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InPrint
The Newsletter of the Society of Young Publishers
Nam e: Mia Kilroy SY P Role( s) 2006: Speaker Meeting Coordinator and InPrint Proofreader Job Ti tle and C ompa ny: Freelance Proofreader and Copy-Editor, Allison & Busby Me mbe r of the SY P si nce: 2004 Lik es: Lentils Dis lik es: Fascism and dishonesty Hobbie s/ Inte res ts: Music and nature I joine d the SY P Com mi ttee 2006 b ecaus e I w ant t o: learn, meet people, have a challenge and give back. Favouri te b ook (s): Down all the Days by Christy Brown, Earthly Powers by Anthony Burgess, Catch 22 by Joseph Heller and Tenderwire by Claire Kilroy. My sister. Faber, June 2006. Buy or your offspring will have the charm of Les Dawson. Any othe r i nfo: Im stunned by how much booze folk in publishing can put away
SYP
March 2006
Society of Young
Est. 1949
Publishers
Name : Gurdeep Mattu SY P Rol e(s ) 2 006: InPrint Production Manager Degre e & U nive rs ity: BA (Hons) English, St Hughs College, Oxford University Job T itl e & C om pany : Assistant Editor, SAGE Publications Mem ber of the S YP s ince : 2004 Like s: Conversation and passion Disl ike s: Mediocrity and dullness Hobbie s/ Inter est s: My band, Sons & Fascination, my writing, and various other things I joine d the SY P Com mi ttee 2006 b ecaus e I w ant t o: continue to make InPrint look better, and help the membership base grow as much as it did in 2005. Favouri te b ook (s): White Noise by Don DeLillo
Contents: More London Committee Profiles 1-2, Oxford Committee 2-3, Legend Press Competition 4, Online Book Groups 5-6, Nick McDonell 7, Oxford Speaker Meeting 8, Location 9-10, Dates For Your Diary 11, Ads and Events 12
On 18 January 2006, members of the Oxford SYP met at Oxford University Press for their AGM and to elect the new Oxford Committee for 2006. Deb Sanders, last years Acting Chair, ran through the previous 12 months events, achievements and challenges, and a great evening was had by all. And now, introducing the new Oxford Committee for 2006 feel free to contact any of us with questions, suggestions or comments: Kat e Ki rkpatr i ck, Ox fo rd C hai r (o xfo r dc hai r @th esyp. or g. u k) Kate is an Editorial Assistant at Oneworld Publications, where she edits submissions, commissions covers and generally dabbles in everything from print orders to foreign rights. Originally from the USA, she did part of a Physics degree before ditching science to pursue a more practical course: Philosophy and Theology at Oxford. She lives in Oxford with her husband and enjoys, among other things: good food and good friends to share it with, drinking wine, reading books, watching movies, and last but certainly not least, eating copious amounts of chocolate. Jam ie Shaw , Web Edit or (o xfo rdw eb@t hesyp.o rg . uk) When not fiddling about with the SYP website, Jamie works at Oxford University Press in the ELT Dictionaries department, under the title of Pre-press Controller, which means nothing to most people but involves dealing with pictures, schedules and sending files to Production. Outside of work he sees bands quite frequently, including - last year - Arctic Monkeys, Editors, Hard-Fi, Ladytron, Kooks and The Subways.
able to fill over the coming years. The site has space for readers to post their own writing as well as room for general discussion not solely on Wintersons books and seems to have cultivated a following from its users. Her website functions in a similar way to a weblog, in terms of the extent of the discussion amongst users (see also ww w.inwritin g.org/ web log, a personal weblog full of insightful discussion). Other sites that are also portals for debate can be found at www .online -litera tu re.com and ww w.book spot.com , which hold a lot of information and discussion, but somehow lack the sense of community and permanency that the more personal weblogs and author websites boast. Nevertheless, they remain valid as places where people can go to express their enthusiasm and criticism of certain books and ideas. Book clubs and forums seem to exist somewhere in the middle, between the specialisation of weblogs and author websites and the general sites dedicated broadly to books and literature. Here readers can gather to discuss any variety of books, but can participate in a prolonged exchange of ideas, rather than just a one-off posting. One problem with the many online book clubs and forums is that they require a fee to join, which seems to defeat the whole purpose of Internet communication in the first place. The crucial benefit of the Internet, and the quality that gives it its edge over other forms of communication, surely, is its inclusive nature; without that, it ceases to have the same impact. Newspaper sites such as the Guardian and The Times, both wealthy organisations, have, by contrast, developed online book clubs that are free and accessible to many more people (w ww.talk.g uard ian.co. uk and w ww w.time sbook s.type pa d.com ). It seems then that different kinds of discussion are out there, albeit in a fragmentary way. Most of the good sites Ive chanced upon havent been through search engines or sites like ww w.rea ding group s.co.uk , which simply refer you to other sites on the Net. There is definitely a market for more book discussion
sites to be developed, and for more effective ways of sifting through the resources that are already available. Doing a basic Google search, for example, does not always lead to some of the most interesting, thriving sites. Perhaps over the next decade, web-users themselves might develop an online network for book-readers, helping to fulfil the potential for electronic book discussion that is currently demonstrated in little pockets across the web.
A DV AN CE NOTICE: LON DON SPEA KE R M EETIN G & BOOK S IGN ING : A DE BUT AU TH ORS PE RSPECTIVE Wed nes da y 26 A pril 20 06 How does a debut author get their book commissioned? Do editors and agents feel they are taking a risk when they enlist a first-time novelist? How easy is it to market, publicise and sell a first book when the author is unknown? Or are there distinct advantages to dealing with a brand new author and project, rather than an established name? Join us for this exclusive event on debut authors where we will be discussing these questions and many more. S pea ke rs includ e Joh n Ben nett, au th or of S ea Otte rs Ga mbolling in the Wild, Wild S urf (V intag e) an d his a ge nts D avid G odwin and Ca thryn S umm erha yes from D avid God win A ssocia te s; a nd D ea n Carte r, author of Ha nd of th e De vil (Ra nd om Hou se Childre ns Books ) with h is ed itor Cha rlie Sh ep pard . Books by both authors will be available for sale at a discounted price with the chance to get your copy signed. Please join us for a drink and a chat from 8pm in the Pitcher & Piano, Dean Street, Soho. We dne sda y 26 April 2 006, 6.3 0 for 6.45p m in the Ga lle ry, Se cond Floor, Foy le s, Cha ring Cross Roa d.
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whole genre of Science Fiction and Fantasy would have to be abolished. Location, and its relevance, is simply a place whereby the story brings the reader to a point of reference, be that Liverpool, Oxford, New York, or the Planet Zelda, and it may still draw the reader to a point of familiarity. The writers of Sci-Fi have a battle on their hands, in that their location has no current bearing for people, so location must be emphasised more in order to bring the readers referencing into focus. How many of us have ever been to a deserted island? Well, William Golding only needed to use the immortal words of deserted and island, to make us tingle at the thought of it and convince us that we were in for a thrilling time; therefore, centrally there would be suspense. How different the story would have been if the plane crashed in, say, Everton football ground at Stanley Park! I was intrigued to hear Maureen Lee comment on the enthusiasm of her publisher and their desire for a saga about Liverpool. We could speculate that, at the time, the marketplace was such that local stories were prevalent and in peoples mindsets. In addition, the publishers themselves were keen on local authors writing about the local areas: write what you know, warts and all. This is incredibly telling and strengthens my argument, because it ticks the box for evidence that location, no matter where, can be the branding of a book and appeal to all areas, all people, and all cultures. World Peace anyone? If only. I could not stake claim to the title of Northern Correspondent if I did not get in somewhere a reference to the ever-faithful derogatory jovial banter, concerning shandydrinking-southern-pansies versus themnorthern-nancies. Unfortunately, Maureen Lee failed to indulge my curiosity when I asked about her now living in the south and writing about the north with questions such as Do you know who reads your books? and Would you say there was a north/south literary divide? What can I say? I find humour in provocation. She agreed on the north/south divide, but more socially and in attitude people apologise far too much in the south; people call each other affectionate names like love and duck in the north. Imagine the scene: 6ft 3 builder boards the bus to Moss Side, Manchester, and the equally huge bus driver takes his fare and offers the nicety thanks, duck. I swear, I have heard
it! Maureen Lee was quick to emphasise that her followers reside the world over and no literary divide existed. Although mildly disappointing, it is reassuring to know, otherwise the marketing teams in publishing houses would be up the Thames (note the southern reference) without a paddle. Taking the reference a bit further, the Mintel Report of July 2005 into Where the British go on Holiday makes for some interesting reading, and highlights how important location actually is to us. When abroad, 40% of people are likely to visit museums, churches and old buildings, while 62 % take in a local delicacy. This is an anecdotal reference, but what it throws up in terms of peoples perceptions of the importance of location highlights location importance highlights the social aspect of that importance. People go on holiday because of the location, and while it may appear that we never purchase a book solely because of its setting, of course in reality we do because location is important to us, whether is be in a novel, or in our holidaying. Predominantly, most authors find solace in using a familiar location as the courtyard of their story, which gives them a window through which to view the plot and characters. As for why authors elect to write about their hometowns, Maureen Lee put it well when I posed the question: 'In one sentence, define what Liverpool means to you?' 'Well, it's home, isn't it.' No matter which way one turns, it is location, location and then some more location that defines and gives life to a story. Returning full circle to the cheesy wine analogy, it is the key fermenting ingredient in plot and character development, and the catalyst for its worth is found in the writing of the author. In fact, as with a bottle of wine, let's label all novels with their location, and distinguish bookstore sections not by fiction and nonfiction, but by their governing location - what fun! It would probably help actually - anyone been to Blackwell's in Oxford recently?
DATES FO R YOU R D IARY 2006 SYP EVENTS IN LONDON AND OXFORD THIS YEAR
LONDON
Wednesday 29 March 2006 L ondo n Speaker Meeting Behind t he Scenes Wednesday 26 April 2006 L ondo n Speaker Meeting A Debut Aut ho r' s Per specti ve Wednesday 31 May 2006 L ondo n Speaker Meeting Manga Wednesday 28 June 2006 L ondo n Speaker Meeting D ick and Jane Go to Wo rk: On Gender Ro les and Payro lls Evening Tuesday 4 July 2006 BTBS Walkies Wednesday 26 July 2006 L ondo n Speaker Meeting L iter ature i n Tr anslati on Wednesday 27 September 2006 L ondo n Speaker Meeting T he Fr eedom of F reelanc ing Wednesday 25 October 2006 L ondo n Speaker Meeting And the award go es to Saturday 11 November 2006 AN NUAL CA REERS CONF EREN CE L ON DON Wednesday 29 November 2006 L ondo n Speaker Meeting A Bestselli ng Autho r' s P erspec tive
OXFORD
Friday 17 March 2006 Oxfor d L iter ary Pub C rawl Wednesday 5 April 2006 Oxfor d Boo k C lub Wednesday 12 April 2006 Oxfor d Speaker M eeting Wednesday 10 May 2006 Oxfor d Speaker M eeting Wednesday 14 June 2006 Oxfor d Speaker M eeting Wednesday 12 July 2006 Oxfor d Speaker M eeting Wednesday 13 September 2006 Oxfor d Speaker M eeting Wednesday 11 October 2006 Oxfor d Speaker M eeting Wednesday 8 November 2006 Oxfor d Speaker M eeting
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LO ND ON B OO K C L UB - M on day 13 M arc h 200 6 Join us to discuss Long Way Down by Nick Hornby in the basement caf of Waterstones, Piccadilly on Monday 13 March 2006 at 7pm.
OXFO RD BOO K C LUB Wedne sday 5 A pril 2006 The next book for discussion will be The Poisonwood Bible by Barbara Kingsolver. Everyone is welcome to attend what is a great opportunity to meet and socialise with fellow Book Club members, both those who work within publishing and those that do not. J oin us on We dnes day 5 Ap ril, at 6.30pm i n Border s b ook shop ca f , O xf or d.
O XFORD SP EAKE R ME ETI NG We dnes day 12 Apri l 2 006 J OU RNEY OF A P UBL ICA TI ON - WHAT I S P RODU CT I ON? When you pick up a publication in the bookstand, do you ever wonder how it gets produced? It takes time to get a manuscript ready for printing and many steps are involved. This meeting aims to give jobseekers a glimpse of what career opportunities there are in production, as well as give writers an idea of how long it takes to get published! Whether an author, editor, or marketer - or someone aspirant thereto - this meeting will offer you insight into just what makes books happen. T he spe ake r w ill be Ca rme l T il desl ey fr om T he I ma go Group. We dnes day 12 Apri l, 6:30pm dr inks a nd ni bbles , 7pm ta lk, Gal ler y Room, Oxf ord
Editorial Board
SYP
Society of Young
Est. 1949
Publishers
Issue 114
12
Disclaimer: The Society of Young Publishers would like readers to note that any views expressed herein do not represent the opinions of the society as a whole and only reflect the opinions of the individuals who have submitted material.