbreak in that last look How, he must have asked

Could I just tum

And stare in icy silence? What was I to do?

What can one do

When a love affair is over?

Portuguese lyrics

A insensatez Que voce fez

Coraciio mais sem cuidado Fez chorar de dar

o seu amiir

Um amiir tiio delicado Ah! Porque voce Foifraco assim

Assim tiio desalmado Ah! Meu coraciio

Que nunca amou

Niio merece ser amado Vai meu coraciio

Ouve a raziio

Usa so sinceridade Quem semeia vento Di: a raziio

Colhe tempestade Vai meu coraciio Pede perddo Perdiio apaixonado Vai porque

Quem niio

Pede perdiio

Niio e nunca perdoado.

17

if you never come to me (inutil paisagem)

music & original words by antonio carlos jobim english lyric by ray gilbert

The chord progression in this piece was originally recorded with voice and piano. To achieve the feel, relax and lay back on the tempo.

Slow Bossa Nova I Freely C6/9

"
aJ
Gently .~. ,b.~~· b~
, • I
·
·
----- ·
& }'-' ~ v. I I

3 3 4 4-
T
! 3 3 4 4
.4 2 2 3 3
::ft 2 2 3 3
g 4
"' "
a!
~ • .,.--..... ,b~~.· I b. 1-: .,.--..... lb.::::=:::
· .
·
.
·
& D'-' ~ V" I I )'-' "----""
-
3 3 4 4-.--7 3 4

3 3 4 4 8 3 4
--; r-2 2 3 3 7 2 3
i ~2 2 3 3 7 2 3
u 4
'" (C) copyright 1965 ipanema music company, usa

sparta florida music group limited, 8/9 frith street, london w1

all rights reserved

international copyright secured

18

C6/9

"
.J rubato
- f7"\
; ~ ::-19- ~ I I I (".. ( I. )~ ( ~ o
·
·
·
.., - v. -J. b~ -~~ -~-
'-----' -. ~1: Bell note
rubato
~ t
3 0 0 3
4 3 1 2
3 2 3 4
I 3 2 4 3
4 3
.... 4 3 A tempo Cmaj7

Bmaj7(add13)

"
eJ
There's no use
; ". ". ". ".~ +1:". ". bIll ) ". . .. .. ) J.
. .
---- .
.
.., r t r t r t r t Dr t r t
3--3 3 3 4 4 4 5--5 5--5
T'
! 5--5 5 5 4 4 4 5--5 5--5
4--4 4 4 3 3 3 7--7 7--7
Jl 5--5 5 5
.rl. 3 3 2 2
g 6 6
.... "
.J - - -
of a moon - light glow
3
3
~ ~ J J
It , b~ : b~ rAJ .~ • .~ • • ~~
.
.
a - t t ~~r t r t
r
L___ 3 ____j
~ H
~ 3 3 i~
T 6 6 3 3 I
6 6 6-5-6--6 6 6
! 6 6 5 5 5
!1
I'"i 5 5
5 5
IJ 5
'" Dm"

3

19

Fm?

Fm6

3

" ,---- ------,
.J .. - ~ ... ..
- or the peaks where win- ter snows. What's the
3 r--- 3 -,
I"'"'- ~~ . JGlissl r1
I~ • • ) ~ I I
.J r t .-.. r r ~ r r r'--'r
L.__ 3 ----.J
Gliss
'T' 3 3 6--5-3 0 1-1 1-1 1
! 6 6 1-1 1-1 1 1-3-
D. 5 5 1-1 1-1 1
::r; 1 0 2-1-0
g 5
"" 3

" 3 3
.J tr ..
use of the waves that will break in the cool of the
3 3
, ./ I I I I I I I ~
.J ... • - -
- r r
"IT
Let ring ...
'T' 0
! 5--5--5 5--5--5 2 2 2 2-
D. 6 5 4 4 3 3-
::r; 6 6 5 5 5-
g 5 5 0 0
'" 0 J1
el .. ~v~ .. .. 4, ,#' ..
~
eve - ning? What is the song with -
~ r--- 3 -,
~ I. I. s.; I. ~-j -j J I I ~ ... .~. ~ • .)
el r' ~, ~, ~ t - i t r t
"IT
6--6 ~5--3 3 3-
'T'
! 6--6 6 6--6-6-5-3 3--3 3 3-
D. 5--5 5 4--4 3--3 3 3-
FiF-5 4--4 4 2
3 3
..... 3 20

Cmaj?

"
e! .. : ," • -.J-' ~~ /11
~
~
out you? It's no - thing.
, 1 ott. .~. • • .~. ~ • .~ I • .k. j
• - r t r t 'r t
-
-e-
4--4 4 3 3 3 3 3--3 3-
'I"
4--4 4 5 5 5 5 4--4
11 2--2 2 4 4 4 4 4--4
i-a 3--3
g 3 3 4
" 1 [I!]~

Cmaj?

Bmaj7#13

II
.J
1. It may be
2.(~) Ad lib. Instrumental _____
, • • • .~ . ott. • ~. ~ •• J J J> J.
. .
.--.. .
.
aJ r t r t r t r t br t r t
3--3 3 3 4 4 4 5--5 5--5
T
! 5--5 5 5 4 4 4 5--5 5--5
.Q 4--4 4 4 3 3 3 7--7 7--7
... 5--5 5 5
g 3 3 2 2
" 6 6 3

Drn!'

" 3
e! -
you will ne - ver come,
3
3
~ J ]
It , (' b_. . b_. f)L_J .~ • .~ • '- ~~
·
·
·
• - t :_ 3 _l'-._/r t r t
r
,I H
~
T 6 6 3 3 I 3 3 ~~
! 6 6 6-5-6--6 6 6
A 6 6 5 5 5
5 5
... 5 5
g 5
'" 21

"
., .. '-"" -- .i->
- if you ne - ver come to me;
3
D~ J Gliss 1 -
It A • '- !. r I ~
-
• r t --- r r
Gliss
or 3 3 6::::::::::"'5-3 0 1 1 1 1-
! 6 6· 1 1 1 1-
.Q 5 5 1 1 1 1-
-8-5 1 0

"" " r---- - ,- 3 ----, ,-- 3 --------, ---,
.
., ... ..
- What's the use of my won - der - ful dreams and why would they
(End Instrumental) _________ ~
r-- 3 ------, ,--- 3 -----, ,-- 3 ----,
~ I I .I I I I I I I I ~
e! ., r r r'-'r ..11,- • - -
- r r
-U-
l_____ 3 ___j
1 0
r .I 5-5-5--5-5-5
1 1-3 2--2 2 2-
~ 1 6 5 4--4 3 3-
2-1-0 6 6 5 5 5-
" 5 6 0 0
~
-, 0 3

" -----,
., "~(J~" ., .... ," . .,
~
need me? Where would they lead me? With -

~ r---- 3 ------,
It lot lot )_ lot ~11 11 J I I ... .. ~ .. ~ .. ..~
e! r· t - r t r t
-U-
6--6 ,15 3 3 3-
or
! 6--6 6 6--6-6--5--3- f---< ~3 3 3 3-
.0. 5--5 5 4--4 3 3 3 3-
.... 4--4 4 2
IJ 5 3 3
"" 3 22

To Coda-$- Cmaj7

D.~. al Coda-$-

"
aJ .: , .. • -,J-' ~~ ,?J
~
~
out you, to no - where.
It fI , +.till . h. _III _III III:;:::::::::::::. ~ III .~ 1 • .k . J
.J - r t r t r t
-
-e-
4--4 4 3 3 3 3 3--3 3-
4--4 4 5 5 5 5 4--4
2--2 2 4 4 4 4 4--4

i 3--3
3 3 4
u 1
" Coda-$-

Cmai?

Cmaj?

"
aJ -,J-' ~~ ,?J, _?J • -,J-' ~~?J~
~ -------------
no - where, to no - where,
~ , • .~. ~ • .~ 1111 .k...: .~III ~ III III~
• r t r t vu r t r t
3--3 3--3 3-3 3 3--3-
T 5--5 5--5 4--4 5 5--5-
! 4--4 4--4 4--4 4 4--4-
D. 3-3
...
g 3 3 4 3 3
'" rubato Cmaj7

rail.

"
.J ___ =rJ • -,J-' ~: ,=rJ_ u-
~~
- to no - where.
It , 1 • ~I': III~III ~ ) (, b~ ~ r,-..
• III ,;;.
·
·
-
·
• vu r t r t v 'J.
rubato rail.
f7 tI
3--3 3 3 8 3
4--4 5 5 ~ 4 4
4--4 4 4 'r 6 4
i 3--3 3
., 4 3 3 4
'" 23

meditation (rn e d it a c a o )

original words by newton mendonca english lyric by norman gimbel music by antonio carlos jobim

This piece should be played in a cool and contained style with the chord accompaniment gently supporting the melody. The original instrumental version was played on the piano.

J",132

"
a!
~ , -41 -41 ?::-4I ~ -41 .w. ~. I1~} J ,. b. .~. ~ ,. )__
.. r t r t r t Dr t r t
Hold chord ________ ~
5 5 5 8-7
T
! 5 5 5 7 10--8 8 8--5-
5 5 5 8 7 7 7--6-
D 7 6 6 6--5-
....
u 3 3
'" 7 6 6 "
a!
'" ~ Il~j') I ~ ~ ) ~ r:!1_ ~ I ~~
eJ - t l' r l' t r t r t
r' ---
Hold chord ____________ ~ p
~
T 8-6 5 5 5 5 5 5-3 5-
!
J1 5 5 5 5 5 7-
:i-i' 4 4 4 4 6-
g 5 5 5
'" 5 (:J copyright 1962,1963 antonio carlos jobim and mrs newton mendonca, brazil mea music limited, 77 fulham palace road, london w6 for the british

commonwealth (excluding canada) south africa and eire

all rights reserved

international copyright secured

24

"
eJ
~ )Q ~ ~ fJ~f, I ~~ ~- ~
~ , Q
.J r t r t - t l' r l' t r t
r· ,
Hold chord ________ •
T 5 5 5 5 8-6 5 5 5--5--5 5-
!
Ll 7 7 7 6 5 5--5--5 4-
-8-7 6 6 6 5 4 4--4--4 3-
7 5 5
5 C

"
eJ
. -
~ , r- ~ I ) ~ - "
~
·
. ·
·
.. - t r t r t - t
r --- r ---
T 5-3 5--5 5 4 4 4 4
! 5 5--5 5 4 4 4 4
Ll
" 5--5 5 3 3 3 3
c 3 3
'" 3 3 [A] Verse:

Cmaj/addv

" ~ ~ I
:
eJ - -
I. In my lone - Ii - ness,
See Block Lyric/or Verse 2
- .
~ ~ ~~~ bl ~
_. _. _. _.~_. _. _. ill ... .JI _.~_. _. .II b
·
·
.J r t r t r t --- r t r t
5-5 5--5 5--5 3--7
7-
· 5-5 5--5 5--5 5--7 11--10 10
4-4 4--4 4--4 4--9 9 9 8-
i · *7 9 9 7-
3 3 3 *7
n 7 7
'" *Fretted but not played

25

Cmaj/addf

" I ~
.
.J r
- when you're gone __ and I'm all_ by my - self __ and I need your_
- . - 1 r#~
~ ~ ,.w. b J j -41 ;:::=:::-41 -41 -41 -41~-4I -41 • ~
eJ r t --- r t r t r t ---
Hold chord
7 5-
or
! 7--7 7-8-10 10 10--10 10--8 8-8-
A 8--8 9 9 9 9 9--9 7-
... 7--7 9 9 9--9 9--9
g 7 8 8 8
'" Emil

Dm?

" I
.
.J ~ --- ---
- ca - ress. I

- .
J. ~ ~ ~ b ~
It I ;:::: .. ,. .. ,.
,..-.._
• r t r t - t - t r t r t
r r
5 5
or
8 8 6 6 6 6 6 6 6-
I:. 7 7 6 6 6 5 5 5 5-
i- 5 5 5 7 7 7 7-
g 7 7 5 5
'" 5 5 "
.J ~ - '-- ~ .. .. ...._..
just think __ of you and the thought.;
P""- I .. b .. ~ r,J b ~ ~ ~
j,; ~ ,..-.._ ~ ~ r 1 ....
e! r t r t Dr t r t Dr t ---
Hold chord
or 6--6 5 8 7 6 6--6 6--6 5-
!
Jl 5--5 7 7 7--7 7--7--5-7-7-
.... 7--7 6 6 6--6 6--6 5-
g 5 5
'" 6 6 6 26

Em?

"
aJ - ~ ~. ~ -
- of you hold - ing me near __ makes my lone -
I J
~ r». ~ I I ~ ~ .~
..-
.; r t r t - t - t
r r
3-
T
! 5 4--5--6 6 6 5--6--6-
.4 7 6 6 6 5-
5 5 5 5
.is. 7 7
1;1 5 5
'" Dm?

"
:
-
aJ
- Ii - ness soon_ dis - ap - pear. __ -
- I""'--
_AA • .~ • ~J .J ," ~ ,ill ill ~ ... - .. . ill ill ~~
. -
. ·
· -
-
.; r t r t - t t - - t
r r r ---
3 2-3-5 5 5 5 5 5
T
! 6 4 4 4 4 · 4 4
D 5 4 4 4 4 4 4
~5 3 ·
5
'" 3 3 3 [HJ~

Frnaj?

" - ,----, 3 -----,
-----
aJ I
Yes, I love you so
r------ 3 -----,
~ ~ ~ 1 rb~ bl
:j :j :j :j~ :j ~ :j ~
=J /,, __ .. ::J - :J _:'1 .....--
.; I ~ I ~ I ~ I ~ --- I ~
8--8 8 8 8 8 7 110 8 8-

10--10 10 10 10 10 f 9 9 9-
9--9 9 9 9 9 ~ 10 7 7-
8
u 8 8 8 8
'" 27

Em7

El dim

" -
a! I I I
- and that for me_ is all I need_ to know.,..
!""""- b ~1 (_. ) bl ~)1 ~bl~~1>bl ~)1
St b:t ~
~ , :J "lI 1I 11
& I f I f r f f i ~ ---
8 8 7 (10-9 8 7 ~ 10 9--8 7-5-
T 9 9 8 7 6-
~ 9 9 7 8 5-
4
" 8 8 9 7
IJ 7
'" Dm7

[CJ

Cmaj/add"

"
.J
I
-
~ - 0
~ ~ 11 11 ) , .. ~ .. ," .. h .. o .. .. .. .. b
°
0
• r t r t - t - t r t r t
r r
5 5 5 5 5 5-5 5 5--
'T'
! 6 6 4 4 4 5-5 5 5-
4 5 5 4 4 4 4-4 4 4-
" 5 5 3 3
g 3 3
'" " ... ... I
.J t
will wait for you 'til the sun ,..

- ~~_. ~ bl -
, ---: .. .. .. ) ~ .. .. iC:.. .. ~ ~ ~ ~ J ~ .. _......_
• ~
& r t .... r t r t r t ....
5--5 3--7
'T' 5--5 5--7 11--10 10 7 7--7 7-8-10-
~ 4--4 4--9 9 9 8 8--8 9-
4 *7 9 9 7 7--7 9-
" 3 *7
g
'" 7 7 7 *Fretted but not played

28

Cmaj /addv

Emu

" ~ ~ I
.J
~ fades from out_ of the sky. __ for what_ else can __ I do?
- . - .
- .. ~ 1 r-#~J._ J._ J._
_l :::. -41 _:4 .. ~ .. -41 ~
a r t r t r t --- r t r t
7 5 5 5
T
_!_ 10 10~-10 10--8 8-8 8 8 6-
9 9 9 9 9 7 7 7 6-
A 9 9 9 9 9 5-
""
g 7 7
'" 8 8 8 Dm?

"
.
.J ------ ---~
- I will wait~

~ ~ ~ ~.- ~ I .. ih
, ,......._
a - t - t r t r t r t r t
r r
T 6 6 6 6 6 6 6 6 5 8-
!
.4 6 6 5 5 5 5 5 5 7-
1-i 5 5 7 7 7 7 7 7 6-
g 5 5 5 5
'" 5 5 A?~5 ToCoda{j)-

"
.J - ~ --- .. '--.___../ - .. "---"'
- for you. Me-di-ta - tion how sweet_ life will be_

~ .. ~ bj
fI b ~ ~ ) ~ r 1 ~ ~. ~'""
·
· .
· .
·
aJ Dr t r t Dr t --- ~ ~. .;::::;;
'---"
Hold chord
T 7 6 6--6 6--6 5 6 3-
!
.4 7 7--7 7--7 5-7-7 6 5-
... 6 6--6 6--6 5 5 3-
u 7 5-
'" 6 6 6 5 29

Om?

D.~. al Coda.

"
.., ____ . • • '---'" ___ ~-9-~ ___ '
- when you come_ back to me,
t -. ~ . . _.-..,
· ·
· ·
· ·
• ,--,. · =i~=i . ~ I ~-
,,__ ,,__
'-'
, 5 5 5-5 5-5 5 5-5 5
! 4 5 5-5 5-5 5 5-5 5
jI 3 4 4-4 4-4 4 4-4 4
~
II; 3
'" Coda.

"
.; _ .. • '-" ___ '----""-9-~ ___
_ when you come_ back to me,
'1-- .. .. ~ .. ) .. .If ~ [J_~J 1 .~
-
- ·
·
·
eJ ::::. · =i '-'~ r t r t t

Hold chord ________ ~
5 5 5 8-7
'T 5
! 5 5 5 7 10--8-
A 4 5 5 5 8 7-
Pi 3 7 6-
g 3 3 3
'" 7 "
..,
~ f\ ;::-. III~. ) III ~ Jl~j, I ~ ,-.. ~ j)__
--
--
eJ Dr t r t _ t T r T't r t
r
Hold chord ____________ ~
T 8 8 5 8-6 5 5 5 5 5-
!
~ 7 7 6 5 5 5 5-
.... 6 6 5 4 4 4 4-
i.I 5 5
6 6 5 30

"
.J
w_ ~ I r--- ~~ ~ ~ fJ~j) I ~
, .-.. ~
.. r t r t r t - t
--- r· I
p Hold chord _________ "
~
T 5-3 5 5 5 5 5 8-6 5 5-
_!
A 5--7 7 7 7 6 5-
.... 6 6 6 6 5 4-
.., 5 7 7
'" 5 Cmaj7

h_
e!
rI_ ~ - .
- ~~ ~ I ~ .I.h
,
.
.. r t r t - t r t r t
r ---
or 5 5 5 5 5-3 5--5 5 8-
!
A 5 5 5 4 5 4--4 4 7-
~5 4 4 4 3 5--5 5 7-
5 3 3
'" 3 Cmaj?

rail.

C6/9

"
e!
- .
- . .b. I
_t,_ ;:::-. • · ~ • ~. ~;:
·
·
.., Dr t r t r t r t Dr t r t ~
rail.
D !"'3
8-----t-8
8 8 5--5 5 8 3
7 7 4--4 4 7 7---< ~7 2
7 7 5--5 5 7 7---' rr-7 2
Jl_ 3 3 3
'" 6 6 6 6 Verse 2:

Though you're far away

I have only to close my eyes and you are back to stay I just close my eyes

And the sadness that missing you brings Soon is gone and this heart of mine sings.

31

one (samba

note samba de uma nota

so)

original words by n mendonca english lyric by jon hendricks music by antonio carlos jobim

The most effective way of playing this song is to make the chordal rhythm percussive. Try experimenting with the feel making some notes long and some notes short. At [J!] the guitar part can follow the vocal line or continue as a rhythm accompaniment.

J"'140

Dm7

" I
:
.
eJ ~
I. This is just a lit _ tIe sam _ ba built up _
2. Ad lib. Instrumental _____
.
- ,...... ~~ ~- ~- b
~ ~ 1 ----
.
.
eJ r t r t vr t r t
1-
_'r_ 6-6 .6-6-6--6 6 6--6 6 4-
!
A 5-5-5--5 4 4--4 4 3-
"" .7-7-7--7 6 6--6 6
p 5 5 4 4
"' Crn!l

" I
eJ "---" ~ "----" -
on a sin _ gle note. __ Oth _ er notes are bound_ to fol _
.
,...... ~b l ~- b ~ J J, ~ ~ ~
I- 1---- ,---...._
• r t r t qr t r t r t r t
1-1 1
or
! 4-4 4 6 6--6 6--6- r-6-6-6---6 6-
4 3-3 3 8 8--8 5-5-5 5 4-
"" 7 7--7 7-7-7 7 6-
_c 3 3 5 5
'" 7 7 © copyright 1961,1962,1964 antonio carlos jobim and mrs n m e n d o n c a , brazil

mea music limited, 77 fulham palace road, london w6 for the british commonwealth (excluding canada)

all rights reserved

international copyright secured

32

" I I ~
.
eJ -..___..., ~
- low but the root is still __ that note. __ Now the
~ ~ ) b~ l """1..;:::::::::: .tl L ~- ~ 0,)1 )
~ I ----
• vr t r t r t r t ~r t ---
1 1-1 1 6-6-

6--6--6 4 4-4 4 6 6--6
4--4--4 3 3-3 3 8 8--8
I 6--6--6 7 7--7
4 4 3 3
" 7 Fm7

" I I to.. I ~ j ~ I ~
eJ
new one is __ the con - se - quence of the
.
I b .. ~ .. jIL -11 jIL~ jIL .. jIL ~J ~-t li-t J ~~) 1 »
• I f I f "r f r f
6 6--6 6 6 6 6 6 6-
_T
! 9 9--9 9 9 9 9
A 8 8--8 8 7 7 7
" 8 8 7 7
g
" Dm7

Cmll

.s: I j r---I ~ I ~ I
eJ - -
one we've just_ been through __ as I'm bound to be -- the un -
- I""""- - ~ .
~ , I ~~ ~ -t3t -t ... ~ ...... ... J ~ r---~ J b~

.. r f r f b- f --- r t ~r t
r
6-6-6 6 6 6--6 1-
__T 8-8-8 8 4 4--4 6-6- -6-6--6 6 4-
!
A 7-7-7 7 5 5--5 5 4 3-
:i-i 4 7 6
g 6 6 5 4
" 4 33

" I
.
eJ - "---' r I
- a - void - a - ble con - se - quence_ of you.
. n~r ~ ~ ~
It , I b b~ J b-t -t -t
~
eJ r t r t qr t r t Dr t r t
1 1 6 6--6
T"
! 4 4 6 6-6-6 6 8 8--8
~ 3 3 8 8 7 7--7
Poi 7 7
~ 3 3
'" 7 7 6 6 " I
eJ - I v .. • ..
There's so man - y peo - pie who can talk and talk and talk and just say
b Gliss
6·1- ~ ._-- ~ r ~ b~ 6. p H
I - - .fl- ~ --
• I
-
Gliss P H
~ -- ~
6--8--9--11--9--8--6 /' <,
7 9 7--6--4 4--6-
6 6 6--5--6
i 8 5
6
'" " I
a! •• .... ' ... v .. .... <.:» ....
no - thing or near - Iy no - thing __
t I ~ ~ ~ ~ ~ ·
-- ·
·
eJ vr t r t vr t r t
,. 6 6--6 6 6 6 6--6 6
! 5 5--3 3 3 5 5--3 3
J1 6 6--6 6 6 6 6--6 6
.....
g 4 4 4 4
'" 34

" I I
.J V" 1:1 • ¥ • ..
I have used up all the scale I know and at the end I've come to
b~ b Gliss b f:- p
, I L ~ ~--- ! -f'- ~ b. l.._ ......--,...._ H
-
• v ~ I J

~ Gliss P
4---6---7--9---7---6---4 ~ H
T ~
! 5 7 5---4---2 2---4-
4. 4 3 4---3--4
"" 6 4
g 4
" Cl-maj?

" I
0
.J 710 b~' -.J P.
no - thing or near - ly no - thing. So I
I \,.-." ~. 'b •• ~ ~. ~ J .P
· · .
· .
· ·
·
• Dr t r t ~r t ~r t
(End Instrumental) _____ ~
T 4 4 4 7 6 6 6-
!
4. 3 1 1 8 8
"" 4 4 4 8 7
g 2 2
" 8 7 Om7

" I
0
oj ~ ..._..
come back to __ my first note as I must come back_ to you.L,
. - ,.....
!""""- ~.~ ~ ) b~l ~b L ~
, I -
.; r t r t vr t r t r t r t
1 1-1 1
T
! 6-6-6----6 6 6--6 6 4 4-4 4---6-
4. 5-5-5----5 4 4--4 4 3 3-3 3---8-
... 7-7-7----7 6 6--6 6 7-
g 5 5 4 4 3 3
-, 35

h I
.
aJ ~
- I will pour in-to_ that one note all the
,...... b ~ J j) . ~ ,...... ~~
~ ~ b~
v II I -;:::;-- ~
eJ qr t r t r t r t pr t r t
1-
T
! 6--6 6--6- 1-6-6-6--6 6 6--6 6 4-
Jl 8--8 5-5-5--5 4 4--4 4 3-
~ ... 7--7 7-7-7--7 6 6--6 6
LI 5 5 4 4
'" 7 7 " I I _k
aJ ~ .~
love I feel __ for you. A - ny -

b l Cb)l }
, I ,-.._ ~ ~ ~
.. r t r t qr t .-..
1--1 1 6 6-
,
4--4 4 6 6 6
J;. 3--3 3 8 8 8
r 7 7 7
~ 3 3
'" 7 II I I 1""""""""1 ~ I ~ I ~ I ~ I ~ ~ I ~
.
oJ
one who wants.i.. the whole __ show, Re, Mi, Fa, Sol, La,_ Te, Doh,_
.
P- ,...... ,..... ~ ~ 1 } ,.... ,.... i,h
v , I b'ill jIL'iII __ 'ill __ ~'iII __ 'ill -- ~-t~ ~-t -t ~-t -t -t f2t -t _..
-,.........
.. I f I f "r f r ~ r ~ r f
6-6-6 6 6 6--6 6--6 6-6-6 6 6-
T
! 9-9-9 9 9 9--9 8-8-8 8 4-
A 8-8-8 8 7 7--7 7-7-7 7 5-
~ ... 4-
LI 8 8 7 7 6 6
"' 36

1.

Cbmaj7

" I I I ~ I 1""""""""1 ~ I ~ ~ I ~ I I
eJ
- he will find him - self_ with no __ show. Bet - ter play_
. -
- ~ 1 ) ~ ~- ~~
::~ ~ .... .... ~ _jII .... I" ,.-....._
, 1 L"~" L"" ,.-....._
• b- f --- vr f r f r f r Dr'-'
r
6 6
T'
! 4 4 11-11 11-11 11 11 11--11 11-
A 5 5 10-10 10 9 9--9 8-
Pol 11-11 11 10 10--10 9-
g 4 9 9 8 8--7-
"' " I I ~ I ~ I
:
eJ
- the note __ you know. __ This is
A
t 1 :- .... .... ~ ) -t )
- -
·
·
.J ~r f Dr "1 (D)~
v
6

11 11 8 6 6 ·
8 8 7
i 9 9 ·
7 6
"' I 2.

Cl maj?

" I ~ I ~ I I I ~ I ~
eJ
- show. Bet - ter play the note __ you know.
A
, 1 ::~ L"" .... b~ I"" ~ .... .... .... ) ~)
--
.J r f r Dr~r f Dr "1 (D)~
v
6-
T' 11 11 11 11 11 8-
! 9 9 8 8 8 7-
4 10 10 9 9 9
....
g 8 8 7 7 6-
'" 37

(0

somewhere in the morro nao tem vez

h i lis (favela) )

music & original words by antonio carlos jobim & vinicius de moraes english lyric by ray gilbert

Favela means music written for a play. In this piece it describes the slums which lie in the hills around the city of Rio. The guitar plays a simple accompaniment to this haunting melody, which can either be sung, or played on the flute.

J ",,142

Gm7

Gm7

" I
.J
. . .
"J I ~ ~ t t t ~ t
• - - - II' :; :; :;
~ ~ til
. . . ~
5--5-5 5 5 5-
,
! 3--3--3 6- -6-6 6 6 3- 1-3--3--3 6-
Ll 3--3--3 5- -5-5 5 5 3- 1-3--3--3 5-
.. 3--3--3 7 3- 1-3--3--3
L 5
'" 3--3--3 3--3--3 Dm7

Dm7

" I n. .'
:
.J
0 mor - ro nao tern vez_
I t t t t 'I ~ t t t t t ~
·
·
al II' - - - . •
-- ~ ~ ~ --
5-5 5 5 5-.-5-5 5 5
T
! 6-6 6 6 3 · 3--3--3--3--6- t-6-6 6 6 3-
D 5-5 5 5 3 3--3--3--3--5- f-5-5 5 5 3-
i-i 7 3 · 3--3--3--3 7 3-
c 5 5
'" 3--3--3 © copyright rondor music (london) limited, 10a parsons green, london sw4 4tw

all rights reserved

international copyright secured

38

Gm7

" I _"""'_n . ' 'n •
oj
- E 0 que e - Ie fez ja

'" I ~ ~ t t t 1', " ~ I'
• - - - . II" - - - .
til ~ tI til til til
. -- . .
5-r-5-5 5 5 5-
'T'
! 3--3--3-3 6- 1-6-6 6 6 3- -3--3--3-3 6-
A 3--3--3-3 5- 1-5-5 5 5 3- -3--3--3-3 5-
.... 3--3--3-3 7 3- -3--3--3-3
g 5
'" 3--3--3 3--3--3 Gm7

" I
eJ r
foi de - rnais. __ Mas

,....
I t t t t " "
.J II" - - - - -
-- ~ I! ~ (tI) (til )
5-5 5 5

6-6 6 6 3- -3--3--3 3 3 3 3
5-5 5 5 3- -3--3--3 3 3 3 3
.. 7 3- r-3--3--3 3 3 3 3
5
'" 3--3--3--{3 3 F13

" I ..- -- - •
.
eJ I
0 Ihem bern vo - ells __ Quan - do

'" , I .~ I\.--.. - ~ " ~ ~
• • •
• .. .. .. .. -~ - ~
r· t
5--5--5-5
'T'
! 4--4---4-4--3 3--3-3 3- -3 3 3 3-
3--3--3-3--2 2--2-2 2- -2 2 2 2-
-'1 5--5--5-5--1 1--1-1 3- -3 3 3 3-
.... 3---3--3-3 1
g
'" 1 39

Gm?

Drn?

ToCoda~

II I ~ • ~ .....,
eJ I ~ .-.__;.
de - rem vez _ ao mor - ro To - da a cida - de vai_ can - tar._
I"'""- ~ b !""""-
, I .....-----. • • ~ "l
aJ til .. "----.-/ .. ) D - - • .
~ ~ -
- -
2 2 1-1

3--3 3--3- f-3 1 1 3- -3--3 1-1--3-
1--1 1--3- r-3 3 3 3- -3--3 2-2--3-
-; 3--3 3--5- r-5 1 1 3- -3--3 0 3-
1--1--1 6
'" 3--3 h I ---
.
eJ -
- Mor ro_ pe
I ~ ,.... ~ ~ ;, ~
-- III - -
[}
aJ ~ ~ ~ - ~ ......
til
3- .-3--3--3-3
_T 3--3--3 3- -3-3 3 3 4- t--4--4--4-4 3-
! 3--3--3 3- -3-3 3 3 3- t--3--3--3-3 3-
.Ll
.... 3--3--3 3- -3-3 3 3 5 5-
c 3
'" 3--3--3 3 Gm?

em?

Grn?

" I
.
.J I r I I r I
- de pas - sa - gem mor - ro_ quer se mo - strar

I - ~ ~ . ~ !""""- ~ '\
• • • •
eJ - lJ ~ - - lJ
til til
3--3--3-3
T 3-3--3 3 4- r--4--4--4-4 3- -3-3 3 3 4-
! 3-3--3 3 3- f-3--3--3-3 3- -3-3--3 3 3-
.Ll 3-3--3 3 5- f-5 5- -3-3---3 3 5-
.... 3
c 3 3
'" 40

em?

Gm?

" I - .0 ------ ~
0
aJ I r I
A - bram i, a - las pro mor - ro Tam - bo - rim __
, I ;. ~ - ~ " ~ b=;. ~ ~. I
.. • • ,.--.._
·
·
·
• ~ ..... - l' • .::::::;,. "1-.11_
111 ..___."
> >
3--3--3-3
T
! 4--4--4-4 3 3-3 3 3 3 7 6 4-
A 3--3--3-3 3 3-3 3 3 3 6 5 3-
.... 5 5 3-3 3 3 3 5 4 2-
LI 3 6 5 3-
'" 3 Gm?

Dm?

" I "0 .~
.J
- vai fa - lar. E urn e dois, e tres_

~ ~ I -
~ _1 I- I I I t t t t t "
• ~ "I "I "I~ "I~ ~ - ~ . ~
~ --
5-.-5-5 5 5
T
_!_ 4 4--4--4 3--3--3-3 6- ;-6-6 6 6 3-
3 3--3--3 3--3--3-3--5- ;-5-5 5 5 3-
Jl 2 2--2--2 3--3--3-3 7 3-
....
LI 3--3 5
" 3--3--3 Gm?

Gm?

" I ------'0 .. ." 0
0
aJ
- E cern, e mil __ a
, I l""""- t t t t t " l""""- t
• - - - . • - - - .
~ ~ "! -- ~ ~ "!
5-r-5-5 5 5 5-
_y 3--3--3-3 6- 1-6-6 6 6 3- r--3--3--3-3 6-
!
4 3--3--3-3 5- 1-5-5 5 5 3- r-3--3--3-3 5-
n 3--3--3-3 7 3- r-3--3--3-3
5
~ 3--3--3 3--3--3
'" 41

Gm?

" I
.J r
ba tu - car. __ 0

~
,I , I ~ ~ ~ ~ 1'\ ~
.., ~ - - - - -
--- ~ ~ ~ (' ) (II )
5-5 5 5

6-6 6 6 3 3--3--3 3 3 3 3
5-5 5 5 3- 1-3--3--3 3 3 3 3
J 7 3- 1-3--3--3 3 3 3 3
5
3--3--3----{3 3\
'" em?

F13

Bhmaj?

l1_ J ..
.
.J I
rnor - ro nao tern vez __ Mas se
I .~ ~ ,...... ~ ~ ~ ~
• • •
• ... ... ... ... -~ t ~
r
5--5--5-5
T_ 4--4--4-4--3 3--3-3 3- -3 3 3 3-
! 3--3--3-3--2 2--2-2 2- -2 2 2 2-
A
" 5--5--5-5--1 1--1-1 3- ,-3 3 3 3-
I;J 3--3--3-3 1
'" 1 Grn?

Drn?

" I ~ .. ~
eJ I r .'----"'.
de - rem vez _ ao rnor - ro To - da a cida - de vai_ can - tar.~
,...... ~ b ,......
, I --- • • ~ 1'\
• "! "!~ .. ) D - - !. .
~ ~
2 2 1-1
T
~ 3--3 3--3- t-3 1 1 3- 1-3--3--1-1--3-
1--1 1--3- t-3 3 3 3- r3--3--2-2--3-
1.1 3--3 3--5- f-5 1 1 3- -3--3--0 3-
P"i
1.1 1--1--1 6
'" 3--3 42

1.

D.~. al Coda.

1\ I
:
eJ
- 0 0
~ I 1\ - " " ~ - ~ " '\
·
·
.J ~ - ~ - -
~ ""ill ""ill
,. 3--3--3 3- 1-3-3--3 3 3 3-3 3 3 3-
! ·
A 3--3--3 3- ~3-3--3 3 3 3-3 3 3 3-
... 3--3--3 3- ~3-3--3 3 3 · 3-3 3 3 3-
g 3--3--3 3 3
'" Coda.

Gm7

Gm7

" I
·
eJ '-'
-
I - \ ,..... - ,.....
,
·
·
.. - - - - - - - :; :; I
""ill -! -! ~ ~ ""ill ""ill
1-
T
! 3-3 3-3--3 3--3 3 · 3--3-3 3--1-
A 3-3 3-3--3 3--3 3 3--3-3 3--2-
.... 3-3 3-3--3 3--3 3 · 3--3-3 3
c 3 3--3 3--3--3 3--3 3
'" Dm7

Dm7

Repeat to fade

1\ I
·
.J
~ - ,...... ,.... ~ -
~ , I ~ - ~
·
·
a • I • - - - I • V •
""ill ""ill ""ill
1-1--1-1-1 1--1-1--1-1-1

1-1--1-1-1 3- -3--3-3 3--1- -1-1--1-1-1--3-
2-2--2-2-2 3- -3--3-3 3--2- -2-2--2-2-2 3~
i 0 0 3- -3--3-3 3 0 0 3------;
_I~ 3--3 3
'" 43

the girl from ipanema (garota de ipanema)

original words by vinicius de moraes english lyric by norman gimbel music by antonio carlos jobim

The feel of this classic Bossa Nova should be established in the opening four bars. Use a mixture of strumming and fingerstyle and try to keep the tempo even throughout the piece. Ipanema is the name given to a sand spit between the lagoon and sea next to Copacabana beach.

Crn?

Cm6

Cm?

"
.J
~ , . . . Ie: Ie: , , , := . . . 1:=
• • • • • •
• ..... v If If
8-c--8-8 8 8 8 8-
T
! 8--8--8 8- t--8-8 8 8 8- -8--8--8 8-
A 7--7--7 8- r--8-8 8 8 8- -7--7--7 8-
7--7--7 8- r--8-8 7 7 7- -7--7--7 8-
::n: 8--8--8 8--8--8
g
..... Cm6

[A]

Fmaj9

"
: ·
.J .. - ------ ..
1. Tall and tan and young __ and love - ly the girl_
2. Ad lib. Instrumental : _________
I I' , := , J ~ I n~j n~r I I .. ::::;
·
·
· · . . .
· . . .
a! ..... If If I I ~~I ~---I -
~'-/
8-8 8 8 9-7-:3
T
! 8-8 8 8 · 8 8
A 8-8 8 8 9 9-9--7-9 9-9
" 8-8 7 7 • 7 7 7 7
g 8 8 8 8
"" © copyright 1963 antonio carlos jobim and vinicius de moraes, brazil

mea music limited, 77 fulham palace road, london w6 for the british commonwealth (excluding canada) south africa, eire, germany, austria, switzerland, france and italy

all rights reserved

international copyright secured

44

r

"
.J ~ .. ---- ~ .. ....._____"
~ from I - pa - ne - rna goes walk - ing and when __
I I r .J
~ -::::-. .~. I l~1 I I ~
. .
.J - I - - ~'----"'I -
~r ~~r· ~'---/
Hold chord
3 3 1-
5 5 3--5 5--5 5~-3--3-
4 4 4 3-
""': 3 3
3 3-
...._ Fmaj7

"
.J • .,----, . .. "* ~ "* "* ____ "* "* -,t -q0
~ she pass - es, each one she pass - es goes "Aaaah!"

~~ ~~ . . .
v II I ~ r l I I ~ L"i I 1'1
.J - b~~r· .z, -
t - t - t
~r·· r r
0
T'
! 3--3 3-1--1 1 1 1 1--1--1 2-
a 3 3 3 3 3 2--2--2 3-
i-O 2--2--2 2-
~ 2 1 1
" Fmaj9

"
°
.J .. - ._____.- ..
When she walks she's like __ a Sam - ba that
J n~j
~ r-, ~ ~ I n r 1 I . -::::::-
I
·
· . . .
· . . .
• b- t b- t I I ~'-._/I ~--r -
r r ~'--'
9-7-:3
T' 2-2 2--2-2 8 8
! 3-3 3--3-3 9 9~9--7-9 9-9
A 2-2 2--2-2 7 7 7 7
-..:
~ 8 8 8 8
" 2 2 45

r

GJ3

Gm7

"
.J .. ~ '---" .. ~ .. - .,----,," .. -# '------"
swings so cool and sways __ so gen - tie, that when __ she pass - cs, each one_
I I r:~ .. J I ~
v -::::- .. ----I 1 I ~ I ~ r 1 1 I~
. .
• - I - - ~-I - - 'r-
~r ~~r· ~ '-- ... r·~Old chord ...
3 3 1 0-
T
• 5--5--3-5 5-5 5-3-3 3--3 3-1--1-
D. 4 4 4 3 3 3-
... 3 3
g 3 3 2-
" Fmaj7

"
.J ~ -# -#~-# -# -,J- 4-
- she pass - es goes HAaaah!"
v Q~ I s , ~ I ~~ " ,......
• - - - - -
~r· t - t - t - t - t
r r r r
0
T
~ 1 1 1 1--1--1 1 1 1 1
3 3 3 2--2--2 2 2 2 2
D. 2--2--2 2 2 2
~
g 1 1 1 1
" ,----- 3 --,

3

" ,--- --,
.J ---- v .. - '------"
Oh, but I watch her so sad - ly. __
r- 3 ----, ,----- 3 ----,
.
J~~ ~. bJ J J I . -
,., I ~ ~
·
·
·
.J { '-- _.-/ --- ~r i
t t
1--1 1--1 2-1 1
., 2--2 2--2 4 4 2--2 2
! 3--3 3--3 3 2--2 2
I). 4 4 4 1--1 1
-;.
.:;; 2 2
" 46

,----- 3 -------,

"
.J --- - --
How can I tell her I

.----- 3 _ ,----- 3 ~
. - ~ .. ) b. J ~j j J
It I - ~ fI:. ~ .. "..-._. .. .. ~
.-
.-
eJ ~'r r ., - -
t t #- t - t ---
r r
4 4 4--4 5---4---2--4--2--

2-2 2 2 2 2--2 2
2-2 2 2 2 2--2 2
i 1-1 1 2 2 2--2 2
u 2 2
'" 2 2 "
.
"" - -
love her?_ Yes,
. - . - ~~ ) ~ ~
t , ~ ~ ~ ) -4 -4 ~-4 -4
·
·
·
.. T r r T'r r "I - -
t t t t r t r t
5 5 5 5-
,.
! 5--5 5 5--5 5 3 3 3 3-
5--5 5 5--5 5 3 3 3 3-
A 4--4 4 4--4 4 3 3 3 3-
....
1;1 5 5 5 5
-, 3 3 ,----- 3 ---,

,-- 3 ------,

" I J_
.
""
- I would give my heart glad - ly. __ But each
,----- 3 ----, ,--- 3 ------, r--3-
~ , ~J 1 J .. J J ~ ~ ~ ~ J 1
eJ --- r t r t r t ---
6---5---3-5-3 5-6-
,. 3 6--6 6 6 6
! 3 6--6 6 6 6
A 3 5--5 5 5 5
.... 6 6 6
1;1
'" 47

Am7

Gm7

3

" ,------ ---, ,--- I ,-- 3 -----,
·
eJ 4- .. -,;- 4- ..
day when she walks to the sea, she looks straight a _ head not at
r--- 3 ~ ,-- 3 -----, 1 r----- 3 ~ ,-- 3 -----,
~~ I J J t"1 lot. I'"'- t"_. I I J
if ,., I I .~_. .. I I
.J ~ r • -
--- --- 1111 ---
Hold chord ... Hold chord ...
~8 t"4--4 4-5 6
T
! 5 5-6-8 4--4 4 3 3--5-6-
-'1 5--5-7 5--5 5 3-3-5
5 4 3
~ 0 5
~ 3
'" ~

Fmaj9

"
·
.
eJ • ~ ------ •
me. Tall and tan and young __ and love _ Iy, the girl.L;
(End Instrumental) _____ ~
J n~j
.A ~Jot b~ J. ~ I n~1 I J .::::::;:::
. ·
.
· . . .
· . . .
eJ i t r t I I ~~I ~ '--' I -
~~
~2 2 2 9-7-:~
...
2 2 2 8 8
11 3 3 3 9 9-9--7-9 9-9
Poi 2 7 7 7 7
c 3 3 8 8 8 8
'" GI3

"
eJ • ---------- ~ •
- from I _ pa _ ne _ ma goes walk _ ing and when __
-
It , 1 1 [ _.~ j I l~r I I -4 ~
~. -------
. .
eJ - I - - V'---../I -
~r r> ~'--/
Hold chord
T 3 3 5-
! 5 5 3--5 5--5 5--3--3-
-'1 4 4 4 3-
~ 3 3
c 3 3-
'" 48

Fmaj7

- r--- 3 --,
"
.
·
.J • •
~ she pass - es I smile, __ but she does - n't see.
j, r1 r--- 3 ---, . . -
It ~ ... J I I I I 1\-
·
·
eJ - - br t - -
~r t t - t - t
r .-. r r
Hold chord ...
1-1-1 0-0-0 0--0--0

3 3-1 1 3- 1-1--1--1 1-
3 3 2--2--2 3-
2 2-
u 3 2 1 1
'" 1.

2. G~7~5

Fmaj7

" ,--- -
: :
.J ..
She just does - n't see.
. . -
, ~ 1\- ~ I"- " I"-
-
· - · ·
· · ·
- ·
.. b_'" - - b- - - -
"f ~,-,r t r t - t - t
r r r r
0--0--0
T
! 1 1 · 1 1 1 · 1--1--1 1-
3 3 3 3 3 2--2-2 3-
a 2 2 2 2 2 2-
.... · ·
L.I 2 2 2 2 1 1
'" 3

Fmaj7

Repeat to fade 3

" r-- --, r-- ----,
:
.J • ..
She just does - n't see . She just does - n't
. . -
II _......- 1\...--. , 1\ - - , 1\
· · ·
· · ·
· ·
.J b- - - - b- -
t r t - t - t t r t
r r r r
0-0-0
T 1 1 1 1-1-1 1 1 1 1
! 3 3 3 2-2-2 3 3 3 3 ·
A 2 2 2 2 2 2 2
r-; ·
g 2 1 1 2 2
'" 3

49

desafinado (slightly out of tune)

english lyric by jon hendricks & jessie cavanaugh music by antonio carlos jobim

Desfinado literally means 'off key'. This song is the anthem of the Bossa Nova (New Thing) beat and although to start with it was not accepted by the established musicians in Brazil, it became a massive international hit.

J",,140

Fmaj7

"
eJ
. - . - . - . - sim .
~ ,.. ~ , , '- 1'\
aJ - - - - - -
- t - t - t - t - t - t
r r r r r r
Light strum
T 1--1 1--1 1--1 1--1 1 1--1-
_! 2--2 2--2 2--2 2--2 2 2--2-
B 2--2 2--2 2--2 2--2 2 2--2-
....
IJ 1 1 1 1 1 1
" [A]

(Fmaj7)

"
·
eJ -# .. .. fI-# ..
1. Love is like a ne - ver end - ing
'I , 1'\ ~ J ~ I
·
· ·
· ·
·
aJ - - - - - f
- t - t - t - t - t
r r r r r
Finger style
0--1 0
, 1 1 1 1 3-1 1 3--2--3-

Jl 2 2 2 2 2 2 2
.. 2 2 2 2 3
I,;; 1 1 1 1 1
" © copyright 1959 editora musical ar a p u a , brazil copyright 1962 with english lyric hollis music incorporated, usa

assigned to tro-essex music limited, suite 2.07, plaza 535 kings road, london sw1Q for the british commonwealth

(excluding canada and australasia) also the republics of ireland and south africa

all rights reserved

international copyright secured

50

G?b5

Grn?

"
·
aJ v. U ,U· ~.
~
mel - o - dy, po - ets have com -
~ - ~ ~ ~ J j
~ ·
· ·
· ·
·
.J - - - - - -
r t r t r t r t r t r t
1 0-1-3-
T 2 2-2-2 2 2--2 2 3 3
! -4 4-4 4 4--4 4 3 3
B 3-3 3 3--3 3 3
...
.., 3 3 3 3 3 3 "
.
. .
aJ If· ~
pared it to a sym - pho - ny.
It t • ~ I"!'_ I I:: I j)__- ~ I \
.
.
.J r· t I t - t r t r t
r
Hold chord ________
H
-r=>: 8
T 6 5--4--5 8 4 4 4 4 4 3-
! 3 8 5 5 5 5 5 3-
J1 5 7 5 5 4 4 4 3-
... 3 5 5
~
.... 5 Gm?

" ~ I
.
a! .. If"
A sym - pho - ny con - due - ted by the
. ~ ] ~_t } I
fl .-- ~ -41 .. _t
.J - I - -
r t t r t r t
5--3 6 6 5
T 3 3--3 5 5 4 5 I
! 3 3 6 6 6
B 3 3 5 5 5
... 0
~ 3 5
.... 51

" __.,
.J • ..
light - ing of the mOOD, but our song of
~ ~ ~ ~ ~ b-4 ,P I
.w.-i ~ I ~I
·
·
·
eJ r t r t " r T t r t - t r t
r
5 4 3
1--3 I
7-7 7 4 4--4 4 3
5-5 5 5 5--5 5 4
i 7 7 4 4--4 4
5 5 5 5
..... 3 "
·
·
.J • v-: <.I~<.I
love is slight - ly out of tune.
It b-4 . .P I '\ ~ ~ ~
· ·
· ·
------
·
eJ I t r t t b- b- -
r t r t r t
4 3-1 1
T 3 0--3 2 2 2 2 2
! 4 2 3 3 3 3 3
.0.
.... 3 0 4 3 3 3 3
c 2 2 2
'" Fmaj?

"
· ·
.J ... • • ~ ... • v • v~
2. Once your kis - ses raised me to a fe - ver pitch,

It ~ J ~ I ~ r-- 1\
·
· ·
· ·
·
eJ - - - - -
- t - t - t t r t r t
r r r
0--1 0 1

1 3-1 1 3--2--3 2 2-2-2 2-
2 2 2 2 4 4-4 4-
i 2 3 3-3 3-
p 1 1 1 3 3
..... 52

Gm7

"
·
.J .__.- rJ • ~ .. If"
- now the arch - es - tra - tion does - n't
~ " ~ j t · ~ I~I
·
· ·
·
·
.J - - - - r f
r t r t r t r t
Hold chord --------
H
0-1--3 .r=>:
T "6
! 2 2 2 3 3 5--4--5-
.B 4 4 4 3 3 3
... 3 3 3 3 5
IJ 3
'" 3 3 3 3 Gm7

" Itt. Itt.
.
.
.J ~
seem so rich. Seems to me you've changed.,
~ , I:: j)___~ ~ ~ Gli:J. 1> ~~ j .. ~
I I " ........ -
.. I - r 't r "' - I
t r t t t r t t
Gliss
or 8 ........ 8 6-5-3 6-
! 8 4 4 4 4 4 3 3 6-
A 8 5 5 5 5 5 3 3 6-
ri' 7 5 5 4 4 4 3 3
g 5 5
-, 5 5 Am7

" I
.
.
.J --- ----
- the tune we used to sing,

.. n .r~- . -
v , ~ ill ~ ~ ~ ..
.J r t I t - t - t ~r t I "f -
r r -
~
6-5
or 6 8--6-5 5 5 5 6--6 8
! 6 6 5 5 5 5 7--7 7
.B
... 8 5 5 5 5 7--7 6
7
IJ 6 5 5 7 0-
" 53

Arnaj?

Bl dim

Bm1l

"
·
.J f' ~ .. If--- ., ----- -------
like the Bos - sa No - va love should swing.

- ~ j ---j - ·
, ~ ~ I I ~~
·
·
·
.. - t - t br t r t ~r t r t
r r
T 5--7--5-7 5 5--5 5 5-
!
B 6 6 6 7--6--7 7--7 7 7-
..... 6 6 5 5 7--7 7 6-
e 5 5 6 6 7 7
..... Amaj?

Bl dim

"
·
.., ~ If--- ~ .. If--- ..
- We used to har - mon - ise two souls in
. . -rj
~ - ~ J
~~ ~ I ~ ~ I I
~ , r»:
·
·
·
.J r t - t - t br t r t
.... r r
T 5 5 5 5--7--5-7 5
!
4- 7 7 7-6 6 6 6 7--6--7-
::i-i 6 6 6 6 6 5 5
7
~ 5 5 6 6
.... Brn!'

Arnaj?

"
.
.J q-¥' ~
per - fect time, now the song is

- . ~j) 1
~~ ~ ~~ ~ ~ ~ I tj:,.
,
.. ~r t r t r t - t t
.... r
4-5-
T
! 5-5 5 5 5 5 5 5 5--7--5
B 7-7 7 7 7 7 7 7 6
..... 7-7 7 6 6 6 6 6 7
IJ 7
..... 7 7 5 54

Brn!'

" I
·
.J ~ ... .. ~
dif - frent and the words don't e - yen rhyme.
} H
i-' , ~_. . I ~ ~J ~ ~-----
·
·
• I t - t ~r t r t
#-
r
H
7 5 ~

5 2 3 5 5--7 5 5-
6 2 7 7 7 7-
::'i 4 2 7 7 7 6-
2 7 7
" Cmaj7

C#dim

"
.
.J - -
-- 'Cause you for - got the mel - o - dy our
- . :r1
~ - J ~ 1> I J
~ ~~ III III~ ••
.J r t r t r t r t ~r t .-.
3--5--3-5 3 3

5 5 5 5 5 5 5 6-5--6-
7 7 7 4 4 3 3
6 6 6
u 7 7 3 3 4
" Drn!'

Gm7

" t ~
.J ., .. -- ..
hearts would al - ways croon and so what good's a heart that's slight -

- .
- . J ) J ~~
,....... ~ r ]J
i-' - - • ~~. • _. _. I i~ ::::::-
.J r t r t - t I ~ I ~
r .-.
3--3 3 3 3 3 3--5-~6---5---6-5 8-

6--6 6 6 6 6 3 6 6 7-
5--5 5 4 4 4 7 7 8-
5 5
u 5 5
'" 3 55

P#dim

" ~ I
.
.J - -
- ly out of tune.

~~ } 1 - ~ - ~
IJ,jo~1.. .... • • .0 • III III~III •
c=::-
o
0
aJ I t I t - t r t
r --- ---
8 6--5--6 3-3 3 3 3-3 3 3
T
! 7 4 6-6 6 6 5-5 5 5
Ll 8 5 4-4 4 4 3-3 3 3
.... 7 4
.., 3
...... 3 Prnaj?

G7b5

"
. .
.J ... .. .. ~ ... .. V" (J~
Tune your heart to mine the way it used to be,
~ , ~ J ~ I ~ ~ ~
I 0
0 0
0 0
0
• - - - - -
- t - t - t t r t r t
r r r
0--1 0 1

1 3-1 1 3--2--3 2 2-2-2 2-
2 2 2 2 4 4-4 4-
i 2 3 3-3 3-
1 1 1 3 3
'" "
.
.J "--' (J • ~ .. ~ ..
- join with me in har - mo - ny and
~ !'I ~ j 0 ~ IAI
0
0 0
0
0
aJ - - - - r f
r t r t r t r t
Hold chord --------
H
0-1--3 ~
T ./6
! 2 2 2 3 3 5--4--5-
.&l 4 4 4 3 3 3
3 3 3 3 5
i-i 3
g
...... 3 3 3 3 56

Gm?

" I
.
eJ I I r
sing a song of loy - ing. We're bound to get in
t .... bl :: ~1 Ib .... I.t~ ~-4. ~) b .. J
~ , 'I 1II - ~.
.
eJ I ~ I ~ I t r t I t I t
Hold chord
~
10--9--8 7 6 8 7--6--5-
8 8 4--3 3 6 6
8 8 5--5 5 7 7
• 7 7 4--4 4 5 5
5
'" Am?

Ab dim

" I
. .
eJ •
tune a - gain be - fore too long, there'll be
, _jI J • J ~~ h r1
----
.. r t I t - t - t b- t - t
r r r r
6--5

6 8--6 5--5 5 5 5 5 3-5-
6 6 5--5 5 4 4 4
i 8 5--5 5 3 3 3
6 5 5 4 4
'" G?

"
.; • I
no de-sa-fi-na - do when your heart be - longs to me com - plete - ly. __
,I ~ ) ~ ~ ~ 1
eJ - t - t - t r t I t
r .-. r r
8--6-
or 6 6 6 6 6 6 6 6 6 6
! 4 4 4 4 4 4 4 6 6 6
4 5 5 5 5 5 5 5 6 6 6
i-t
1;1 3 3 3 6
'" 57

G7

Gm7

"
.
a! I .. '-...._/ jI"
- Then you won't be slight - ly out of tune, __ you'll sing a -
r:1 r:~
~ b J J J · ~. I
·
·
aJ r t r t - t I t - t r t
r r
0-1 0
1--5 I
6 6 3-5- -6-6-6-6-6 3
6 6 4 4 3
.. 5 5 5 5
6 6
'" 3 3 "
. :
.
a! ~
long with me .
- . ~ - - .
~ , • • • ~ .b .. .)_,_. . • • .) .~
·
·
• I t I t t --- I t I t
3--3 3 3 3 3 3 3--3 3 3-
or
! 3--3 3 3 3 3 3 · 3--3 3 3-
2--2 2 2 2 2 2 2--2 2 2-
A 3 3 3 • 3 3
""
~
'" Repeat to fade

"
:
a!
- .
- - .~ - ~
, ,..--.._. • -.~ .. • • .b .. .)_,_. .
·
·
• I t --- I t I t I t ---
3 3 3 3--3 3 3 3 3 3
or
_!_ 3 3 3 3--3 3 3 3 3 3 ·
B 2 2 2 2--2 2 2 2 2 2
.... 3 3 3 3 ·
~
'" 58

water to drink (agua de beber)

words by norman gimbel music by antonio carlos jobim

This arrangement keeps the basis of Jobim's original accompaniment and adds melody. The rhythm should be percussive and a certain amount of freedom should be exercised to give the song feeling.

J=138

Am7

Am7

_, I I l .. ~ I I I I II ~ I T l .. ~
.J - t - t r t r t - t - t
r r r r
,. 1 1--1 4-4-3-4-3-3--1- f-1 1--1-
!
ll. 0-2-0-2--0 2 1 0-2-0-2--0
"" 2 2 2 2 2
~ 0 0 2 0 0 Am7

r1 Il 1~1· ~
r-I , I I I I ~ I I l ..
·
·
·
.. r t r t - t - t I ~ -
r r ~~
5-3-5 0-
T 4-4-3-4-3-3 1- -1 1 3 3--3-3-1-
! 2 1 0-2-0-2 0 3 3--3-3-0-
A
" 2 2 2 3 3-3
g 2 0 0 0-
'" Am7

Am7

) ~- Il 1~· ~ ~
_, , I I I ..
.. - - t I ~ "f - t - t
~r r r r
0 0 0 5-3-5

1 1 1 3 3--3-3-1- -1 1 1-
0 0 0 3 3--3-3 0-2-0-2 0
i 3 3-3 2 2
0 0 0
'" © copyright 1961 edizioni campidoglic, italy

© copyright 1965 bexhill music corporation & norman gimbel, usa

all rights reserved

international copyright secured

59

Am7

r-I I I I I I 11 ~ I I l ~ ~ I I I I 11 ~
eJ r t r t - t - t r t r t
r r
4-4-3-4--3-3--1- -1 1--1 4-4-3-4--3-3--1-

2 1 0-2-0-2 0 2 1
i 2 2 2 2
J~ 2 0 0 2
'" Am7

Fmaj7

Am7

,., I I l ~ - ,- - , ,
·
·
·
eJ - t - t - - - -
r r - t - t r t r t
r r
T 1 1 1--1--1-1 1 1 1 1-
!
.a 0-2-0-2 0 2--2--2-2 0 0 0 0-
.... 2 2 2--2--2-2 2 2 2 2-
IJ 0 0 0 0
'" 1 1 !AJ Verse:

B

" --- --
.
·
aJ I,.....J
1. Your love_ is rain, my heart the flow -
See Block Lyrics/or Verse 2
, r-1 ~ I \----.. ~ I 1\
.
·
• - T' r T' r ~ _. • - •
r t t -
--- r t r t
Let ring ...
or 0 0
! 1 4 · 4 4 1--1 1 1-
..a 2 4 4 4 1--1 1 0-
rt 4 · 4 4 0--0 0 2-
0 2 2
g 0 0
'" 60

Am7

" .' 'n '. 1*".
.
eJ l.--J •
_ er. I need_ your love or

~ , - , ~ , r--1 ~ I ~~ '- '- 11 ~ ~
.> - - - r f r f
r t r t r t ---
0--3 3 5
,
1 1 1 1 1 6 6 6 5-
.~ 0 0 0 0--2 5 5 5 4-
2 2 2 2 3-
... 0 0 0 5 5
..
'" Cmaj7

" ~
eJ l.--J
I will die. __ My ve _ ry life_
- j}___ ~ ~ !""""- ~ r--1 ~ I ~
it , ,-.,
, -J.-----.J
aJ - - r t r t r t
r t r t ---
Let ring ...
,. 0--0 0 O-r-O 0
! 5 5 3 5- 1-0--0 0 0- 1-0 1
A 4 4 4 0--0 0 0- 1-0--2 8-
n 3 3 3 7-
3 3 3
_p 3 3
'" Am7

C6/G

" -
.
oJ
- is in your pow _ er.
it , -.1 ~~ ~ II h 1\.- r--- ... ... ~
0 0 0 -- 0
0 0 0
0 0 0 °
a ro "f br t - bro .,- - - ft-
ro "f "f r t r t
_T' 5 5 3 1 1 1-
! 7 5 5 2 2 2-2-2 2-
A 6 5 4 2 2 2-2-2 1-
-:r;
_I;J 7 6 5 4 3 3
'" 61

" ~
.
III ---- I -
Will I with - er and fade or __ bloom to_
~ fI !"-- ~ ~ ~ r- ~ ~ I I ~
.J #f ~ . • _. • r ~. • r ~~ r " r
t r t t t -t -t
1--1 1--1 1--1 3-1 0-0 1-

2--2 2 2--2 2-2 2--0-
1--1 1 1--1 1-1--4 2-
n 2 2 2-2 2
'" 2 2 Am?

_A ~ ----
III I --
- the sky?_ Ag - ua de be - ber,
~ L1 I~r= ".- r-- \ .........
_l 1 j_ I\--... _lIIIIIIIIIIIII
• - t - t - t - t - t -,
r r r --- r r
Let ring ...
T 0
0 1 1 1 1--3 3 3 3 3-
B 2-0 0 0 2-2 5 5 5 5-
... 2 2 2 4 4 4 3-
g 0 0 0
'" 5 5 Dm?/A

Am?

" -
------
III ~ I --
give the flow - er wa - ter to drink. L; Ag - ua de be - ber,_
~ ~. p _r-., J r1 I-
t .- , ,- -
• - - - - -
r t --- r t r t r t ---
p Let ring ...
~ 0

3 3-1 1 1-1-1 1 1 1 3-
5 2 0-0-0 0 0 2-2
3 2-2-2 2 2
u 0 0 0
'" 5 62

D?/A

Dm?/A

Am?

"
.J ~ I

~ give the flow - er wa - ter to drink.L;
--I '\,... - 1'\- ~ ~r--, I-
I , ,
- - T' t - t '1 - t - -
r r r .... r t r t
p
~
or 3 3 3 3 3~~3-1--1 1-1-1 1 1-
!
_A 5 5 5 5 5 2 0-0-0 0 0-
.... 4 4 4 3 3 2-2-2 2 2-
~ 0 0
.... 5 5 5 Dm?/A

11. - --=
.J -- ~
Ag - ua de be - ber, give the flow - er wa -
"'J r1 I- I 1'\,... - 1'\ ~ ~.p r-, I
-
- - t - T' t - t 1 - t
r .... r r r ....
Let ring ... p
0 r---....
or 1--3 3 3 3 3 3 3-1 1-
_! 2-2 5 5 5 5 5 2
.D 4 4 4 3 3
....
C 0
'" 5 5 5 1.

2.

Am?

Am?

~
~
:
aI ~ I

- ter to drink._ 2. The rain_ can fall_ - ter to drink.L;
r-1 ~ I ~
It " "-- I ~ ~
_.
·
eJ - - - - _"': T' - -
r t r t r t .... r t r t
Let ring ...
0
r 1-1-1 1 1 1 4 1-1-1 1 1-
0-0-0 0 0 2 4 · 0-0-0 0 0-
t1 2-2-2 2 2 4 2-2-2 2 2-
ft 0 0 0 · 0 0
_g
'" 63

Lm

Am7

,., ,.. ,...... 1\ ,...... ~ I I l ~ ~ r T 1 l i1 ~
.J - - - t - t r t r t
r t r t r r
T 1-1--1 1--1 1 1--1 4-4-3-4-3-3--1-
!
A. 0-0--0 0--0 0-2-0-2 0 2 1
.... 2-2--2 2--2 2 2 2
u 0 0 0 0 2
'" Am7

Am7

,., ~ I I l ~ ~ , , -, , iI ~ I T 1 ~
·
·
·
• - t - t r t r t - t - t
r r r r
T" 1 1--1 4-4-3-4--3-3--1- f-1 1

tl 0-2-0-2 0 2 1 0-2-0-2 0
~ 2 2 2 2 2
g 0 0 2 0 0
'" Am7

.,I 1J J~J. ~ ~ \_- 1J J~J. ~
• I ~ - - - t I ~ "f
~~r r
5-3-5 0 0 0 0 5-3-5
.,
3 3--3-3--1 1 1 1 3 3--3-3--1-
I. 3 3--3-3--0 0 0 0 3 3--3-3
.. 3 3-3 3 3-3
g 0 0
"" Am7

Am7

,., ~ I I l ~ I I I I i1 ~ I I l ~ ~
.J .z, t - t r t r t - t - t
r r r r
-r_ 1 1--1 4-4-3-4-3-3--1- f-1 1--1-
!
I.l 0-2-0-2 0 2 1 0-2-0-2 0
...- 2 2 2 2 2
g 0 0 2 0 0
'" 64

Am?

Fmaj?

ri . .
~~ I I I I ~ I I l ~ P""""- ~
·
·
·
• r t r t - t - t - -
r r - t - t
r r
4-4-3-4--3-3 1- 1-1 1 1--1--1-1---1-

2 1 0-2-0-2 0 2--2--2-2---0-
i 2 2 2 2--2--2-2---2-
2 0 0
..... 1 1 Am?

Repeat to fade

~~ ,... 1'1. I'.. ..... 1'1.- ~ I'.. 1\ ~ 1\
· ~.
· ~.
~
• .z, - .z. - - _... - - - - - -
r t r t r t r t r t r t r t r t
1-1-1-1 1--1--1--1 1-1-1-1 1--1--1--1-
·
0-0-0-0 0--0--0--0 0-0-0-0 o--o--o--o____!.
i · 2-2-2-2 2--2--2--2 2-2-2-2 2--2--2--2---:-
n 0--0 0 0 0--0 0 o .
..... Verse 2:

The rain can fall on distant deserts The rain can fall upon the sea

The rain can fall upon the flower

Since the rain has to fall let it fall on me.

Portuguese lyrics

Eu quis amar Mas tive medo E quis salvar meu corraciio Mas 0 am or sabe um segredo

o medo pode matar 0 seu coraciio

Agua de beber

Agua de beber camara Agua de beber

Agua de beber camara Agua de beber

Agua de beber camara.

Agua de beber ...

Eu nunca fi: coisa tdo certa Entrei pra escola do perdiio A minha casa vive aberta

Abre todas as portas do coraciio

Agua de beber ...

Eu sempre tive uma certeza Que so me deu desilusiio

E que 0 amor E uma tristeza

Muita mdgoa demais para um coraciio

Agua de beber ...

65

wave (vou te contar)

words & music by antonio carlos jobim

A classic Jobim song that has become a jazz standard. It was originally recorded on the 1967 album of the same name. The opening rhythm sounds good if it is lightly strummed, and the melody played at [A] should be played fingerstyle - the combination works well.

~"'144

Dm7

OlD

Dm7

OlD

Dm7

OlD

Dm7

" 10
.J
sim.
° ° ..... - ~
, ~ L. .. JII ~ ~ ~ .. ) .. .. .. kt 11 -t -t -iJ )
& r' r'----/r~~ r ro r'--'
1-1-3-3--1 1 3-3--3-3 5-5-7-7--5-

1-1-3-3--1 1 3-3--3-3 6-6-8-8--6-
2-2-4-4--2 2 4-4--4-4 5-5-7-7--5-
i 0 0 0 0 0
u
'" OlD

Dm7

OlD

Dm7

OlD

" II
.J
I. So close your
Gliss
~~J J l"'""- I 1 J~
" , ,w. -t -t -t -t ) -t ~ ~ ~ ~ ~
• '--"~ ro r"--'f ....
Gliss
7-7-7 7-7 8 -8 -10-10--8 10-10-10--7-10-- 9-
or 8-8-8 8-8 10-10-12-12--10 12-12-12
! 7-7-7 7-7 10-10-12-12--10 12-12-12
.Q 0 0
~
g
'" © copyright 1967 & 1976 corcovado music incorporated, usa

assigned to westminster music limited, suite 2.07, plaza 535 kings road, london sw10 for the united kingdom and eire

all rights reserved

in te r n ation a l copyright secured

66

Dmaj7

Am7 ~

" II • ~ -e-
· .
eJ I
-
eyes, for that's a love - ly way to be,
2. Ad lib. Instrumental _____
~ ~
, JoI t ~ ~ t Gliss ~ . ... .. ... ... I~=
·
·
a II' ) • II' I - ) =- ~ =- <=- ) ~~
-
-
Light strum ___________ Let ring ______ ~ sim.
5 5-5-5 Gliss o U-2--1
,. 5--5 5 5-
! · 7 7-7-7 2 5--5 5 4-
.G 6 6-6-6 4":::::::::: ~5 4 5--5 5 5-
... · 7 7-7-7 5--5 5 4-
UI 5 5-5-5 0 O--O--{O
"'" Gmaj7

" II ~~ ~ ~~ .f'- * "# • • .~. .~. ~ ~
eJ
- a - ware_ of things __ your heart a - lone __ was meant_ to see....
Gliss
~ , JoI ----~ J~ • ~ :::: ~ 4--(l- .. ~ .. " ~ J ~ • "f*- A'
a ~ ~ ~'--" - - :;~ - )~
.. .. ..
~
Gliss
-
5-5-5--5-7--5 2-3 5--2-
4-4-4 3 3 3 3 3 4-
5-5-5 4 4 4 3 3 3-
i 4-4-4 4 4 4 2 2 2-
u 3 3 3 3
"'" F~J3

" II ~ ~ ,~ •
eJ
- The fun - da - men - tal lone -
I JoI -::::- · ~ • ~
·
·
·
.J ...._., D ft .~ • ft'! ) »=
2--2 2--2 2 3--2 2-

4--3 3--2 2 1 3-
3--3 3--2 2 2 2-
i 2--2 2--1 1 1 2-

"" 67

Bm7/E

" ~ ~ ----- ~
aJ <c.:>
- Ii - ness goes __ when - e - ver two can dream a dream to - geth -
It, ~ ~ ..-- L.
• ...___ J b~ ~ ~ ~
-
-
0
r
3--3--3 3 6 6 5--5
II 4--4--4 4 7 7 6--6
~ 6 6 5--5
g 6 6 5--5
'" Dm7

OlD

Dm7

OlD

Drnaj?

" ~
.
.J .~c.I~c.1
- er. You can't de - ny, don't
Gliss
° 0 ~ J J~
-f.~ ) -t
It , ~ "'11 11 -t -t -t t t t t Gliss
., ro r~r --- !I" ~ !I" !I"
I000o..
Gliss
---- Gliss
T 5--5--7-7 5 7-7 7-10-9--5 5-5-5
6--6--8-8 6 8-8 7 7-7-7
! 5--5--7-7-0--5 7-7 6 6-6-6
.Ll 4;::::::_
... 0 7 7-7-7
u 5 5-5-5
'" Bb dim

Am7

" ~ • 1ft -a- '_,._ _,._ _,._~ -f'- _,._-----
.J I
-
try to fight the ris - ing sea, don't fight __ the moon,_

-- Gliss
.. ) ~ I~ ~ .~~ 4-~ ~=
i , ~ ~ . -4 -4 .. I·~·
• /' I ....... P ~ ~ ~ - />:: - ) ~-
- (-4 )
Let ring ______ ~
Gliss
o n-2--j -
T 5--5 5 5 5-5-5--5-7--5-
! 2 5-5 5 4 4-4-4 3-
J1 4 5-5 5 5 5-5-5 4-
-n 5 5-5 5 4 4-4-4 4-
g /' 0 0-0----(0
'" 68

r

Gmaj1

1\ " ~ • • . - ' . .-------. ~ ~
aJ
- the stars a - bove __ and don't_ fight me. __
J j ~
V ,Wo :::-. \ \-- • ~ ~ · _........__
·
·
·
.J - :; - - _.r= -= D'-' D ~ • <;»
til tII~tII till
2-3 5--2 2-2--2--2-

3 3 3 3 4 4-3--3--2-
4 4 3 3 3 3-3--3--2-
::r. 4 4 2 2 2 2--2--2--1-
3 3 3 3
'" Bm7/E

1\ " ~ ,~ • ~ -
aJ
The fun - da - men - tal lone - Ii - ness goes __ when - ev - er
I .II -----.. • - -~
• ..._,. w: ) )~ J I ...


2 3--2 2 0-
T 2 1 3 3--3--3 3
~ 2 2 2 4--4--4 4
.Q
.... 1 1 2
c
'" GID

G/D

1\ " J.
aJ ~ .~rJ~rJ
two can dream a dream to - geth - er.
~ ~ .~ . ~
; I .II I.. I.. • • ~ ,-...... • •
.
.
• D~ ~ ~ ~ r· r~~
1--1-3-3 1 3-3 3-

6 6 5--5 1--1-3-3 1 3-3 3-
7 7 6-6 2--2-4-4 2 4-4 4-
i 6 6 5--5 0 0
6 6 5--5
'" 69

C7/B~

Am7

,------ 3 -----,

" It
·
eJ 1 1
When I saw you first the time was half past three.

r---- 3 ------, ,----;- 3 __, - ~
V , ,Wo ~bl I ~~ b1f- ~ • • ~ b1f- t ~~ . -.b.. .. ..
·
·
-- ~ - "f - t
r· r
Hold chord ... Hold chord ...
10 10 10--8 5 5 5-
T
! 11 11-13-11-10- f--8 8-10-11 5 5 5 5-
4 10 10 9 9 5 5 5 5-
..... 12 12 8 8
I;J 10 10
'" 5 5 Fm7

fI....lf. I
.
aJ
when your eyes met mine it was e -
--
~ b .. b,~ , , br----- 3 ~ r-;-3T
~ fI.,Wo :::: .. -. .. -. -. '1f-t*- • ~- • b~ ~
e! - t - t '1 ~ "
r r
Hold chord ... Hold chord ...
5 5 5-5 8 8 8-
T 5 5 5-5 9 9-11-9-8 6 6-8--9
! 5 5 5-5 8 8 7 7
.Ll
... 6 6
I;J 8 8
'" 5 5 " It
·
eJ 1 r 1
ter - ni - ty. By now we
(End Instrumental) _________________________ ~
A 1 l~J
~_. ~
, ,Wo b_. . 0. LI._' Ll.b ... L"
• • - -
·
·
-- - t - t - t
r r r ---
Strum _____ Gliss
6 3 3 6 6 5 6--10 ---- 9-
T
! 3 3 3 6 6 5
3 3 3 6 6 6
4 5
....-
I;J 3 3 5
'" 70

r

Drnaj?

Bb dim

" .II • * --
·
aI I
-
know the wave is on the way to be,
~ --
'" , ~ t t t t Gliss ~ ,. -ill -ill -ill -ill I.::::
• ~ ) • ~ I - D ~ ~ ~ (~) )'--
-
- Letring ______ ~
5 5-5-5 Gliss o [;-2--1
.,. 5--5 5 5-
! 7 7-7-7 2 5--5 5 4-
6 6-6-6 4 5--5 5 5-
JJ 7 7-7-7 4"":::::::::: ::'5 5--5 5 4-
~
L.l 5 5-5-5 0 O--O---{O
'" I

D7b9

Gmaj?

" .II -~ * ~ '* ~ ~ '* • • . ' ' . .~. ~ ~
aI
-- just catch.L, the wave __ don't be a - fraid __ of lov - ing me.L
Gliss
~ -. I· ~. .~. ~.f'- .~. 1\ \-- J j ,. ~ ~
• -- ~ )~ :; :; :;~ :; D'-'
<c:>
Gliss
-
r 5-5-5--5-7--5 2-3--5--2-
4-4-4 3 3 3 3 3 4-
tl 5-5-5 4 4 4 3 3 3-
Pi 4-4-4 4 4 4 2 2 2-
c 3 3 3 3
'" Bm7/E

" .II - _,.. ,_,.. •
aI
- The fun - da - men - tal lone - Ii - ness goes_ when - e - ver
-
, ~ ~ · ,..-..._ ,. ~
·
·
·
• '-' ) ~ . '--"". ~~ ~ D~ ~
-
2-2--2--2 2 3-2--2 0-

4-3--3--2 2 1 3 3-3-3 3
3-3--3--2 2 2 2 4-4-4 4
i 2-2--2--1 1 1 2
u
"' 71

1.

GID

GID

" II •
:
.J I ~ .. ~v~v
-
two can dream a dream to - geth - er.
° 0 ~
~ -t -t ) -t ) ~:
~ , j,jo I. 1.11 11 11
°
·
°
.J D~ ~ q~ ~ ro r~~
5 5--7-7 7 7-7

6 6 5-5 6 6--8-8 6 8-8 ·
7 7 6-6 5 5--7-7 5 7-7
i 6 6 5-5 0 0 °
,;, 6 6 5-5
'" 2.

G/D

GID

GID

Dm?

" II
:
.J -- .. ~v~v
- er.
° 0 - . . -
, j,jo 1.11 11 -t -t 11 ) -t ~ -t ::::3-t -t -t 1.11 11 -t -t 11 ~
0
0
.. r' r~u ro r~
5--5-7-7 7 7-7 7-7 5--5-7-7 7-
T
! 6--6-8-8 6 8-8 8-8 ° 6--6-8-8 6-
5--5-7-7 5 7-7 7-7 5--5-7-7 5-
A 0 0 0 0
... 0
1;1
'" GID

GID

Dm?

G/D

Repeat to fade

" II
:
.J
° 0 ~
~ j,jo -t ~ -t R-t -t -t 1.11 11 -t -t 11 ~ -t ) -t 0t -t -t
°
·
e.I "--'~ ro r~~
7-7 7-7 5--5--7-7 7 7-7 7-7
T 8-8 8-8 6--6--8-8 6 8-8 8-8
! 7-7 7-7 5--5--7-7 5 7-7 7-7 °
.n 0 0
... 0
..,
'" 72

te n I at irn ~ a merl] can elassrcs by the 91rea1t b razlllan co mpose r, 'spe'c uailly arr angled 'ro r gJu it ar i ~ easy -te ~ re ad 9 u It air tabl ature & ata ~ d a rd n otati 0 n, in el ud~ ng c hord sy mbal s, melody ~i ne &. Iyri cs

c or c o va d o

desafinado

- --

S Iii 9 hUy out of tu nE!'

how insensitive

ilillsensatez

iif you never come to me

lin ut ill pa psa.91em

mediitatiion

.rnadltaeao

one note samb a

samba de uma nota so

sornewher e lin the hil!e

o morro nao torn vez (favela)

t hi eg i rllfro mi pan e m a

gawota. de ipanema,

w ate r to drlnk

aglJa. de beber

wave

wi$C pUlbllcotiOI'1JB olrd er no .. ~.M'3'J,216~