Beruflich Dokumente
Kultur Dokumente
Fourth Church of Christ, Scientist (Town Hall Seattle) 1916, 1923 Name ____________________________________________ Year Built ______________ (Common, present or historic)
1119 8th Ave, 98101 Street and Number __________________________________________________________ 197920-0050 Assessors File No. __________________________________________________________
Legal Description to the City of Seattle, according to the plat thereof recorded in Volume 1 of Plats, ___________________________________________________________
page 86, in King County, Washington. Dennys A Extension 52 2-3 Plat Name: ____________________ Block _____________________Lot ______________
Lots 2 and 3, Block 52, A. A. Dennys Plat of an Extension to Terrys 1st Addition
Wier Harman Town Hall Association, (Executive Director) Auditorium Present Owner: _______________________________________Present Use: ____________ 1119 8th Ave, Seattle, WA, 98101 Address: ___________________________________________________________________ Fourth Church of Christ, Scientist Original Owner: _____________________________________________________________
Description: Present and original (if known) physical appearance and characteristics:
See attached pages. See attached pages.
Statement of significance:
See attached pages.
Photographs
See attached pages.
Katie Chase, Associate, & Spencer Howard, Partner, Artifacts Consulting, Inc. Submitted by: _______________________________________________________________ 201 N Yakima Avenue, Tacoma, WA, 98403 Address: ___________________________________________________________________ 253-572-4599 July 17, 2012 Phone: _________________________________________________ Date _______________
TABLE OF CONTENTS
1. Architectural Description ................................................................................................................................... 2 1.1 Site and Neighborhood Context .................................................................................................................. 2 Table 1: Nearby Seattle Landmarked Buildings ...................................................................................... 3 1.2 Exterior ............................................................................................................................................................ 3 1.3 Interior............................................................................................................................................................. 5 1.4 Alterations ...................................................................................................................................................... 9 2. Statement of Significance ................................................................................................................................. 10 Table 2: Seattle Landmarked Christian Science Churches .................................................................... 10 2.1 Historical Development of Seattles First Hill Neighborhood .............................................................. 10 2.2 Fourth Church of Christ, Scientist ............................................................................................................. 11 2.3 Neoclassicism ............................................................................................................................................... 15 2.4 The Church of Christ, Scientist, and Christian Science Architecture ................................................... 15 2.5 Architectural Comparisons ........................................................................................................................ 17 Table 3: Architectural Comparisons...................................................................................................... 17 2.6 George Foote Dunham, Architect .............................................................................................................. 18 Table 4: George Dunhams Church Designs ......................................................................................... 19 2.7 Neil McDonald, Contractor ........................................................................................................................ 20 2.8 Summary....................................................................................................................................................... 20 3. Bibliography ....................................................................................................................................................... 21 Appendix 1 Maps.27 Appendix 2 Photographs.32 Appendix 3 Drawings..57
1. ARCHITECTURAL DESCRIPTION
The Fourth Church of Christ, Scientist, stands at the corner of 8th Avenue and Seneca Street along the west edge of Seattles First Hill Neighborhood. Clad on all elevations in white glazed terra cotta, the buildings materials, classical proportions and detailing provide an important visual anchor to the neighborhood. The reinforced concrete structure stands on a poured concrete foundation. Built in two phases, the basement and first floor mark the first phase, with the upper floors and roof completing the second phase. The cross gable roof supported on riveted steel framing features a central dome containing an oculus allowing day lighting to the auditorium below. The subtle shifts in size and spacing of the terra cotta units distinguish the rear west and south elevations from the heavily detailed front east and north elevations. A prominent portico with free standing columns welcomes visitors off the front east facade. Lighting serves an important role in the character of spaces. Sun light filtered through stained glass windows illuminates the third floor auditorium. The architect incorporated the same glass type into lighting fixtures on the second floor, back lit with incandescent bulbs to supplement perimeter day lighting through windows. Interior layout consists of a basement, first, second and third floors, and an attic. The basement contains the buildings principal mechanical space. Large gathering areas with supporting hallways and services areas dominate the first and second floors. The third floor is nearly completely given over to the auditorium with support spaces along the west edge. The attic contains the organ and additional mechanical space above the plaster ceiling. Stairways placed in the buildings outer four corners permit movement between the building levels. An elevator added in the 1960s along the east facade just off the main east entrance augments the perimeter stairways. 1.1 Site and Neighborhood Context Site The Fourth Church occupies the northeast corner of a city block with prominent north and east elevations. Surface parking comprises the rest of the block, allowing all four of the buildings elevations to be visible. The primary facade and main entrance front Eighth Avenue. The north elevation is oriented towards Seneca Street. An alley bounds the 14,400 square foot parcel along the west. Sidewalks front the north and east building sides. The buildings set back from the south parcel, which features a paved payper use parking lot, echoes the separation presented by the west alley. Street trees grow on the north and east sides. Small planting areas flank the front, east entrance stairs. Overall site grade slopes downhill from south to north along the buildings front east facade and downhill from east to west along the north elevation. This slope permits day lighting for most of the first floor with light wells for windows along the east facade. Interstate 5 is located a half block to the west of the Fourth Church. Historic multiple-story apartment buildings, a modern church, and a modern condominium building are located in the Fourth Churchs immediate vicinity. These buildings include the 10-story Exeter House Retirement Community across Seneca Avenue and the 11-story Lowell Apartments, 10story Emerson Apartments, and 21-story Royal Manor Condominium across Eighth Avenue. The First Presbyterian Church and 14-story One Thousand 8th Avenue Apartments are both located to the 2
southeast of the building, across Spring Street. Nearby Seattle Landmarked properties include: the Womens University Club; YWCA Building; St. James Cathedral, Rectory/Site; Baroness Apartment Hotel; Dearborn House; Stimson/Green House; First United Methodist Church; Trinity Parish Episcopal Church; and the U.S. Assay Office/German House. The size, massing, terra cotta cladding, and Neoclassical design of the Fourth Church of Christ, Scientist, sets it apart from its neighbors. Table 1: Nearby Seattle Landmarked Buildings Building Name Womens University Club YWCA Building St. James Cathedral, Rectory/Site Baroness Apartment Hotel Dearborn House Stimson/Green House First United Methodist Church Trinity Parish Episcopal Church U.S. Assay Office/German House Address 1105 Sixth Avenue Date Constructed 1922 & 1962 Architect(s) A.H. Albertson with douard Frere Champney (1922); Durham, Anderson & Freed (1962) douard Frere Champney George Lewis Heins, Woodruff Marbury Somervell James H. Schack and Arrigo Young Henry Dozier Kirtland K. Cutter Schack and Huntington Henry Starbuck, John Graham, Sr. Theobald Buchinger
1118 Fifth Avenue 804 Ninth Avenue 1005 Spring Street 1117 Minor Avenue 1204 Minor Avenue 811 Fifth Avenue 609 8th Avenue 613 9th Avenue
1913, 1944, 1950 1907 1930-1931 1907 1899-1901 1908 1891 1886
1.2 Exterior East Facade Serving as the main, front facade of the building the composition of the east entrance off 8th Avenue dominates. A row of six, non-structural, Roman Doric columns support a projecting portico. A pediment rises above and behind this portico from the buildings main rectangular mass. A prominent cornice wraps along this facade around the portico, continuing around the north elevation and the outer corners of the west and south elevations. Flat terra cotta units with thin joints comprise the majority of the cladding and serve as a base to contrast with ornamental details. At the basement level and at the outer bays, larger terra cotta units with pronounced joints imitate quoins and rustication. Raised terra cotta panels with rounds at the outer corners decorate the first floor's outer bays. Similar rounds are also used in the cornice. Molded terra cotta units comprise projecting elements such as dentils and pilasters. A narrow band of stained glass windows above each panel provides second floor day lighting. Within the pediment a large, arched stained glass window streams day lighting to the inner auditorium while a 3
round vent above lets air circulate through the attic. At the entry, a series of concrete steps lead up to a concrete landing. Three double-leaf doorways flanked by single leaf doors open to the first floor vestibule. Each double-leaf doorway features a narrow, single lite transom above. Low terra cotta clad railings frame the landings ends and outer front bays. Painted iron light standards supporting round white glass globes illuminate the entrance approach. Above the doorways, stained glass casement windows yield day lighting to the third floor auditorium. North Elevation Striking in composition, this elevation features two sets of engaged columns supporting a prominent cornice with the pediment carried upon a series of short pilasters. Recessed within this composition resides a massive round arched assembly of fixed sash stained glass windows illuminating the auditorium. Directly below, four double-leaf French doors open from the first floor onto a balcony. A round vent above the stained glass windows allows ventilation to the attic. Single leaf doors set between engaged columns at the first floor continue the doorway symmetry from the front east facade, but are non-functional. The French doors all feature a single fixed lite. The narrow balcony is an extension of the first floors structural concrete floor slab, with decorative terra cotta brackets along the exterior. A series of windows directly below the first floor doorways provide day lighting to the first floor. Stained glass windows above the single leaf inoperable doors bring day lighting to the third floors inner auditorium. The terra cotta cladding on the north elevation echoes the patterns from the east facade. Raised panels decorate the first storys end bays, each capped by a narrow band of stained glass windows illuminating the second floor. Located at the first floor level on the west corner of this elevation, the northwest entrance served as the main entry prior to completion of the upper two stories. Concrete steps ascend to an exterior landing before three single leaf metal sash doors open onto a vestibule at the foot of the northwest stairway. From this vestibule, two double-leaf doors lead to the main first floor volume. The lobby features tile flooring and base. West Elevation The two solid walls to either side of the central fenestrated portion contain the northwest and southwest stairways. The northern mass continues terra cotta detailing from the north elevation. The southern mass displays a plain surface composed of smaller terra cotta units with thinner joints. A series of raised panels in the central gable end faintly suggest columns with brackets supporting a gable roof. Windows in the central portion provide day lighting to offices and dressing rooms on the first through third floors. Patterning repeats from the east and north elevations, with paired sash flanked by single units and single units above along the third story. Louvered metal vents circulate air to the attic. There are two entrances on this elevation. The northernmost served to receive coal deliveries and is no longer used. The pair of doors each features a raised lower panel with 6-lites above. They open to a shaft down to the basement with a steel rung ladder mounted to the concrete wall. The southernmost entrance leads to the first floor of the southwest stairway. This door features a pair of vertical recessed panels with eight vertical lites above. The buildings chimney used by the coal and later the oil furnaces extends above the parapet and dome on this elevation.
South Elevation The eastern portion of this elevation continues decorative detailing from the front east facade. The central and west portions feature the more utilitarian smaller terra cotta units with thin joints as seen on the west elevation. A large round arched stained glass window assembly matching the north elevation illuminates the auditorium. Smaller paired and single units below and to either side provide day lighting to interior spaces. A round vent in the gable end circulates air to the attic. Two paired stained glass windows admit day lighting to the third story level of the southwest stairway. A similar band extends along the upper east portion of the elevation, illuminating the southeast stairwell on the interior. A pair of double leaf flush panel metal doors facilitates service access off this elevation. The doors open to the lobby at the bottom of the southwest stairway. This lobby also accesses the basement. Roof A cross gable roof with a central dome rising from the gable intersection shelters interior spaces. The north, east and south gable ends each contain a large stained glass window assembly providing day lighting to the auditorium. The central dome contains an oculus directing light downward to a round stained glass relite above the auditorium. The gable roof portions each feature asphalt composition shingles with low terra cotta parapets along the perimeter. The dome consists of copper cladding. A riveted steel structure supporting wood decking comprises the roof and dome structure. Flat composition clad roofs with tall terra cotta capped parapets shelter the northeast, northwest, southwest and southeast stairways. Small doors from the attic access these areas. Internal downspouts connect to the citys storm water system. Internal gutters extend along the lower edges of the gable roof slopes. 1.3 Interior Basement The basement serves exclusively as mechanical spaces for the building. A direct flight concrete stairway with painted metal tube railings descends from the basements southwest stairway landing. A second direct flight stairway descends from this first volume to a lower area containing the brick coal furnace, oil furnace, steam heating lines and a massive, belt driven, heating and cooling fan system. Metal clad fire doors separate the spaces. All areas feature concrete floors, walls and ceilings. As technology changed, mechanical and electrical equipment was added and removed throughout the space. First Floor (Seneca Entrance) The first floor is accessed primarily off Seneca Street. This floor features six main functional groupings: main volume, west service spaces, east corridor and access hallways, east service spaces, central service spaces, and restrooms. The main volume occupies the majority of the floors central and west portion and served as the place of worship prior to completion of the upper two floors. The space features utilitarian finishes, painted ceiling, beams and piers with wall to wall carpeting. Curtains furnish flexible divisions within the space to accommodate different performance sizes. Contemporary fluorescent tube and incandescent 5
pendant type fixtures illuminate the space. The east portion of the area adapted to serve as a stage with access to the central service spaces for performers. From the northwest corner a landing and steps enter into the space from Seneca Street. A ramp runs along this wall to provide ADA access to the restrooms off the floors east corridor and elevator via the north access hallway. In the southwest corner of the area a short, direct flight of stairs with a wood railing lead up to the second floor southwest stairway landing. West service spaces stand just west of the main volume. They contain catering support space for events held in the main volume. The spaces feature painted plaster walls with wood baseboard, painted ceiling, and vinyl composition flooring. Contemporary fluorescent fixtures provide lighting in addition to day lighting from west elevation windows. Windows have obscure glass. An added ramp leads up to the northwest entrance. Two sets of French doors open to the main volume. Added acoustical coverings on the doors provide sound attenuation between the service and performance spaces. East access hallways and corridor serve as the main circulation feeders and collector, respectively. The access hallways direct movement in from the east performance area to restrooms, stairways, and the elevator, all accessed off the north/south running east corridor. The hallways feature 12-lite painted wood French doors at either end. Multiple panel wood doors lead off these hallways to the central service spaces. Linoleum flooring covers the corridor and hallway floors with original wood baseboard and door trim along the painted plaster walls. Added light fixtures hang from the painted plaster ceiling. Windows admit day lighting to the north and south ends of the corridor. Multiple panel painted wood doors open off the corridor to adjoining service spaces and the storage areas beneath the northeast and southeast stairways. East service spaces consist of utilitarian storage spaces that functioned previously as the nursery during the church operation. They feature painted plaster walls and ceilings, with incandescent single bulb and fluorescent lighting fixtures, and elevator mechanicals. Central service spaces provide back stage areas for performers utilizing the main volume stage. These spaces feature utilitarian finishes. Restrooms are located at the north (mens) and south (womens) ends of the corridor. They feature terrazzo flooring with painted plaster walls and ceilings. Previous alterations replaced the wood stalls with composite stall partitions and created an ADA accessible stall. The original toilets and urinals remain; however, sinks and lighting fixtures are contemporary. A wood sill runs below the windows to continue along the north and south walls. Wall mounted radiators supply heating. Second Floor (Foyer Level, 8th Ave Entrance) The second floor is accessed primarily off 8th Avenue. This floor features five main functional groupings: entrance vestibule and lobby, north and south foyers, west service spaces, central service spaces, and a central corridor. The entrance vestibule and lobby serve as the main receiving and distribution mechanism for people arriving to the building. The second floor retains original lighting fixtures, trim and spatial configuration. Brass fixtures utilize the same decorative glass found in the stained glass windows. The 6
narrow vestibule transitions between the portico and lobby. The inner set of double doors was removed to encourage the quick movement of visitors into the lobby. The vestibule space features vinyl composition floor tiles with painted plaster ceiling and walls, the latter accented by wood trim and wainscot cap. Recessed wall radiators at either end (only the north radiator remains) supplied heating. The south radiator was removed with installation of the elevator in the 1960s in the southern portion of the vestibule. The lobby volume continues finishes from the vestibule. This space leads to the north and south foyers and provides connection to the central, northeast and southeast stairways, and to the added elevator. Piers with recessed panels having simple bases and capitals carry beams having recessed panels. Flat ceiling panels run between the beams. All surfaces are painted plaster. Two columns flank the central stairway leading up a direct flight of narrow stairs, with contemporary metal railings, to the auditorium. Several steps and an intermediate landing lead to a pair of multiple lite French doors opening to the stairs. Contemporary metal railings line the stairway. The original readers desk, placed on casters and painted red, now functions as a box office. Several original wood pews stand around the perimeter of the space offer seating. North and south foyers provide expanded function and circulation space with ample day lighting. They connect from the lobby to the northwest and southwest stairways, the west and central service spaces and the central corridor. They continue finishes from the vestibule and lobby. The south foyer features a Paperstone counter below the windows for expanded seating and an added service bay. The central corridor connects the north and south foyers and opens on to the guest service spaces within the central service spaces. This corridor continues finishes and fixtures from the vestibule and lobby. A series of concrete beams finished with painted plaster segment the length of the corridor. Flat ceiling panels run between. A projecting wood counter carried on wood brackets extends along the east side of the corridor at the former hat and coat check locations. Wood trim frames these openings. Central service spaces flank the central corridor, with the former coat and hat check areas opening off the east side of the corridor. These spaces feature utilitarian painted plaster walls and ceilings with multiple built-in shelving units for hats and bags. Original brass light fixtures with a floral glass shade illuminate these spaces. Alterations converted the south end to a space for serving refreshments and prepared food items with an added service window opening onto the south foyer. West service spaces accommodate office and administrative support functions. Walls and ceilings feature painted plaster finishes with wall to wall carpeting throughout. The spaces continue wood baseboard, wainscot and trim detailing from the main public spaces. Contemporary fluorescent fixtures supply lighting. Third Floor (Auditorium) The third floor is accessed via the buildings four corner stairways and the small central stairway from the second floor lobby. This floor features three main functional groupings: auditorium, west service spaces and hallway, and restrooms. The Auditorium serves as the destination and central volume around which the other spaces are organized in their supporting roles. The space originally featured a platform for two readers located centrally below the painted, pierced plaster screen. The screen allowed sound from the organ, located 7
directly behind it, to pass out into the auditorium. Painted wood paneling and pilasters run below the screen. Custom built, stained wood pews radiate out and upward. A gentle rise in the floor leads up from the center to the perimeter. Pews in the northeast and southeast corner curve to maintain direct views to the central readers. A steel structure supports the painted plaster central dome and vaults, allowing an unobstructed central space. The vaults spring from a classical frieze supported by slender piers having recessed panels on each face and simple capitals. Stained glass windows around the perimeter of the space and the oculus above admit day lighting. Carpeting comprises the floor covering throughout the space. Plaster walls extend around the perimeter, interrupted by pilasters where ceiling beams connect to the outer walls. Painted wood baseboard, wainscot cap and crown molding extend around the perimeter. Original brass pendant type fixtures provide lighting. West service spaces rooms and hallway contain support space directly behind the auditorium. The hallway runs north/south between the northwest and southwest stairways with the service spaces opening off the west, as well as the stairway to the attic. Doors on the east lead to stage, added in 1999, which replaced the original reader's platform. The hallway and service spaces retain painted plaster walls and ceilings with the original lighting fixtures. Painted wood door and window surrounds, baseboard and wainscot cap provide finishing details in these spaces. The hallway and service spaces feature wall to wall carpeting. Each space has a window for day lighting and ventilation. Bathrooms located at the north and south ends of the west service spaces both retain their original sink and toilet. One bathroom features its original wood stall partitions. Walls and ceiling continue finishes from the west service spaces and hallway, with vinyl composition tiles for flooring. The original lighting fixture illuminates the space along with a window for day lighting. Attic The attic provides mechanical space above the third floor, along with space and access for the organ and rooftop access. Cast iron stairs with winders at the top, lead to the attic from the third floor hallway. The organ occupies the westernmost portion of the attic above the west service spaces with louvers opening to the screen in the auditorium. A wood door accesses the interior of the organ for servicing. A narrow walkway behind the screen leads to smaller doors at either end accessing the roof and a central ladder leading to the mechanical space above the dome. Circulation The movement of people within the building relies upon a series of stairways and an added elevator. The main circulation elements consist of the northeast and southeast stairways, the southwest and northwest stairways, and the elevator. Secondary circulation elements such as the basement stairs and the direct flight between the auditorium and lobby (not in use) are called out in the space descriptions above. Northeast and southeast stairways (first to second floor) provide the main route for the public to access the first floor restrooms. These quarter turn stairs exhibit vinyl composition tiles on tread and landings. Painted plaster walls and ceiling define the stairwell finishes. A round, wall mounted globe type light fixture at the top of the stairs provides lighting. A pair of French doors with multiple lites 8
allows access to be closed off from the second floor. A wood railing with painted balusters and stained wood newels and railing run along the inner side of the stairway with an added railing along the outer edge. Carpeting covers the landings. Northeast and southeast stairways (second to third floors) provide the main route for the public to move between the auditorium and lobby. These quarter turn stairs feature carpet on tread and landings between the second and third floor. Painted plaster walls and ceiling define the stairwell finishes. Pendant type light fixtures with a conical white shade illuminate the lower landing. Two sets of double leaf French doors with multiple lites allow access to be closed off from the lobby. Round wood railings run along the inner side with added railings along the outer side. A wood railing with painted balusters and stained wood newels and railing run along the open stairwell at the third floor. Northwest and southwest stairways provide the main service circulation. They extend from the first up to the third floor. A pair of multiple lite French doors provides access between the stairways and the auditorium. Original lighting fixtures remain at each level. The stairs feature a railing with painted balusters and stained wood newels and railing. The elevator addition occurred in the 1960s and provides access between the first and second floors. The cab features painted metal interior panels with a brass control cover and push button operation. The elevator addition occurred in the south portion of the vestibule space. The exterior single leaf door at this location remains in place and secured closed due to the elevator. 1.4 Alterations Alterations to the east facade include closing of the southernmost single-leaf door to accommodate the elevator addition in the 1960s, adding an ADA ramp and railings, replacing of the porticos pink marble floor with concrete and seismically reinforcing the columns. Original pendant iron portico light fixtures seen in early photos no longer exist. Alterations to the north elevation include concrete planter, metal tube railing and concrete steps, exterior door, entrance canopy, and replacement of the three doors leading to the interior. A new sign and recessed lighting run along the upper portion of the entrance. Added fluorescent lighting exists throughout the entire first floor space. Original window sashes at the basement level previously replaced. Alterations to the west elevation include a metal security screen over the northwest first floor entrance and an added adjacent vent. Alterations to the south elevation include replacement of all first floor window sash and southwest entrance doors. Upper story windows on this elevation and the entire terra cotta facade were carefully restored in 2010 with the assistance of a National Trust for Historic Preservation Partners in Preservation grant. Alterations to the roof replaced the asphalt composition shingles, flat roof composition layer, and painted over the copper dome in an effort to weatherize it.
Alterations to the auditorium removed the reader's platform, the organ console, and many pews. The stage has been added to create a performance space. Doorways behind the stage lead to the former west service spaces and dressing rooms, which retain their original brass plaques denoting First Reader, Second Reader, Soloist, and Organist. Other alterations include the replacement of most non-stained exterior glass (it was all obscure glass), removal of most of the cloakroom built-ins, removal of built in lobby literature displays, the addition of a south lobby service bay, and the addition of plumbing, electricity, and a storage area for refreshment service.
2. STATEMENT OF SIGNIFICANCE
The period of significance for the Fourth Church of Christ, Scientist (Town Hall Seattle) begins in 1916, the year the buildings first phase of construction commenced, and ends in 1922, with the completion of the last phase. The building is a highly intact example of ecclesiastical architecture as designed by Portland, Oregon-based architect George Foote Dunham. The building represents typical Christian Science architecture in Seattle and retains its interior layout and virtually its entire original exterior and many of its interior finishes. Four other Christian Science church buildings are currently designated as Seattle Landmarks: the First Church of Christ, Scientist; the Fifth Church of Christ, Scientist (as a contributing resource within the City of Seattle Columbia City Landmark District); the Sixth Church of Christ, Scientist; and the Seventh Church of Christ, Scientist. Table 2: Seattle Landmarked Christian Science Churches Building Name First Church of Christ, Scientist Fifth Church of Christ, Scientist Sixth Church of Christ, Scientist Seventh Church of Christ, Scientist Address 1519 E Denny Way, Seattle 3515 S Alaska Street, Seattle 2656 42nd Avenue SW, Seattle 2555 8th Avenue W, Seattle Date Constructed 1906 1921 1921 1910
2.1 Historical Development of Seattles First Hill Neighborhood Originally established as an upscale residential area for Seattles wealthy residents, First Hill evolved into a neighborhood featuring a wide range of commercial, institutional, and multiple family uses. Incorporated as a town in 1869, settlement-era Seattle developed on the hillside rising above Elliott Bay, which served as the communitys seaport. The downtown area grew out of the three original plats set out by early founders Carson Boren, William Bell, and Arthur Denny, with the street grid following the shoreline. Commercial growth within the downtown core converged around Front and Commercial Streets (now First Avenue and First Avenue South). Residential growth occurred primarily to the north and east of the downtown.
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By the mid-1880s, wealthier Seattle citizens began to construct larger residences further up the hill from the downtown on First Hill, likely due to the hills proximity to the business district and sweeping views of the waterfront. Col. Grandville Haller and Morgan Carkeek built the first large residences on the hill, and over the next two decades other wealthy families began constructing their own grand houses in the neighborhood. First Hill eventually boasted approximately 40 mansions.1 The neighborhood did not remain an exclusive enclave away from the bustle of downtown activity for long. Continued population growth and the expansion of the citys streetcar system soon encroached, with businesses locating to the neighborhood and the construction of smaller residences on the east side of First Hill. New construction during the early 1900s increased the neighborhoods density and altered the character of the neighborhood from predominately single family residential to a mixture of commercial, residential, civic, and institutional activities. Hospitals, including Swedish Hospital (1908), Providence (1912), and Virginia Mason (1920) came to define the urban landscape, alongside fraternal halls like the Masonic Temple (1915) and the Washington Hall of Danish Brotherhood (1908) as well as churches such as Trinity Church (1905) and St. James Cathedral (1907). While First Hill continued to evolve, other Seattle neighborhoods rose in prominence, and many wealthier residents relocated, selling their mansions. These once grand mansions fell into disrepair or became boarding houses. Multiple story apartment buildings replaced many single family houses and became the neighborhoods dominant feature as density increased.2 The construction of Interstate 5 through downtown Seattle in the 1950s and 1960s effectively severed First Hill from the downtown core, further altering the neighborhoods character. According to Folke Nyberg and Victor Steinbrueck, prominent Seattle architects as well as the authors of a 1975 urban resource inventory of Seattle, Compared with many other Seattle communities, First Hill is characterized by a lack of planned urban design resources such as parks, viewpoints, boulevards, and public art Consequently, the urban design character of First Hill is mainly composed of its widely varying streetscape qualities with many buildings of landmark prominent.3 Presently, First Hill features a broad range of activities, with numerous extant historic buildings which continue to speak to both the neighborhoods early history and its later evolution. (See Table 1 on page 3 for a list of nearby First Hill Seattle Landmarks). 2.2 Fourth Church of Christ, Scientist The membership of the First Church of Christ, Scientist (1519 E Denny Way, Seattle), founded in 1896, expanded by the early 1900s to the point which required the establishment of another church. This new church became known as the Fourth Church of Christ, Scientist, as at that time two other Christian
1 Folke Nyberg and Victor Steinbrueck, First Hill: An Urban Resource Inventory (Seattle, WA: Historic Seattle Preservation and Development Authority, 1975). 2 Nyberg and Steinbrueck, First Hill. 3 Nyberg and Steinbrueck, First Hill.
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Science churches (the Second Church of Christ, Scientist, in Ballard and the Third Church of Christ, Scientist, in the University District) had already formed. Once established, the Fourth Church of Christ, Scientist, began meeting in downtown Seattle on June 26, 1909.4 When the church first organized they did not have a building of their own, instead meeting in the Arcade Hall, room 207, of the Arcade Building on Second Avenue and University Street.5 The Fourth Church continued to rent space for their Sunday services, eventually moving to the Hippodrome Building at 500 University Street by 1914.6 By August 1914, the church purchased property at the southwest corner of Eighth Avenue and Seneca Street. According to an August 30, 1914, Seattle Times article, the congregations intent to build a church on the property fit in with the emerging character of the neighborhood since at that time, a number of buildings of a semi-public character recently have been erected in that district.7 The transitions, laid out in the following paragraphs, from the original practical vision to the splendor of the terra cotta clad existing building chronicle the congregations ascendance in wealth and prominence within the community. The congregation raised funds to pay for each of the construction phases. News of the congregations plans for a church building of their own appeared in a July 8, 1916, article in the Seattle Times. The article detailed a two-phase construction plan for the building amounting to $100,000, with the first phase projected to cost an estimated $24,000. The phased construction allowed the congregation to move into the building upon completion of the first stage and continue fund raising until phase two construction started.8 The congregations building committee, chaired by W. K. Sheldon, selected Portland-based George Foote Dunham as the projects architect. The article reported the building would front Seneca Street and feature a large foyer, directors room, circulating library, and church offices. Additionally, an electrically-operated elevator was planned to be installed between the foyer level and the auditorium. The congregation would hold their Sunday morning services in the 1,000-seat auditorium. According to the article, A cove system of lighting will be installed and the interior of the church will be finished in gray and ivory with windows of amber and flesh opalescent glass. The structure will be of hollow tiles faced with cream-colored brick.9 The building committee awarded construction and plumbing contracts early in August 1916. Neil McDonald10 received the construction contract with a bid of approximately $30,000, while the plumbing contract went to Benjamin Randal.11 At the time of the contract awards, project managers anticipated a project completion deadline of January 1, 1917, for the first stage. Intended to be a 3-story building, the
4 Clarence Bagley, History of Seattle From the Earliest Settlement to the Present Time, Vol 1. (Chicago, IL: The S.J. Clarke Publishing Company, 1916), 186. 5 Seattle Times, July 10, 1909. 6According to the congregations listings in the R. L. Polk & Co.s Seattle City Directories for 1914 and 1915. 7 Seattle Times, August 30, 1914. 8 Seattle Times, August 12, 1916. 9 Seattle Times, July 8, 1916. 10 McDonald also served as the building contractor for the construction of Sixth Church of Christ, Scientist, in Seattle. 11 Seattle Times, August 12, 1916.
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first phase of the project saw the construction of the buildings first floor and basement mechanical space. The first floor included a large Sunday School room to serve as the congregations auditorium until completion of the entire building. Construction costs for this initial construction phase exceeded initial estimates, reaching $40,000. With the congregation growing and funds in hand, in 1922 the Fourth Church continued plans for the completion of the remainder of the building. The congregation retained Neil McDonald as their contractor and the anticipated expenditures for the second phase of the project came in at $150,000, bringing the total project cost to an estimated $190,000.12 While plans for the building largely remained the same, the walls of the upper story were to be built of reinforced concrete clad on all four sides with terra cotta.13 The second phase of construction required the congregation to relocate for over a year. Beginning in July of 1922, they met in the Wilkes Theatre Building at Fifth Avenue and Pine Street for the duration of the project. The final construction costs for the building reached $300,000. The main entrance fronted Eighth Avenue and accessed the second floor of the building. The second floor housed the main foyer, a cloak room, and clerks and ushers rooms. Stairs led to the main auditorium on the third floor, which the original plans indicated had a total seating for 1184 people.14 The lightness of the interior showcases the richness of the mahogany pews and readers platform. Windows throughout the space showcased patterned opalescent art glass, created by Povey Brothers Glass Company of Portland, Oregon.15 The lack of symbolism in the auditorium and its art glass windows adhered to the Christian Science philosophy to emphasize scripture over symbols and rituals.16 A three-manual Austin pipe organ, tucked behind a plaster grille, filled the auditorium with sound.17 Readers rooms and restrooms reside behind the readers platform. Following the completion of the entire building, the first floor space became a Sunday School room. In addition to the high quality of the buildings decorative features, contractors installed a $20,000 heating plant, utilizing a combination of hot water and hot air.18 The congregation held their first Sunday service in the fully completed building on September 22, 1923. In addition to their regular service, the church hosted a reception to commemorate the occasion. The congregation continued to utilize the building at Eighth and Seneca for the next sixty plus years, but by 1990, dwindling attendance coupled with ever-increasing maintenance costs persuaded the
12 Seattle Times, July 18, 1922. 13 Seattle Times, September 3, 1922. 14 George Dunham, Fourth Church of Christ, Scientist, Original Drawings (1916-1922), Seattle Department of Planning and Development, Microfilm Library. 15 The Fourth Church awarded the glass contract to Povey Brothers Glass Company of Portland, Oregon, on February 5, 1923, for a bid of $2568. Larry Kreisman (Program Director, Historic Seattle), email correspondence with author, July 2012. 16 Paul Eli Ivey, Prayers in Stone: Christian Science Architecture in the United States, 1894-1930 (Chicago, IL: The University of Illinois, 1999), 3. 17 Seattle Times, September 22, 1923. 18 Seattle Times, September 30, 1923.
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church to consider selling the property.19 As the church began to explore their options, a group of private investors and preservationists led by David Brewster, the former Seattle Weekly publisher, expressed interest in the building. The group, organized as Landmark Hall, originally formed in an effort to save the old sanctuary of Temple di Hirsch to convert the building into a community and performing arts venue. The investors shifted their plans and negotiated with the Fourth Church congregation over the next several years; however, the church rejected six offers from the consortium throughout the 1990s. Brewster and the investors then contacted Historic Seattle, a historic preservation advocacy nonprofit organization, to assist the group in the negotiations. Historic Seattle analyzed the buildings potential as a performing arts center and successfully negotiated a purchase and sale agreement for the property in 1997, pending the results of a feasibility study and building assessment.20 Historic Seattle conducted a feasibility study with $75,000 in emergency funding, through Hotel Motel Funds approved by the King County Arts Commission and Landmarks and Heritage Commission. The study assessed the buildings physical condition, viability as a performance venue, and whether a market existed for this type of venue. Following the completion of the study, Historic Seattle concluded it did not have the capacity to raise the funds required for the buildings long term preservation without detracting from other projects. As such, Historic Seattle transferred the purchase agreement to Brewsters investor group, which formed Town Hall LLC. The deal closed in April 1998 with the congregation accepting Town Hall LLCs offer over a higher offer from First Presbyterian Church, which sought to consolidate the parcel with other adjacent parcels for an entire redevelopment of the block.21 As Town Hall LLC acquired the building, a non-profit organization, Town Hall Association, formed to run it as a performance venue. The Association leased the building from the LLC and had a first option to purchase the property. Then in December of 1997, Town Hall Association exercised its option to purchase the property from Town Hall LLC through the contribution of shares and loans from the investor group and through grant funding from Washington State Building for the Arts, 4Culture, and the City of Seattle.22 A successful organization, the Town Hall Association, today, operates on a $1.5 million annual budget and in the last fiscal year alone (June 2011-June 2012) served the community by presenting over 410 events to nearly 105,000 audience members. The Town Hall Association continues to operate the venue as a community and performing arts center, offering programs in music, humanities, civic discourse, and world culture in the form of concerts, lectures, meetings, and fundraising events.23
19 Reuben McKnight, Town Hall: A Case Study, Preservation Seattle, November 2002, http://www.historicseattle.org/preservationseattle/techniques/defaultnovember.htm 20 McKnight, Town Hall.
21 Sheila Smith (Operations Director, Town Hall Seattle), email correspondence with author, May - July
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2.3 Neoclassicism The Fourth Church of Christ, Scientist, embodies the Neoclassicism of the late 19th and early 20th Century Revivals Movement. The buildings quiet formality and restrained ornamentation conform well to the basic tenets of the Neoclassical Revival style and display Roman stylistic details, such as the Roman Doric column capitals. Neoclassicism emerged from the City Beautiful movement and the associated Beaux-Arts Classicism, first introduced to the nation through the Columbian Exposition at Chicago in 1893. This wave of classical revival in architecture praised the style of the ancient Greek and Roman cultures as viewed through the lens of the renowned cole des Beaux-Arts, the Parisian arts and architecture school. Beaux-Arts Classicism emphasized grandeur, symmetry, and opulent ornament. Referring to Beaux-Arts Classicism and other Classical Revival styles, Architectural historian Carol Rifkind states, Buildings or monuments which revive Classical Greek or Roman styles are notable for their weightiness, solidity, and pretentious figural and ornamental motifs.24 Following World War I, the design sensibilities lauded by the City Beautiful movement shifted slightly, with practical concerns valued over greater opulence. New construction continued to favor the nostalgia present in the Beaux Arts Classicism, but slightly more restrained building facades emerged in popular design, as seen in the Neoclassical movement. According to architectural historian Marcus Whiffen, Neoclassicism exhibits the following characteristics: Buildings of the Neo-Classical Revival are generally larger than those of the nineteenth-century Greek Revival and always simpler in effect than those of Beaux-Arts Classicism. They show none of the tendency to multiply angles and projections that marks the latter style; broad expanses of plain wall surface are common; roof lines, when not level, are quiet and unbroken by sculptural incidents. The Greek orders are employed much more often than the Roman, and in keeping with this windows and doorways are linteled rather than arched; pedimented porticoes are frequent features. Coupled columns are not used.25 Leland Roth, architectural historian, describes Neoclassicism as a means of making urban buildings more harmonious with one another.26 The Fourth Church of Christ, Scientist, exemplifies this concept as a prominent landmark which anchors the corner of 8th and Seneca, while relating well with its surrounding neighborhood. 2.4 The Church of Christ, Scientist, and Christian Science Architecture Mary Baker Eddy (born Mary Morse Baker, 1821-1910) founded the First Church of Christ, Scientist, in Boston, Massachusetts, in 1879. Born and raised in a Congregationalist home in New Hampshire, Mrs. Eddy (as she is referred to by Christian Scientists) suffered from illness for much of her youth. She devoted herself to studying the Bible and in 1866 discovered what she believed to be the
24 Carole Rifkind, A Field Guide to American Architecture (New York: New American Library, 1980), 220. 25 Marcus Whiffen, American Architecture Since 1780: A Guide to the Styles (Cambridge, MA: The M.I.T. Press, 1969), 167. 26 Leland Roth, American Architecture: A History (Boulder, CO: Westview Press, 2001), 290.
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Science of Christianity, a system of applying spiritual laws. After continued study, Eddy published her book Science and Health with Key to the Scriptures in 1875 and founded Christian Science in 1879. The movement quickly gained traction in New England and soon spread throughout the nation, sparking a building boom of Christian Science churches, with over two thousand branch churches built by 1930.27 The religious movement quickly found its way to the Pacific Northwest; Christian Scientists began to meet in Seattle in 1889. Eighteen charter members founded the First Church of Christ, Scientist, on August 6, 1896.28 The church grew in membership and the congregation erected the First Church of Christ, Scientist, designed by the firm of Bebb & Mendel, in 1906 in the adjacent Capitol Hill neighborhood of Seattle. Although the Mother Church (First Church of Christ, Scientist) serves as the headquarters for the Christian Science church, the denomination does not have the same hierarchical structure of other Protestant denominations. The construction of new church buildings in various architectural styles by individual congregations illustrates this principle. Though the church does not prescribe a specific architectural style, many Christian Science church buildings, including the Fourth Church of Christ, Scientist, in Seattle, utilized the Classical Revival styles made popular following the 1893 Columbian Exposition at Chicago. The Extension to the Mother Church, a large auditorium addition constructed between 1903 and 1906, embraced the elements of Classical Revival, which encouraged other congregations to select a similar aesthetic. According to Paul Ivey, art history professor and author of Prayers in Stone, Christian Science church architecture emerged during an identity crisis in religious architecture in general. This crisis concerned the changing function of the church in the city and the rise of non-Protestant religions.29 At the time of the Christian Science movements emergence, religious buildings utilized various architectural styles, including Gothic Revival, Romanesque Revival, Byzantine, and Moorish Revival. The use of classical styles allowed Christian Scientists to distinguish their church buildings from those of other Protestant denominations and even other religious architecture. Christian Scientists believed the classical orders and systems reflected the institutionalization of the Christian Science ideals.30 In addition to exterior architectural similarities, Christian Science church buildings share similar interior architectural features and spatial organization. The design of the church auditoriums lends itself to the uniqueness of Christian Science worship services, which center on readings from scripture and Eddys Science and Health. Instead of a pulpit or altar dominating the back of the sanctuary, Christian Science auditoriums feature a shallow, raised platform with room for two reader stands. According to Paul Ivey, author of Prayers in Stone, the configuration of pews, often arranged like an amphitheater, emphasized a unity and intimacy of worship rather than hierarchy, a gathering around of believers who listened to a lesson-sermon read from a dual pulpit.31 The interiors of Christian Science buildings,
27 Ivey, 6, 8. 28 The Progress of Christian Science, The Christian Science Journal, Volume XXX, no, 2 (December 1912), 586. 29 Ivey, 94. 30 Ivey, 8. 31 Ivey, 4.
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often illuminated by stained glass windows, lacked the religious symbolism or ornamentation often associated with other religious buildings. 2.5 Architectural Comparisons The architecture of the Fourth Church not only demonstrates Dunhams excellent and consistent design aesthetic, but sets it apart from other Christian Science churches in Seattle. In order to understand the architectural significance of the Fourth Church of Christ, Scientist, a few other religious buildings will be discussed as comparisons. Table 3: Architectural Comparisons Building Name First Church of Christ, Scientist Third Church of Christ, Scientist Fifth Church of Christ, Scientist First Church of Christ, Scientist Second Church of Christ, Scientist Address 1519 E Denny Way, Seattle 4740 17th Avenue NE, Seattle 3515 S Alaska Street, Seattle 1027 N Forest Street, Bellingham 806 W Indiana Avenue, Spokane Date Constructed 1906 1921-1922 1921 1910 1921
The First Church of Christ, Scientist, (1519 E Denny Way, built 1906) exhibits an interior layout and architectural elements comparable to the Fourth Church Christ, Scientist and other Christian Science churches. While the design of Christian Science church buildings remained at the discretion of the local congregation, many constructed churches in Classical Revival styles. The congregation of the First Church of Christ, Scientist, favored slightly more ornate Roman architectural elements than the Fourth Church. Clad in Bedford limestone and Concord granite, the First Church also exhibits greater ornamentation with stone cartouches, Corinthian capitals, intricate garlands, dentils, and egg and dart carvings. The Fourth Church appears quite subdued in comparison. In addition to the Fourth Church, George Foote Dunham also designed Seattles Third Church of Christ, Scientist (4740 17th Avenue NE, built 1921-1922). Both of Dunhams Seattle churches feature entrances marked by fluted columns, although the Fourth Churchs columns support a heavy pediment, while the Third Church has engaged columns. The two church buildings have similar features, due to their shared architect, contractor, and construction for Christian Science congregations. The Fourth Churchs terra cotta cladding sets it apart from the Third Church of Christ, Scientist, which utilizes brick with stone accents. The terra cotta and dome of the Fourth Church serve the building well and project gravitas amongst other downtown buildings in its urban location. Seattles Fifth Church of Christ, Scientist (3515 S Alaska Street, built 1921), also embodies a classical design aesthetic similar to the Fourth Church. The building, designed by Seattle architect Earl A. Roberts, is a contributing resource to the Columbia City Historic District, listed to the National Register of Historic Places on January 1, 2005.32 The building is also contributing to the City of Seattle Columbia City
32 Holly Taylor, National Register of Historic Places Nomination: Columbia City Historic District (2004), Section 7, page 6.
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Landmark District (listed 2005). The Fifth Church exhibits the Greek Revival style and shares stylistic elements with the Fourth Church. While prominent entrance porticos and classical revival details, including multi-lite windows and columns, accentuate both buildings, the scale and quality of material distinguish the Neoclassical Fourth Church from the Fifth Church. Dunham also designed a Christian Science church in Bellingham, Washington, the First Church of Christ, Scientist (1027 N Forest Street, built 1910). Bellinghams First Church and Seattles Fourth Church have similar footprints and massing and both employ Neoclassical elements. The main entrances on both buildings feature pedimented porticos supported by Doric columns. The Bellingham Christian Science church lacks the terra cotta cladding, prominent copper capped dome, and stained glass which highlight the facades of the Fourth Church. Dunham served as the architect for Spokanes Second Church of Christ, Scientist (806 W Indiana Avenue, built 1921). The Second Church shares characteristics with Seattles Fourth Church including a massive portico and Neoclassical design elements. The buildings also feature similar massing and scale and stand on corner lots. The cladding on the Second Church, though, primarily consists of creamcolored brick cladding with terra cotta detailing, contrasting with the Fourth Churchs sole use of terra cotta. Furthermore, the Second Churchs rounded corners distinguish it from the Fourth Church, introducing a Moderne stylistic element into the buildings design. Meanwhile, the Fourth Church exemplifies traditional Neoclassicism.33 2.6 George Foote Dunham, Architect Architect George Foote Dunham designed the Fourth Church of Christ, Scientist, in Seattle. Dunham established a career in early 20th century Pacific Northwest architecture marked by both ecclesiastical and residential designs. Born on September 17, 1876, in Burlington, Iowa, George Foote Dunham became a prolific architect of Christian Science churches. Dunham began his career as a draftsman under Solon Spencer Beman, another Chrisitan Science architect, in Chicago after obtaining his architecture degree from Armour Institute of Technology (now Illinois Institute of Technology) in 1900. His assistance on Bemans design of the First Church of Christ Scientist in Portland, Oregon, brought Dunham to the Pacific Northwest, where he stayed for the next 20 plus years.34 After relocating to Portland, Dunham worked as a draftsman for the prestigious Whidden & Lewis firm (1907-1908), then as a designer for Kable and Kable, Architects (1909) before establishing his own one-man firm in 1910. Dunham maintain his Portland office until 1929, when he moved to Orlando, Florida.35 During his Portland career, Dunham designed numerous Christian Science churches in the
33 Second Church of Christ Scientist, Historic Property Inventory Form, WISAARD, https://fortress.wa.gov/dahp/wisaard/ (accessed July 12, 2012). 34 Dunham, George, Pacific Coast Architecture Database, University of Washington, https://digital.lib.washington.edu/architect/architects/5475/ (accessed May 30, 2012). 35 Richard Ellison Ritz, Dunham, George Foote, Architects of Oregon: A Biographical Dictionary of Architects Deceased 19th and 20th Centuries (Portland, OR: Lair Hill Publishing, 2002), 118.
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Pacific Northwest, including examples in Portland, Seattle, Bellingham, McMinnville, Woodburn, and even Victoria, British Columbia, as well as single family residences. Dunham became a member of the Portland Architectural Club in 1913. He later became a member of the Oregon Chapter, AIA, and served as treasurer in 1925. After Oregon began licensing architects in 1919, Dunham received Architect License No. 69.36 After relocating to Florida, Dunham continued to design Christian Science churches, in particular the First Church of Christ, Scientist, in Orlando, which was listed to the National Register of Historic Places under Criterion C in 1980. Himself a Christian Scientist, Dunham limited his religious designs to Christian Science churches. Classical motifs ran throughout Dunhams designs; he utilized variations of Classical Revival styles in most, if not all, of his work, both religious and residential. Although Dunhams churches did share his general design sensibility, the size and massing of each church building varied according to the size of the specific congregation. Dunham-designed churches featured auditoriums capable of seating crowds of more than 1,000 to more intimate gatherings of 100. In addition to his ecclesiastical designs, Dunham became known for his residential work in Portland.37 While differing significantly in function and size, these residences fit well within Dunhams canon of work, illustrating his trademark style and design consistency. Table 4: George Dunhams Church Designs Building Name First Church of Christ, Scientist (Bellingham) Fourth Church of Christ, Scientist (Portland) Second Church of Christ, Scientist (Portland) First Church of Christ, Scientist (McMinnville) Christian Science Society of Woodburn Fifth Church of Christ, Scientist (Portland) First Church of Christ, Scientist (Victoria) Second Church of Christ, Scientist (Spokane) Third Church of Christ, Scientist (Seattle) Fourth Church of Christ, Scientist (Seattle) First Church of Christ, Scientist (Orlando) Address 1027 N Forest Street, Bellingham, WA 109 N Emerson Street, Portland, OR 531 NE Holladay Street, Portland, OR 806 N Davis, McMinnville, OR Address unknown, Woodburn, OR 4224 SW 62nd Ave, Portland, OR 1205 Pandora Avenue, Victoria, BC 806 W Indiana Avenue, Spokane, WA 4740 17th Avenue NE, Seattle, WA 1119 8th Avenue, Seattle, WA 24 N Rosalind Avenue, Orlando, FL Date Constructed 1910 1913 1914-1920 1916 1916 1917 1919-1920 1921 1921-1922 1922-23 1928
36Ritz, Architects of Oregon, 118. 37 While no complete list of Dunhams residential designs appears to exist, the following Portland residences are accredited to Dunham: Creath, Jacob and Sarah, House (1526 NE Thompson Street); Bell, Mary, House (E 55th Street between E Taylor and E Salmon); Scott, C. P., House (located in Maplehurst); Rankin, Robert R., House (Portland Heights); Oppenlander, F. G., House (Ford Street and Market Street); Bell, John A., House (1408 SW Vista Avenue), and Baughman, E. W., House (806 E Sherman).
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2.7 Neil McDonald, Contractor Contractor Neil McDonald enjoyed a long and successful career as a general contractor in Seattle, constructing numerous church, university, and commercial buildings. Born on Prince Edward Island, Canada, McDonald arrived in Seattle in 1901. McDonald worked as a contractor until his retirement in 1954. McDonald died in 1957 at the age of 85. McDonald belonged to the Arcana Lodge No. 87, F. & A.M., and served on the Seattle Board of Appeals. Construction projects McDonald supervised included: the Third, Fourth, and Sixth Churches of Christ, Scientist; St. Spiridons Greek Orthodox Church; Ezra Bessaroth Synagogue; Law Building and Henry Art Gallery at the University of Washington; Northern Life Building; Orthopedic Hospital; and the Henry Clay Nelson house.38 2.8 Summary The Fourth Church of Christ, Scientist, is a highly intact example of Neoclassical and Christian Science architecture in Seattle. From its prominent location at the corner of 8th and Seneca, the Fourth Church of Christ, Scientist, is representative of the overall visual character of the First Hill neighborhood, which features a mixture of institutional, residential, and commercial architecture. The Fourth Church of Christ, Scientist, is one of the largest and most intact ecclesiastical examples of architect George Foote Dunham.
38 Death Takes Neil McDonald, 85, Contractor, Seattle Times, March 1, 1957, 38. Joins Board of Appeals, Seattle Daily Times, August 21, 1919, 8.
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3. BIBLIOGRAPHY
Bagley, Clarence. History of Seattle From the Earliest Settlement to the Present Time. Vol. 1. Chicago, IL: The S.J. Clarke Publishing Company, 1916. Death Takes Neil McDonald, 85, Contractor. Seattle Times. March 1, 19 57. Dunham, George. Fourth Church of Christ, Scientist. Original Drawings. 1916-1922. Seattle Department of Planning and Development, Microfilm Library. Dunham, George. Pacific Coast Architecture Database. University of Washington. May 30, 2012. https://digital.lib.washington.edu/architect/architects/5475/. Ivey, Paul Eli. Prayers in Stone: Christian Science Architecture in the United States, 1894-1930. Chicago, IL: The University of Illinois, 1999. Joins Board of Appeals. Seattle Daily Times. August 21, 1919. Krafft, Katheryn. National Register of Historic Places Nomination: First Methodist Episcopal Church, July 2010. Kreisman, Larry. Program Director, Historic Seattle. Email correspondence with author, July 2012. McKnight, Reuben. Town Hall: A Case Study. Preservation Seattle. November 2002. http://www.historicseattle.org/preservationseattle/techniques/defaultnovember.htm. Nyberg, Folke and Victor Steinbrueck. First Hill: An Urban Resource Inventory. Seattle, WA: Historic Seattle Preservation and Development Authority, 1975. Ritz, Richard Ellison. Dunham, George Foote. Architects of Oregon: A Biographical Dictionary of Architects Deceased 19th and 20th Centuries. Portland, OR: Lair Hill Publishing, 2002. Roth, Leland M. American Architecture: A History. Boulder, CO: Westview Press, 2001. Seattle Times. July 10, 1909. Seattle Times. August 30, 1914. Seattle Times. July 8, 1916. Seattle Times. August 12, 1916. Seattle Times. July 18, 1922. Seattle Times. September 3, 1922. Seattle Times. September 22, 1923. Seattle Times. September 30, 1923. Second Church of Christ Scientist. Historic Property Inventory Form. WISAARD. https://fortress.wa.gov/dahp/wisaard/ (accessed July 12, 2012). 21
Smith, Sheila. Operations Director, Town Hall Seattle. Email correspondence with author, May - July 2012. Taylor, Holly. National Register of Historic Places Nomination: Columbia City Historic District, 2004. The Progress of Christian Science. In The Christian Science Journal, Volume XXX, no. 2, December 1912. Whiffen, Marcus. American Architecture Since 1780: A Guide to the Styles. Cambridge, MA: The M.I.T. Press, 1969.
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Appendix 1: MAps
Map 1 of 5: USGS map detail showing the location of the Fourth Church of Christ, Scientist, 1119 8th Avenue, Seattle, WA. Map 2 of 5: Site map showing the UTM references for the building. 1) 10 10 0550368E 5273085N 3) 10 0550384E 5273059N 4) 10 0550358E 5273041N 0550339E 5273068N 2)
Map 3 of 5: Site map showing the location of the nominated property, outlined in black. Map 4 of 5: Vicinity map indicating location of the nominated property. Map 5 of 5: City of Seattle Landmarks are marked by a diamond ( ). City of Seattle Zoning Map, DPD Map Book, page 110.
Appendix 2: photogrAphs
Historic Photograph 1 of 6: Historic photograph of the Fourth Church of Christ, Scientist. View looking northwest. Source: Town Hall Seattle. Historic Photograph 2 of 6: Circa 1923 photograph of the Fourth Church of Christ, Scientist. View looking northeast up 8th Avenue. Source: Town Hall Seattle. Historic Photograph 3 of 6: 1947 aerial view of Seattles First Hill. Fourth Church of Christ, Scientist, visible just left of photographs center. University of Washington Special Collections. UW Neg # 14462. Historic Photograph 4 of 6: January 9, 1935 photograph of street improvements along Seneca Street, taken from intersection of 7th Avenue and Seneca Street. Fourth Church of Christ, Scientist, is visible on right side of the street. Seattle Municipal Archives, Item #9368. Historic Photograph 5 of 6: January 9, 1935 photograph of street improvements along Seneca Street, taken from intersection of 7th Avenue and Seneca Street. Looking east up Seneca Street, the Fourth Church of Christ, Scientist, is visible on right side of the street. Seattle Municipal Archives, Item #9373. Historic Photograph 6 of 6: Undated photograph looking southeast up First Hill. Source: Town Hall Seattle. Photograph 1 of 44: Historic view of First Church of Christ, Scientist, Seattle. 1519 E Denny Way, Seattle. Built 1906. Source: Seattle Department of Neighborhoods. Photograph 2 of 44: Former Third Church of Christ, Scientist, Seattle. 4740 17th Avenue NE, Seattle. Built 1921-1922. Source: University of Washington, Digital Collections. Photograph 3 of 44: 2012 image of First Church of Christ, Scientist, Bellingham. 1027 N Forest Street, Bellingham. Built 1910. Source: Artifacts Consulting, Inc. Photograph 4 of 44: Undated historic image of Second Church of Christ, Scientist, Spokane. 806 W Indiana Avenue, Spokane. Built 1921. Source: Washington Information System for Architectural and Archaeological Records Data (WISAARD). Photograph 5 of 44: 2012 image of Fourth Church of Christ, Scientist. View from corner of Eighth Avenue and Spring Street. Park Place Office Building (1200 Sixth Avenue, Built 1971), One Union Square Building (600 University Street, Built 1980), and Exeter House (720 Seneca, Built 1927) visible in background. Source: Artifacts Consulting, Inc. 23
Photograph 6 of 44: 2012 image of Fourth Church of Christ, Scientist. View from corner of Eighth Avenue and Seneca Street. Seattle Municipal Tower (525 Columbia Street, Built 1990), Bank of America Fifth Avenue Plaza (800 Fifth Avenue, Built 1981), Columbia Center (411 Columbia Street, Built 1985), and the W Seattle Hotel (1112 Fourth Avenue, Built 1998). Source: Artifacts Consulting, Inc. Photograph 7 of 44: 2012 image of Fourth Church of Christ, Scientist. View from corner of Seneca Street and Seventh Avenue. Royal Manor Condominum (1120 Eighth Avenue, Built 1970) is visible in the background. Source: Artifacts Consulting, Inc. Photograph 8 of 44: 2012 image of Fourth Church of Christ, Scientist. View from corner of Spring Street and 7th Avenue. Exeter House (720 Seneca, Built 1927), Royal Manor Condominum (1120 Eighth Avenue, Built 1970), and Emerson Apartments (1110 Eighth Avenue, Built 1928) visible in background. Source: Artifacts Consulting, Inc. Photograph 9 of 44: View of south and east facades. Photograph taken by Steve Dublinsky. Source: Town Hall Seattle. Photograph 10 of 44: Panoramic view of Town Hall, looking north. Photograph taken by Jean Sherrard. Source: Town Hall Seattle. Photograph 11 of 44: 2012 view of south facade, 8th Avenue entrance. Source: Artifacts Consulting, Inc. Photograph 12 of 44: 2012 view of south and east facades. Source: Artifacts Consulting, Inc. Photograph 13 of 44: 2012 view of east corner of dome. Source: Artifacts Consulting, Inc. Photograph 14 of 44: 2012 view of north and west facades, looking southeast. Source: Artifacts Consulting, Inc. Photograph 15 of 44: 2012 view of west facade. Source: Artifacts Consulting, Inc. Photograph 16 of 44: 2012 view of south facade. Source: Artifacts Consulting, Inc. Photograph 17 of 44: 2012 view of basement mechanical space. Source: Artifacts Consulting, Inc. Photograph 18 of 44: 2012 view of first floor corridor, looking south. Source: Artifacts Consulting, Inc. Photograph 19 of 44: 2012 view of first floor northeast corner stairway, looking north. Source: Artifacts Consulting, Inc. Photograph 20 of 44: 2012 view of first floor corridor, looking west. Source: Artifacts Consulting, Inc. Photograph 21 of 44: 2012 view of first floor level (Seneca Street) entrance in buildings northwest corner. Source: Artifacts Consulting, Inc. Photograph 22 of 44: 2012 view of first floor meeting space (former Sunday School classroom), looking southeast. Source: Artifacts Consulting, Inc. Photograph 23 of 44: 2012 view of southwest corner stairway, looking up from first floor. Source: Artifacts Consulting, Inc. Photograph 24 of 44: 2012 view of southwest corner stairwell at first floor level, looking south. Source: Artifacts Consulting, Inc. Photograph 25 of 44: 2012 view of first floor womens restroom, looking southwest. Source: Artifacts Consulting, Inc. Photograph 26 of 44: 2012 view of east entrance second floor foyer (from 8th Avenue), looking north. Source: Artifacts Consulting, Inc.
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Photograph 27 of 44: 2012 view of second floor north lobby space, looking west. Source: Artifacts Consulting, Inc. Photograph 28 of 44: 2012 view of second floor lobby space, looking southeast toward former cloak room. Source: Artifacts Consulting, Inc. Photograph 29 of 44: 2012 view of second floor office space, looking west. Source: Artifacts Consulting, Inc. Photograph 30 of 44: 2012 view of second floor south lobby space, looking west. Source: Artifacts Consulting, Inc. Photograph 31 of 44: 2012 view of second floor east lobby space, looking north. Source: Artifacts Consulting, Inc. Photograph 32 of 44: 2012 view of third floor auditorium space, looking south. Note original pews and windows. Source: Artifacts Consulting, Inc. Photograph 33 of 44: 2012 view of third floor northeast corner stairway, looking east. Source: Artifacts Consulting, Inc. Photograph 34 of 44: 2012 view of third floor auditorium space, looking east. Source: Artifacts Consulting, Inc. Photograph 35 of 44: 2012 view of third floor backstage restroom, looking west. Source: Artifacts Consulting, Inc. Photograph 36 of 44: 2012 view of third floor backstage dressing room (former soloist room). Source: Artifacts Consulting, Inc. Photograph 37 of 44: 2012 view of third floor corridor located behind stage/readers platform, looking north. Source: Artifacts Consulting, Inc. Photograph 38 of 44: 2012 view of third floor southwest corner stairway, looking southwest. Source: Artifacts Consulting, Inc. Photograph 39 of 44: 2012 view of dome oculus. Source: Artifacts Consulting, Inc. Photograph 40 of 44: 2012 view of third floor auditorium, looking north. Note curved configuration of pews. Source: Artifacts Consulting, Inc. Photograph 41 of 44: 2012 view of auditorium, looking west towards stage/readers platform. Source: Artifacts Consulting, Inc. Photograph 42 of 44: 2012 view of third floor south wall stained glass window. Source: Artifacts Consulting, Inc. Photograph 43 of 44: 2012 exterior view of dome oculus. Source: Artifacts Consulting, Inc. Photograph 44 of 44: 2012 view of attic space. Source: Artifacts Consulting, Inc.
Appendix 3: drAwings
Drawing 1 of 13: East Facade, Front Elevation, 1916-1922, by George Foote Dunham. Source: Seattle Department of Planning and Development, Microfilm Library. Drawing 2 of 13: North Facade Elevation, 1916-1922, by George Foote Dunham. Source: Seattle Department of Planning and Development, Microfilm Library. 25
Drawing 3 of 13: Basement (First Floor), Sunday School Room Floor Plan, 1916-1922, by George Foote Dunham. Source: Seattle Department of Planning and Development, Microfilm Library. Drawing 4 of 13: First Floor (Foyer Floor) Floor Plan, 1916-1922, by George Foote Dunham. Source: Seattle Department of Planning and Development, Microfilm Library. Drawing 5 of 13: Auditorium (Second Floor) Floor Plan, 1916-1922, by George Foote Dunham. Source: Seattle Department of Planning and Development, Microfilm Library. Drawing 6 of 13: Stairway Details, 1916-1922, by George Foote Dunham. Source: Seattle Department of Planning and Development, Microfilm Library. Drawing 7 of 13: Roof Steel Detail, 1916-1922, by George Foote Dunham. Source: Seattle Department of Planning and Development, Microfilm Library. Drawing 8 of 13: Roof Steel Detail, 1916-1922, by George Foote Dunham. Source: Seattle Department of Planning and Development, Microfilm Library. Drawing 9 of 13: Auditorium Plan, 1916-1922, by George Foote Dunham. Note elevator location sketched in over original drawing. Source: Seattle Department of Planning and Development, Microfilm Library. Drawing 10 of 13: Sunday School (Basement) Floor Plan, Stairway Detail, 1940s, by G.C. Fields. Source: Seattle Department of Planning and Development, Microfilm Library. Drawing 11 of 13: Elevator Hoistway Plan, 1960, by Jay Robinson. Source: Seattle Department of Planning and Development, Microfilm Library. Drawing 12 of 13: East and South Elevations, 1998 existing elevation notes by Bassetti Architects over 1916-1922 drawings by George Foote Dunham. Source: Seattle Department of Planning and Development, Microfilm Library. Drawing 13 of 13: West and North Elevations, 1998 existing elevation notes by Bassetti Architects over 1916-1922 drawings by George Foote Dunham. Source: Seattle Department of Planning and Development, Microfilm Library.
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Legend
Town Hall Seattle UTMs
Map 2 of 5: Site map showing the UTM references for the building. 1) 10 0550339E 5273068N 2) 10 0550368E 5273085N 3) 10 0550384E 5273059N 4) 10 0550358E 5273041N 28
Legend
King County Tax Parcels
The black outline marks the extent of the King County tax parcel 1979200050 encompassing Town Hall Seattle. Base 2012 aerial source ESRI Bing maps.
Map 3 of 5: Site map showing the location of the nominated property, outlined in black. 29
Legend
King County Tax Parcels
Map 4 of 5: USGS map detail showing the location of the Fourth Church of Christ, Scientist, 1119 8th Avenue, Seattle, WA. 30
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Map 5 of 5: City of Seattle Landmarks are marked by a diamond ( ). City of Seattle Zoning Map, DPD Map Book, page 110. LR3
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VOL 8 -80
Firehouse No.25
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PI=2244+29.22(SH)
0030
1 0070
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98
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12
60
60
2225
MR Melrose The
No
PCY
57
33
9"
5.
50
50
50
50
50
86
60
40
1718 87053 04
EW Y
50
50
16
12
BDY
41
33
60
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TE
42
RR Y
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60
94
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50
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74
12
43
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60
60
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60
12
60
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55
BDY 60
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7"
33
1327
PARCEL A
140
33
33
39.60
33
33
120
1711 12
30
30
0745 18
100
100
1 10.83
1741
0650
30
30
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100
IA
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60
2^
30
12
17
60
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60
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60
18
VOL 77 37-39
88.80
12
(P
7^
0.
13 0075
1717
2
100(P)
33
180(P)
2"
1820
59.8(P)
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No
DO 3613 89.80
60
60
2220 11
60
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N0^53'E
52
9"
60
13 N4
60
03
105
NC3P-65
CO
89
12
60
BDY
41
88
6.
Lot
Bdy
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153.56 N89^20'35"W
67.52 N89^27'43"W
193.05 N89^22'59"W
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N0^36'29"E
33
60
14
N88^20'06"W
50
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120
60
PARCEL A
7^
5.
V V V V V V
12
7"
10
33 N4
42
33 7
33
12
50(P)
11
60
CO
60
60
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33
33
33
1.00
90
NC3P-65
19.9817.10
10
15.49
30
30
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120.42 N88^22'23"W
16
40
40
40
40
40
55.93
90
33
30
1800 B oylst o n
1 1800 Boylston
PEW KJZ
93
0010 10
260.58
N89^22'46"W
(Condo)
33 33
33 33
60
Short
Subd
14 88
12
46
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60
60
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33
2 YA DMC 60 240/290-400 LE AV ! .
BDY 1
14
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BOYLSTON AV
CO AO 60 47 by 11 39 Co 8287 2 (1 92 Co 4) 9104684 m m 2
VA
ST
60
CO
12
7^
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0(
N4
16
62
38
14
105.11 N88^23'29"W
105.14 S88^18'55"E
0015
PONTIUS 2 ND ADD
0075
0080
VOL 9-13
210(P)
180
30
33
33
N4
76
33
12
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1500 4
49. 15
16
41
18
33
P)
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10
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33
33
52
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03
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7"
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31
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38
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T=856.44
VOL 1 28- 60 62
VOL 8- 5 4
0085
12
0(
1.
30
9"
82 87
54
87
60
(P CO )
60
P)
60
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60
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60
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0020 5
VOL 11 3-84
514
0065
95.66
S E A 107.29L E TT
4.
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612
33
60
35
P)
11
18
33
2"
42
AV
BDY
PI=2244+29.22 R=5730
Phase 1
Amend No 1
95.39
2264
PL
FREEWAY R/W
.5
7-
'2
24
CO
VOL 1-121
BDY
60
7^
50(P)
.... AO
12
0 -1
60
41
1200
N4
16
N4
12
32
1800
60
1314 A PARCEL
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Bellevue
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15
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18
17
N3
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YA L
DO 3613 30 30
42
BELLEVUE
y 47 C o 39 2 Co (19 m 24 m (1 )
40
May 24 2011
ADD
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68
1 13
60
53
UR T
105.09 N88^17'42"W
18 0 5
49 430
LSO
Am ba ssa dor II
55.35
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55.43
1816
427.06
2ND
0"
30
66
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60
199.49
33
AVDF
201.47
N4
40
4 2690
CO
06
16
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60
28
21
50
CO
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70
c CO b
BDY
60
7"
88
60
60
60
12
A D0095 O D T Condominium
WY
33
5.
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12
2305
REPL 6
OF BLKS 49 Condominium ,
N88^36'07"W
95.13
16
16
N4
60
415.16
30
14 88
50
2^
Va
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21
42
0010
1"
AO
Ville
53
2230
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93.09
42
17
2^
38
33
PCY
17
1815 1 17
12
Amend No 1
16
15
95.39
7^
N1^40'46"E
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3 5.
38
33
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60
N4
2 BDY
2014 60
60
MIN
53
4"
47
PARCEL B
0030
95.66
VO 105050
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505
57.01
12
523 14
605
12 5
1820
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40.00
28(P)
40
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33
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HARVARD AV
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DMC 240/290-400
Ambassador 1
65
65.62
66
70
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4 1525
12
60
40.00
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40
11 12
DIE
80
MIO-105-NC3-40
CF293538 CF293538 65 65
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KJZ
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3
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1
18
35
0530
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100
1 1743
0525
65
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30
103
152.23
1736
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315.28
100
9
0005
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N89^26'45"W
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143.33
30
30
1733
1712 5
0040
MR
8
192.8
11
10
CF293538
128
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180
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45
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40
N0^28'47"E
CO 21766
17
9.
CO
60
VO
50.43
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12
34
HEI RS
33
2295
53
14 88
12
60
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119.97
27.5
105.07
33
33
40
33
N4 11 2^ 2. 17 34 '2 0"
6.
VO 46679
18 0100 REPLAT OF
1819
105
33
33
107.24
72.49
8.43
SC10 p69
33.02
110
03
53
16
60
.4
PT=3+74.62
119.96
33
315.93
N88^36'30"W
40 40
N6
80
BO
16
14
BDY
54
1.46
183.60
24
L=214.74
2247+87.85(SH) South Lake South Lake Union Urban Center Union Urban Center
N88^22'31"E
40
N88^34'55"W
85.62 N88^36'42"W
R=
101.87 N88^36'06"W
0^
31
26 0705
'9
108
N4
(Co ndo)
VOL 1 8 4- 34 37
VOL 216-62 66
33
33
120.08
16
MR
Amend
VOL 261-23 24
38.67
65
68.5
33
N4 12 7^ 9. 41 68 '2 0"
PRC=1+59.88
269.18
269.58 N88^35'22"W
E DENNY WY Condominium
89 ^3 2'
33
33
CO
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79.97
5"
7^
33
33
60
136.14
33
11
33
33
N4 18 2^ .9 21 3 '0
40 21 '2 .8 2" 7 W
21
CO 21766
110
33
8.
T=80.10 L=159.88
71.08
N88^37'08"W
PI=2+67.64 R=1041.82
DENNY WY
33
40
40
33
5.
CO
22
249.76
N88^32'12"W
213.88
N88^36'43"W
99.56 N88^35'57"W
33
121.19 N88^35'47"W
DENNY WY
72.99
33
33
DENNY WY
N3
CO
N4
50
180.12 N88^35'33"W
209.06 N88^36'43"W
56
N88-34-55W
30
93
42.5
33
419
SC10 p70
PI=0+80.10 R=1041.82
55
30
. ! G
S89^51'30"E 50
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316.53
POC
E DENNY WY
NC3P-65
30
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120
16
21.5
120
30
68.5
30
30
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33
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R= 23 15 .7 95.28 1
VOL 1 2-4
43
60
DO 3825
120
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60
60
60
120(P)
30
74.03
28.93 N88^32'30"W
120
16
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30
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ADD
419
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43
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33
EAST LAK E AV
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R=30
11
10
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AO 113094
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60
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107.92
12
14
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CO 6236
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12
R=243.86 10.32
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60
42.5
40
40
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45
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22.58
9 5E .3 89 55 -4 9N5
25
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25
25
26.1
VAR
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56
60
VOL 3 -50
76
110.67
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Esmt 94
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53
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40
40
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(P)
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(Con do)
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10
S89^51'30"E 87.51
40
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6X
ORD 7549
168
40
60
32.39
24
30.70
20
LSN
No 86 0 6 0 17
14.24 22.76
2N D
164.22
SEAT TL E
180
180
34.09
49
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44.82
109.09
60
14
77
LSQ
11
17. 75 S89^38'20"W
60(P)
40
40
40
.0
15
PARCEL C
VOL 2 0 0- 39 48
60
55
13
40
40
5X
Maxw ell
25.00
37.24
153.97 50
40
39. 46
24
N0^22'00"W 99.97
60
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120
99.62 49.81
12
SECOND
114.90 N0^52'09"E
45
60
44
15.07
ADD
7.51
92.75 109.14
60
4X
69
7.
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NC3-65
424.92
14
40
20
20
40
R= L= 79 84 9. CO 0. 59 44
12
15
33
122.54
ST
40
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86.00
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53 .3 CO 0
40
40
58
41
10
40
40
60
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40
BELMONT AV E
343.23
VOL 11 5-58 60
10
14
94
60
153.44
EQE
13
41
9.23
SC10 p75
88 1
EQE
ADD
94
LSQ
N0^53'53"E
40
40
40
20
DO 44387
38.43
19.94 33 .8 8
E LORETTA PL
315.54
50.00
60
60
53
40
53
N89^05'43"W
95.67
48
KJZ
MR-RC
3
67
40
.3
28.78
10
13 SM-125
16
15
MTJ
40
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133.67
95.59
40
40
40
40.58
3.91
120
VOL 2 14- 85
60
42.66
160
90
92
40
N4
20
159.34
R=176.90
N89^38'20"E
CR A WF OR D ' S
PONTIUS AV N
212.88
ROWE'S
F I R S T 14
60
2^
87
.0
11
53
PARCEL B
Ame nd 1
HARVARD AV E
60
60
17
16
136
11.35
ROWE'S
40
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CO
B NC3-65
N0^28'13"E
'1
.3
41
N1^11'09"E243.49 UNPLATTED 426.17 124.40 N1^11'09"E 61.27 243.49 N1^11'09"E 10.62 12.11 13.34 426.17 N1^11'09"E 266.18 N 0-36-24 E 19.55 N1^11'09"E 420.04 DO 75265 N0^34'18"E
SM-125
108.06
N0^54'45"E N0^54'45"E
N0^53'22"E
N0^53'00"E
N0^23'07"W
N0^55'01"E
7"
N0-22W
NC3-65
Appendix 1: Maps
1
67
5 9.9
40
57 .5 8
128(P)
E 3" 600 3 .0
928
E 43 9. 40 13 1-3 60
Mezzo Condominium
103 MR
60
31.4 6
193.63 N 89-17-32 E
VAR
Capitol Cre st
80.01
NC340
328.59
9
42.5
E DENNY WY
128
33
1
128
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128
6
128
60
VO 109 96
NAGLE'S
MIN
41 5. 22
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Historic Photograph 6 of 6: Historic photograph of the Fourth Church of Christ, Scientist. View looking northwest. Source: Town Hall Seattle.
Historic Photograph 7 of 6: Circa 1923 photograph of the Fourth Church of Christ, Scientist. View looking 32 northeast up 8th Avenue. Source: Town Hall Seattle.
Historic Photograph 8 of 6: 1947 aerial view of Seattles First Hill. Fourth Church of Christ, Scientist, visible just left of photographs center. University of Washington Special Collections. UW Neg # 14462.
Historic Photograph 9 of 6: January 9, 1935 photograph of street improvements along Seneca Street, taken from 33 intersection of 7th Avenue and Seneca Street. Fourth Church of Christ, Scientist, is visible on right side of the street. Seattle Municipal Archives, Item #9368.
Historic Photograph 10 of 6: January 9, 1935 photograph of street improvements along Seneca Street, taken from intersection of 7th Avenue and Seneca Street. Looking east up Seneca Street, the Fourth Church of Christ, Scientist, is visible on right side of the street. Seattle Municipal Archives, Item #9373.
Historic Photograph 11 of 6: Undated photograph looking southeast up First Hill. Source: Town Hall Seattle.
34
Photograph 1 of 40: Historic view of First Church of Christ, Scientist, Seattle. 1519 E Denny Way, Seattle. Built 1906. Source: Seattle Department of Neighborhoods.
Photograph 2 of 40: Former Third Church of Christ, Scientist, Seattle. 4740 17th Avenue NE, Seattle. Built 1921- 35 1922. Source: University of Washington, Digital Collections.
Photograph 3 of 40: 2012 image of First Church of Christ, Scientist, Bellingham. 1027 N Forest Street, Bellingham. Built 1910. Source: Artifacts Consulting, Inc.
Photograph 4 of 40: Undated historic image of Second Church of Christ, Scientist, Spokane. 806 W Indiana Avenue, Spokane. Built 1921. Source: Washington Information System for Architectural and Archaeological Records Data (WISAARD).
36
Photograph 5 of 40: 2012 image of Fourth Church of Christ, Scientist. View from corner of Eighth Avenue and Spring Street. Park Place Office Building (1200 Sixth Avenue, Built 1971), One Union Square Building (600 University Street, Built 1980), and Exeter House (720 Seneca, Built 1927) visible in background. Source: Artifacts Consulting, Inc.
Photograph 6 of 40: 2012 image of Fourth Church of Christ, Scientist. View from corner of Eighth Avenue and Seneca Street. Seattle Municipal Tower (525 Columbia Street, Built 1990), Bank of America Fifth Avenue Plaza (800 Fifth Avenue, Built 1981), Columbia Center (411 Columbia Street, Built 1985), and the W Seattle Hotel (1112 Fourth Avenue, Built 1998). Source: Artifacts Consulting, Inc.
37
Photograph 7 of 40: 2012 image of Fourth Church of Christ, Scientist. View from corner of Seneca Street and Seventh Avenue. Royal Manor Condominum (1120 Eighth Avenue, Built 1970) is visible in the background. Source: Artifacts Consulting, Inc.
Photograph 8 of 40: 2012 image of Fourth Church of Christ, Scientist. View from corner of Spring Street and 7th 38 Avenue. Exeter House (720 Seneca, Built 1927), Royal Manor Condominum (1120 Eighth Avenue, Built 1970), and Emerson Apartments (1110 Eighth Avenue, Built 1928) visible in background. Source: Artifacts Consulting, Inc.
Photograph 9 of 40: View of south and east facades. Photograph taken by Steve Dublinsky. Source: Town Hall Seattle.
Photograph 10 of 40: Panoramic view of Town Hall, looking north. Photograph taken by Jean Sherrard. Source: 39 Town Hall Seattle.
Photograph 11 of 40: 2012 view of south facade, 8th Avenue entrance. Source: Artifacts Consulting, Inc.
Photograph 12 of 40: 2012 view of south and east facades. Source: Artifacts Consulting, Inc.
40
Photograph 13 of 40: 2012 view of east corner of dome. Source: Artifacts Consulting, Inc.
Photograph 14 of 40: 2012 view of north and west facades, looking southeast. Source: Artifacts Consulting, Inc. 41
Photograph 15 of 40: 2012 view of west facade. Source: Artifacts Consulting, Inc.
Photograph 16 of 40: 2012 view of south facade. Source: Artifacts Consulting, Inc.
42
Photograph 17 of 40: 2012 view of basement mechanical space. Source: Artifacts Consulting, Inc.
Photograph 18 of 40: 2012 view of first floor corridor, looking south. Source: Artifacts Consulting, Inc.
43
Photograph 19 of 40: 2012 view of first floor northeast corner stairway, looking north. Source: Artifacts Consulting, Inc.
Photograph 20 of 40: 2012 view of first floor corridor, looking west. Source: Artifacts Consulting, Inc.
44
Photograph 22 of 40: 2012 view of first floor level (Seneca Street) entrance in buildings northwest corner. Source: Artifacts Consulting, Inc.
Photograph 21 of 40: 2012 view of first floor meeting space (former Sunday School classroom), looking southeast. 45 Source: Artifacts Consulting, Inc.
Photograph 23 of 40: 2012 view of southwest corner stairway, looking up from first floor. Source: Artifacts Consulting, Inc.
Photograph 24 of 40: 2012 view of southwest corner stairwell at first floor level, looking south. Source: Artifacts 46 Consulting, Inc.
Photograph 25 of 40: 2012 view of first floor womens restroom, looking southwest. Source: Artifacts Consulting, Inc.
Photograph 26 of 40: 2012 view of east entrance second floor foyer (from 8th Avenue), looking north. Source: 47 Artifacts Consulting, Inc.
Photograph 27 of 40: 2012 view of second floor north lobby space, looking west. Source: Artifacts Consulting, Inc.
Photograph 28 of 40: 2012 view of second floor lobby space, looking southeast toward former cloak room. 48 Source: Artifacts Consulting, Inc.
Photograph 29 of 40: 2012 view of second floor office space, looking west. Source: Artifacts Consulting, Inc.
Photograph 30 of 40: 2012 view of second floor south lobby space, looking west. Source: Artifacts Consulting, 49 Inc.
Photograph 31 of 40: 2012 view of second floor east lobby space, looking north. Source: Artifacts Consulting, Inc.
Photograph 32 of 40: 2012 view of third floor auditorium space, looking south. Note original pews and windows. 50 Source: Artifacts Consulting, Inc.
Photograph 33 of 40: 2012 view of third floor northeast corner stairway, looking east. Source: Artifacts Consulting, Inc.
Photograph 34 of 40: 2012 view of third floor auditorium space, looking east. Source: Artifacts Consulting, Inc.
51
Photograph 36 of 40: 2012 view of third floor backstage restroom, looking west. Source: Artifacts Consulting, Inc.
Photograph 35 of 40: 2012 view of third floor backstage dressing room (former soloist room). Source: Artifacts 52 Consulting, Inc.
Photograph 37 of 40: 2012 view of third floor corridor located behind stage/readers platform, looking north. Source: Artifacts Consulting, Inc.
Photograph 38 of 40: 2012 view of third floor southwest corner stairway, looking southwest. Source: Artifacts 53 Consulting, Inc.
Photograph 39 of 40: 2012 view of dome oculus. Source: Artifacts Consulting, Inc.
Photograph 40 of 40: 2012 view of third floor auditorium, looking north. Note curved configuration of pews. 54 Source: Artifacts Consulting, Inc.
Photograph 41 of 40: 2012 view of auditorium, looking west towards stage/readers platform. Source: Artifacts Consulting, Inc.
Photograph 42 of 40: 2012 view of third floor south wall stained glass window. Source: Artifacts Consulting, Inc. 55
Photograph 43 of 40: 2012 exterior view of dome oculus. Source: Artifacts Consulting, Inc.
Photograph 44 of 40: 2012 view of attic space. Source: Artifacts Consulting, Inc.
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Drawing 1 of 13: East Facade, Front Elevation, 1916-1922, by George Foote Dunham. Source: Seattle Department 57 of Planning and Development, Microfilm Library.
Drawing 2 of 13: North Facade Elevation, 1916-1922, by George Foote Dunham. Source: Seattle Department of Planning and Development, Microfilm Library.
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Drawing 3 of 13: Basement (First Floor), Sunday School Room Floor Plan, 1916-1922, by George Foote Dunham. 59 Source: Seattle Department of Planning and Development, Microfilm Library.
Drawing 4 of 13: First Floor (Foyer Floor) Floor Plan, 1916-1922, by George Foote Dunham. Source: Seattle 60 Department of Planning and Development, Microfilm Library.
Drawing 5 of 13: Auditorium (Second Floor) Floor Plan, 1916-1922, by George Foote Dunham. Source: Seattle 61 Department of Planning and Development, Microfilm Library.
Drawing 6 of 13: Stairway Details, 1916-1922, by George Foote Dunham. Source: Seattle Department of Planning 62 and Development, Microfilm Library.
Drawing 7 of 13: Roof Steel Detail, 1916-1922, by George Foote Dunham. Source: Seattle Department of Planning 63 and Development, Microfilm Library.
Drawing 8 of 13: Roof Steel Detail, 1916-1922, by George Foote Dunham. Source: Seattle Department of Planning 64 and Development, Microfilm Library.
Drawing 9 of 13: Auditorium Plan, 1916-1922, by George Foote Dunham. Note elevator location sketched in 65 over original drawing. Source: Seattle Department of Planning and Development, Microfilm Library.
Drawing 10 of 13: Sunday School (Basement) Floor Plan, Stairway Detail, 1940s, by G.C. Fields. Source: Seattle 66 Department of Planning and Development, Microfilm Library.
Drawing 11 of 13: Elevator Hoistway Plan, 1960, by Jay Robinson. Source: Seattle Department of Planning and 67 Development, Microfilm Library.
Drawing 12 of 13: East and South Elevations, 1998 existing elevation notes by Bassetti Architects over 1916- 68 1922 drawings by George Foote Dunham. Source: Seattle Department of Planning and Development, Microfilm Library.
Drawing 13 of 13: West and North Elevations, 1998 existing elevation notes by Bassetti Architects over 1916- 69 1922 drawings by George Foote Dunham. Source: Seattle Department of Planning and Development, Microfilm Library.