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The best-known early critical statement relating Cubism to the Fourth Dimension is in the third chapter of Apollinaire's Les peintres cuhistes (1913) this, together with the fourth and fifth chapters, he adapted from his article 'La peinture modeme', published in the April and May issues of Les Soirees de Paris for 1912. The great majority are highly technical papers by professional mathematicians. But a number of works cited contain more philosophical speculations on
The best-known early critical statement relating Cubism to the Fourth Dimension is in the third chapter of Apollinaire's Les peintres cuhistes (1913) this, together with the fourth and fifth chapters, he adapted from his article 'La peinture modeme', published in the April and May issues of Les Soirees de Paris for 1912. The great majority are highly technical papers by professional mathematicians. But a number of works cited contain more philosophical speculations on
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The best-known early critical statement relating Cubism to the Fourth Dimension is in the third chapter of Apollinaire's Les peintres cuhistes (1913) this, together with the fourth and fifth chapters, he adapted from his article 'La peinture modeme', published in the April and May issues of Les Soirees de Paris for 1912. The great majority are highly technical papers by professional mathematicians. But a number of works cited contain more philosophical speculations on
Copyright:
Attribution Non-Commercial (BY-NC)
Verfügbare Formate
Als PDF, TXT herunterladen oder online auf Scribd lesen