ACADEMY OF ANCIENT MUSIC

Ode for St. Cecilias Day

Julian Podger choir and direction Stanley Ritchie violin Erich Hbarth violin Roel Dieltens violoncello Dorothea Seel traverso Andreas Helm oboe Johannes Hinterholzer horn Alberto Grazzi bassoon Dorothee Oberlinger recorder Fiorenza De Donatis violin Stefano Marcocchi viola Stefano Veggetti violoncello Paolo Zuccheri violone Franco Pavan lute Susanne Barknowitz breathing and posture

Bruneck - South Tyrol - Italy july 18-27, 2010

Bruneck - South Tyrol - Italy, july 18-27, 2010 In 2010, Verein Cordia organises the Academy of Ancient Music for the 10th time. The concept of the project has proved itself: during summertime, young artists of all over the world have the possibility to perfect their studies in baroque music on period instruments with renowned teachers and to exchange their experiences with other students. The concerts of the Academy of Ancient Music have always been a gain for the cultural programme of the Brunecker Sommer. They play a major part in the cultural life of the town. Bruneck and its Ragenhaus provide the appropriate architectonic setting for cultivating and playing ancient music. We congratulate the Academy of Ancient Music for its 10th anniversary and wish it success for its future work. We want to thank all collaborators of Verein Cordia for the organisational work as well as the musical head Stefano Veggetti and his wife Franziska Romaner. The borough of Bruneck wishes the participants of the Academy of Ancient Music a pleasant stay in Bruneck and the audience of the concerts an exceptional musical experience.
For the Borough of Bruneck The Mayor

ACADEMY OF ANCIENT MUSIC

Dr. Christian Tschurtschenthaler

The Council member

For Verein Cordia

Georg Mair

Dr. Brigitte Pezzei

Stadtgemeinde Bruneck Citt di Brunico

Autonome Region Trentino-Sdtirol Regione Autonoma Trentino-Alto Adige

Ressort fr Familie, Denkmalpflege und deutsche Kultur

Ode for St. Cecilias Day

masterclasses on period instruments
Stanley Ritchie violin (19 - 22/07/2010) Erich Hbarth violin (18 - 21/07/2010) Roel Dieltiens violoncello (18 - 20/07/2010) Dorothee Oberlinger recorder (19 - 21/07/2010) Johannes Hinterholzer horn (19 - 22/07/2010) Andreas Helm oboe (22 - 27/07/2010) Dorothea Seel traverso (23 - 27/07/2010) Alberto Grazzi bassoon (23 - 27/07/2010) Franco Pavan lute (23 - 27/07/2010)

orchestral stages
Julian Podger direction (23 - 27/07/2010) Fiorenza De Donatis violin (23 - 27/07/2010) Stefano Marcocchi viola (24 - 27/07/2010) Stefano Veggetti violoncello (23 - 27/07/2010) Paolo Zuccheri violone (23 - 27/07/2010)

choir stage
Julian Podger (22 - 27/07/2010)

Breathing and posture at playing music

Susanne Barknowitz (23-26 /07/2010)

Julian Podger, choir and conductor

Julian Podgers musical career started whilst still at school in Kassel, Germany, where he first established himself as a singer and conductor. Taking up a choral award at Trinity College Cambridge he then began his study of singing and his research into historical performance practice; and founded Trinity Baroque, with whom he has since continued his directing activities. As a soloist he is much in demand in England and abroad, highpoints include recordings of Bach cantatas as part of the Bach cantata pilgrimage with John Eliot Gardiner, of psalm settings by Lili Boulanger, a recording of Monteverdis Vespers with Tragicomedia, and appearances with Andrew Parrott and the Taverner Consort at the Ansbach Bach Festival. He has specialised particularly in the role of evangelist for Bachs passions, and has performed them with Stephen Stubbs in Bratislava, with Paul Hillier in Tallinn and Riga, with The Scottish Chamber Orchestra in Edinburgh and with the Regensburger Domspatzen in Munich. He has appeared in many major concert venues, including the Royal Albert Hall, the Mozarteum, Salzburg, the Konzerthaus, Vienna, the Palau de la Musica, Barcelona and the Teatro alla Scala; and with conductors Philippe Herreweghe, Reinhard Goebel (with Musica Antiqua Kln) and Thomas Hengelbrock. Invitations have further included solo recitals at the Hndelhaus in Halle (broadcast by the Mitteldeutscher Rundfunk) and in Montevideo, which included a workshop in singing and performance practice for De Profundis; a tour of Bach cantatas in Israel with The Israel Camerata, of Handel`s Alexander`s Feast in Spain with The English Concert and a series of Bach`s Matthus-Passion in Toronto with with Tafelmusik. Operatic ventures have taken him to the Hokutopia International Music Festival, Tokyo, to sing the lead role in Monteverdis Orfeo, frequently to Berlin for rarely performed operas by Reinhard Keiser (1674-1734), to Melbourne as Ulisse, in Monteverdis Il Ritorno dUlisse in Patria, and to the Boston Early Music Festival in Boris Gudenov by Johann Mattheson (1681-1764). Most recently he sang the part of Daniel in a fully staged production of The Play of Daniel with Andrew Lawrence-King in London, Cambridge and York, and in a re-run of Ulisse in Teatro Malibran, part of the Teatro la Fenice in Venice. Ensemble musicianship is also one of his main pursuits; he is a member of one of the worlds leading mediaeval ensembles, Gothic Voices, The Harp Consort and a regular guest with I Fagiolini. As a musical director he runs his own ensemble Trinity Baroque, with whom he has completed a solo voice recording of Bachs motets (Raumklang), and of other choral works by Bach (Decca) in collaboration with The English Concert and Berlin Philharmonic oboist Albrecht Maier. He has conducted the ensemble in well-received performances of Morales Missa Mille Regretz at the Festival de Musica Antigua en Sevilla and of Schtz` Musikalische Exequien and Johannes-Passion at the Festival Oude Muziek Utrecht; has guest-conducted the ensemble Florilegium in performances of Handels Messiah, Israel in Egypt, Bachs Weihnachtsoratorium and Purcells Dido & Aeneas, King Arthur and The Fairy Queen in London, Paris and Las Palmas, and the Norsk Barokkorkester in performances of Bach cantatas in Trondheim.

Stanley Ritchie, violin

Stanley Ritchie, a pioneer in the Early Music field in America, was born and educated in Australia, graduating from the Sydney Conservatorium of Music, where he was a pupil of Florent Hoogstoel, in 1956. After a further period of study with Ernest Llewellyn, he left Australia in 1958 as recipient of the Ginette Neveu Scholarship and a grant from the French Government to pursue his studies in Paris, where he studied with Jean Fournier, subsequently working in the United States with Joseph Fuchs, Oscar Shumsky and Samuel Kissel. In 1962 he settled in New York, where he was appointed concertmaster of the New York City Opera in 1963 and associate concertmaster of the Metropolitan Opera in 1965. Upon resigning from the Metropolitan Opera in 1970 he became concertmaster of the Musica Aeterna Orchestra and a member of the New York Chamber Soloists, touring widely in Europe and North America. In 1975 he joined the Philadelphia String Quartet (in residence in the University of Washington in Seattle) with whom he played as first violinist and performed in Europe, North and South America, until accepting his current appointment as professor of violin at Indiana University School of Music in 1982. His interest in Baroque and Classsical violin dates from 1970 when he embarked on a collaboration with harpsichordist Albert Fuller which led to the founding in 1973 of the Aston Magna Festival. His association with this organizations workshops, academies and festivals continued for more than two decades. In 1974 he joined harpsichordist Elisabeth Wright in forming Duo Geminiani their recording of the Bach Sonatas for Violin and Obbligato Harpsichord earned has critical acclaim. Since then he has also performed with many other prominent musicians in the Early Music field, including Christopher Hogwood, John Eliot Gardiner, Frans Bruegghen, Roger Norrington, Malcolm Bilson and Anner Bylsma, and was for twenty years a member of The Mozartean Players with fortepianist Steven Lubin and cellist Myron Lutzke.

Foto: Oliver Oppitz

Recognized as a leading exponent of Baroque and Classical violin playing, he performs, teaches and lectures worldwide, most recently in Canada, Australia, New Zealand, Germany, Italy, Iceland and Austria. He is a frequent guest at Kloster Michaelstein in Blankenburg, Germany, where he gives masterclasses in Baroque and Classical technique and interpretation. He has appeared as soloist or conductor with a number of major Early Music orchestras, among them the Academy of Ancient Music, Tafelmusik, Philharmonia Baroque Orchestra, the Handel and Haydn Society Orchestra, and the New York Collegium. In July 2006 he was a member of the jury for the International Bach Competition in Leipzig, later directing orchestral concerts in the Accademia di Musica Antica in Bruneck, Italy, and the Skalholt Summer Festival in Iceland. He serves as Artistic Director of the Bloomington Early Music Festival. His recordings include Vivaldis Op.11 Violin Concertos with Hogwood and the Academy of Ancient Music (Oiseau Lyre); the Mozart piano quartets and the complete piano trios of Mozart and Schubert as a member of The Mozartean Players and a CD of 17th Century music for three violins and continuo entitled Three Parts upon a Ground, with John Holloway, Andrew Manze, Nigel North and John Toll, all for Harmonia Mundi USA; and selected Concerti and Serenate of Francesco Antonio Bonporti, with Bloomington Baroque (Dorian Discovery). His teaching career has led to pedagogical research and he is currently working on a method for Baroque and Classical violin.

Erich Hbarth, violin

Erich Hbarth was born in Vienna in 1956. He studied with Franz Samohyl and Sandor Vegh. He was a member of the Vegh-Quartet and an assistant at his master classes. Hbarth was first concertmaster of the Vienna Symphony from 1980 to 1987; concertmaster and soloist with the Concertus Musicus under Nikolaus Harnoncourt, and member of the Vienna String Sextet from 1979 to 2004. Since 1987, Hbarth has been a member of Quatuor Mosaiques. He appears frequently as a soloist with the Camerata Academica of Salzburg, the Vienna Chamber Orchestra, Chapelle Royal of Paris, the Baltic Philharmonia, RSO Vienna, the Vienna Symphony, and many others. He performs chamber music with Andras Schiff, Sabine Mayer, Elisabeth Leonskaja, and Miklos Perenyi among others. He was a guest professor at the Graz University of Music and taught chamber music at the Vienna University of Music. He has been professor of the summer academy Prag-Wien-Budapest and the European Chamber Music Academy for string quartet. Since 2000, he has been the artistic director of the Camerata Bern.

Foto: Oliver Oppitz

Roel Dieltiens, violoncello

Studied the piano for seven years, before taking up the cello at the age of 15. It turned out to be an excellent choice. Ten years later after his brilliant studies under the guidance of Andre Messens (Antwerp Argenteuil) and Andre Navarra (DetmoldSienaWolfenbuttel) he holds the most prestigious diplomas and academic awards. He has made an impressive musical career for himself ever since. Roel Dieltiens performed as a solo artist with such conductors as Frans Bruggen, Josep Pons, Philippe Herreweghe, Reinbert De Leeuw and he played chamber music with musicians of international renown. His specific approach and vision have brought him many prizes and awards, such as the Time Life Out Award (GB), Caecilia Award (B), Masque dOr (Canada), Diapason dOr (F), Choc (F), KLARA Music Award 2002 His performances are often taken as a reference. Thus, Roel Dieltiens was the first Belgian musician ever to be elected a member of the jury of the Moscow International Tchaikowsky Competition 2002. He is in high demand at international festivals and master classes. Roel Dieltiens is professor at the Musikhochschule Zurich Winterthur (CH), and at the Leuven (B) Lemmens Institute.

Dorothea Seel, traverso

Graduated in 1995 with a concert degree and B.A. with Prof. Irena Grafenauer at the Mozarteum Salzburg with distinction. Master classes with A. Nicolet, B. Kuijken and R. Guiot enriched her studies as well as the 37.th summerclasses for Contemporay Music in Darmstadt. In Salzburg she was a member of the ENM (Austrian Ensemble for Contemporary Music). In 1995 she participated in a production of the Vienna Philharmonic Orchestra in concection with the Mozarteum Orchestra at the Salzburg Festival under Riccardo Muti. Her deep interest in performance practice during the era of the baroque led her to an intense study of historic flutes with Lisa Beznosiuk in London. Since 1997, Dorothea Seel has regularly played principal flute with The English Concert, The Orchestra of the Age of Enlightenment, The New London Consort, Hanover Band, London Baroque and London Classical Players with conductors such as Simon Rattle, Roger Norrington, Trevor Pinnock, Renee Jacobs etc. She has toured as a soloist at the New York Lincoln Center, in Japan, New Zealand and in most European countries. She has also played at numerous festivals, for instance Salzburg Festival, Bregenz Festival, Hndel Festival Gttingen, Mostly Mozart Festival in New York, South Bank Centre, Proms and many more. You can hear her as soloist and member of the orchestra on recordings for the Deutsche Grammophon, Decca, Virgin Classics, EMI and radio recordings for the BBC and ORF (Austrian Radio and Television) as well as for the BR Television (Bavarian Television). She taught master classes for baroque and classic flute at Southampton University in England. Dorothea Seel has been living in Munich since 2001 and plays for Musica Antiqua Kln, Reinhard Goebel. She is planning engagements with Concerto Kln (Cologne) and the Salzburger Hofmusic with whom she will record a flute concerto of Myslivecek for 2005. In 2010 she records Bach- flute sonatas and founds the Barocksolisten Mnchen. Foto: Martin Tinkhauser

Andreas Helm, oboe

Andreas Helm studied recorder, oboe and methodology with Carin van Heerden at the Bruckner Konservatorium in Linz, where he completed his degree in 1999. Subsequently he studied baroque oboe with Alfredo Bernardini at the Conservatorium van Amsterdam graduating in 2002. From 2001 to 2003 he was principal oboe and solo recorder player with the European Union Baroque Orchestra. He is a member of the recorder trio Tricorders, the Rossi Piceno Baroque Ensemble and Schikaneders Jugend, a trio performing alpine folk music from around 1800s. In addition he plays both oboe and recorder with a large number of European orchestras including Wiener Akademie, LOrfeo Barockorchester, Les Talens Lyriques, Freiburger Barockorchester, Concerto Kln and Concentus Musicus Wien and the Irish Baroque Orchestra. He has toured extensively all over Europe, USA, Mexico, Singapore, South Africa and the Far East. He is the recipient of several international prizes and awards including the Bonporti Prize in Rovereto, Italy and the Gradus ad Parnassum award in Eisenstadt, Austria. Andreas Helm teaches regularly at the Aestas Musica Summer School of Baroque Music in Varadin, Croatia and at the Austrian Baroque Akademie in Gmunden. He is professor of baroque oboe at the Konservatorium Wien Privatuniversitt.

Foto: Oliver Oppitz

Johannes Hinterholzer, horn

Born in 1974, Johannes Hinterholzer completed his studies at the university of Music Mozarteum in Salzburg with Professor Josef Mayr and Professor Radovan Vlatkovic and had masterclasses with Wolfgang Wilhelmi and Peter Damm for modern horn and with Anthony Halstead and Andrew Clark for handhorn. Already as a student he carried several prizes at national music-competitions and in 1998 the First Prize at the Gradus ad parnassum Austria, what led to numerous invitations as a soloist and chamber musician. Since 1997 he is Principal Horn Player of the Mozarteum Orchestra Salzburg. Johannes Hinterholzer has appeared as a soloist with many distinguished symphony and chamber orchestras including the Mozarteum Orchestra Salzburg, the Brucknerorchester Linz, the Tokyo Metropolitan Symphony Orchestra, the Collegium musicum Copenhagen/DK, the Augsburg Philharmonic

Orchestra/D, the Vienna Chamber Orchestra, ... performing works of Vivaldi, Telemann, Mozart, Haydn, Schumann, Saint-Saens, Strauss, Britten,... In 2007 he gave his debut as a soloist with Mozarts KV 495 at the Salzburg Festival. Since 2000 he followed invitations for concerts on the principal horn position of orchestras, such as Berlin Philharmonic, Tonhalle Orchester Zrich, Mahler Chamber Orchestra, Camerata Salzburg, the chamberorchestras of Munich, Basel and Vienna, the Radio-Symphonieorchester des SWR Stuttgart, etc. One of Johannes Hinterholzers special subjects is playing on ancient instruments: baroquehorn and handhorn. Besides many recital programms he performes with Concentus musicus under Nikolaus Harnoncourt, Il Giardino Armonico under Giovanni Antonini, Les Musiciens du Louvre Grenoble under Marc Minkowski and many other international baroque and calssical ensembles. Apart from his work with orchestra Johannes Hinterholzer performes regurlarly as a chamber musician and took part at several international chamber music festivals, such as St. Gallen Festival, Festival con anima, Hakuba International Music Festival Japan, etc. In 2006 a Complete-Recording of Mozarts Hornconcertos with Johannes Hinterholzer, the Mozarteum Orchester and Ivor Bolton was released by the german Label Oehms Classics and has been acclaimed in the international press. In 2000, he became Professor for Horn at the Anton Bruckner University in Linz and since 2008 he is Professor at the Hochschule fuer Musik und Theater Munich.

Alberto Grazzi, bassoon

Alberto Grazzi studied bassoon at the Civica Scuola di Musica in Milan where he graduated under the guide of Prof. Virginio Bianchi. In 1985 he was asked to join the European Baroque Orchestra, marking his introduction to the early music world. Freelance with the main European baroque orchestras (Concentus Musicus Wien, The Sixteen Choir and Orchestra, Les Musiciens Du Louvre, Concerto Italiano and other) he has been for 12 years principal bassoon with Il Giardino Armonico. In 1990 he became principal bassoon of The English Concert with which he toured all over the world both as orchestral player as well as soloist. In 1989 he, together with his brother Paolo and Alfredo Bernardini, founded Ensemble Zefiro, group devoted to explore music repertoire in which winds have an important role. With Ensemble Zefiro he has recorded the awarded cd of Zelenka sonatas W.A.Mozart complete winds chamber music, Handel Water music and Fireworks music and Mozart bassoon concerto which is due to be released during 2009. He is regularly invited by Trevor Pinnock to join his newly formed group European Brandenburg Ensemble. Alberto Grazzi teaches in Milano at the Civica Scuola di Musica, at the Conservatory of Verona, and during summer courses around Europe. As soloist with The English Concert and Ensemble Zefiro, he recorded bassoon concertos by Vivaldi, Fasch and Mozart for the labels Sony BMG; Deutche Harmonia Mundi; DG Archiv; Teldec Classic; Astree Naive; Opus 111 and Ambroisie.

Foto: Glauco Ongari

Dorothee Oberlinger, recorder

Dorothee Oberlinger is one of the most amazing discoveries of recent years, an expressive virtuoso who - quite rightly - received numerous awards while still quite young. Today she is seen as one of the best recorder-players in the world. Her concerts have been received with enthusiasm by critics and audiences alike, earning her unanimous acclaim. Her CDs are regularly fted as the best new issues on the market. Dorothee Oberlinger has given solo recitals at festivals all over Europe, in America and Japan, for example at the Ludwigsburger Schlossfestspiele, the Musikfestspiele Potsdam, the Settimane Musicale Stresa, the Nederlandse Oude-Musik-Network, the Festival de Musica Antigua Sajazarra, the Warsaw Beethoven Festival, the Europische Musikfestwoche Passau, the Rheingau-Musikfestival, the Tage der Alten Musik Regensburg and the MDR-Musiksommer. Other venues in which she has played include the Wigmore Hall in London, the National Philharmonie in Warsaw, the Marianischer Saal in Lucerne, the Rose Theater in Fuji and the Philharmonie in Cologne. She has been the guest soloist with leading international Baroque ensembles such as London Baroque and Musica Antiqua Kln directed by Reinhard Goebel, and she also plays regularly with modern symphony orchestras such as the WDR-Rundfunk-Sinfonieorchester and the Detmolder Kammerorchester.

Dorothee Oberlinger collaborates particularly intensively with the top Italian ensemble Sonatori de la Gioiosa Marca, with whom she has given many concerts throughout Europe. Their joint CD of concertos by Antonio Vivaldi has received numerous awards from the international musical press. She directs her own Ensemble 1700, which she formed in 2003. Together they have realized a wide variety of projects relating to the music of the 17th and 18th centuries. In 2004 Dorothee Oberlinger was appointed professor at the renowned Mozarteum academy in Salzburg.

Fiorenza de Donatis, violin

Fiorenza De Donatis began studying violin at the age of six under Sister C. Lainati, continuing under T. Major, and in 1997, after finishing her secondary school state exams, completed her final examinations with honours at the Swiss Italian Conservatoire in Lugano under C.Chiarappa. Her studies continued at the Sweelink Conservatorium in Amsterdam under Lucy van Darl, where she specialised in baroque and classical repertoire performed on period instruments. In June 1999 she obtained a diploma of specialisation and in June 2001was awarded cum laude in the diploma as soloist. She has attended specialisation courses held by T. Varga at Sion, S. Ashkenasi at Saltzburg, and M. Comberti in London. Together with the violinist Andrea Rognoni, the violist Stefano Marcocchi and the celloist Marco Frezzato she is a founder-member of the AleaEnsemble which specialises in eighteenth and nineteenth century repertoire. The ensemble is mainly a string quartet but is at times joined by other instruments according to the needs of the repertoire. She has been a member of the European Union Baroque Orchestra, and performs on a regular basis with the ensemble I Barocchisti, the Amsterdam Baroque Orchestra, the Ensemble Zefiroand Europa Galante. She is first-part and regular member of the Accademia Bizantina. As part of these ensembles she has taken part in tours throughout Europe, Japan and South America, and has recorded for Arts, Astre, Chandos and Decca. In 2002 she received first prize at the International Competition of early music in Bruges and has been greatly acclaimed by both the public and critics.

Born in Parma in 1974, he studied viola obtaining a cum laude diploma at the Arrigo Boito Conservatory and chamber music with Franco Rossi, cellist of the Quartetto Italiano. Later his interest in philology led him to focus his attention on the study of authentic instruments. When he was still very young he has been member of the Gustav Mahler Jugendorchester and at the age of 23 he was already playing as first viola of the Orchestra Sinfonica Nazionale della RAI and the Orchestra da Camera di Mantova . Since 1998 to 2003 he has been the only Italian viola player of the Mahler Chamber Orchestra, where he has often led his section playing first viola and appearing regularly at the most important venues under the batons of Claudio Abbado, Daniel Harding, Mark Minkowski, Trevor Pinnock, Christopher Hogwood, Andras Schiff. He has been also invited by Claudio Abbado to join the Orchestra Mozart and the Lucerne Festival Orchestra. Since 2001 Stefano Marcocchi is the principal viola of Europa Galante and he regularly appears as leader of the viola section with Accademia Bizantina, Ars Musica Zrich, Ensemble Cordia, Ensemble Aurora, Ensemble Concerto, I Barocchisti, La Venexiana, Les Talens Lyriques and Zefiro. Together with violinists Fiorenza De Donatis and Andrea Rognoni, and cellist Marco Frezzato, he also founded Alea Ensemble, a chamber group that concentrates on repertoire from the eighteenth and nineteenth centuries on period instruments. Their recording of Boccherinis String Quartets op. 2 obtained the Diapason dOr and the Choc du Monde de la Musique.

Stefano Marcocchi, viola

Stefano Veggetti, violoncello

Stefano Veggetti obtained his diploma as violoncellist at the Conservatory of L Aquila. He subsequently won a scholarship to continue his studies in Philadelphia with Orlando Cole. After returning to Europe, fascinated by the sound of period string instruments, he attended master-classes with Anner Bijlsma and has since then played as a soloist and in chamber music ensembles with musicians who are specialized on period instruments (A. Bijlsma, S. Ritchie, A. Bernardini, O. Dantone, L Archibudelli, L Astre) in Europe, Mexico, Canada and the USA. He has appeared on both radio and television (RAI, Italy; RDF, Germany; RDP Antena, etc) and has recorded for Nuova Era (Italy) and Opus 111 (France). Since the year 2000, along with his Cordia Ensemble, he has worked on newly discovered chamber and orchestra music from the Baroque and Classic periods, which will be recorded by the label Brilliant. Stefano Veggetti teaches baroque cello at the Conservatory in Verona and at various master-classes across Europe and plays on the violoncello Nicola Gagliano (1737) ex Oblach, which is kindly provided to him by the courtesy of Baronessa Mariuccia Zerilli-Marimo.

Foto: Oliver Oppitz

Paolo Zuccheri, violone

Paolo Zuccheri was born in Bassano del Grappa (VI), Italy. He has studied contrabass with Prof. A.Rasi and Prof. G. Amadio, obtaining his diploma with full marks at the Conservatory Benedetto Marcello in Venice. Afterwards, under Prof. Biordi Paolos direction, he got a diploma in Viola da Gamba at the Conservatory Luigi Cherubini in Florence. His experience then increased by playing in classical orchestras (attending the Corsi di specializzazione per archi in Lanciano, under M G.Carmignolas direction and playing in the Orchestra La Fenice di Venezia, with the Virtuosi Italiani), while gradually his interest for the antique music and the baroque executive praxis has been taking shape. He attended the Stages Internazionali di musica antica di Lanciano (Ch) and those in Mondov (CN). In 1995, after having mastered his knowledge of this sector, he took part successfully in the audition of Orchestra barocca della comunit europea (E.U.B.O.). He established contact with renowned directors and musicians as Roy Goodmann, Monica Huggett, Andrew Manze, Lars Ulrick Mortensen, Jaap Ter Linden, Love Persoon, Mark Vallon, Antony Robson, Mark Minkowsky and, both as double-bass and viola da gamba player, performing in highly esteemed concert halls in Europe, America and Africa.In 1995 he won the audition as first contrabass of Les Musiciens du Louvre, baroque orchestra directed by M Mark Minkowsky . He has been playing regularly with this orchestra in the most important European and international ancient music Festivals as Festival international dart lyrique dAix en Provence (Lincoronazione di Poppea of Claudio Monteverdi), Wiener Konzerthaus of Vienna, Opra of Paris, Concertgebow of Amsterdam, Royal Albert Hall of London, Lincon Center of New York, etc. To his credit he has various discographic recordings of French baroque operas, such as: J.Ph. Rameau, J.B. Lully, M.A. Charpentier, and other composers as G.F. Handel, A. Corelli, J.S. Bach with solo players as Anne Sofie von Hotter, Gidon Saks, Denis Sedov and others for the Deutsche Grammophone Archiv production. In February 2001, together with a small Ensemble at real parts of Les musiciens du Louvre directed by J. M. Quintana (Viola da Gamba), he joined a tour, named LEurope baroque, in Indonesia (Jakarta), in the Philippines (Manila), in Singapore and Cambodia (Phnom Pen) in order to give Masterclass courses on the European baroque music. In 2005, in his capacity as double-bass player, he recorded Opera proibita with Cecilia Bartoli, for the English record Company Decca. Since 2005 he has been playing as first double-bass and viola da gamba player in the baroque orchestra FestspielOrchester Gottingen directed by N. McGegan. He is teacher of Contrabass and Violone at the Accademia di musica antica in Brunico (Bz). He is teacher by the laboratorio per la Musica e lOpera Barocca in Bazzano (Bo). He plays a Venetian contrabass Ignazio Ongaro dated 1780, a french Franciscus Medari dated 1700, a Brescia violone, copy G.P. Maggini guarded in England and a Viola da Gamba Paulus Alletsee dated 1700

Foto: Oliver Oppitz

Lutenist and theorbist, Franco Pavan collaborates with some of the most important Italian early music ensembles such as Concerto Italiano, Accordone, La Cappella della Piet dei Turchini, La Risonanza, La Venexiana as well as the UKs ensemble Trinity Baroque and performs with the following conductors: Rinaldo Alessandrini, Enrico Gatti, Alan Curtis, Julian Podger, Roberto Gini, Antonio Florio, Alessandro Ciccolini, Guido Morini. He has played in the most famous concert halls in Europe and around the world: the Konzerthaus in Berlin; the Konzerthaus in Vienna; The Musikverein in Vienna; The Cit de la Musique in Paris; the Auditorio Nacional in Madrid; the Teatro Colon in Buenos Aires; Toppan Hall in Tokyo and also in Uruguay, Chile, Mexico, Colombia, Brazil, China, Egypt, Morocco. He has recorded more than 40 CDs for the following labels: Emi, Virgin, Opus 111, Nave, Alpha, Cyprs, Glossa, Cantus, Accord and as a soloist for the Italian label E lucevan le stelle. He has won several awards such as the Gramophon Award, the Diapason dOr and the Premio Vivaldi promoted by the Giorgio Cini Foundation. He has made recordings for all the European radio stations and Italian, French, German, Spanish, Chinese and Japanese television channels. His solo CD Le Mouton Fabuleux, devoted to the compositions by French seventeenth century lutenist Charles Mouton, was named early music CD of the year by Italian magazine Amadeus in 2008. He duets with lutenist Gabriele Palomba, with whom he has recorded three CDs devoted to the sixteenth century lute repertoire. When the CDs went on release, they were named CDs of the month by Italian magazine Amadeus and were acknowledged as remarkable achievements in lute duet discography. After graduating in History of Music from the University of Milan, under Francesco Degradas supervision, he has also devoted himself to working as a musicologist and has published articles and essays on the history of the lute as well as on the early Italian Seventeenth Century. He has collaborated in editing the New Grove Dictionary of Music and Musicians and the Die Musik in Geschichte und Gegenwart repertoire and has been the editor of the facsimile editions of Francesco da Milanos, Pietro Paolo Borronos and Johannes Hieronimus Kapspergers works. With Mirco Caffagni, he has co-edited the complete works of Perino Fiorentino. He has also collaborated with the Teatro alla Scala in editing the theatre programmes. He has been a member of the Editorial board of the Journal of the Lute Society of America since 2001 and collaborates with the Centre dtudes Suprieures de la Renaissance in Tours as a scientific consultant on the Ricercar project. He is also a board member of the International Musicological Society Study Group as for what concerns the study of tablatures. He is lute professor at the E. F. DallAbaco Conservatoire in Verona.

Franco Pavan, lute

Lessons The courses are thought for students with period instruments (gut strings). The lessons will take place daily from 9:30 to 18:30/22:00. There will be available two correpetiteurs (harpsichord, organ) for the partecipants. Orchestra (23/07-27/07/2009) The rehearsals of the different registers will be supervised by a team of teachers. The musical director and conductor of the final concert will be Mr. Julian Podger. The subject of the course and the final concert will be the Ode for St. Cecilias Day by G.F. Haendel. Diapason A = 415 Hz Choir (23/07-27/07/2010) Mr. Julian Podger will work on the different movements from Ode for St. Cecilias Day as well as on other works for choir by G.F. Haendel, which will be performed in the original English version at the final concert in collaboration with the orchestra of the Academy. Soprano soloist will be Gemma Bertagnolli. Existing ensembles may work on their individual literature. We plan an evening concert with a-capella choir music and/or basso continuo. The lessons include choral voice training, English language coaching as well as a seminary on breathing and posture Diapason A = 415 Hz Final concert: 27/07/2010 Susanne Barknowitz Breathing and posture at playing music Playing an instrument is an action which includes the whole human being and is possible when a balance between body, soul, instrument and tone is reached. In order to reach this balance and to be able to sense and loosen blockades, Susanne Barknowitz will propose several exercises to work out suitable sitting and standing postures for musicians, so that their inner and outer movements may flow naturally.

Courses fees: Course/tutor Masterclasses Violin: Stanley Richie Violin: Erich Hbarth Violoncello: Roel Dieltiens Recorder: Dorothee Oberlinger Horn:Johannes Hinterholzer Oboe: Andreas Helm Bassoon: Alberto Grazzi Traverso: Dorothea Seel Lute: Franco Pavan Orchestral and choir stages Choir: Julian Podger Orchestra: Julian Podger, conductor Violin: Fiorenza de Donatis Viola: Stefano Marcocchi Violoncello: Stefano Veggetti Violone: Paolo Zuccheri Workshop Breathing and posture: Susanne Barknowitz individual coaching
1)

18. 19. 20. 21. 22. 23. 24. 25. 26. 27.

fee 250 250 250 200 250 250 250 250 250 250 150 150 150 150 50 +30
1

already formed ensembles 150 per person

- 20% reduction for students with student identity card

Passive attendants: 50

The enrolment fee has to be transferred at the moment of enrolment on the following bank account: CORDIA RAIFFEISEN BRUNECK IBAN: IT 30 Z 08035 58242 000300 241482 SWIFT BIC: RZSBIT21005 The fee (minus 10% processing charge) will be returned if the attendance at the course is cancelled prior to 20/06/2010. There is a limit in the number of students for every single course. Deadline for enrolment: 31/05/2010 Accomodation Convention with student hostel Josefsheim Bruneck, Ausserragen 16: double/twin room with breakfast 16/person, toilet outside the room. Attention: Limited offer! For further information please contact the office of the Academy by mail. Organisation Verein Cordia , St. Martin 70b, I-39030 St. Lorenzen (BZ) www.cordia.it Information: info.akademie@cordia.it

10 years ACADEMY of ANCIENT MUSIC

O | Bestetti Elisa, O | Calsamiglia Mendlewicz Victor, E | Campidell Gaby, I | Crazzolara Esther, I | Desgoutte Marie, D | Eckelt Marlies, D | Gasser Julia, I | Grosse Amrei, D | Gltekin Ali Riza, TR | Guerra Gian Andrea, I | Hohbach Thordes, D | Hhn Josef, I | Httich Jens, D | Imbalzano Elisa, I | Karlson Rebecka, S | Khnel Jutta, D | Larsdotter Sofia, S | Lempert Uta Maria, D | Lupi Erica, I | Maffei Cesare, I | Mair Heidi, I | Marberg Robert, S | Marcant, Emanuele,I | Mas Lorenz, I | Matt Sarina, LIE | Meipariani Natalie, D | Mijatovic Lijljana, I | Monti Davide, I | Mutschlechner Barbara, D | Nowak Anna, PL | Oberhuber Christina, A | Olsen Eveleen, CH | Palfrader Barbara, I | Paredes Boris, VEN | Piantoni Marco, I | Pouri, Zoi, Violine, GR | Pramsohler, Johannes, Violine, I | Roca Gas, Maria, Violine, E | Romaner, Lorenz, I | Schmidt, Burkhard, Violine, D | Schmidt, Martin H., Violine, I | Schumann Anne, D | Schumann Toni, D | Stankiewicz Anna, PL | Stoffer Sabine, CH | Stoll Ursula, I | Swiatkowska Agnieszka , PL | Tieppo Massimiliano, I | Toscani Gabriele, I | Uhde Katharina, D | Uneback Sara, S | Valova Viola: Bunke Angelika, D | Calzolari Nicola, Viola, I | Capuzzo Giulia, viola, I | Di Sante Caterina, I | Gaidano Daniela, I | Hhn Josef, I | Laghi Simone, I | Mannozzi Mirco, I | Marchi Maria Gabriella, I | Palma Barbara, A | Pomeranz Andrea, I | Romaner Elisabeth, I | Soncini Valentina, I | Syndhagen Elin, S | Forni Martina, I | Voigt Klaus-Dieter, D | Cello: Andersson Ingrid, S | Baubkus Ricarda, D | Bracalente Federico, I | Braidi Antonio, I | Brigadoi Ivo, I | Coloccia Antonio, I | Feichter Marion, I | Finarelli Marianne, I | Gardini Michela, I | Godefroy Hlne, F | Gusberti Gioele, I | Huber Petra, A | Jellici Alex, I | Knieper Sara, D | Lavarias Ferrer Paula, E | Leon Felipe, MEX | Neckelmann Arne, D | Pante Teresa, I | Pegoraro Giordano, I | Pimeck Dalibor, CS | Pite Perikli, AL | Ponzoni Valentina, I | Priante Irene, I | Romaner Franziska, I | Spada Daniele, I | Toffano Federico, I | San Martini Pietro, I | Dal Bianco Marco, I | Rodilosso Cristiano, I | Kontrabass/contrabasso: Bandy Amalia, USA | Barbieri Nicola, I | Burci Matteo, I (D) | Busato Diego, I | Calvaresi Roberto, I | Coelati Riccardo, I | Coticoni Matteo, I | Di Giovannantonio Francesco , I | Gianolli Piero, I | Gradozzi Giacomo, I | Hackhofer Ulrike, I | Kolb Hubert, I | Liva Valeria, I | Lo Cicero Marco, I (NL) | Mart Sanmarti Ayala, E | Marzetti Luca, I | Mist Federico, I | Salario Roberto, I | Sticher Christine, D | Zahourek Jan Robert, USA | Zerlotto Anna, I | Cembalo: De Zuani, Chiara, I | Veronese Bruno, I | Iliopoulos, Panos, GR | Organ: Ranalter, Martin, I | Recorder: Bellmann Annette, D | Bodini Matteo, I | Cozzini Elisa, I | Feller Lisa, A | Mair Maximilian, I | Niederwolfsgruber Petra, I | Pircher Birgit, I | Schwingshackl Victoria, I | Spielmann Magdalena, A | Oboe: Alliende Piwonka Vernica, CH | Antonello Michele, I | Baumer Elisabeth, A | Comploi Priska, CH | Favaro Michele, I | Giudice Pietro, I | Harhard Chris, | Knchlein Astrid, D | Marino Pietro Paolo, I | Meraner Thomas, I | Smith Allison M., | Bassoon: Caso Cordula Maria Francesca, I | Horn: Berlato Sella, Carlo, I | Giuliani Eduard, I | Puliafito Franco, I | Rinesch Martin, D | Tsubasa Saito, A (J) | Trumpet: Anzolin Luisa, I | Panizzolo Federico, I | Ptzold Hagen, D | Pia Jonathan, I | Lute: De Abrantes Diego, ARG | Suez Samir, ARG | Suzuki Akiko, J | Tecnical course: Comploi Daniel, I |

Partecipants 2001-2010 Violin: Aichner Barbara, A | Arata Carlotta, I | Bandini Dos Santos Rodrigo, I | Bandy Dorian, USA | Barbon Maria Luisa,

Tutors 2001-2010

Azolini, Sergio, bassoon, I | Barchi, Michele, Cembalo, I | Barknowitz, Susanne, breathing an posture, D | Bernardini, Alfredo, orchestra/oboe, I | Bertagnolli, Gemma, soprano, I | Busch, Christine,violin/orchestra, D | Cantalupi, Diego, acoustic engineering, I | Coin, Christophe, orchestra, F | Cooper, Gary, orchestra GB | Eguez, Eduardo, lute, guitar, RA | Giordano, Gloria, dance, I | Hinterholzer, Johannes, horn, A | Hbarth, Erich, orchestra, D | Immer, Friedemann, trumpet, D | Marcocchi, Stefano, viola, I | Oberlinger, Dorothee, recorder, D | Podger, Rachel, violin, GB | Ritchie, Stanley, violin, USA | Schumann, Anne,violin, D | Veggetti, Stefano, violoncello, I | Zejfart, Petr, recorder, CZ | Zuccheri, Paolo, violone, I |

We thank the Stiftung Sdtiroler Sparkasse for the support to the Academy of Ancient Music during these 10 years