J.

PISCHNA
6'0 EXERCICES PROGRESSIFS
PUR KLAVIER

ZWEIH,)\NDIG

NEUE

AUSGABE,

ERWEITERT

DURCH 7 ERLEICHTERTE VERSEHEN

lIBUNGEN,

REVIDIERT

UND MIT VOROBUNGBN

VON

BERNHARD

WOLFF

MIT ANHANO; TERZENTONLEITERN

VON H, RIEMANN

Bc~rbd!ung

is! Eigenrurn

des Verlegers

STEINGR1ABER-VERLAG, OFFENBACH/M.

VORWORT
allen mtr ~t':kanrH grewcOrd!!:".!!:n tf;mnlsm.en StudicIDInehmen dle",E)(ercfc~s progrvs.sijs von J. P.l.stima" un.dit Tonleuer, die Akkordc, filr Passagen und Arpeggirn hring'ell dieselben auBerordenrlldi nQtzlkn,e Ghungen. OberaU ist dElrauf Bedadn .genommen, heidc Hinde ,ldduna8ig auuubildtn. 1m Auftrag' der V t:rlagshandlung habe im den einzelnen Orl,ginalllhungen V,orabungen blnzuge:fagt, wdmc den Spider bef&higen soileD, die gdordertel1l ttdtnisdien Sdawit'rigkdten zu ubuwlnden. Diese Vomhungtn werd~en sid! ,als w'irklim fiutz:briugend erwdsc:n und dazu beftragc:n, Gas ausgueiduicte Wtrk von I. Pllidtna in ~mmer W'eiItl;':reo Ullttr
streltig die erste Stelle tin. Fur den Trinet, Kreisel! zu verbrenen.

Bernhard

W oUf

B. WQlff. Edition Scc:ingrab£.r Nr. 25.

Als Einleimng zu vorlicg,enden, Exercices

erschicn: .Der if~ilfe PismJto''_ 18 QbUiD~tQ&e fur Klavier von

PREFACE
taMy sake thtflrst rank. These present exn30rd!inarily us~ful exerclses for the study of Sh"ke:s, Scales. Chords, Passag~s and Arpeggios .. They aim throughout thi.s work to t.raililboth hands equa.lly. Commissioned thereto hy the publ:ishins,"firm I have furnilshtd a Preparat,ory ExerciK [,0 eaeh original study in order to help the student ro surmount the technical difficulties presented therein. Th~ Pn':paracory Exercises will prove to be of real usc and, it is hoped, help to bring J, Pischnais excell,tlill York under the notice of stili Yider drdcs.

Of all rht

technical studies which have become known to me the "Pf'OJlfi,ssil.J'~ exercise« by

J. .Piscblfo

Induhi-

Be:mhiQ'd Wo8f
As an. introduction to the present Exercises may be recommended: '''7611uuf, Pismna", 48 Sr-udia for the Planeforre by B, Wolff'. St(i~!lTaber Edidon No. 25.

AVANT-PROPOS
De tomes re-snornbrcuses ttu(ies techniquts dont Ii'al pris connaissanee c' estbien assulanent rouvtage :. ExiT-etc(fs progr~ssiftde J. Pisdinaii. qui a droit au premier ra:ng. II coatlenr des exerelces d'une u:tiflh~ extraordlnalre pour .('Crud.e des trilles, des gammc~, des phrases et di.esarpeggios, Le but: constant c:le eet ouvragccst de menre l' etudiant ~ meme de: donner itt cbaque main une agdi'tttechnique parfaleernem epIc. Sur t'lnvitat'iofi de la maison.b:llrri:ce ai precede ehaque etude ~IU[l exercice preparatoire servant a alder I'itudlam a surrnonter les difflcultes rechnlques q!lil y rcnconrrera. Ces exercices prep~raroires lUi seront de grande tltili.ttt er II estta e.'lptrcl' qu'lls aurent pour effet de fai.re connaitre cet ouvrage excel&ent dans des cercles musicaUX encore bien pIuS repandus.

Bernhard WaUl
:.Le petif Pisdma graber No. 25,
c.

48 Erodes

pOUT

Piano par B. W oUf sen en introduction

a C~

Qcrcices. EdJtioo Sttin",

730

60

EXERCICES PROGRESSIFS,
contelllUlts des etudes de trilles, des gammes, des acoords, pa.ssages et arpeges

par

J. PISCHN A~)
Voriibungen zu Nr. P
In nnen Tonar ten,

B:cercfces preparototres pour .¥o I~

J)tlmr t()flS Ills tons.

Prepa.ratory

Exercises to N? 1~
In a.ll keys.

t)

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le{J(lto

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'J Titre tie redl/.;Qn oriGinal" (F'. Jurgenson. J,£OBeou). Dte VorilbUII[I;'en von D, Wolff 3ind n&eli KlIster von Pinb.na's

Exereiee

Hr. \~ (Seite

4) dllreh aBe Ttln&rlen

weiterzuN.h,.ell.

) exic"t~.· da"$ ta ma",cro de l'tittlde "uiva"te (poKe I). To be c'Intinued, Ln the kind o( ihe following study (page 4).
Editlol1 Steipgrilber.

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Voriibungen

IU

Nr. 21!-

Bxercices prepartltoires pour ~ ,2f!

Dllm(1III$ les tons.

Preparatory Exercises to !I~PIn aU keys.

In allen. TOllArten.

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Voriibunge,n su Nr 3.
In allen T()na.rten.

.EX(Jrcia8S proparatoirfJs 2.
II

pO''Ur N0.1.

Prepautory

Ex,erclsea to' N° 3
In a.1l Ire
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Pm.s t()"3 1e3 ton s,

Moderato.

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10

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VO'riibungen.su NrA.
In allen Tllnarten,

ilXfrcices prepamtoires pour N° 4.

Preparatory .Bxereises to N~4.

II

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12

Vorubungen zu Nr.S.
In
IIIlen

EXerCIC(!$ preparatoire»
.Dans tous
'(IS

1Jollr

t\1:0.S:

Preparatory Exercises to N~5.

In all 'keys.

Touarten .

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14

Voriibungen zu Nr.6.
In a.lle.n Tonarten.

EXerclces preparatoire»
J)"",."

pOlJr !\ro

tl.

Preparatory

Exeroi2ee to NC? 6.
In all kevs

taus

188

tons.

Moderato.
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16

Voriibutl.gen su Nt.7.
1.

Exercices priparatolres pou r #.0 7

Pans
(0".' 11M Ions.

Preparatory
In

Exeroises to N? 7.
ILl) keys.

_olTera o.
II

UP

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Voriibungen

zu Nt.B.
2.

Exercices preparatOires pour _,vo8.

LJans to 118 te» ton s .

Preparatory Exeroises to N° 8.
In all keys.

In ...Hen Tonarten

3.

TtHlir taus 16~· oi/j(s. d

Hold down aU the fingerM.

2
:;-~c &

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Tenir

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let;doigts.

Hold down all the fingers

aEa WI r r Fer r jr:t~ rTrr r r r c r j fGr1ft7TnSEEI jc

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Edition Ste'ngr,abBr.

20
Lanto.

Voriibungen zu Nr.9.
In ~lleflrQnactefl.

!f}x:erdces pnJparaloires

pour A'P

9.

Preparatory ExercisestoN?
In nU. keYH ..

9.

]).It.ns· t()US IlJs tons,

Hold dow n alI th e fin gers

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Voriibungen

zu Nr 11.

Exercic8S

pl'epomiOl'res pOUr ~'V011.

f)~"s
tOUI

Preparatory

Exeroises to NO 11
III &11 keys.

23

In alien Tona.rten.

Ills eon».

Lento.

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tous ISB doiglS. A.

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Nr,1.2

Exercices pN:paralol'"es
Da ...
tOtiS 111&tDlU.

p01ll'

Nfl 12

Preparatory Exercises to 59:l2

III ,,11keys,

In allen To nar ren

A.JI Finger L ln k_'Hand.

l i egeu Iusae n . ,!ltai,. gat,dHi-

7'~tdr(O"8l~[i Left hand.

rioigts,

Hold down

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the fingers

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Edition St()lng~iUler,

25

!£ditJ on S te In gNibe r,

Vorubungen

Z lJ

Nr,13

In all!>o. Tonarlen.

B:t:!!rcicf:!f! prlparalOl'res pour ])1' ns tOUB le~tone..

.Nfl 1$

.Prepardory

Exercises

to NO13

In all .keys ..

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28

Voriibungen .zu Nr.14

In allen Tonarle,n.

Ih:eraices preparator'res pour lV~14.

Pans taus 168 UmB,

Preparatory

E~erciscs
In all keys.,

to N914.

"I,lnku Hand.

JIL"ln

K,,,,.cAe.

Left

ha nd . 5

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Vor iibungen Lento.
H ~cl1l~ H and .. 3 46

J=tJ;~JJ.JJ~~~~~~
4 ma l . .; loiS.
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times.

u·

zu Nr_19

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l.n a ll en To nur t en.

n» tous

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ton s .

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Lento. a ~

II

2~.,....""I""'"'"

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5.J

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35

21

4.

Veloce.

Edi tion Stein.grMler,

Vor iibung en zu N r. 21.

In tillerl To nar ten.

,8.x:f:' cices r

p rt;paratol'res

po ur .I"'~O 21

Prepara.tory

Exerci ses to N~ 21,

in !.tll keys.

Dn.ns tous te« tons.

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38

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40 Vorilbungentu Nr.27.

J!)Xl!rct'C8S preparatoire«

pour /,/0,27

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to N? 27.

Voriibuogell

ZU

Nr.2S.

Exeraices prepamlqires pour Hf! .28.

.Dan.~ (011$ te» tons.

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Iilxeroiees to N~28.
In I,ll key~.

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Edition

stelngrilher.

Voriihungen

III Nr.29,

Exereices preparatoire« pour N° 29

Dans tous
16~ IOIl~,

Preparatory EX,erciS!J8 to N? 29.

In n11keys,

ln allen Tnnarten, ittaill dr()'l.'te.

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10 allen Tone rt e n.

Exercices preparatoires pour Nfl 30.

Dan« tou«
{(IS
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Preparatory Exercises to N° 30.

In aU keys.

43

2.

Llnke "and. Mai" K,,·.,clre. .Left nond, ABc Plnger lIeg611 lassen 1b.ir tOU$ Ie, doigts.

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Nr.at.

Exercic8S preparatoiNJ8 pour N'! Sf

DaItS tITus 1~5","S.

Prepa.ra.tory Exercises to N? St.

In all keys.

In atlen TOnll.rteb.

Reollte HAlld.

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drott«.

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SI.

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Edition St.elngrQber_

46

Vorubungen zu Nr.32.
In allen Tonarten.

Exercices preparatoircp pour N°.12

Dans to us
/85

:fJ'eparatory Exercilill(ij to N'? 32.

In a.ll keys.

tons.

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00

Voriibungen zu Nr.1I5.
In al len Tonarten . __ ~!Ha ..nd ,

Exercic8$ preparatoiree pour .No. .JS

J)Q"~

Prepa.ratory Exe·rcises to HO?6. 3

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Exeroices preparaloires
Dnns
IOtI.\·

pOlJr No. 31/

Preparatory

ExeroillflS toN9
In all

as.

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keys.

51

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fi2

Vorilbungen zu Nr. B-7.

tn allen Ton arti' n

Exercices pTl'l;aralolrespour
j)ans coes tes
(OlJ,S.

.i}Q .•J7

Prepll.l'atory

Exero)lIes to R\? 37.

In a Il key.B.

:l1.

51
LIlDIO

\Qriibungen zu Nr.38.
In allen Tonnrten. Rech.te Hand, ,Viii" droit», Righi hllnd,.

R.:ercr'ces preparatoires pour No.SS:

bfln,j to 1.(8 tes ton.'.

Preparatory Exercises to N~ 38,

In all keys.

¥=i1fii=FHi~l-J.i_~~

'Lento,

s
;I

1 1

Yorubungen

zu Nr.3~.

,E'xerciccs preparntoires

pour No. 39.

Prepa,ratoTY Exeroises to Nq 39.

In
(Ill

In atlen T'onar ten

1}(,n5 tCJfJ8 111. to .. s.

keYH.

55

...vee le m.i'me dolg!e en Sol, R~.~-:o.'f"

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Edition Steingraber,

59

Vivace ..

Ed;t.lo~S t ~i griili er, n

60
Reollie HAnd

Voriibungen

zu Nr.40

In .. l1cIITQDU\en. """in drotte. Right hllnd .

• !
.~1~3 1

Exerdces preparatoires pour NP40.

Dews taus les tons,
3

Preparatot-y

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111all keys.

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tv
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Stein graber,

63

Viva.ce.

40,
v

Edltlon $toingrab'}r.

40.
YI

Vivace.

40.
VII.
1

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Voriibungen zu N r. 41.
J n a Hen Tonar ten.

Exercice» prel'aratolrespour ,AT!? 41.

f)an s tou« IfJ8 tons.

Preparatory

El{eroise~ to N?41

In a.ll keys_

R"cht'li(lnd. J
!

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nigh' haud.

Cun moto.

8 1

no

68

Vorubungen

zu Nr;42.

p"xerct"ces prel'arato,'rcs pour Nl?-I,3.

.f)an8 tou»

Preparatory

Buroia6a to 1'042

In a.llen Ton&r~en.

JIJ8

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Preparatory
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Teoh n is e he Vo ra t u d i e n f iir da6 pol y ph on e S pi e 1. Edition. Steingrli.ber N~ 27. •1fI·"$fll~II""Aq R".".ts,~h.~, Yt.;a, "A lltn Lebrern ~.S"h.iller. set die. sehene I Vi'iff-k &Ur d,,-< an!J'oIelJ'eulljobst .•.• ",pfohlen" P~DJ.A~t.I)OQr. Ediiio $if,il'lgrabcf'. '7aO

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Terzentonleitern.
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degree O'f pree.iaicn.

")1)&01[11,_"'e.g 2Ur Kunstfm'tigkeit,

185 Etiidenvon Clementi, Cramer, Czerny, Ifumihel, /lloza1·t, Stet'beIt, Fr.8r;ntlbert, .K-II. fP'ebl!r,.r S, 11ad" lier{{tJf",BfJl)thovcn, KtJssier, 1l_,Kleiil..1J1ilJltet, Ok Nayer, Kiel, _jffmdels$o/m, Jirifj', Chopin und S'ohv_flian"" In'fl~' lemMiseiler Jt'olg.evon der MJttel~tu.fe bis z1JrvollendotoJlKoflz'ertvirtuoB'itii.t 2 Bde fl7. Auflagil.) ,Ed It i 0 [I Ste j n grii. bet, NrdB UU i1~tton St.el~gMJler. ' . .

a.

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86

8.8

EtlMertke "Oklavcntec.lmik des Klaviers'

N!H,h padaB".~ris~hen Erf1l.J~r\!nRm\. boarbcitd. ~rglin~;t von w.,li,y Itehberg (V(wii.b 1U1!l'> n, sr E,\jd~]\.llljd 120 'zit"'1.e)
b>hUCln Stii.~~!\ir:ti.lt!f;-rNr.~:II'

)~La,Tecbnique des Octaves «

und Revue ."ui'v'lmt I'oxpericnco pbdr,gogiquc ~t. completee par Willy Rehberg (Kx.crci,ccs prt'.JimiMirQ8, 21 Etudes. 120 Oitationa)
'SdJtiotl Stei_~dber 1:iIo,,~~

Ed. Mertke

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"Dctn ve-Tech nics for the Pianoforte"

Based upon tell"hing on:I}!l:ri~n~~ and IlrJ,OIIg«d by '" W!lIy R<lhbccg . (Prclimin •.ry EJ:erci~"B,21 Studll)8, and 120 j,"'f:mgis)
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• La Techuique d~,jjO()U\'vee par' Mertk:e est nommce ~ j ueto titre U I, dee meilleurs ouvregcs pour lc deve}OPPoEHlle:nt ~pecia.l de cette p&._rlie imporeanto d'une technique pianistlqno moderno, - LA·' ollection des c (:,1J~tio~ti~ 6h~ ,~~o:n '~, tin,u"e.e.usq u.ja.'u Concerto Eour [ PitlJ\'ode, ,};mst, TMh. Ai"'" lc vieil Quvragc dans Ve4J,Hon r&jclJJoic. \i1J;, sana do_ut~ ~·ru~n.e;'l·.dCinQ'U\r~iLU~ . - fLmis, nu (1('J"rJe des an(';ienB"'~ C. A. M 1\ r t. i e n ~·8 e 'n '. Zcitschri1t fOr' :Mu6ik' 19~9

I:QtJ. gt~i ogriUJcl'

No.

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of the best

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t'e:Pf(,6:,e.nts with jU~lh~f.·one fDr the special developmcn t ollt,j,;