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REEL Ladies spotlights Rain Kathy Li, ranked in Variety as the top 10 cinematographers to watch out for!! Rain talks about her interest in cinematography, her journey, and current projects.
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What was your journey into the film industry? What initially sparked your interest?
I went to England when I was 15, and had to do many part-time jobs to support my studying and living. Modelling is one of those jobs. I always knew thats not for me but through modelling I discovered my interest in lighting. I love watching photographers setting up lights..the way that they work with nature and the differences between photographers in term of their way of lighting. Then, I gave up modelling and went to the lighting department.
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Give the ladies a brief run down of what a DOP does to prepare for a film.
DoP is short for Director Of Photography.. She or he controls the overall visual look of a film, in close collaboration with art and costume department to create what the director wants.However, in term of the craft itself, cinematography concentrates on camera and lighting to create the mood that the director wants for a sceneHe or she collaborates with the director extremely closely to find the right tone of the images to tell the story.
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Your career as a DP hasnt been that long, but youve already worked with some great names in the industry. Christopher Doyle & Gus Van Sant. How did those opportunities come to you?
Ive been working in the lighting and camera department Ra in Ka t h y Li & Ch r is Doy le since the age of 16. Started as a DoP since I was 19 in short films, commercials and music videos. It was extremely hard as a young female DP. No one really trusted me so I saved money and made 5 short films myself. I wrote, directed and dopd and edited them. Did everything myself and then I had a showreelEverything just started from there slowly. I met Chris through a friend and we immediately bonded. He sees a lot of him in me and the way that I work, as I recalled what he said to me, so he started the idea of collaborating with me. However, it was just an idea at the time. After he saw what I have done on the first project that hes passed on to me, he said he wanted to work with me for the rest of his life, which is totally flattering but I didnt know how truthful those words are. The collaboration started from there 4 years ago. I met Gus through Chris and he was very excited and curious with the idea that we were working together. Hes an extremely generous film-maker who is willing to give opportunities to young talents and film-makers.
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You have some great films lined up in the near future, one with Rebecca Romijn. HOW are you finding these great projects that are launching your career?
Ive been extremely lucky to work with so many great directors and actors, and other extraordinary creative crews. I started in independent films and stayed very loyal to it because I believe in that way of making a film and telling a story. Word of mouth. Being recommended by people that I have worked with before or know me well, approached me to bring their ideas into a big screen. To me, film-making is about always about people.8. For the ladies reading, and Cinematography is their interest, what would you tell them? Its a beautiful world to be in. Its great to see the world in the ways which others can t immediately. It creates its own reality and beauty.
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You had a hand at writing too, do you want to pursue that further?
I love writing but not a good writer. Id love to put my thoughts on papers, or turn into a script. If I have a desire to tell or share something with others, Ill definitely love to write it into script and make a movie out of it. But no intention in writing and directing as a career.
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Filming in Iceland, what do you have to do differently in preparation in filming in these climates than normal?
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marketing? All the best to y ou on y our projects [] ARTICLE: 5 Key s to Unlocking a Distribution Deal Good Article Read by FILM SLATE Independent film distribution can sometimes feel like a my stery . Successes doesnt alway s come for the most deserv ing films, and the failures of cant miss titles often hinge on a series of unrelated mistakes. There will alway s be the flukes, the special projects primed to become ov ernight brands, despite the conv oluted pa []
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How can the ladies get a hold of you to approach you about working on a project? (website, email)
You can see a lot of my work there but not features or recent project unfortunately. Its in the process of getting updated. All my contacts, including my agents, are there. The web hasnt been updated since last year..Many more clips are coming soon. My e-mail address: rain.kathyli@gmail.com RECENT ARTICLES Mens Vogue Variety Hollywood Reporter
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Liaqat A.baltee
October 16th , 2009 at 1:33 pm
narmadha
Decem ber 10th , 2010 at 7:41 pm
i really like y our way of answer to the questions.i also want to become a cinematographer but as a girl ev ery one oppose me no to choose that field.i was confused but now i so clear about my ambition..girls can do any thing
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leather chesterfields
Jan u ary 8th , 2011 at 2:37 pm
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