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Learning Sanskrit by Fresh Approach Lesson No. 100
Posted in Learning Sanskrit by fresh approach, Lessons 91 to 100, Lessons 91 to 100 by slabhyankar
on February 29, 2012
Learning Sanskrit by Fresh Approach - Lesson No. 100
)
(
There is a proverb in almost all languages, similar in meaning to shallow water makes much noise.
The theme can be paraphrased in following sentences. Let me try along side translating the theme into
Sanskrit.
(1) A water-container when full
#
will not make noise |
(2) When half-full ' () #-#
it would make much sound |
(3) A wise person need not (or should not) show off )
#+ |
(4) Those devoid of merit .
try to impress ) |
The ) I have for reference reads
1. 0# 1
2. 2
3. )4 #
4. ) #6 9.
Here is comparative reading of the translation and the )
# |
0# 1
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' () #-# | 2
)
#+ |
)4 #
. ) | ) #6 9.
Some interesting synonyms are obvious.
= :
: = 1: , : , 9:
= #:
To be able to compose and present a good thought as a ) one would need a good vocabulary. It
seems more important for poets to have Thesaurus than a dictionary. Possibly the concept of a thesaurus owes
its legacy to the ; and , verily gems of Sanskrit literature. Oldest compilation of synonyms is
said to be in ; . But most commonly quoted compilation of synonyms is . So often we find in
commentaries the mention ( ) meaning, this is as per .
Compiled here below are Words for sounds from
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*
It can be seen that when compiling the words of sounds, some analysis of their origin is taken into
consideration. In 1-7-411 there is the mention that the sound in human chest is said to be of 22 types
(--) 4)) | One can undertake study of itself as a subject
of study !
In the ) three words related to sound are used 1:, :, 9: How beautifully poets choose
words of right weightage in right context. When half-full noise 1: of pitcher becomes : ! And prattle of
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3. Value of the 7th syllable has to be in 2nd and 4th lines and in first and third lines. Oh ! This is okay
!!
The ) with me is ' A ' |
)F ; : Q).#: ||
The first quarter ' A eliminates the flaw in mine. The word to be understood is '
' #. UZ T
Other words worth studying are (= pride, show of pride) .9.\ ))]
( ) (= frightening, threatening) ) .9.\
))]
)F ) + #. # T
) ) !
;: ; (= bell) _.\ ))]
(= cow) _.\ ))]
Q).#: - Q ).# Q).# (')
- Q Q (= milk)
.\ ))]
- ).# ) + - ' () b 6 . # (= to cast off)
) ).# (= to be cast off, to become devoid of)
.\
))]
- Q).# = devoid of milk
c 1. () A ' = Effort should be done (by man) at qualities
2. ' () ? = What is (achieved) by frightening (or threatening) prides ?
3. Q).#: : ; )F = Cows that are devoid of milk do not get sold by bells (on
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their neck).
Bells to be put around the neck of a cow do not have to be in plural but that matches with prides
which also is in plural.
First and third sentences are in passive voice.
Here are the two verses )
mine
' A ' |
A #+
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-o-O-o2 comments
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D
D D
D ) R
1. ()h)
2. ()h) :
3. ()h) :
4. () )h : : .
5. : ()h ) ,
6. ( ) ()h ) \],
7. :
D
D ) R Analysis of clauses D- q ,
\
# + ,
'
)h
)h
)h
)h
.
()
()
:
:
:
()h )
()
()h )
\]
) 1 + h ) R
Exercise Decipher the compound words, and detail grammatical analysis of all words
From the words to be studied are underlined. Many words which have been studied earlier quite often
need not be detailed every time.
1. ()h)
2. ()h) :
3. ()h) :
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4. () )h : : .
5. : ()h ) ,
6. ( ) ()h ) \],
7. :
)h )r ' () b (= )9 to gain, to acquire) )
.\ ) )h (= what is acquired, wealth) S ))]
' () b (= to give, to donate) (= giving,
donation, philanthropy)
.\ ))]
' () b (=' h to be) b-# T
: T' () b (= to enjoy, to consume) (=
enjoyment, consumption) .9.\ ))]
: '' () b b (= # to become non-existent)
(= destruction) .9.\ ))]
: ) (= three) n ) _.\ ))]
: ' () b (=0 to go) (= going, speed, velocity,
course of movement) _.\ ))]
. ' () b (=' h to be) b-# T
' () b (= to give, to donate) 6
b-# T
\] T' () b (= to enjoy, to consume) 6
b-# T
\H
\H
Exercise 4 Give Translation / Overall meaning 1. ()h) = Giving becomes of wealth
2. ()h) : = Enjoyment becomes of wealth
3. ()h) : = Non-existence becomes of wealth
4. () )h : : . = (Like this) there are three courses for wealth
5. : ()h ) , = He who does not give wealth
6. ( ) ()h ) \], = (Or he, who) does not enjoy wealth
7. : = Such person suffers the third course
Overall Meaning -
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Wealth can be (1) given; it can be (2) enjoyed or it can (3) suffer destruction. Like this there are three courses
or options for wealth.
He, who has wealth (but) neither gives nor enjoys, (himself) suffers the third course destruction !
Exercise 5 In what meter is this verse composed ?
+
+ .
. h .
. ?
To decipher the meter we set the verse in four quarters #
- - -
. )h #
- -- -- --()
\] #
-- -
# #
- -- ----()
#- h Q 4 )
K '4 # V #
Exercise 6 Comments, Notes, Observations, if any.
' i
- In the first line, three courses/options of what can happen to wealth from the doers action are detailed. In
the second line, what can happen to the doer, by improper action of doer with the wealth. This transposition
of action from the acted upon to the actor is a sort of poetic figure of speech #\ Some 102
#\-s are listed at http://sanskritworld.in/alankara/ along with hyperlinks to explanations and
examples of most of them. The #\ here may qualify to be called as t)h
- This ) does not speak about how wealth can grow. There is another ) which tells about
wealth of knowledge, which just doesnt get spent. # # v t
+ # )k # This was studied in Lesson # 16.
-
When counting syllabic instants for the last quarter, # it should be noted that
they were counted as - -- ----()
The count for in # is 2. This is because the next letter # has two consonants together.
But count for in is only 1. The following letter does not have two consonants. It is
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actually + (consonant + short vowel) and not + T (= as in ) . Care has to be taken when
pronouncing . It must not be pronounced with any stress or emphasis on . Unwarranted
stress on may cause to get pronounced as . That will be wrong.
!
-o-O-oTagged with: Lesson 97
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The first is not actually shown. It can be seen that when putting the verse into four quarters, the words
' and ) would be at the end of first quarter and at the beginning of second quarter respectively.
Hence it becomes better to leave them to be without their ..
Exercise 2 Paraphrase the clauses
D
D D
D ) R
1. () ' ) -D
2. ) - () -D
3. 1 )t ' ' -D
D
D ) R Analysis of clauses -
D\
q ,
#
'
()
'
1 )t
()
-
'
'
) ) 1 + h ) R
) D
D D
D \H
\H -
Exercise 3
3 A) Detail the analyses of clauses, decipher the compound words, and detail grammatical
analysis of all words
3 B) Give translations into English for all clauses and sentences
From the words to be studied are underlined. Many words which have been studied earlier quite often
need not be detailed every time.
1. () ' )
2. ) ()
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3. 1 )t ' '
4. '#
) .9.\ ))]
- (
) -T
- (= the personage regarded as the progenitor of human race) .9.\
- ( 6 = ahead from the one) Z )y (= ahead from
Manu)
- (= to be born) ) (= born)
.9.\ ))]
- = descendant of Manu, human being, any person. (Has the English word Man also a
derivation from Manu ?
' (= to do) _.\ ' (= action) '4 ))]
(= in a hurry) +
) ) + (= to do, to indulge in) 6 )Z T
.\
) ) .9.\ ))]
- ) ) -T
- ) ) + ) , (= to discern) .9.\ ) (= discretion)
))]
- ) = indulgence without discretion
_.\ S ))]
- #
- (= extreme) ) _.\ ))]
- + (= to befall) _.\ (= trouble)
S ))]
- = extreme trouble
(= step)
.\ ))]
1 -1 ) _.\ ))]
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- 1 1 -T
- (= characteristics, usually a virtue) .9.\ ))]
- 1 (= to entice) ) 1 _.\
(= enticed) ))]
- 1 = enticed by virtue, enticed by virtuosity
r (= wealth, glory) _.\ ))]
)t )t )y ) .9.\ '4 ))]
- ) )t = one who acts on exercising discretion
- ) ) + (= to discern) + ) (= on
exercising discretion)
, , (= to choose, to favour) 6 #
T
'# )y )
.\ ))]
- ' # '# -44
- '# '# )y )
- ' ' (= ) .9.\ ))]
- '# = something which is related to Kiraata and Arjuna
\H
\H
Exercise 4 Give Translation / Overall meaning () ' )
One should not indulge in action in a hurry.
) - ()
Indiscretion becomes a step towards extreme troubles
1 )t ' '
Glory (good results) always enticed by virtuosity prefer one who exercises discretion.
Exercise 5 In what meter is this verse composed ?
+
+ .
. h .
. ?
To decipher the meter we set the verse in four quarters ) ' #
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) #
' )t #
1 ' #
') h ? It has been suggested that the word ' in the last line is extra. The last line is hence to
be read as 1 # Then there emerges a discipline of alternate lines being of
# and . This is then )-h . Thanks to Dr. Avinash Sathye for pointing out that exactly this
verse is quoted in Aptes dictionary as example of )-h .
Category of h wherein similarity is by parts is called as #h. )-h is a meter in this
category.
Exercise 6 Comments, Notes, Observations, if any.
' i
- '# is a poem composed by poet ). It is based on an incident mentioned in
-
Following information is obtained from http://sa.wikipedia.7val.com/wiki/'#
) t
'# )
) )
) + .
.6 ) ;6
#
# . ) )
t
'# . KZ Z )]
'# . ' 6 . .QX )
9 + ' . '
'# .DK . +Q ) - #- 6- -6 ) # #
D '#
#
# y . + # ) + ) R
#
l R h
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( ?)
'.
-
The R: composed using only single consonant makes an interesting study, though a tough one. We
shall attempt it in the next lesson.
-- In a book The wonder that is Sanskrit published by Sri Aurobindo Society, Pondicherry in
association with Mapin Publishing, Ahmedabad I notice the third word mentioned as in place of
mentioned at http://sa.wikipedia.7val.com/wiki/'#
-- I did notice some errors in the extract from http://sa.wikipedia.7val.com/wiki/'#
quoted above. I already corrected them above. That leaves room to believe that as mentioned in
the book The wonder that is Sanskrit may be more correct.
- The mention #
is a part of a shloka which brings out specialties of different Sanskrit poets.
#
It reads as follows #
#
.; .
- In the note under (
-
) it is mentioned that ) was not the real name of the poet. It was his pen
name. See ) .
I am left wondering about the coining of the pen name as ). I guess it could have been derived as
) ) One who shines like the sun !
- I seek guidance on the name of the meter of this )
!
-o-O-oTagged with: 96, )
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It has been a long time since I posted Lesson No. 94. I have been traveling around a bit too much.
When studying R of |q6 I realized the importance of , , 1
It became opportune that Mr. G.S.S. Murthy had posted this message to samskrita@googlegroups.com
I learnt the following verse from an elderly scholar of my village during my boyhood:
} # '
} # '
Where is the need for medicines if one is following strict diet? Of what avail is any medicine if one does not
adhere to his diet?
I learnt the following from my Sanskrit teacher:
+# V6
+# V6
If one has studied Mahabhashya, there is no need to study Padamanjari. If one has not studied Mahabhashya
there is no use of studying Padamanjari. (An acerbic comment indeed!)
Both the verses are good for a study.
} # '
} # '
+# V6
+# V6
Exercise 1 Rewrite these by breaking conjugations and showing component-words contained in compound
words.
.-)I # #
} -# ' -
} -# ' -
- +# -V6
+# -V6
1. # = -# (-)
2. ' = ' (+V-)
3. } = } (-)
4. = - (+V-)
Exercise 2 Paraphrase the clauses
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D
D D
D ) R
1. } ( } .) -X-] -D
2. () # - ' ( ) ?
3. } ( } .) -X-] -D
4. # - ' ( ) ?
5. ( ' () -X-] -D
6. ( '# ) V6 +# () -D
7. ( ' ) -X-] -D
8. ( '# ) V6 +# () -D
D
D ) R Analysis of clauses -
D\
q ,
#
'
'
'
'#
V6
#
-
#
-
'
+#
'
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'#
V6
+#
) ) 1 + h ) R
) D
D D
D \H
\H -
Exercise 3
3 A) Detail the analyses of clauses, decipher the compound words, and detail grammatical
analysis of all words
3 B) Give translations into English for all clauses and sentences
From the words to be studied are underlined. Many words which have been studied earlier quite often
need not be detailed every time.
} ( } .), () # - ' ( ) ?
} ( } .) # - ' ( ) ?
( ' () ( '# ) V6 +# ()
( ' ) ( '# ) V6 +# ()
} (= to walk a way) ? )# ) (?) 0.\
} (= the way to be walked, a control (especially of diet) to be exercised) X ))]
# # ) .9.\ S ))]
- # # -T
- (= illness, disease) .9.\ ))]
- # # (= anxious) ) .9.\ ))]
0.\ ))]
- = S-T
- (= medicine) _.\ S ))]
- + (= to consume)
.\ (=
consumption) ))]
- = consuming medicine
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+ (= to have purpose)
.\ (= purpose)
))]
)
.\ X ))]
- = -T
- (= to be, to exist) # ) (= existing)
.\
- = when not existing
+ + , , (= not to study) )
(= not studied)
.\ X ))]
.\ X ))]
- = #
- (= great) )
.\ ))]
- (= to speak, to comment) )# )
.\ ) (= commentary) ))]
- = The great commentary. The term usually refers to the great commentary by
V- on the K by .. The commentary by V- has the title
+-
V6 _.\ ))]
- V6 = V6 S-T
- (= a step, a crisp statement)
.\ S ))]
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* # ?
- 1. .Q: + v
2. ) +:
3. )k ( ) -
4. ( ) '; #
5. ( ) (.)
- .Q: + v
-- #.-. ' v
-- # +
-- #t- # .Q #.- -)D
- ) +:
-- #.-. '
-- # +:
-- #t- # ) #.- -)D
- )k ( ) -
-- #.-. ) y
-- )
- ( ) '; #
-- ' #
-- # ( )
-- # ';
- ( ) (.)
-- # ' .
-- # ( )
--
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Exercise 3 Decipher the compounds and detail etymology and declensions of all words
) 1 +h )R
.Q
. Q : + v
.Q
- .Q: (= to eat, to consume) I# Q
(= to wish eating,
to be hungry) ) .Q (= hungry) .9.\ ))]
- + ) + + (= to analyze, to detail)
.\ +
(= analysis, scientific research, grammar) ))]
- (= no, not) +
- v (= to eat, to consume) #.- 6 #
T
) +
+ :
- ) (= to drink) I# ) (= to wish to drink)
) ) (= thirsty) .9.\ ))]
- +: + .9.\ ))]
-- + + S-T
-- + (= to compose, to paint, to picturise) )#
)
.\ ) + (= imagery, poetry, poem) S ))]
-- (= to taste, to relish, to be juicy) .9.\ (=
juice, flavour, essence, relish) ))]
-- +: = relish of poetry
- (= to drink) #.- 6 # T
) k (
)
-
- = -
-- ' (= what, who) # # .9.\ ))]
-- (= any)
-- = anyone
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) suggests that satisfaction of comforts and luxuries should be only after basic needs are satisfied.
Thus, it prioritizes objectives of human endeavor.- The conclusion ( ) (.)
however does not seem convincing. There are many people who employ their artistic skills to be the means of
their livelihood also. Or, this phrase can be translated to mean, artistic skills (or good qualities) are
meaningless, if one cannot satisfy basic necessities.
- Conventional meaning of the word + is grammar. However considering that its derivation is from
the verb () + + ) it can as well be interpreted as analysis, scientific research. Thus + need
not be a mere academic engagement. It can very much be a professional involvement.
- Between the two versions for line 3 (1) )k y
(2) y
the second one seems to be less controversial, especially considering to mean being fanciful i.e. to
be lost in ones own fancies, which certainly is not any appropriate endeavor.
- Between the two versions for line 4, (1) (2) the first one seems less
controversial. i.e. qualities, rather, virtues should never be deemed to be However may
prove if one does not get opportunities to exhibit them to right audience, who will reward them
appropriately.
- There have been many kings and emperors who rewarded poets, artists, etc. It comes to mind how
important it is to have stable sociopolitical environment and flourishing economy, which can help arts also to
thrive. The ) seems to very much suggest this that in an economy where hunger and thirst are
ravaging the social life, more exalted human endeavours of grammar, scientific research, poetry, arts, etc.
cannot thrive.
- Recent (March 2011) instances of Tsunami and earthquakes and damage to nuclear reactors in Japan also
bring home the truth of this ) For the people ravaged by the calamities, the first and foremost
concern is security of life. There is a proverb in Hindi 6 meaning, If the head is
in its place, it can wear fifty different hats. The ) is interesting and meaningful for its message,
emphasizing the need to prioritize objectives of human endeavor.
-o-O-oTagged with: 94, .Q+#
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1. (:) _-#
2. (:) )
3. :
4. l Q
- (:) _-#
' # (:) # _-#
- (:) )
' # (:)
- :
' # :
- () l Q
' Q # () #
Exercise 3 Decipher the compounds and detail etymology and declensions of all words
) 1 +h )R
(
:) _
_ #
# .
.
D . D
- (= which, what, who) # .9.\ ))]
- _# _# .9.\ '4 ))]
-- _. # _# -4 4
-- _. (= to regulate)
.\ _ (= science)
))]
-- # # (= meaning, interpretation, wealth, essence underlying various fields of knowledge)
.9.\ ))]
-- _# = sciences and essence underlying various fields of knowledge
- + (= to collect, to gather, to detail, to explain) #
T
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- (= and) +
(
:) ) .
.
. D
D - + (= to behave) .9.\ (= behavior, conduct)
X ))]
- (= to stand) (= to set up) # T
- ) (= also) +
: .
.
. D
D - (= but, whereas) +
- (= by oneself) +
- + 6 (= to behave, to conduct oneself) #
T
(
)
l
l Q .
.
D . D
- (= that, he, she, it) # .9.\ '4 ))]
- .9.\ ))]
-- -T
-- (= first human, Adam) .9.\ S ))]
-- (= to be born) ) (= born)
.9.\ ))]
-- = a descendant of Manu (or Adam, hence,) a man, person of human race
- # + 6 (= to behave, to conduct oneself) .9.\
# (= precept, Guru, teacher) '4 ))]
- Q + Q (= to see, to regard) # T
Exercise 4 Arrange the ) in prose syntax and give its translation into English
\H-
- (:) _-# = He, who explains sciences and essence underlying various fields of
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knowledge
- (:) ) = he, who imbibes them in the conduct (of the disciples)
- : = he, who exemplifies by his own conduct
- l Q = (only such) person is to be regarded as a precept.
Exercise 5 In what meter is this verse composed ?
+ . h . ?
We have to first put the verse in four quarters _# #
) #
#
l Q #
K Q R S T U # V '4 -# X
6# This K is so commonly used for composing ) and we have analyzed it so
often, that I may not detail the analysis every time.
Exercise 6 What type of literary style is used here ?
. .c 1\ #\ ) . ?
. The statements in this verse are plain statements without any literary decorations.
Exercise 7 What moral is learnt from this ) ?
. ) 'K. ?
- The ) presents a definition of an #.
Exercise 8 Comments, Notes, Observations, if any.
' i
- What appeals to me, to be the most important aspect of this definition of an # is his exemplifying his
precepts by his own conduct.
- There are three nouns derived from the verb ) (i.e. thoughts) I (i.e. speaking or words)
(i.e. actions, conduct). A person fit to be called as # has to exemplify unanimity in mind, word
and deed.
- Opening sentence in a lesson in a textbook, which I studied as a schoolboy, has stayed stuck in my
memory. The sentence was Gandhiji taught by example.
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- We do need precepts when embarking on exploring any field of knowledge. A person fit to be an #
and a person fit to be his needs a good match between the two. In a sermon a saintly person said,
People want to call me a T. But only those persons can call me as their T, whom I would accept to be my
. A match between a T and a seems to be essentially a one-to-one correspondence, which may
often happen only providentially, especially on the path of spiritual progress.
-o-O-o2 comments
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2 (b) Analyse the clauses, identifying the main parts of speech i.e. subject, object / compliment, conjunctions.
() ' , D ?
() #, #, ?
- S S
# ' # S S
- V k
# S S
k # - +
' + # S S
- #: : U: +.
#: : U: -D # #: :
U:
(#: : U: ) +. -D ' +.
# (#: : U: )
- ) ' (.)
' . # )
Exercise 3 Decipher the compounds and detail etymology and declensions of all words
) 1 +h )R
- (= as, like) +
- S S (= wood, log of wood)
.\ ))]
- + + (= to come together) UZ T '4
- (= large reservoir of water, ocean)
.\ X
))]
-- = -T
-- = #
When is
# of a compound word, it is, in some instances substituted by
+ =
-- (= water)
.\
has no forms in first five cases. Instead, forms of are used.
In it is object of verb Hence the form is '4 ))]
-- (= to store) # T
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-- () ) () = ) '
-- (= to be, to exist) (= existence) .9.\
'4 ))]
-- ) (= without) +
Exercise 4 Arrange the ) in prose syntax and give its translation into English
\H-
- S S = Just as logs of wood come together in an ocean
- V k + = staying together and after passage of some time, may
separate
- #: : U: +. = likewise, wives, sons, relatives and
acquaintances and wealth would be (with you) and would go away
- ) ' (.) = their separation, vanishing away is definite (is bound to happen).
Exercise 5 In what meter is this verse composed ?
+ . h . ?
We have to first put the verse in four quarters S S #
- - - ()
#
--- ---
+ #
-- ---
k V #
---- --()
K Q R S T U # V '4 -# X
6#
Exercise 6 What type of literary style is used here ?
. .c 1\ #\ ) . ?
. The example of logs of wood meeting and separating is used as a simile \ to explain the
meeting with and separation from people.
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) ) , )
Tirtha or Tattvadipa by Mahesvara Tirtha
Shri. Arvind Kolhatkar also provided the following information Looking for ) on the internet, I came
across the following verse
from , where Rama says to Seeta the following in the context of
mountain:
v )|)#
t
This verse from also makes an interesting study. Without going into complete analysis, first the
verse can be rewritten as follows after breaking the conjugations -)I v )|: )
: t
By prose syntax , t v )| ) ( ) ()
And the meaning becomes (My) fair lady ! On seeing this enchanting mountain, my mind is not worried of eviction from the kingdom,
nor is it worried of separation from near and dear ones !
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-- = '
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-- (= to die)
.\ (= death)
))]
-- (= end) .9.\ ))]
- . (= enmity)
.\ ))]
- h + (= to finish, to retire) #.-
) h (= retired, accomplished)
.\ ))]
- r (= pronoun of first person I, we) # S ))]
- + (= to employ, to plan)
.\
(= objective) ))]
- ' (= to do) #.- UZ T
- (= this) # .9.\ S ))]
- + (= to conduct rituals) .9.\ (= rite, ritual)
))]
- r (= pronoun of first person I, we) # S ))]
- ) (= also) +
- : (= this) # .9.\ ))]
- (= as) +
- r (= pronoun of second person you) # S ))]
- (= to regard) )Z T
Exercise 4 Arrange the ) in prose syntax and give its translation into English
\H-
- ( ) . () = You (or anybody) should regard enmities to be ending
with death.
- h (.) = Our objective has been achieved.
- ' = Do the rituals for him.
- (.) () ) (.) = He is as much mine as yours.
Exercise 5 In what meter is this verse composed ?
+ . h . ?
We have to first put the verse in four quarters -
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. #
--- --()
h #
-- -- -
' #
---- --
i #
--- - -()
K Q R S T U # V '4 -# X
6#
Exercise 6 What type of literary style is used here ?
. .c 1\ #\ ) . ?
. There are simple, plain statements here.
Exercise 7 What moral is learnt from this ) ?
. ) 'K. ?
- The moral is about how all acrimony towards an enemy should be given up, at the end of war.
- Every vile character is like The Prodigal Son in Bible, misled into wrong behaviour. The words
i He is as much mine as yours. demonstrate the compassion and pardon, the Lord holds
to every errant person.
Exercise 8 Comments, Notes, Observations, if any.
' i
- As is noted in the introduction, the R is from y; in . In this shloka is telling
) to do the last rites on body of as ordained. ) was hesitant to perform the last rites,
thinking that did not merit the last rites because of the sins committed.
- Characters like in and
2 in appeal to be examples of incorrigible
characters. Since no reason or strategy, even of divine powers works, that they will mend their ways, they
have to be annihilated. But once they are annihilated, there is no point in carrying the acrimony. Acrimony is
again a vile trait. By the message in this R the divine power wards off the vile trait of acrimony from
the noble mind of ).
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