DIONISIO AGUADO

M E TO D O D E G U I TA R R A

S E G U N D A PA RT E

-3-

LEGATO SOBRE UNA CUERDA

Play with different accents, either on the first or the second note.

&

4 2 2 1 3 1
3 1 3 1 4 3 3 1

3 1

bc
10 3 1 3 1 4 3

3 1 3 1 3 1 2 1

Same fingering as in the previous exercise.

&bc
&bc
&

.
. . . . . .
.

.
.

. . . .
.
. . . . . . .

.
.

.
.

. .
. . .

b c
DOBLE LEGATO

3 1

4 3

3 1

b
c
&
1 0

3 1

4 3

4 3

3 1

3 1 3 1 3 1 4 3 3 1 3 1 1 0

b
&
1067

-4-

1 3 3 1 3 4 3 4

1 0 1 3

b
&
1 3 3

1 2

1 3 4

2 4 3

3 4 3 1 3 3 1 3 4 2 4 2 1 2 3 1 3 3 1 3 1

b
&
4

Same fingering as in the previous exercise.

.
.

.
.

. .
b
&
. . . . . .
.
b
&

&b

24

24

34 1 3 1 3
24 1 2 1 3 1 3

13

13

24

34

13

13

34

Let all the notes in the triplets sound equal.

2 4

b
&
2 4 3 4
1 3 1 3 2 4 1 2 1 3 1 3

b
&
1 3

1 2

2 4

1067

3 4

-5-

&

Study the next exercise with the same fingering as the previous one.

&

&

#
&

n
# n n

b
#

#
n

#

3

n
# n

Study this exercise with the following rhythm patterns.

&

&

&

b
1

.
.
.

# .

# .

etc.

.
.
# etc.

.
# .

.
.

Study this exercise als with the following rhythm patterns.

&

. .

.
etc.

1067

.
.

etc.

-6-

&

&

#



n

&

&

# n
n b
# n
2

etc.

.

. n .
#
.

etc.

. . #
1

Study the following exercises to the same extentions as the previous ones.

&

&

&

#

3

#
0

&

1067

n #

n
#
#

3 1

-7-

Do not lift the first finger while fourth finger plays the legato note.

&

Study with different accents, either on the first or the second note.

&

b
4

1
3

Work these exercises slowly to make all three notes sound even.

#
&

1 3

1 3

1 2

1 3

4 3

4 3

4 2

4 3

&

#
&

&

&

1067

-8-

&

&

&

&

&

&

&

b
1

1067

&

#
1

#
4

3
1

-9-

LEGATO - SALTOS

&

#
1

&

&

&

&

#
n

n
b
4

b
1

&

&

&

#
2

1067

n
1

- 10 -

.
&

#
&

&

#
4

&

&

n
3

LEGATO INDIRECTO

#
&

#
&

# n


# n

1067

- 11 -

LEGATO CON 4 Y 5 NOTAS

2
4

&

&

2 3

2 4

2 4

&

LEGATO SOBRE 2 CUERDAS

#
&

# c

&
3

4
1

#
&

# 3
2

#
&

1067

- 12 -

Study with different accents, either on the first or the third note in each group.

&

#
1

2
2

2
1

# n
# n

2
2

&

#
n

2

&

#


2

&

n
#
n

2
#

4
2

4
1

LEGATO - CROMATICO
#

2
4

&

2
4

&

1 0

12
8

&

#
&

2
4

n
n

4 3
3 4

# n

1 0

1 2

3 2

1 4 0 4
2

# n

n # #
1

1067

2 4

3 4

n
# n

# n

# n

1 0

3 4

3 4

0 2 1

#
#

# #
1

1 0

3 4

n #
0

n # #

- 13 -

LECCIONES
Allegretto

#
#

&

3
8

j
0

#
#

&

#
#

&

2
3

# .

0
3

4
.

J0

1
. 1
#

3
2
.

GRACE NOTES UPWARDS

Andante
#

#
#

&

3
4

1
I

I
3

4
5

&

1
#

4
4

I
3

3
I
4

.
2

n
n

.

2

Fine

#
#

&

1
1
I

2
4
1

1

I
2

I
3

k
4

#
2

..

0
3
4

#
&

#
#

2
1
I
2

1
4


3

4

3

2
1

# .

II

.
n
#

1067

1
2

1
3
1

D. C. al Fine

- 14 DOUBLE GRACE NOTE

Andante
#

4
1

&

&

1
2

#
2

0
0

1
3
1

4
2

1


#

4 2

II

.
.

3
4

&

&

#
#

&

3
8

#
#

#
#

{
4

&

#
#

n .

4
1

n .

I I
I

#

1

1067

1
5

II

j
2

3
2

&

&

TRIPLE GRACE NOTE

Moderato
3

- 15 ORNAMENTOS CON 4 NOTAS

&

# 3
4

.
4

2
3

&

1 4

#
Q
Q
1 Q
Q
Q
Q

3
2

q nq
3

IV
#

II

0 n

4
3

.
.

1
2

j
4

I
4
1

{3

&

0
3
1

&

&

0
3
1

1
3
2

II

1
1
3

0
2

2 1 4 2

1067

4
2

- 16 ORNAMENTOS CON 5 NOTAS

Allegretto
2

#
#

&

3
8

.
0

#
#

&

# .

#
#

&

0
1

3
4

&

j
#

2
2

j
#

#
#

&

j
0

 .

1
3

j
#
&

#
#

3
4

1067

- 17 -

TERCERAS
ESCALAS
C Major
2

3
4

&

0 2

3
2
4

3
4

&

1 2 4

3
2
4

1



0

G Major

2
1

#
&

# 3


4

0
3

&

3
4

&

4 1 3

4 1 3
3

G Minor (melodic)
&

# n

n
1

1 2 4
3

4 2
2

b 3
b
4

2
4

3
1

4
2
1

1
4

3 3



3

n
b
n #
n

1
4

0
3

1
1

n #

#
4

Bb Major

&

b 3
b
4

3 4 2

F Major
3
4

A Major

D Major

3



n
2 4

4 2

3
1

4
3

n


4

3
1
4
3

1067

- 18 -

C Minor (harmonic)

&

3
b b
4

0

3
1

&

2
0
4

&

&

&

1
1

1
1

3 1
4

2

1

4
4

.
.

1
3
1

2 4

2
3

4
2

3
1
1

..

1

2

1 4

2
4
3
2
1

2
2 3

4 1

4
4

4
4

1
3

0 1

1
1

2
0

F Major (thirds)
3
4

1

3

4
4

4 4

3
4

A Major (thirds)
#

3 2 2

&

1
2

3
4

&

G Major (thirds)

n
b

n
3

1067

2
2 4
1

4
3
3
1

..

- 19 -

LEGATO - TERCERAS
#
&

#
&

#
#
n

n
n

# n

# n

# n

#
#

# c

# n
# n

Legato thirds with finger changes, then one finger must fall firmely on the note
while at the same time the other finger slides from one note to the other.SOB
2

#


# 3
4
1

&

#
#

&

n #

n
#
#

n
n

n # #

#
#

n #
#

&

n
n #

n
#
#

n
n
#

n
2

SEGUNDA Y TERCERA CUERDA

#
&

4
2

1067

2



3

.
.

- 20 -SOBRE

SEGUNDA Y TERCERA CUERDA

#

3
4

&

#
#

n #

n

#
# #

n #
n #

# n
# n

&

2
n # n
# n

# n

ON FIRST AND SECOND STRING

3

&

#
2

#
#
2

1067

#
#
3

n
n

#
#

#
#

#
#

#
#

#
#

#
#

n
n

#
3

&

&

&

&
2

n
n
3

- 21 -

&

# #

#
#

n # #

#
#

#
3

n
n

# n

n
2

n # #

n # #

n #
#

n
n

#
#

n
#

# #

n #

n
#
#

n # #

n #

#
#

&

n #

&

&

&

&

#
#

#
#

n # #

&
3

#
&

#
3

n # #

n
n

n
# #

n #

n
2

1067

- 22 -

SEXTAS
ON FIRST AND THIRD STRING

&

b

4
4

4
2

ON SECOND AND FOURTH STRING

1

3

4

&

4
2

ON THIRD AND FIFTH STRING

#

&

ON FOURTH AND SIXTH STRING

#

&

ON FIRST AND THIRD STRING

4

&

#
&

3
4

#
#

n
n

Practise this exercise also in D Major on second and fourth string.

1067

#
n #
1

- 23 SOBRE LA 1 Y LA 5
1

&

&

#
#

#
#

Practise this exercise also in E Major on fourth and sixth string.

TENTHS
3

&

3
4

&

OCTAVAS
k
#

&

2
4

#
&

1067

- 24 -

&

2 1
4

&

&

Practise this exercise also in E Major on second and fourth string.

&

&

#
&

1067

#
#

&

- 25 -

&

&

&

&

&

&

&

&

0
2

1067

#
#
4

.
3
2

#
#

- 26 Let the bass notes live while the legato notes are played.

&

#
#

1
4

&

&

1
5

&

&

1
0

1067

&

&

- 27 -

ESTUDIOS
Allegro

&

&

&

#
2

n n

#
3

&

&

# #

#
2
4

&

#
&

n
4

#
4

#
#

1067e

0
n

n n

n n

&

#
4
1

- 28 Andante

^j

^j

2
4

&

&

^j

&

.
.
.

&

0
3

# ..

.
1
3
2

^j

. 1

.
.
.

^j

0
3

3
2

0
2

^j

^j

3
2

^j

^j

# ..

.
1
3
2

II

1
2

j .

2
3

b #

III
0

&

&

j .

2
3

b #

III

1067

- 29 Allegretto
#

1
12

2
.
8 H

&

4
3

4


#
.

..

..

1
3

&

1
2

&

H.

1
3

1
2

H.

4
3

4


#
.

&

1
3

#
&

4
#

#
.

..

1
2

#
#

{ .

1
3

4
3

4
#

#
.

b n

..

..

0
0

2
4

#
#

4
3n

..

1
2

n
n

#
&

4
3

1
2

0
0

2
4

..

#
#

III
#

1
2

&
f

# n
# n

2
4

&

1
1

1
2

.
0

0
0

1067

..

3

..

#
3

4
2

2
3

# n

..

- 30 Allegretto
#

12
8

&

2
4

0
0

w.

#
&

1
2

3
4

&

2
4

00

.

0
2

2
4

3
4

0
1

2
4

2
4

2
4

0
0

3
4

w.

&

w.

w.

2
4
.

0
2

2
#

0
1

2
4

0
2

0
0

2
4

0
2

..

On fourth and fifth string

#
&

1
3

1
3

2
3

1
3

w.

#
1
3

&
4

2
3

1
3

..

On third and fourth string

&

1
2

1
3

1
3

2
3

1
3

w.

w.

1
2

1
3

On fourth and fifth string

#
&

0
2
1

2
3

1
3

0
1

1
3#

4
J

1
3

1
3

1067

2
3

..

.
.

- 31 Allegretto
6

3
4

&

&

&

&

Fine

F
4

&
3

F
4

&

b
1

#
4

&

cresc.
#

&

D. C. al Fine
1067

- 32 Andante

&

&

>

>

>

>

>

>

>

>

>

>

>

&

&

>

>

>

&

>

>

>

>

>

>

>

>

>

F>

&

>

>

>

>

>
1067

>

2
1

>

- 33 -

&

&

&
2

>

>

>

>

>

>

>

>

>

>

>

p >

>

>

>

>

>

&

>

>

>

>

V
2

&

>

#
1

1067

>

>

>

>

>

>

&

- 34 Allegro
#

&

&

4 2

II
#

&

.
3

II
#

&

&

&

&

&

VII
2

#
2

VII
4

n
2

IV
1

IX
#

II

II
1

1067

- 35 Allegro
#

12
8

&

III

a ma

.
. m
i

&

H.

ma m


a

a
H. m i
i m i H.
i
3

II

H.

# .

2


3
a

a m m a
H.
m i
i mi
H. i
p

2
a ma m a
a ma

. m
H. m i
i m
n .
i
i
i
p
p
1

&

III
#

&
3

H.

H.

2 1

H.

V
1

{ H.
1

H.

&

b.

H.

H.

2 4

V
#

III

&

III

II
2

III

b .

H.

H.

VII
#

H.

&

V
1

H.

H.

H.

III
#

&
3

H.

III

II
2

H.

H.
1

1067

.
.

{
.

- 36 Andante
II

2
4

&

..

&

..

&

1
3

&

&

4
1

. 2

4
2

#
#

1067

1
3

# 3

IIj

IIj

0

2

Vj

4


3 0
# 3 0

IV

ten.

# .

II
#

&

VII

II
#

..

II
#

V
4

2
0

1
3

- 37 Allegretto
4

10

&

&

II
#

&

#
3

II
0

IV

II

IV
4

II

V
4

V
#

&

&

&

q
1 1
3 n2 q

.

1

II
1

0
5

VII
#

VII

q
q

J
.
J .

q
1
q
2
2
3

4
J
4
.
J

1067

- 38 Andante
4

11

&

III

&

II

1 4

n 1

II
3

&

II
4

&

#
&

V
# #
&

3 2

1
0

&
3

III
#

&

3
1

II

b
#
2

n
2

4
0

1067

1
0