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The essay discusses how modernist literature in the 1960s responded to a sense of exhaustion with established forms by pushing narrative conventions to their limits through metafiction and parody. Barth argues that while modernism exhausted traditional storytelling, postmodernism found a way to continue exploring through self-conscious play and open-ended experimentation rather than trying to find new truths or meanings.
The essay discusses how modernist literature in the 1960s responded to a sense of exhaustion with established forms by pushing narrative conventions to their limits through metafiction and parody. Barth argues that while modernism exhausted traditional storytelling, postmodernism found a way to continue exploring through self-conscious play and open-ended experimentation rather than trying to find new truths or meanings.
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The essay discusses how modernist literature in the 1960s responded to a sense of exhaustion with established forms by pushing narrative conventions to their limits through metafiction and parody. Barth argues that while modernism exhausted traditional storytelling, postmodernism found a way to continue exploring through self-conscious play and open-ended experimentation rather than trying to find new truths or meanings.
Copyright:
Attribution Non-Commercial (BY-NC)
Verfügbare Formate
Als PDF, TXT herunterladen oder online auf Scribd lesen