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HV THE
SJ/?,ie
AUTHOR
the
forefront
mii~t
place
Sarojini
collection of Oriental
lyrics
and poem<.
declares
that
This
volume -hould
-ilem-e
ever the
scoffer
who
women
if
Rerlfif of Rci'U'zfs.
it-elf
as
lyrics
of themselves.
fa<ee
...
ha- given
1-
the
poet
new
eyes with
which
to
The
rc-ult
-omething
to call poetry."
The
Tt>.>:cs.
.
.
"A
is
Her
v-.
ork
remarkable, opening
the
West may
of
=ce
the
Ea-t
"There
\Nhich
effect
arc
-ome
.-mall
dail\'
life
the
E.i
a rare
art
which
i-,
after
all,
i-
the
e\-e
The book
.
beautiful ver-e,
i-
the expre<don of
.
temperament."
deliLrhtful
a-
M^.n!iK^ Post.
-urprising
to
i-
pLrtection
a-
11.
in. .
that
owe- but
a
little
any one.
-o
Not
for
\'er)-
long
time have
we
-een
volume
ot
poetry
full
o\
promise and
real
achievement." -Tlif
.!' uJr'!r;.
Loiidoii
Street, \\'.C.
*'
and language."
Saturday
Rei'iezv.
of
expression
is
arc
all
at
her
command.
. . .
Her
thought's
crowning delight
the East
it
is
to find
radiant utterance.
is
The
pictures are of
in
true
but there
that
them
song,
the
best
Street
Cries
is
well worth
in
quoting.
This
is
picture,
and emotion
a
one."
Glasgczu Herald.
"
It
is
considerable delight to
in
come
is
across such
It
is
genuine poetry
its
as
is
contained
colour
is
always musical,
eastern
fresh,
firm
touch
Manchester
Guardian.
"
The
great
charm of
English
this
gifted poetess
is
that,
a
though
true
so
perfect a
in
mistress
of the
language,
she
remains
Indian
her
verse
thought^
and imagery.
She
gives
us Indian
pictures in
English
is
originality.
always
Madras limes.
ring re-echoes through
"
A mystic
much of Sarojini
Lilian
verses
Naidu's
poetr}-.
charm which
in
acts
like
Miss
.
Waring
are
The Engltshzvoman.
Her
song?.
They have
the
significant,
something
In
Her
particular quality
is
She has
v.ith
brought
new note
working
and
in
;
new way.
in^de
We
before
out-idc.
about
Hindu
life
and scenes
from the
is
For once we
hear from
the
one of
Pvlr.
Milton Bronney
Poet Lore.
r.onclon
Street,
W.C.
The
Bird
of
Time
OTHER
Tennyson.
POEMS.
By A.
B.
S.
SEA.
IJEDFORD
By
E.
W.C.
5-
Ko^^
jO
K>^'
The
Songs of
Bird of
Life,
Time
Death
^ the Spring
Naidu
Sj/ Sarojini
With
a?j
Introduction by
Edmund
And
Gosse
Author
Portrait of the
v/-
^^
London
New
IQI2
DEDICATED
IN
TOKEN OF
LIFE-LONCJ
HOMAGE AND
AFFECTION TO
MY FATHER
AGHORENATH CHATTOPADHYAY
AND
Hydlrxead, Deccan
has hut a
lo I
little
zvay
and,
the bird
is
on the
wing "
Contents
PAGS
Introduction by
Edmund Gosse
Time
II
Dirge
13
15
An
In
Remembrance
Violet Clarke
18
20
21
The Dance
of
Love
23
At Twilight
Alone
On
the
way
to
Golconda
25
27
28
ix
I'Ac;k
Persian
Love Song
31
To
Love
32
Song
Spring
37
The Joy
of the Springtime
:
39
Vasant Panchami
of Spring
In a
Lilavati's
Lament
at the Feast
40
43
45 47
Time
of Flowers
In Praise of
Gulmohur Blossoms
Nasturtiums
Golden Cassia
48
50
52
Champak
Ecstasy
J31ossoms
Indian Folk-Songs
To Indian Tunes
Village Song
57
PAGK
Slumber Song
Songs of
I.
tor
Sunalini
:
59
my
City
In a Latticed Balcony
In the Bazaars of
61
II.
Hyderabad
62
Bangle-sellers
64 66
68
70
The
Festival of Serpents
Hymn
to Indra,
Lord of Rain
72
Songs of Life
Death and
r>ife
77 78
The
The
Hussain Saagar
Faery
Isle of Janjira
79
81
The
Soul's Prayer
Transience
83
84
86
87
xi
At
Dawn
PAGE
An Anthem
Solitude
of
Love
89
90
92
95
97
Challenge to Fate
Call to
The
Evening Prayer
Medley
Kashmeri Song
99
loi
Farewell
Guerdon
102
Introduction
/T
is
is
is
to
say at
the
command^
of
that
few
sentences.
It would seem that an " introduction " can only be needed when the personage to be " introduced''
unknown
still
in
a world prepared
to
welcome
This
is
her but
successive volumes.,
of which
in
the
third.,
and
is.,
in
India with
acclamation.
to
Mrs. Naidu
I believe, acknowledged
at least, of those
lyric
who write
in
English, since
what
wonders
may
be
producing I
not
think
am
But I do
supreme
choose
that any
the
thjse
buhans who
to
Indeed^
is
the
most
of
who have
written
And I
say
this
without prejudice
fame of
that delicious
Toru Dutt^
life
so
exit
quisite in
and poems
world
was my
years
privilege to reveal
the
thirty
ago.
For
in
the
case
of Toru
Dutt,
was much
solitude.^
them
to
of her brief
and melancholy
of
career.
which
was
of
this
preface
''
who
first showed''
way
to the
conditions
to
It
is
needless
for me
to
poefs early
excellent essay
of
which he prefixed
to
her volume
it is
1905.
Sufficient
that
when
Sarojini
Chattopadhyay
for my purpose
to
say
as she then
was
she
frst
was a
in
London,
lotus
or a cactus
is
She
maturity,
some
inost
to
accident
now
forgotten,
accident
fortunate for
us
but
an
Sarojini
was
introduced
her arrival
in
of the most welcome and intimate of our guests. It was natural that one so impetuous and so
sympathetic
verse
was
writing copiously in
//;
English
see
verse.
allowed
she
slipped into
as soon as
hastened
to
examine
it
but
now
it
there
with
an embarrassment^ which
in the
face of
form, correct
but
sentiment,
totally
in
without individuality.
feeling
and
in
imagery
and
tion.
I am
in despair
this
was but
the note
It
and precocious
ment ;
enthusiasm,
sincerely.
her
her
that
vein,
she
to to
consignment
this
of all
falsely English
waste-paper
basket.
I implored
her
consider that
sensibility,
extreme
we wished
A
to
receive
Anglo-Saxon sentiment
tings
in
an Anglo-Saxon
set-
some
penetrating
principles
analysis
of
native
religion
passion^
arid
the
of antique
of such mysterious intimations as stirred the soul of the East long before the West had
begun
to
dream that
it
had a
in
soul.
Moreover
more about of our
entreated Sarojmi
skylarks,
to
write no
landscape
where
in the distance
to
church, but
the
trees,
to
describe the
set
her poems
frmly among
to
the
introduce
own voluptuous
in
other words, to be
a genuine Indian poet of the Deccan, not a clever machine-made imitator of the English classics.
With
the docility
and
the
rapid appreciation
this suggestion.
Since
1895
I
to
believe,
no copy
of verses
which endeavours
clusively
to
the
way
he in
to
It has been in
and
it
will be
found
to
the
characteristic of
is
Mrs. Naidus
to the fullest
in all things
and
autochthonous.
She
spirit,
its
springs
from
it
the
very
soil
of India
her
although
employs
with the
oj
West.
emotions
It addresses itself to
the
exposition
pri?mtive,
and
in this respect, as
believe, if the
deli-
found
as luminous in
a?iy
lighting
They have
astonishing
task
circle,
of interpretation from
although
has
the
magic
armed with a
technical skill
that
of it.
who have enjoyed the earlier tions of Mrs. Naidu s poe?ns will find " The Bird of Time " the note of girlish
Those
6
collec-
that in
ecstasy
place.
and
/);
this
is
another
close
companion-
she has
known
the Joy
and also
of ynuch
of consolation.
The sight
may be., has thinned her jasmineIt garlands and darkened the azure of her sky. is known to the world that her labours for the
sufferings
it
deep injury
things
to
her private
health.
the
lyric
it
But
these
energy oj
intensity.
Sarojini
they
She
is
noble ambition.
magnificently
be
a Goethe or a
like so
Keats for
others^
India.
too
This desire,
many
may prove
that
''s^ouvnt
Dont
But
the desire
J or
beauty
still
and fame,
energetic
the
magnithis
ficent
impulse,
are
within
hurnin<y soul.
venture
to
bring
to
close
own
" While I
live^ it
will always he
the
supreme desire of my Soul to write poetry one poem, one line of enduring verse even.
realising that longing
and an unspeakof''''
able anguish
oj
The reader
The Bird
Time'' will
is
j eel satisfied
needless.
apprehension
EDMUND
GOSSE
fruitful
?
.
.
bough
.
What
you sing
life.
Of poignant
strife.
And the lilting joy of the spring Of hope that sows for the years unborn, And faith that dreams of a tarrying morn, The fragrant peace of the twilight's breath, And the mystic silence that men call death.
new-made
brides,
1
And
And
In the
dawn
And
fate.
12
Dirge
hi sorrow nf Iirr bereavement
What
Whom
lord's caress
fillet-pearls to
Or jasmine
Why
needs she
now
its
counsel or
its
praise.
Or happy symbol
Red
Or
Loth
Unbind
Her
Nay,
let
her be
For joy
so frail, for
hope
The
The moonless
And
mock
14
An
an Indian tune
He
Lift up the
veils that
moon
of thy
Withhold
not,
Give
me
guarding thy
pinioned curls,
Or
a silken thread
tiie
dream
of thy
Faint groves
my
I
perfume and
Revive me,
pray,
15
She
How
Or
Or
how
shall I grant
thy prayer,
tassel, a
scented leaf
from
my
hair
that cover
my
?
face,
my
my
and
Thy kinsmen
The
altars
i6
He:
What
are the sins of
?
my
race, Beloved,
what
are
my
people to thee
And what
what
me
Alike in his ear sound the temple bells and the cry of
the muezzin.
For Love
Redeem with
sullied a
his
tears
the
memoried sorrow
that
bygone
age.
In
Remembrance
Violet Clarke
died
March
2i, 190c
With eager knowledge of our ancient lore, And prescient love of all our ancient race.
You came
Bright
to us,
gifts
Our
Old
sumptuous
dome.
art,
Some
far-off
memory
of your
spirit's
home.
We
But
said
From
lo
The
Who
And what
bless
Our
Till
loveliness
In wanton envy of
radiant
bloom
frail,
The
To
whereon our
love-garnered Leaves.
title
cf her
b'jok
tf itjiits,
pulliJud
cijter
her
ue.i.h.
10
DREAMED my
And girt thy being with a scatheless dower Of rich and joyous immortaUty
;
Love,
dreamed
my
soul had
ransomed thee.
From
all
mortals cower.
like Savitri.
When
awoke,
alas,
my
Or by one
O
Or
20
Love,
alas,
The burden
of thy
human
heritage.
The Dance
The
of I.ovc
IVntten for
Madame
Liza Le/imann
niLisic sighs
and slumbers,
.
It stirs
Hush,
Like
a
woman's heart
laughs and
pain
Now
Like
it
calls
and coaxes,
Now Now
lilies.
The
Switt in
Soft in a
rhythmic
circle,
;
rhythmic
line
Their
lithe limbs
gleam
like
amber
Thro' their
veils
of golden gauze,
As they
glide and
The
And the midnight's soul grows weary With the scent of the champak trees
But the subtle
feet of the dancers
Wake
22
Tet.i,
me
Wouldst thou
my
heart, papceha^
Dreams of
When
With
I
swift to
stars
my
side
came the
feet of
?
my
lover
dawn
river,
And
And
But what
my
lover again
me no more
my
heart, papecJui^
?
gone
Cry
I
mate
in the
dawn
And
Of
But what
their
To me,
forsaken of love
7l't
papcehn
lihen
is
'Northern
India
the
mangoes
.^
are
ripe,
is
and
ttiy
ral/i
"
Where
love?
24
Twilight
On
the
way
to
Golconda
Weary,
Broods
I
among
the
rills
plain
:
shadow of untroubled
hills
cried,
Absolve
my
spirit
of
its
poignant
ills,
And
cleanse
me from
the bondage of
my
pain
is rife,
Amid
life.
"
?
25
E'en as
spake, a mournful
wind drew
near,
Heavy with
And incense scattered from the passing Of some loved woman canopied in red,
tear,
.
To the
lost,
quenched
in
unawakening
sleep
!
The
knew
the steep
!
And intricate ways of ecstasy and sighs And dumb with alien slumber, dim and deep. The living heart that was love's paradise
!
my
soul to
dawn.
And
love's delight,
Winged dreams
that
blow
And hope
26
that conquers
immemorial
Al one
Alone,
Love,
The
Alone,
Love,
breast the
shimmering waves,
The changing
Wide
seas of
The moon-enchanted
star
. .
me
A
O A O
A
Love
were you
a basil-wreath to
twine among
my my
Love
tresses,
jewelled clasp
sleeve,
!
of shining gold
to
bind around
my
1
silken raiment,
bright,
vermilion
;
tassel
in
the
girdles
that
weave
O
A
28
Love
lies
upon
my
pillow,
my
Why
Sad
should
dawn
that spreads
Haste ^
O
O
wild-bee hours
to the
to the
Come,
And
bring
me my Beloved
to
the shelter
of my breast
[Amar Singh
in the saddle]
O
Its
Love
my
hand
that flutters,
ride,
Love
were you
a turban-spray or floating
heron-
feather,
The
radiant, swift,
at
unconquered sword
tliat
svvingeth
my
side
29
Love
were you
arrows of
my
foemen,
An
How
Or
me
day
Haste,
O
O
wild-deer hours,
to
the
meadows of the
sunset
I
to the
Come
consenting
darkness.
And
bear me
to the Jragrance of
my
l^eloved's breast
30
Love
know
know
not why,
when you
when you
are glad,
Gaily
my
!
Love
Wildly
not why,
are sad,
my
not
know
why,
if
My
Or
waking heart
if
finds rest.
Of
anguish rend
my
breast.
Hourly
this subtle
I
Love,
it
know
not
why
I
Unless
am
you.
Dear
love, that
you are
To Love
O
Love
!
of
all
What
gift
have
What
Or
lyric flower of
my
impassioned days
What poignant dream have I denied Of secret hope, desire and memory
;
to thee
Or
Old
uncomforted
What
The unborn
O
32
Love
of
own.
?
What
gift
have
Spring
Young
leaves
twigs,
And red on the peepul tree, The honey-birds pipe to the budding And honey-blooms call the bee.
figs,
lilies
unfold
lake.
Their delicate
lives
on the
And And
all
With
35
Kamala
flute
Song
in Spring
the niango blossom,
Wild
Wild
bees that
rifle
sway
in
Drunk with
dances
What do you know in your blithe, brief season Of dreams deferred and a heart grown old
?
as
The
They have
They have
And
human
souls.
in
her parleying-places,
decree.
And
issued the
Their
lips
sea.
38
Springtime, what
is
your essence.
The
The
lilt
The dance
of the
dew on
the wings of a
moonbeam,
The hope
Watching
Springtime,
Springtime, what
is
your
secret.
The
bliss at
wonder
And
The
all
beauty to birth,
to blossom
?
39
Vasant Panchami
Lilavat'Cs
Lament
Go, dragon-fiy,
fold
Why will you bring me tidings of the spring O lilting koeis^ hush your rapturous notes, O dhadikiilas^ still your passionate throats.
Or
seek
for
your nest
Your songs
my
breast.
That
my
doors,
call
Wild
And
You
dear
sir is ha trees
my
40
joyous
girls
who
rise at
break of morn
With
sandal-soil
Ye
brides
gifts
who streamward
Your
1
when you
sing
Your
Hai
what have
I to
With With
With
Or rose-wreathed
and rose-scented
lute.
lio-hted shrines
and
fra2:rant altar-fires
?
For
my
sad life
is
doomed
to be, alas.
Ruined and
My
wind of
grief.
Akin
leaf,
41
Akin
to every lone
is
the
spring festival
when
goddess of
zvaters.
and
set
them
of the
Hindu
monial).
uidozvs
Their portion
sorro.v
and
austerity.
42
In a
Time of Flowers
!
Love
do you
know
the spring
?
is
here
.
With
The
bloom
At the
of her
fleet,
gay
foot.
The burgeoning
leaves on the
almond boughs,
And
Of
the
gems
in
your turban-crest.
The
The
wild
lilies
appear,
to fling
To welcome
43
Love
do you
know
the spring
is
here
the dusk
grow
rife
The
The winds
are
Of
hernia^ sarisha^
Do
Or
they
ruffle
sleep.
dream
And
Do
you long
hour
to
wake
From your
To welcome
44
In Praise of
Gulmohur Blossoms
What can rival your lovely hue O gorgeous boon of the spring
?
The glimmering
Rich red of
a
Or
gem
?
that burns
On
brow of
a serpent-king
What can rival the valiant joy Of your dazzling, fugitive sheen
The limpid
Or
That colour the ocean's mien
*
?
dawn
To
in
Indian history
and
scng.
45
What can rival the radiant pride Of your frail, victorious fire ? The flame of hope or the flame of hate.
Quick flame of
my
heart's desire
Or
From
46
Nasturtiums
Poignant and
subtle and bitter perfume,
Your
Are
Savitri's
sorrow and
Sita's desire,
fears,
And
and radiant
tirtues still
47
Golden Cassia
BRILLIANT
are only
blossoiTis that
strcw
my
way,
say.
You
But,
Or golden lamps
Or golden
Perchance you
are,
frail
and sweet
feet,
Or
some
fair bride
shed
Remembering
her
lost
maidenhead.
But now,
in
the
The glimmering
Champak Blossoms
Amber
petals, ivory petals,
Foredoomed
in
To
since vanished.
And
Of
They
anew
is
over.
Only
Your
Only
Your
You make no
To
Yet,
'tis
And
lay
O
To
Your
magical perfume
51
Ecstasy
Heart,
O my
heart
lo,
the springtime
grove.
Is
waking
In
meadow and
Their p^tans of
love.
rills
rivers
and
In their glancing,
Melodious
flight,
Shall
we
in the
midst of
life's
exquisite chorus
grief,
is
Remember
our
O
52
heart,
when
o'er us
Of blossom and
let
us borrow,
O
The
heart
let
us sing,
.
.
To-day
it
is
ij
Indian Folk-Songs
To Indian Tunes
Village
Song
Full
are
is
my
Lone
the
way and
I
long.
tempted
to tarry
?
Hear,
Is it
hear,
is
There
no tender moonbeams
to light
me,
me,
Or
if
Ram
Ram
I shall die.
My Mv
brother will
murmur
may
"
Why
"
?
mother
will wait
safe
and weep,
the great gods bring her,
. . .
Saying,
"O
The Jamuna's
57
The Jamuna's waters rush by so quickly. The shadows of evening gather so thickly,
Like black birds
In the sky.
. .
.
If
where
shall I
me hide me
?
Unless
Thou
succour
1
my
footsteps
Ram
re
Kam
I shall die.
5^
slumber Song
for Sunalini
In a '^Bengalee
fiietrt
Where
By
Champak-buds
dying.
Slumber-spirits winging
Thro' the
forest singing.
Baby-visions sheeny
For
my
Sunalini
Hush
thee,
O my
pretty
moon
carets thee,
5
'J
Hash,
my
dawn dances
soft trances.
!
Breaking thy
Sleep,
my
Sunalini, sleep
60
Songs of
I.
my
City
In a Latticed Balcony
How
Beloved
and fruit.
Beloved
?
How
With
lute.
How
How
With
shall I garland
thy tresses
perfume thy
fingers
rose.
and
How
/;/
shall I
deck thee,
O
O
Dearest
and
dove.
How
With
woo
thee,
Dearest
of love.
61
II.
What
do you
sell,
ye merchants
of jade.
What
What
do you weigh,
lentil
O O
ye vendors
Safron and
and
rice.
do you grind,
ye maidens
spice.
?
What
do you
call,
ye pedlars
Chess}?ien
and
ivory dice.
What
62
do you make,
ye goldsmiths
ring.
Wristlet
and
anklet
and
Frail as a dragon-fly
wing^
What
do you cry,
O O
ye fruitmen
Citron^ pomegranate^
and plum.
musicians
?
What
What
do you play,
Cithdr^ sarafigi^
and drum.
do you chant,
magicians
What
With
do you weave,
tassels
ye flower-girlj
?
Crowns for
Chdplets
to
the
brow of a bridegroom^
his bed^
garland
63
Bangle-sellers
Bangle-sellers are
we who
bear
fair.
.
. .
Our
Who
buy these
delicate, bright
Rainbow-tinted
circles
of light
lives,
Some Some
are
meet
dream
;
On
To
64
the tranquil
are
brow of
woodland stream
Some
Some
Meet
Some,
Or
hue of her
heart's desire.
tear.
Some
midway.
And
Who
And
at
her husband's
side.
^5
The
Festival of Serpents
we
lift
less
wisdom,
mystic measures to the melody of
We
figs
and golden
honey.
And kindle fragrant incense to hallow all the air, With fasting lips we pray, with fervent hearts we
praise you,
O
66
bless
our lowly
offerings
and
hearken
to
our
prayer.
Guard our
labours,
helpless
lives
and
guide
our
patient
And
slumbers,
And
soothe the
in
our breasts.
Where
life
one.
67
CARRIED
my
curds to the
Mathura
fair.
.
. .
How
I
were lowing.
will buy,
as
wanted
to cry "
Who
who
will
buy
"
?
as I cried
!
without knowing
! I
Govinda
Govinda
Govinda ! Govinda
How
I
was flowing
carried
my
pots to the
Mathura
tide.
!
How
were rowing
My
68
Ho
let
And wear
And
But
pluck the
new buds
my
cried without
knowing
!
!
Gov in da
Govinda
! !
How
I
was flowing
the
carried
my my
gifts to
Mathura
shrine.
!
How
I
folded
hands
at
"
And
But
my
cried without
I
/
knowing
Govinda
Govinda
How
was flowing
Mathura
is
the
the Divine Coivhcrd cv.d Musician " 'Divine Beloved " of every Hindu heart, lie is aha
Khr'nhtia, the
f
69
called Govinda.
spinning Song
Pamdini
:
My
sisters
plucked green
leav^es at
morn
garden swing,
their shining golden veils
. .
new-blown
vines.
And
Are the
your
hair, Beloved,
And
Mayura
My
sisters sat
Kneading the
the hives
. .
Why
With
should
wake the
jewelled lords
offerings or vows,
Who
Like a jewel on
my
brows
Sarasvati
My
And
But
sisters
sang
at evenfall
rites,
A hymn
of ancient
Beloved,
The'
Fc'ifii'a/s
are'
b.-.-ivn
?es/>t\.'iir/\
r.s
tht Vas.inf
FunLhani^
}ia^piiri:ha-'.i,
and bcpaiuL.
71
Hymn
O
to Indra,
Lord of Rain
:
And
awake from
their sleep,
Who
And
Omnipotent Giver
!
Hearken,
O
:
Lord of Rain
Women's Voices
deathless
dominion
Who
And
72
young of the
koel to fly
Thou who
art
mighty
to succour
and cherish.
Who
savest
shieldest
love, or
from pain,
perish,
we
!
Lord of Rain
73
Songs of Life
Death and
Death
Renew
Some
Or
Th'
Life
stroked
my
I
Inclosed in
some renascent
ecstasy
The
"
?
I said,
Thy
mine
ear,
O
Its
Death,
am
so purposeless a thing.
Shall
my
soul falter or
my
body
fear
Or
ere
achieve
Ot song
or service
"
?
//
The Hussain
Saagar
The young dawn woos thee with his amorous grace, The journeying clouds of sunset pause and hover,
Drinking the beauty of thy luminous
face,
silver
doth enclose
What
Only
secret purple
unfold
;
Thou
dost, like
to
lake,
living
image of
my
soul.
7^
The Faery
Fain would
I
Isle
of Janjira
Cf\axli Raffia^
To Her Highness
Begum
of^Jayijira
Where
With
glides
by
to a delicate measure,
Fain would
is
always spring.
Yet must
And
Into the
strife
The war
wrong
Where
'Tis
mine
banner of song,
The The
The
fail.
when Peace
shall
triumph,
prevail.
When
Truth
shall
80
The
Soul's Prayer
In childhood's pride
said to
Thee
"
Thou, who
inad'st
me
ot
Thy me
breath,
life
and death.
" Give
me
and pain
Which Thine
For
eternal
my
insatiate soul
" Spare
me
no
bliss,
no pang of
strife.
Withhold no
The
and
life
And
mvbtic knowledge
ot the grave." 8i
Lord,
Thou
I
didst
" Child,
will
And
know
"Thou shalt drink deep of joy and fame. And love shall burn thee like a fire. And pain shall cleanse thee like a flame. To purge the dross from thy desire.
"So
shall
thy chastened
spirit
yearn
To seek from its blind prayer release, And spent and pardoned, sue to learn The simple secret of My peace.
"
I,
bending from
my
sevenfold height
My
quickening grace.
a piism of
the
My
lights
And
Death
shadow of My face T
82
Transience
Nav, do
not grieve tho'
life
be
full
of sadness,
Dawn
Nor
To
lotus blossom
and ashoka
life
leaf.
Nay, do not
pine, tho'
Time
on
his
way
new
all
hopes,
faces,
The unspent
joy of
sorrow.
83
LONELY old
woman
sits
And
The
pageant of
life
fleet
To
She
is
poor, she
lifts
bent, she
is
blind.
But she
And
paean of
or
unkind
La La
ilaha illa-l-Allah^
ilaha illa-l-Allah^
'
Muhammad-ar-Kasul- Allah.'
84
how
gates.
often in vain,
So patient she
sits at
my
rain.
And
In her youth she hath comforted lover and son, In her weary old age,
dear God,
?
.
is
there none
.
To
More
Is
"
La
La
ilaha illa-l-Allah^
Muhammad-ar-Rasul- Allah.
85
In the Night
Sleep,
Safe
O my
little
ones, sleep,
.
till
We
have long
Ripe
Sleep,
for
your
sickles to reap.
O my
is
little
ones, sleep,
Yours Yours
the golden
To-morrow,
Dreams
that
we sow
while you
sleep,
we weep.
86
At Dawn
Children,
my
of
children, the
dayhght
is
breaking,
morn sound
is
long night
o'er,
ended.
we
tilled
and we tended,
The
harvest
we sowed
in the
Weak
In
darkness
we
dreamed
of
the
dawn
o\
vour
splendour,
In silence
we
morrow.
ot
And
our
We
Our
done, lo
the daylight
breaking.
^7
Children,
my
children,
who wake
hearts
to inherit
spirit.
The
Say,
shall
take
to
their
The
Is
it
we have sown
for
your reaping.
?
88
An Anthem
Two
To
liands arc
of Love
we
to serve thee,
our Mother,
;
strive
Two
And
feet are
we
to cleave the
waning darkness.
Two
Two
The
One One
ears are
we
The sounding
eyes are
we
heart are
we
to love thee,
our Mother,
89
Solitude
Let
us rise,
is
O my
heart, let us go
calHng
this lonely
and menacing
To
falling
Come
There
its
tumult of sorrow,
is
rest,
there
strife
is
its
manifold
Where
And
90
the silence
is
life.
listen,
and reach
delicate
lips
of the slumbering
sedges,
stars
their
far
glimpse of the
Bosom
all
In
life
is
unfolded or
shall
91
Challenge to Fate
vex
me
with your
futile conflict,
strive
with me,
foolish Fate
cannot break
slay
You cannot
all
envy.
:
my
my
enduring treasuries
hold
gold.
You may
Say, shall
92
my
The
lyric
The sounding
Of
Yea,
you
may
smite
my mouth
to
throbbing
silence.
Pluck from
Say, shall
While
Shall
my
With
Yea, you
Fetter
may
quell
my
my
will
How
That
you daunt
my
free,
far-journeying fancy
rain
?
rides
How
will
my
triuniphant mind,
?
9.^
all
my
being,
my
love,
Yet
will I slake
At
My
94
The
Call to
Evening Prayer
!
Allah ho Akhar
Allah ho Akhar
Chosen of Islam
:
Allah ho Akbar
Allah ho Akbar
Ave Maria
Ave Maria !
priests at the altars are singing
;
Devoutly the
ye
who worship
Make your
Ave Maria
Ave Maria
Ahura Mazda
Ahiira
Mazda I
is
How
flowing
95
Ye,
who
to
light
make
obeisance.
are
Ahura Mazda
Narayyana
I
Ahiira
Mazda
!
Narayyana
Hark
Lift
up your hands,
up your voices
!
ye children of Bramha,
:
Lift
in rapt adoration
!
Narayyana
Narayyana
96
Men
And The
But
is full
restless sickle
of relentless
fate.
I,
was born.
When
I
terraces of corn
orioles of
Thy morn.
and pride,
What
care
Who know
The homing
.?
What
care
Who
With
dream
Thou
dost bless
?
delicate sheaves of
mellow
silences
97
Say, shall
Or dread
the
rumoured
loneliness
and gloom,
terror of the
tomb
my
glad heart
is
O O
98
Medley
tA
Kciilinieri
Sono
The poppy grows on the roof-top, The iris flowers on the grave Hope in the heart of a lover. And fear in the heart of a slave.
;
The The
opal
lies in
the river.
;
Doubt
bosom.
And
Fireflies
Dreams and
Dance
delicate fancies
Sweetness dwells
in the beehive,
;
And
Joy
lives in a
maiden's breath
And
100
Farewell
butterflies,
murmuring
bees,
fragile
Wild
wings outspread
To
Sweet comrades of
My
little
songs, good-bye
lOI
Guerdon
To
field
and forest
of the spring,
The The
Her
Her
gifts
To hawk
and to heron
pride of their
wing
For me,
O my
Master,
The
rapture of
Love
To To
The gems
of the tide.
The
I02
To
The dreams
For me,
of his youth.
O my
Master,
!
The
rapture of Truth
To To
priests
and to prophets
The The
For me,
O my
Master,
!
The
rapture of Song
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