Beruflich Dokumente
Kultur Dokumente
English 2A
Allusion
the use of words whose sound suggest their meaning (ex. buzz, bang, hiss) a form of figurative language combining contradictory words or ideas (ex. jumbo shrimp, bittersweet). a statement that is restrained in ironic contrast to what might have been said; the opposite of hyperbole. Understatement is usually used for a humorous effect. overly sentimental ideas the attribution of human qualities to an object, animal, or idea: My stereo walked out of my car. wavelike repetition of a sound; the pattern of flow of sounds created by the arrangement of stressed and unstressed syllables in a line of poetry. a grouping of two or more lines within a poem. A stanza is comparable to a paragraph in prose. a short humorous poem composed of five lines that usually has the rhyme scheme aabba, created by two rhyming couplets followed by a fifth line that rhymes with the first couplet. A limerick typically has a sing-song rhythm. a way of placing emphasis on important words or syllables with a regular pattern of accented and unaccented syllables. Although all poems have rhythm, not all poems have regular meter. foot, the basic unit of meter. the feeling or atmosphere that the writer creates for the reader: It was the best of times, it was the worst of times. use of words that gives more meaning and depth the exact or dictionary meaning of a word the soul behind the word; the idea and feeling associated with a word as opposed to its dictionary definition
Meter
Simile Metaphor Onomatopoeia Extended metaphor Oxymoron Understatement Sentimentality Personification Rhythm Stanza Limerick
refrain
And now: it is easy to forget what I came for among so many who have always lived here swaying their crenellated fans between the reefs and besides you breathe differently down here. I came to explore the wreck. The words are purposes. The words are maps. I came to see the damage that was done and the treasures that prevail. I stroke the beam of my lamp slowly along the flank of something more permanent than fish or weed the thing I came for: the wreck and not the story of the wreck the thing itself and not the myth the drowned face always staring toward the sun the evidence of damage worn by salt and away into this threadbare beauty the ribs of the disaster curving their assertion among the tentative haunters. This is the place. And I am here, the mermaid whose dark hair streams black, the merman in his armored body. We circle silently about the wreck we dive into the hold. I am she: I am he whose drowned face sleeps with open eyes whose breasts still bear the stress whose silver, copper, vermeil cargo lies obscurely inside barrels half-wedged and left to rot we are the half-destroyed instruments that once held to a course the water-eaten log the fouled compass We are, I am, you are by cowardice or courage the one who find our way back to this scene carrying a knife, a camera a book of myths in which our names do not appear.
imager symbolis
personificatio
simile
From Diving into the Wreck: Poems 1971-1972 Copyright 1973 by W. W. Norton & Company, Inc.
Mole by Wyatt Prunty For weeks hes tunneled his intricate need Through the root-rich, fibrous, humoral dark, Buckling up in zagged illegibles The cuneiforms and cursives of a blind scribe. Sleeved by soft earth, a slow reach knuckling, Small tributaries open from his nudge Mild immigrant, bland isolationist, Berm builder edging the runneling world. But now the snow, and hes gone quietly deep, Nuzzling through a muzzy neighborhood Of dead-end-street, abandoned cul-de-sac, And boltrun from a dead-leaf, roundhouse burrow. May he emerge four months from this as before, Myopic master of the possible, Wise one who understands prudential ground, Revisionist of all things green; So when he surfaces, lumplike, bashful, Quizzical as the flashbulb blind who wait For color to return, hell nose our greenrich air with the imperative poise of now.
First published in New Criterion. Copyright 2006 Wyatt Prunty.
figurative language
assonance
Crossing Kansas by Train by Donald Justice The telephone poles Have been holding their Arms out A long time now To birds That will not Settle there But pass with Strange cawings Westward to Where dark trees Gather about a water hole this Is Kansas the Mountains start here Just behind The closed eyes Of a farmer's Sons asleep In their work clothes
personification
onomatopoeia
personification
Part 5. My Poems
A. Sonnet
Pack by Nathan Supinski Darkly menacing, dressed fully in black Walking into the bank with a swagger A silent wolf with the rest of his pack. Sinister swish, he pulls forth a dagger. The pack moves swiftly through the human herd Snatching up money with a quick flourish. Laws broken, theater of the absurd Cash taken meant for others to nourish. But one of the scared herd wont be beaten. The cold leader of the pack curls his lip The lone animal who wont be eaten He slowly raises a gun from his hip. A sharp glint in the eye as bullets fly Many may miss, but only one to die.
metaphor
B. Limerick
My Dog by Nathan Supinski There once was a dog named Duke Who frequently had to puke He ran for the door But puked on the floor Which earned him an angry rebuke.
rhythm
C.
Haiku
Ice by Nathan Supinski twisting and turning freezing in the morning frost river dies alone frost clings to the trees soft white snow covers the ground Colorado spring
alliteration
D. Childhood poem
Where Im From by Nathan Supinski I am from lunchboxes, from laughter and Legos. I am from lost cities and new planets. (A thousand adventures in single backyard) I am from Rock Mountain, where the withered arms of the big dead tree held me high above the ground. I am from soft green grass and icy cold water balloons on a hot summer day. and the countless cuts, the scrapes: the boo-boos and Scooby Doo bandaids. assonance I am from strawberries stolen from Moms garden, and from ice fortresses in the backyard tundra. I am from scooters, rollerblades and bikes, and from joysticks, flashing lights and alien bandits. I am from beaches, ski trips, and What-did-you-do-at-school? dinners, family surrounding me like my favorite old t-shirt, a little shabby but always comfortable.
E. I am poem
I Am by Nathan Supinski I am quiet and calm I wonder if I will come up again I hear the engine stop I see the water slick on the deck I want to feel it cold on my skin I am quiet and calm
refrain
I pretend I'm ready to descend I feel like something is looming all around me I touch the valve of her air tank I worry it may run dry I cry at the thought of losing her I am quiet and calm I understand that everything is ready I say everything will be alright I dream of discovering something new I try to slow my breath I hope everything will be ok I am quiet and calm
F. Shape Poem
oxymoron