SAMAR STATE UNIVERSITY CATBALOGAN, CITY

REPORTER: TABLATIN JANEROSE, GOSOSO ROCHELLE, RODRIGUEZ MARIBEL L.

COURSE: INTRODUCTION TO HUMANITIES TOPIC: THE DEVELOPMENT OF VISUAL ARTS PAINTING, SCULPTURE, AND ARCHITECTURE INSTRUCTOR : MR. REDENTOR S. PALENCIA

INTRODUCTION: A Visual Development Artist is an essential part of an animated movies creative team, designing and developing the look of a film. Its up to the Visual Development Artist to explore the possibilities of the animated world, and to come up with something thats appropriate for the storyline, and the intended audience. Once you come up with a defined vision for the film, it falls to you, as the Visual Development Artist, to generate and maintain that vision with characters, backgrounds, environments, colors, lighting, and even props. You have to be an idea machine, contributing suggestions for an entire world that may not even exist. But thats the fun of it you are literally creating a world for the animated action to play out in. You can also pitch story ideas, if something works really well with a particular animation. You work with a variety of departments Production Design, Art Direction, and the rest of Visual Development to take the ideas you have from pre-development to full-blown production ready pieces. Also, be ready to assist with troubleshooting, and to work in either 2D or 3D know how to do both if you really want to dominate in this field.

How to Develop a Compostion for Painting

1. Start by deciding what your subject will be and then draw thumbnail sketches or use a creativity journal for ideas. 2. Prep the canvas. Use pre-stretched canvas and before painting prep with white primer or gesso; both of which can be applied smoothly or with a texture. 3. Either lightly sketch out the composition or build it forward by first painting the sky and background. 4. As you're painting, visualize in your mind's eye what you are trying to achieve and focus on your center of interest. Work with the composition in small areas stepping back and taking breaks to look at the whole painting to help you to get a hold of the whole perspective. 5. When you're satisfied with the painting sign it and seal the painting with a clear coat.

Tips

Do try differential spacing and overlapping objects to create depth but don't cut objects in half by hiding them behind other objects instead spread them out Do try grouping objects creatively to create interest do not create to much symmetry

Do Place objects either totally inside or partially outside the frame but do not tickle the edges of the painting. Remember these are just guidelines some of the best paintings break all the rules. Use reference material for elements in the painting like the clouds or trees if I want them to look a certain way. Keep a folder on your computer organized with reference material for paintings.

Development of Visual Arts Pictures in Painting

Casta paintings are colonial paintings from the 18th century. They are portraits from Mexico that represent images of mixed race families. The paintings include a father, mother and one or two of their offspring. All paintings include written (Spanish) descriptions of each persons racial background. Casta paintings are images of idealised families that promote a form of unity throughout the hierarchical class system or the sistema de caste of colonial 18th century society. They present an image of domesticity that masked the racial tensions of the Mexico. Casta Paintings were developed to show the racial differences between people of mixed identity in Mexico society. Casta paintings are one of the first documented forms of racial classification; they were produced in pictorial form as was customary from the 15th century onwards as a way of telling a story to the wider world. The paintings show a pictorial story familiar to European society and first seen when the story of Christianity was presented to the masses. This form of visual representations, made it easy for all to understand (the educated and uneducated alike).

Norwegian: Skrik, German: Der Schrei der Natur

Artist Year Type Edvard Munch 1893 Oil, tempera, and pastel on cardboard

Dimensions 91 cm 73.5 cm (36 in 28.9 in) Location National Gallery, Oslo, Norway

Edvard Munch

Artist Year Type 1893 Oil, tempera, and pastel on cardboard

Dimensions 91 cm 73.5 cm (36 in 28.9 in) Location National Gallery, Oslo, Norway

Albert Gleizes, 1911, Portrait de Jacques Nayral, oil on canvas, 161.9 x 114 cm, Tate Modern, London.

Jean Metzinger (French, 1883-1956). Tea Time (Woman with a Teaspoon), 1911. Oil on cardboard. 29 7/8 x 27 5/8 in. (75.9 x 70.2 cm). The Louise and Walter Arensberg Collection, 1950. Philadelphia Museum of Art.

Casta is a Spanish and Portuguese term used in 17th and 18th centuries mainly in Spanish America to describe as a whole the mixed-race people which appeared in the post-Conquest period. A parallel system of categorization based on the degree of acculturation to Hispanic culture, which distinguished between gente de razn (Hispanics) and gente sin razn (nonacculturated natives), concurrently existed and worked together with the idea of casta.