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Modernised Urtext

Score

PADUANEN,
Alemanden, Couranten,
Balletten, Sarabanden
Mit drei Stimmen und Basso pro Organo
Leipzig 1645

Johann Rosenmuller
1619 1684

Published by Johan Tufvesson.


Non-commercial copying welcome
Revision : 1.2

Dance
Page
1 Paduana . . . . . . . . . . . . . . . . . . .
4
2 Alemanda . . . . . . . . . . . . . . . . . .
7
3 Courant . . . . . . . . . . . . . . . . . . . .
8
4 Ballet . . . . . . . . . . . . . . . . . . . . . .
9
5 Sarabanda . . . . . . . . . . . . . . . . .
9
6 Paduana . . . . . . . . . . . . . . . . . . . 10
7 Alemanda . . . . . . . . . . . . . . . . . . 13
8 Courant . . . . . . . . . . . . . . . . . . . . 14
9 Ballet . . . . . . . . . . . . . . . . . . . . . . 14
10 Sarabanda . . . . . . . . . . . . . . . . . 15
11 Paduana . . . . . . . . . . . . . . . . . . . 17
12 Alemanda . . . . . . . . . . . . . . . . . . 20
13 Courant . . . . . . . . . . . . . . . . . . . . 21
14 Ballet . . . . . . . . . . . . . . . . . . . . . . 22
15 Sarabanda . . . . . . . . . . . . . . . . . 22
16 Paduana . . . . . . . . . . . . . . . . . . . 23
17 Alemanda . . . . . . . . . . . . . . . . . . 25
18 Courant . . . . . . . . . . . . . . . . . . . . 27
19 Ballet . . . . . . . . . . . . . . . . . . . . . . 28
20 Sarabanda . . . . . . . . . . . . . . . . . 29
21 Alemanda . . . . . . . . . . . . . . . . . . 30
22 Alemanda . . . . . . . . . . . . . . . . . . 31
23 Alemanda . . . . . . . . . . . . . . . . . . 32
24 Alemanda . . . . . . . . . . . . . . . . . . 33
25 Alemanda . . . . . . . . . . . . . . . . . . 34
26 Courant . . . . . . . . . . . . . . . . . . . . 35
27 Alemanda . . . . . . . . . . . . . . . . . . 36
28 Courant . . . . . . . . . . . . . . . . . . . . 37
29 Alemanda . . . . . . . . . . . . . . . . . . 38
30 Courant . . . . . . . . . . . . . . . . . . . . 39
31 Alemanda . . . . . . . . . . . . . . . . . . 40
32 Alemanda . . . . . . . . . . . . . . . . . . 41
33 Alemanda . . . . . . . . . . . . . . . . . . 42
34 Courant . . . . . . . . . . . . . . . . . . . . 43
35 Alemanda . . . . . . . . . . . . . . . . . . 44
36 Alemanda . . . . . . . . . . . . . . . . . . 45
37 Alemanda . . . . . . . . . . . . . . . . . . 46
38 Ballet . . . . . . . . . . . . . . . . . . . . . . 47
39 Courant . . . . . . . . . . . . . . . . . . . . 48
40 Ballet . . . . . . . . . . . . . . . . . . . . . . 49
41 Courant . . . . . . . . . . . . . . . . . . . . 50
42 Ballet . . . . . . . . . . . . . . . . . . . . . . 52
43 Alemanda . . . . . . . . . . . . . . . . . . 54
44 Alemanda . . . . . . . . . . . . . . . . . . 55
45 Courant . . . . . . . . . . . . . . . . . . . . 56
46 Alemanda . . . . . . . . . . . . . . . . . . 57
47 Alemanda . . . . . . . . . . . . . . . . . . 58
48 Alemanda . . . . . . . . . . . . . . . . . . 59
49 Ballet . . . . . . . . . . . . . . . . . . . . . . 60
50 Courant . . . . . . . . . . . . . . . . . . . . 61

Preface
This is an edition of Johann Rosenm
ullers (16191684) first printed publication, the Paduanen, Alemanden,
Couranten, Balletten, Sarabanden printed in Leipzig 1645. For this edition I have used copies of a print gratiously
provided by Landsbiblioteket in Vaxjo, Sweden, where it is now preserved. Some pages in the Cantus II part are
damaged, but here pages from a copy preserved in the Katharinenkirche in Brandenburg has been used. They
were added to the Vaxjo collection in 1936 and have been checked for differences with the the remaining parts of
the affected pages in the Vaxjo collection. The affected dance numbers are 1-3.
While making this edition I have always tried to keep it as close to the original score as possible. All
accidentals are there, but has been modernized, for example b sharp has been notated as b natural. In the original,
accidentals are typically only valid for the current note. In cases where todays practice is different, I have tried to
clarify by putting accidentals above the staffs. Such accidentals should be valid for the rest of the bar.

The purpose of this edition, as well as all other music released by me, is a combination of me trying to learn
more about 17:th and 18:th century music, and, at the same time, helping other people to get hold of interesting
and rare music. Suggestions and corrections can be sent to the address below.
Published by Johan Tufvesson (tuben@lysator.liu.se) in 2001 using only free software; TEX, the macro
package MusiXTEX and the preprocessor PMX. You are welcome to make copies of this work as long as it is not
for commercial reasons.

Paduanen, Alemanden, Couranten,


Balletten, Sarabanden
Johann Rosenm
uller (16191684)

1. Paduana

Cantus I

R
G

Cantus II

GR

Bassus

IR

IR

Basso pro Organo

13

( 4

6
4

5
3

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c Johan Tufvesson


G

I

6
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20

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7
3

6
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6
29

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G 7

I 7

I 7

5
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4
4

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2. Alemanda

Cantus I

GR

Cantus II

GR

Bassus

Basso pro Organo

IR


G 7
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I 7

I 7

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`
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Cantus I

3. Courant

G3

Cantus II

G3

Bassus

I3

I3

Basso pro Organo

12

5
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c Johan Tufvesson

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Revision : 1.9

IR

Cantus I

4. Ballet

R
G

GR
IR

Cantus II
Bassus
Basso pro Organo

G
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Cantus I

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Revision : 1.8

10

6. Paduana

R
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Cantus I

IR

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^
c Johan Tufvesson

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5
4

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11

17

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Revision : 1.11

13

7. Alemanda

Cantus I

GR

Cantus II

GR
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Bassus

IR

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IR

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7 7

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8. Courant
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Cantus II

Basso pro Organo

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Revision : 1.8

15

9. Ballet

Cantus I

Cantus II


GR

IR

IR

Bassus

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G
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Revision : 1.7

16

2
10. Sarabanda
`

G3

Cantus I

I3

Z6

7 7

7 7

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I3

Bassus

G3

Cantus II

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7
7

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17

Cantus I

Paduana
11.
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Cantus II

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6
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Revision : 1.12

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20

Alemanda
12.
4R
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Cantus I

4 4

Cantus II

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7
7
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21

13. Courant

Bassus

I4 3

Basso pro Organo

I4 3

Cantus I

Cantus II

G
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I4

c Johan Tufvesson

15

5
4

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22

14. Ballet

Cantus I

`
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Cantus II

4
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I4R

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12

4 `

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Cantus I

Cantus II

G2R

Bassus

I2R

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G2

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6 6

8
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16. Paduana
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23

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15

G2

I2
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18

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G2

G2

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I2

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G2

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Cantus I

Cantus II


17. Alemanda
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18. Courant

Cantus I

G2 3

Cantus II

G2 3

23

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19. Ballet

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20. Sarabanda

Cantus I

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Cantus II

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7
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21. Alemanda
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22. Alemanda

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23. Alemanda

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Revision : 1.10


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Cantus II
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24. Alemanda

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25. Alemanda
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Cantus II

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2 & `

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26. Courant

Cantus I

G2 3

Cantus II

G2 3

23

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