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  • Hot Digital Design in The Post-Digital Era

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    gabriele
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    Conference abstracts Polytechnic of Milan School of Design text and images Gabriele Pierluisi   HOT DIGITAL The drawing in the post – digital era. Gabriele Pierluisi Abstract: The paper aims to define the name of Digital Warm an operating mode for the project design or architecture, or mixed between analog and digital design and production of digital image. The advanced digital we entered a context is inescapable for any production and therefore also for those related to the project design and architecture. In this context, the traditional design in hand, back to his artistic roots, can play a leading role in the design process. It becomes the means by which the data hygiene can entrench the reality to virtual contexts and subjects of the world, and the use of the body and the spatialization of the gesture. A digital system is much richer the greater the exchanges with the outside and as this (digital), interacts with the more traditional design. The design, however, must be understood as an artistic act taken in its primary dimension linked to intuition formal and poetic, with the use of ancient techniques and timeless as the charcoal and watercolor. Finally, we propose to outline a framework for the development of the idea of ​​digital hot linked to the great revolution of the "network" as a place of exchange in which you mix personal and communal. In this sense we can see the possibility of a transformation of the practice of the project in which the traditional and hierarchical, in which it is currently defined, it is converted into a design practice based on the draft event as "common" and "shared". The images presented concerning some uses of digital hot by the writer. "Cathedral" is a project that combines 3D modeling to the sketch by hand sketched plans and sections become the layers on which they rest work plans to construct the 3D model. "Paris-Sequences" is an elaboration of digital painting based on photos of the urban landscape of Paris, which then printed in large format becomes the object of processing traditional painting in acrylic. "Paris_Plis”: Finally working on the report image-space. They are PVC sheets, prints of images produced in the same way as the previous o

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    Hot Digital design in the post-digital era

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    Conference abstracts Polytechnic of Milan School of Design text and images Gabriele Pierluisi   HOT DIGITAL The drawing in the post – digital era. Gabriele Pierluisi Abstract: The paper aims to define the name of Digital Warm an operating mode for the project design or architecture, or mixed between analog and digital design and production of digital image. The advanced digital we entered a context is inescapable for any production and therefore also for those related to the project design and architecture. In this context, the traditional design in hand, back to his artistic roots, can play a leading role in the design process. It becomes the means by which the data hygiene can entrench the reality to virtual contexts and subjects of the world, and the use of the body and the spatialization of the gesture. A digital system is much richer the greater the exchanges with the outside and as this (digital), interacts with the more traditional design. The design, however, must be understood as an artistic act taken in its primary dimension linked to intuition formal and poetic, with the use of ancient techniques and timeless as the charcoal and watercolor. Finally, we propose to outline a framework for the development of the idea of ​​digital hot linked to the great revolution of the "network" as a place of exchange in which you mix personal and communal. In this sense we can see the possibility of a transformation of the practice of the project in which the traditional and hierarchical, in which it is currently defined, it is converted into a design practice based on the draft event as "common" and "shared". The images presented concerning some uses of digital hot by the writer. "Cathedral" is a project that combines 3D modeling to the sketch by hand sketched plans and sections become the layers on which they rest work plans to construct the 3D model. "Paris-Sequences" is an elaboration of digital painting based on photos of the urban landscape of Paris, which then printed in large format becomes the object of processing traditional painting in acrylic. "Paris_Plis”: Finally working on the report image-space. They are PVC sheets, prints of images produced in the same way as the previous o

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    39 Ansichten26 Seiten

    Hot Digital Design in The Post-Digital Era

    Hochgeladen von

    gabriele
    Conference abstracts Polytechnic of Milan School of Design text and images Gabriele Pierluisi   HOT DIGITAL The drawing in the post – digital era. Gabriele Pierluisi Abstract: The paper aims to define the name of Digital Warm an operating mode for the project design or architecture, or mixed between analog and digital design and production of digital image. The advanced digital we entered a context is inescapable for any production and therefore also for those related to the project design and architecture. In this context, the traditional design in hand, back to his artistic roots, can play a leading role in the design process. It becomes the means by which the data hygiene can entrench the reality to virtual contexts and subjects of the world, and the use of the body and the spatialization of the gesture. A digital system is much richer the greater the exchanges with the outside and as this (digital), interacts with the more traditional design. The design, however, must be understood as an artistic act taken in its primary dimension linked to intuition formal and poetic, with the use of ancient techniques and timeless as the charcoal and watercolor. Finally, we propose to outline a framework for the development of the idea of ​​digital hot linked to the great revolution of the "network" as a place of exchange in which you mix personal and communal. In this sense we can see the possibility of a transformation of the practice of the project in which the traditional and hierarchical, in which it is currently defined, it is converted into a design practice based on the draft event as "common" and "shared". The images presented concerning some uses of digital hot by the writer. "Cathedral" is a project that combines 3D modeling to the sketch by hand sketched plans and sections become the layers on which they rest work plans to construct the 3D model. "Paris-Sequences" is an elaboration of digital painting based on photos of the urban landscape of Paris, which then printed in large format becomes the object of processing traditional painting in acrylic. "Paris_Plis”: Finally working on the report image-space. They are PVC sheets, prints of images produced in the same way as the previous o

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    DIGITALE CALDO_ IL DISEGNO NELL'ERA POSTDIGITALE _ Gabriele Pierluisi

    Politecnico di Milano_Scuola del Design_ 23.11.2012

    DIGITALE CALDO1 Il disegno nell'era post - digitale.


    Gabriele Pierluisi Abstract: Lo scritto si prefigge di definire con il nome di Digitale Caldo una modalit operativa per il progetto di design o architettura, mista tra analogico e digitale ovvero tra disegno e produzione digitale dell'immagine. Il digitale avanzato in cui siamo immessi un contesto ineludibile per qualsiasi produzione e dunque anche per quelle legate al progetto di design e architettura. In questo contesto il disegno tradizionale a mano, riportato alle sue radici artistiche, pu svolge un ruolo di guida nel processo progettuale. Esso diventa il tramite per il quale la prassi digitale si pu radicare alla realt ai contesti non virtuali e alle materie del mondo, nonch all'uso del corpo e alla spazializzazione del gesto. Un sistema digitale tanto pi ricco quanto maggiori sono gli scambi con l'esterno e quanto questo (il digitale), pi interagisce con il disegno tradizionale. Il disegno deve per essere inteso come atto artistico primario preso nella sua dimensione legata all'intuizione formale e poetica; con l'uso di tecniche antiche e intramontabili l'acquarello.
    1 Questo scritto dedicato alla memoria di Firouz Galdo, con il quale ho avuto il privilegio di condividere progetti, spazi e ragionamenti.

    Ci si propone infine di delineare un ambito di sviluppo dell'idea di digitale caldo legata alla grande rivoluzione della rete come luogo di scambio in cui si mischiano personale e comune. In tal senso si intravede la possibilit di una trasformazione della prassi del progetto in cui il modo tradizionale e gerarchico, in cui questo attualmente definito, viene riconvertito in una prassi progettuale basata sul progetto come evento comune e condiviso. Le immagini presentate riguardano alcuni usi del digitale caldo ad opera di chi scrive. Cattedrale un progetto che unisce la modellazione 3D allo schizzo a mano: piante e sezioni schizzate diventano dei layers sui quali si appoggiano i piani di lavoro per costruire il modello 3D. Paris-Sequences: un'elaborazione di pittura digitale sulla base di foto dei paesaggio urbani di Parigi, stampata oggetto in di grande formato elaborazioni che poi diventa pittoriche

    tradizionali ad acrilico. Paris_Plis: infine lavora sulla relazione immagine-spazio. Sono dei teli in PVC, stampe di immagini prodotte in modo analogo alle precedenti, che vengono poi piegate e tese come un panneggio.

    come

    il

    carboncino

    Gabriele Pierluisi_ Hyperville. 2010

    Gabriele Pierluisi_ Hyperville. 2010

    Gabriele Pierluisi_ Bisanzietto dittico, 2007, particolari

    Gabriele Pierluisi_ disegni romani. 2012. Dettaglio del polittico

    Marco Ferrara, Gabriele Pierluisi_ Cattedrale. 2006

    Gabriele Pierluisi_ Paris Sequences 1. 2009/base digitale/

    Gabriele Pierluisi_ Paris Sequences 1. 2009

    Gabriele Pierluisi_ Paris Sequences 1. 2009 / particolari/

    Gabriele Pierluisi_ Paris/Plis. 2011

    Gabriele Pierluisi_ Paris/Plis. 2011

    Gabriele Pierluisi_ Paris/Plis. 2011

    Gabriele Pierluisi_ Paris/Plis. Trittici da Tavolo, 2011

    Gabriele Pierluisi_ Paris/Plis. Trittici da Tavolo, 2011

    Gabriele Pierluisi_ Paris/Plis. Trittici da Tavolo, 2011

    Gabriele Pierluisi_ Paris/Plis. Trittici da Tavolo, 2011

    Gabriele Pierluisi_ Paris/Plis. Trittici da Tavolo, 2011

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