Arthur Danto, The artworld, Journal of Philosophy 61:19 (1964), pp. 57184.

Avant-garde and kitsch, published in 1939, Greenberg presented

George Dickie, Art and the Aesthetic: An Institutional Analysis (Ithaca: Cornell University Press, 1974). Morris Weitz; see The role of theory in aesthetics, Journal of Aesthetics and Art Criticism 15 (1956), pp. 2135. Meyer Schapiro, Nature of abstract art, in idem, Modern Art: 19th and 20th Centuries (New York: Braziller, 1978), pp. 185, 196. The Field of Cultural Production: Essays on Art and Literature (New York: Columbia University Press, 1993), p. 78. Joseph Kosuth, Art after philosophy I, [1969], in Gregory Battcock (ed.), Idea Art (New York: Dutton, 1973), p. 76. Kristine Stiles and Peter Selz (eds), Theories and Documents of Contemporary Art: A Sourcebook of Artists Writings (Berkeley: University of California Press, 1996), p. 824. Hal Foster, Postmodernism: a preface, in idem, (ed.), The Anti-Aesthetic (Seattle: Bay Press, 1983), p. xv. For a concise presentation of this point, see Pierre Bourdieu, Outline of a sociological theory of art perception, in idem, The Field of Cultural Production, pp. 215 ff.

Moving viewers : American film and the spectator's experience / Carl Plantinga.kitabnn 3.Stories and Sympathies blm Classical Narrative Structure and Emotion Character Engagement adl alt balklarn bulmalym.ayrca s.202,203,207 ve 208 eksik. Mmknse tm kitab bulmalym. Pandora.com.trden satn alabilirim!!48tl Smith, Jadwiga. ''Exploring Aesthetic Discomfort in the Experience of the Comic and the Tragic: John Marston's Antonio and Mellida and Antonio's Revenge." Analecta Husserliana, ed. A-T Tymieniecka, Vol. LVI, Hohendahl, 2005 Adorno Th. W. (1984). Aesthetic Theory. Translated by C. Lenhardt, edited by Gretel Adorno and Rolf Tiedemann. London Boston, Routledge & Kegan Paul. Bosanquet B. (1963). Three Lectures on Aesthetic. Edited, with an introduction, by Ralph Ross. Indianapolis New York, The Bobbs-Merrill Company. Hegel G. W. F. (1975). Aesthetics: Lectures on Fine Art. Translated by T. M. Knox. Oxford, Clarendon Press. Hohendahl P. U. (2005). Aesthetic Violence: The Concept of the Ugly in Adorno's "Aesthetic Theory"//Cultural Critique. Vol. 60. Jacquette D. (1984) . Bosanquet's Concept of Difficult Beauty//The Journal of Aesthetics and Art Criticism. Vol. XLIII/1. Kant I. (2000). Critique of the Power of Judgment. Edited by Paul Guyer, translated by Paul Guyer and Eric Matthews. Cambridge, Cambridge University Press.

Plato (1997). Complete Works. Edited, with Introduction and Notes, by John M. Cooper. Indianapolis Cambridge, Hackett Publishing Company. Rosenkranz K. (1968). Aesthetik des HaBlichen. Stuttgart Bad Cannstatt, Friedrich Frommann Verlag.

Peter Schjeldahl, New York Times and New Yorker art critic, had already written "Beauty is Back: A Trampled Esthetic Blooms Again.
Buck-Morss, Susan, Aesthetics and Anaesthetics: Walter Benjamins Artwork Essay Reconsidered, October 62, Fall, 1992

Burch, Noel. 1986. "Primitivism and the Avant-Gardes: A Dialectical Approach." In Narrative, Apparatus, Ideology, ed. Philip Rosen. New York: Columbia University Press.

Bataille wrote an entry on the formless (linforme) for the Critical Dictionary published in Documents, the ethnographic and surrealist journal which began to appear in 1929
David Trotter, Cooking with Mud: The Idea of Mess in Nineteenth-Century Art and Fiction (Oxford: Oxford University Press, 2000).
Benjamin, Goethes Elective Affinitiesgzellik stne dnceleri var