Beruflich Dokumente
Kultur Dokumente
Number 1 is the index finger, 2 is the middle finger, 3 is the ring finger, and 4 is the little finger. By clicking on a chord or an image, you can hear the actual sound of the chord.
MAJOR CHORDS
A A# Bb B C C# Db D D# Eb E F F# Gb G G# Ab
MINOR CHORDS
Am A#m Bbm Bm Cm C#m Db m Dm D# m Eb m Em Fm F#m Gb m Gm G# m Abm
Bmaj7
Cmaj7
C#maj7 Dbmaj7
Dmaj7
D#maj7 Ebmaj7
Emaj7
Fmaj7
F#maj7 Gbmaj7
Gmaj7
G#maj7 Abmaj7
B6
C6
C#6 Db6
D6
D#6 Eb6
E6
F6
F#6 Gb6
G6
G#6 Ab6
Bm6
Cm6
C#m6 Dbm6
Dm6
D#m6 Ebm6
Em6
Fm6
F#m6 Gbm6
Gm6
G#m6 Abm6
B9
C9
C#9 Db9
D9
D#9 Eb9
E9
F9
F#9 Gb9
G9
G#9 Ab9
A#m7-5 Bbm7-5
Bm7
-5
Cm7
-5
C#m7-5 Dbm7-5
Dm7
-5
D#m7-5 Ebm7-5
Em7
-5
Fm7
-5
F#m7-5 Gbm7-5
Gm7
-5
G#m7-5 Abm7-5
AUGMENTED CHORDS
Aaug A#aug Bbaug Baug Caug C#aug Dbaug Daug D#aug Ebaug Eaug Faug F#aug Gbaug Gaug G#aug Abaug
DIMINISHED CHORDS
Adim A dim Bbdim
#
Bdim
Cdim
C#dim Dbdim
Ddim
D#dim Ebdim
Edim
Fdim
F#dim Gbdim
Gdim
G#dim Abdim
SUS 4 CHORDS
Asus4 A#sus4 Bbsus4 Bsus4 Csus4 C#sus4 Dbsus4 Dsus4 D#sus4 Ebsus4 Esus4 Fsus4 F#sus4 Gbsus4 Gsus4 G#sus4 Absus4
Foundations of Strumming
The first thing to realize about strumming is that its not about how fancy or complicated you make a strumming pattern. Since strumming is a form of rhythm, in order to be effective, it must be consistent and steady. A steady, consistent strumming rhythm is always more pleasing to listen to than a really complicated strumming pattern played out of time. The following strumming patterns, as demonstrated in the video, are played in 4/4 time signature. This means each pattern is played to a steady, consistent count of four: 1, 2, 3, 4, repeat. You can use these patterns for any song counted in four. As you practice each of these strumming patterns, count out loud, and even use a metronome to keep your strumming as rocksteady as possible.
Strumming Pattern #1
Before learning any other strumming pattern, learn this one. This pattern is very simple, as it is only down strums, but it is highly effective. For example, in my performance of Leonard Cohens Hallelujah, I use all down strums for the last half of the song. As you practice this, set your metronome, count out loud, and focus on lining up your down strums with each beat. Try to make your strums as even in tone and in volume.
Strumming Pattern #2
When you have the previous pattern mastered, add in up strums between each down strum to make the pattern more interesting. You would count these up strums in between the main beats by counting the word and like: 1 and, 2 and, 3 and, 4 and, repeat.
In addition, practice changing between chords on the first beat of the strumming pattern. For example, you might switch between a C, Am, and F chord. Take your practice further by coming up with your own chord progressions too.
Strumming Pattern #3
This strumming pattern combines the first two patterns. For this pattern, insert an up strum on the and of beats 2 and 4.
Strumming Pattern #4
You can get creative by rearranging the order of your down strums and up strums within the count of four. This pattern is like pattern #3, but in this pattern, you insert an up strum on the and of beats 1 and 3.
Strumming Pattern #5
This strumming pattern is sometimes referred to as the calypso strum. This pattern is the most complicated out of all of the patterns. This is because the down strum on beat 3 is removed and you only play an up strum on the and of the third beat. Youll want to be sure to watch the video to get a sense for
how this pattern sounds and feels. Once you get it down, youll find that its an easy pattern to apply to a lot of different songs.