1

2
SIGNAL LED THRESHOLD #
(-30 to +26dB) (Master control)

3
SIG

10

11

12

SWITCHABLE INSERTION
IN

MONO INPUT CHANNEL

1 48 REMOTE CONTROL OF CHANNEL CUT BY FLYING FADER OPTION

DC

MTK
GROUP 1 (Loc B4) 1

DIR

10dB

TB/TONE (Sht 2 Loc J4)

(DIRECT)

TRACK

1
TRACK MONITOR (Loc D1) TB/TONE

CH PRE CUT (Loc B6) +48 VOLT PHANTOM POWER MON PRE CUT (Loc D6)

REMOTE CONTROL BY FLYING FADER OPTION 48

GROUP 48

DIR

10dB

MIC INPUT MTK RETURN

LINE INPUT

-30 dB

MIC GAIN
(+20 to +70 dB) PHASE +/- 10 dB

DYN (GAIN REDUCTION)

GRP

REMOTE CONTROL OF IN/OUT BY FLYING FADER OPTION

LARGE FADER
SIGNAL LED CUT PFL Loc H4 PFL VIA SOLO SWITCHES PFL 10 dB

PAN C/O B'NCE #

MIX 1 2 3 4 CHANNEL 48

(DIRECT)

TRACK

(Part of) FILTER DYNAMICS

TRACK MONITOR (Loc D1)

MTK 48 TAPE SEND

B
(50-72 simlar)

4 BAND EQUALISER

LINE GAIN MONITOR INPUT

DC C/O MIC/ LINE MIC

GATE KEY INPUT FROM MULTITRACK BUS AMP (LOC A10) DYNAMICS IN MONITOR INSERTION IN MONITOR MASTER METER MODE CONTROL (VU/PPM)

EQ IN DYNAMICS SIDECHAIN

DIR
CHANNEL 49 3 (DIRECT)

10dB

TB/TONE

A
MASTER CUT Loc H6 EQUALISER IN MONITOR INSERTION IN MONITOR (NOTE 6)

B
SOLO Loc H4

TRACK
0dB (D7) TB/TONE (Sht 2 Loc J4)

49

OVERPRESS 4 C/O (ELECTRONIC LATCH) SWAP BOUNCE (MECHANICAL LATCH) MONITOR AFL (Loc I4) 1 CHANNEL AFL (Loc H4) FROM REV RETURNS (Sht 2 Loc H12)

TRACK MONITOR (Loc D1)

CUE AND MONO 1+2 2T RECORD DISTRIBUTION (Sht 2 Loc F1)

MASTER SWAP

SMALL FADER

2
CUE AND MONO 1+2 (D8) TB/TONE METER/ MONITOR (Sht 2 Loc B4)

METER SELECTOR PAN 3 0dB

MIX OUTPUT 3

MTK SEND
(Loc A12)

SIGNAL LED CUT REMOTE CONTROL OF MONITOR CUT BY FLYING FADER OPTION TO ALL CHANNELS PFL Loc H4 SOLO Loc H4

10 dB

(NOTE 1)

MIC
DC (NOTE 6)

CUE AND MONO 3+4 TB/TONE

METER/ MONITOR

CH MON
DC

C/O
(PART)

MIXDOWN

POST PRE POST PRE

REFER TO NOTE 2 REF. AUX CONTROLS 1-2

PRE ST PRE

4
AUX 1/2
ON AUX 1 2 3 4 5 6 7 8 MIX 2 1 CUE AND MONO 3+4 METER/ MONITOR

DC DC

# # #
I/L

O/P P/B

(TO MON)

DC

NOTES:
FOLLOW MON
TO ALL CHANNELS OD

MONO 1+2
(Mono 3+4 similar) (NOTE 1) ENG TB (A1)

POST

PRE

PAN/ LEVEL

ON

TB/TONE (From Recall automation, where fitted.) (From Sht 2 Loc F6 and E8)

MULTITRACK METER SWITCHING

1. Mono Output gain: "Mix" tone produces 0dB tone at Mix and Mono Outputs. Coherent 0dB programme on stereo Mix Output produces +1.5dB on Mono Output. 2. Channel and master Aux controls: when "stereo" button is pressed even-numbered switches are inoperative. Odd switches control both sides of stereo pair and even level controls become stereo Pan/ Balance. 3. Functions marked are achieved using logic circuitry.

(TO MON)

3-4

PRE

ST PRE

AUX 3/4
ON

AUTO MUTE

POST

PRE

4. All controls (except where marked #) are Recall ready.

PAN/ LEVEL

LEVEL
ON 0dB

BALANCE/ LEVEL

VU

FOLDBACK 1 REV SEND F 1

ON

(D9)

~
DC

~
# P/B # O/P
CH.OP O/P CH OP PAD

# O/D

MIX

5. Consoles fitted with 48 channels or less have a corresponding number of multitrack buses. Larger consoles have a maximum of 48 multitrack buses with tape sends only on channels 49+. 6. Master control of BROADCAST, FADER SWAP, MIXDOWN, and MIC functions is achieved using 3 switches for each. This allows channels to the left or to the right of the monitor to be selected separately, as well as all together. The controls may be frozen by the MASTER STATUS LOCK SWITCH. 7. Flying fader automation option available on faders marked Overpress PFL not available when flying faders fitted.

(TO MON)

5-6

PRE

ST PRE

AUX 5/6
ON ST

CUE (Loc I8)

(A2) MONITOR (Sht 2 Loc B2)

VU POST PRE PAN/ LEVEL ON

MIXDOWN

(TO MON)

ON

(AUX 3-8 RELAYS D10-D12)

FB 2 REV 2

DC

(STATUS)
(NOTE 6) TO ALL CHANNELS

BROAD CAST MODE

7-8

CHANNEL SOLO DC

AFL ENABLE

AFL

PFL ENABLE CUT ENABLE CUT CUT A CUT B CH MON AFL DC

BROADCAST MODE
DC (NOTE 6) CH AFL SIG L (Loc B9) TO ALL CHANNELS

PLAY & RECORD

CUES POST EQ

MONITOR SOLO DC

MIXED CUES

CONSOLE MASTER CONTROLS

A B

PRE

ST PRE

AUX 7/8
ON

CUE (Loc I8)

MONITOR ENG TO FB 1/2 DC ENG TB SIGNAL (Sht 2 Loc J4) FB 3-8 (A3-A8) RLA

POST

PRE

PAN/ LEVEL

AUX OUTPUT 1/2

ON (Aux Outputs 3-8 identical.) REFER TO NOTE 2 REF. AUX CONTROLS

CHANNEL SOLO

L R

REMOTE CUT

MIXED CUE
DC

A B GRP
(Part of)

MASTER CUT
DC PFL L AFL (To Monitor. Sht 2 Loc D6)

MONO INPUT CHANNEL

# PFL
DC 1 2 3 AUX BUS OUTPUT (Loc F10) 4 5 6 7 8 1 MIX OUTPUTS (Loc D11) 2 3 4 L R L R

CUE 1 L R FROM REV L RETURNS R 1-4 (Sht 2 Loc J12)

# CUES POST EQ

BALANCE

ON
HIGH-PASS FILTER

0dB

CH PFL CH SOLO CUT

RET(

FX Ret

EQ # EQ
MONITOR (Sht 2 Loc B2-4)

L
# #

DC

Associated with large or small fader depending on fader position.

R X

STEREO/ MONO AUX ROUTING

#
HIGH-PASS FILTER

CUE 1 R
ENG TB

CONSOLE MASTER CONTROLS

I
MULTITRACK MACHINE CONTROL FUNCTIONS
PLAY MON PFL MON SOLO CUT L MON AFL SIG (Loc D9) R

MONITOR SOLO
DC

(+/- 6dB)

SOLO LINK

CUE ROUTING

CUE OUTPUT 1
(Cue 2 identical.)

RECORD

CH RECORD DC

PATCH

AUTO TB (Sht 2 Loc J6)

MON RECORD LARGE FADER CUT A LARGE FADER CUT B CH

LOC J2

FROM 2T MACHINE RECORD TALLY

CH REC

TO RECALL COMPUTER CH "RECORD"

CH SAFE # MON SAFE #

MONITOR (Sht 2 Loc D8)

Title

36, 48, 60 & 72 Channel Music Console AMS Neve Plc. SAE Institute, London.
Drafter

Model

VR
J

MON MON "RECORD" REC

LOC J6

PER MONO CHANNEL/MONITOR

3 4 5

NOTE: These fucntions are shown diagrammatically only. They are achieved with Logic circuitry.

SAFE SAFE

MON

DC Rev

Roey Izhaki NeveVrSfd_A004

12

A004
10

Date

31/08/2005
11

File Name